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Lotus Member
(06-18-2012, 03:12 AM)
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I see you girls are trying to make 4 happen again...
![]() I just can't change my opinion on that album. In fact, "4" is one of the few albums I've listened to where my opinion of it didn't warp or evolve over time. My opinion? A technically competent but erratic mess. Vocally, "4" serves as a wonderful showcase for Beyonce's maturity and technical ability. In fact, "4" is the album that convinced me that Beyonce had risen to Christina's level, not just in range, but in technical ability as well. However, she overdoes it a lot on the album. In fact, whenever I say in this thread (and the DJ room) that Beyonce oversings way more than people bash Christina for, I'm specifically thinking about "4". The biggest culprit: Countdown - which has to be the most schizophrenic song I've ever heard. From the beginning when she starts out with some sort of faux-Rihanna patois, then the rapping in the bridge, to the scales she's running up and down throughout the entire song. It's just a vocal scattershot, and I challenge anyone to find an Xtina song (or any other song by a Pop/R&B artist) that is so manic. And it's not just the vocals, but the lyrics, as well. She goes from proudly proclaiming love for her man, to borderline threatening her man, to repping her city. No wonder the song flopped: listeners probably didn't know how to take it. But she does sound great on a lot of the songs, which is why I think a lot of her stans hold it up as her best work. But lyrically and production-wise, she's been to much more interesting places, in my opinion.
Last edited by royalan; 06-18-2012 at 03:28 AM.
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'Wait and Hope'
(06-18-2012, 04:33 AM)
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I don't think that is an example of overdoing it. Those runs at the end of I Care, aside from being the only interesting part of the song, are also really, really well done. They might be indulgent, but this is pop music; indulgent is practically the name of the game. When I think oversinging, I think of runs that make no sense with the song (mind you, this is from a lay perspective) appear to just be thrown in haphazardly. I think of going for things that are beyond your ability to produce well. Beyonce has done the former before - and maybe the latter as well, though I can't think of it offhand - but I don't think anywhere near as often or as consistently through her career. But I will say that I was listening to her Grammy Performance with Jennifer Hudson a few weeks ago, and it's honestly shocking how small her voice sounds when it isn't being amped up so much with reverb. And Leona and I were listening to a collection of C5 - E5 notes earlier today that included various singers - Whitney, Lara, Mariah, Shirley, Streisand, Chaka, Celine, Beyonce, etc. - and the one thing that was really, really noticeable was how tinny and unimpressive it sounds by comparison. Granted, I knew that her technical ability was much better than, say, the size of her voice but hearing it like that put it in better perspective. |
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Lotus Member
(06-18-2012, 04:53 AM)
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Example 2 Heck, just count all of Countdown as one big example. I do agree that some level of indulgence is expected (I mean, look at who my fave is). But there's a line between indulgence and "Hey! LISTEN! LISTEN TO WHAT I CAN DO!" And I think Beyonce crosses that line on 4 more than any other album. |
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'Wait and Hope'
(06-18-2012, 05:32 AM)
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I like "Hey! LISTEN! LISTEN TO WHAT I CAN DO!" - if they back it up. And Beyonce usually does. Yeah, what you linked to was indulgent. But it was good. There isn't really anything in there that compares to Christina's straining or hoo-hahing or general randomness. I mean, these things you criticize Beyonce for, Christina does them far more often and far more egregiously. She does "Hey! LISTEN! LISTEN TO WHAT I CAN DO!", but doesn't really back it up as well.
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Lotus Member
(06-18-2012, 05:41 AM)
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I won't deny my fave's tendency to indulge and occasionally oversing. But rarely does she do the Beyonce thing: i.e. fill her songs to the brim with vocal exercises you learn in your first year of lessons. Christina tends to prefer grittier runs, yes, but that's because she's a more "Soulful" singer than Beyonce is - and ultimately I prefer her style since her runs fit the tone and theme of her music more often than not. Whereas with Beyonce, I'm often left wondering exactly why she's running up and down the chromatic scale at any given time. |
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'Wait and Hope'
(06-18-2012, 06:20 AM)
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![]() Save yourself a copy. ;)
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I'm asking honestly; I don't know.
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I don't see how Christina's runs fit her music at all. They sound out of place in the song. They sound as if she has suddenly decided that she wants to do "something" and hasn't planned it out or doesn't have the musicality to improvise and have it make sense. And it isn't that they sound gritty; they sound strained. To me, Haley sounds gritty. She doesn't sound strained. Mariah on AYNAF:C&C sounds gritty. She doesn't sound strained. But Christina often sounds strained. Now this might just be a misperception of her based on performances that aren't as recent. Or maybe they are soulful and you can show me examples of other soul singers doing similar things in their songs? Or maybe while her belting is still painful, I am suffering under the same delusion I once was with regards to Beyonce (e.g. that she lacks taste and discretion when it comes to runs and melisma; she's clearly had a marked improvement over the years). Maybe Christina's gotten better at reigning herself in and not just sort of going random all over the place with her runs. I cannot really say for sure. So do you have examples that show this sort of improvement where she is doing runs, but they are sensible? And not that damnable Porgy and Bess performance please. It isn't a patch on my favorites. Leontyne owns that role and Whitney was amazing on I Loves You Porgy |
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Lotus Member
(06-18-2012, 09:24 AM)
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(which makes it all the more annoying when she overdoes them, but that's just me.) For example, Mariah here (My favorite Mimi run, btw) and Christina here have more in common than the type of run Beyonce tends to stick to - which is really going up and down a scale with some flourish, and not full-on interpretive moments that Mimi and Christina go for.
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And those types of runs require way more improvisational skill to pull off than what Beyonce does, because it is so much easier to spiral off melody or sound bad. Of course, in the case of all these singers these performances have been rehearsed to hell and back, so nobody's actually improvising here. Beyonce's style of runs I would describe as...I dunno, classical? To me it sounds weird to hear her randomly run up the chromatic scale while singing an R&B song.
Last edited by royalan; 06-18-2012 at 09:27 AM.
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sputum-flecked apoplexy
(06-18-2012, 11:43 AM)
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Member
(06-18-2012, 01:38 PM)
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FlatAss_
(06-18-2012, 05:01 PM)
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Member
(06-18-2012, 05:36 PM)
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The Hag is filming the video for TURN OFF THE RADIO in Florence, apparently.
![]() Officially one of the worst choices from the SHITPIT that is MDOA and quite unfortunate that we've now got confirmation that this is a single. ;_; Where is IM ADDICTED or LOVE SPENT tbh Fuck even SOME GIRLS or BEAUTIFUL KILLER would be better choices CHRIS HUN sorry for some reason the DJ ROOM has been BREAKING for me so I might as well go to bed :(
Last edited by Nemesis_; 06-18-2012 at 05:45 PM.
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Member
(06-18-2012, 06:05 PM)
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Member
(06-18-2012, 06:44 PM)
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I LOVE E=MC˛. I like the majority of the tracks. The ballads are flawless: I stay in Love Love Story Last Kiss Thankx 4 Nothin' For the Record I wish you well I'm not worthy ![]() Nope, I didn't forgot about Bye Bye. Don't like it
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Member
(06-18-2012, 07:25 PM)
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http://muscle.iuhu.org/2010/02/the-s...-year-old-boy/
He looks more manly than the dude from Wrong Direction tbh |
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Member
(06-18-2012, 07:37 PM)
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