|
Banned
(05-04-2012, 11:13 PM)
|
#4151
I said none of the judges say anything useful. Jimmy is the only one that does, but if you want to claim Jimmy Iovine doesn't know what he's talking about, you're free to make that incredibly misguided assertion.
|
|
|
|
Honourary member of the SISTERHOOD
(05-04-2012, 11:28 PM)
|
#4152
Every season without fail some dumbass comes in the thread thinking he knows how to sing properly and does this. You're just the one for this thread. |
|
Banned
(05-05-2012, 12:14 AM)
|
#4153
|
|
'Wait and Hope'
(05-05-2012, 12:47 AM)
|
#4154
This is a good explanation, with examples of different types of placement (resonating in the mask, resonating in the head, or mixing (creating an even blend of chest / head tones) and examples of singers doing specific things wrong (uneven mixes with too much head or too much chest tones; attempting outside of one's range; supporting notes from the throat; resonating in the nasal cavities, failure to maintain a neutral (or even slightly lowered when going for a high note) larynx, etc.) and things that can go wrong (loss of power, loss of tone, loss of resonance, more difficulty sustaining notes, cracking, and simply long term vocal damage). There's not only one correct way of belting a note (e.g. Whitney resonating in the mask, Mariah resonating in the head, and Aretha mixing are all correct ways of belting a G5), but there are some things that are simply incorrect.
I'm not going to pretend that Skylar's belts are perfect, because they obviously aren't. But she generally placed them well, had good resonance, and I at least couldn't hear any obvious signs of strain. Hollie and Jessica both had problems with belting specifically that she was not having.
Quote:
Quote:
But for the record, he's not tossing away credibility if hardly anyone is able to recognize when he's wrong about some technical comment. |
|
Banned
(05-05-2012, 01:08 AM)
|
#4155
Adam "screaming by design" wasn't intended to mean he's simply screaming. That's how he reaches his big notes. It's by design. Completely. The difference between Hollie and Skylar is that Hollie (and I guess Jessica as well) is that Hollie stays on pitch and continues to sing even when she's not "belting" with full power. Skylar's problem is either she simply can't sing big notes with any consistency, or she lacks confidence, so when she gets to those notes, she screams instead of sings, and it's very noticeable, and it sounds terrible. It's a crutch. Katy Perry does it all the time live. Her second song the other night was atrocious. I remember earlier in the season when the volleyball player (I think her name was Shannon) attempted to sing her big notes and she just lost it. She would have stood a better chance following the Skylar method of screaming the notes instead. She would have appeared to have been on pitch at least. It would have sounded as bad as Skylar, but it wouldnt have sounded like the trainwreck it turned out to be. And that's the risk Hollie and Jessica run each week - failing to sing their big notes, whereas Skylar "cheats". With a lot of coaching, I'm sure she can gain the confidence to stop doing that, but I dont think her voice is unique and interesting enough to make it big. To me she sounds like a low-rent Reba.
You clearly know a lot about vocal performance, and I respect your opinions and knowledge. I have zero respect for people that call others "dumbass", claim to be knowledgeable about something but can't seem to offer an intelligent opinion outside of an insult. I appreciate you treating this like an actual conversation. I respect your opinion, and I wouldnt mind hearing which of the singers you feel is going to have a future in the business. From Entertainment Weekly about Phillips gum (this is why the guys win this show so much): Oh, and for those wondering what happened to the gum Ryan Seacrest confiscated from Phillip Phillips and unsuccessfully tried to lob at Jimmy for suggesting that the purdy pawn-shop troubadour deserved to be eliminated, Seacrest bent down on one knee, ripped off the gum side of the results card and gave it to one so-excited-she-was-vibrating teen at the foot of the stage, instantly making her the envy of the cheer group she came with. And the complete idiocy of Randy calling this final 5 the best. Ugh. Would you take these 5 or would you want: Elliot Yamin Chris Daughtry Taylor Hicks Katherine McPhee Paris Bennett
Last edited by Baconsammy; 05-05-2012 at 01:30 AM.
|
|
Member
(05-05-2012, 02:32 AM)
|
#4156
My thoughts while watching the show:
THE 60s Hollie: - WOW! Hollie killed it! LOVED IT! GO HOLLIE! - OMG! The judges are being nice to her. I thought she deserved a standing ovation though Phillip: - I love Jimmy, I'm glad he's not as useless as the Judges - Skipped the performance by my BFs request, I'm sure I didn't miss anything - I hate when the judges say "Phillip Phillips'd". It's not an actual word and they should stop using it. Skylar: - She was very fun to watch, though I wish I knew the song. She's so full of life, sad to know she's gone :'( Jessica: - I loved the beginning but I felt like she was shouting during the rest of the song but it's probably the way that song should be sung. She was fierce though. Joshua: - I hate how he sings and the songs he chooses but I can't deny he's very good at it. Just a bit cliché BRIT POP: Hollie: - WOW!!!! She did an excellent rendition of that song. I was slightly dissapointed by how she changed the big note where it goes "I will wear these scars..." but I guess she wanted to make it her own and she nailed the final big note anyway! Phillip: - I'm glad I watched this one (while the BF went to his PC) because he was SO BAD ON THOSE HIGH NOTES! It was so painfully awesome to watch - WHAT THE FUCK!!!!! THE JUDGES ARE ACTUALLY PRAISING HIM FOR THIS PIECE OF CRAP???? I'M DONE WITH IDOL!!!! (not really but maybe I should be) Skylar: - Once again, I didn't really know the song. I thought it was pretty nice though. Jessica: - Much better than before! So beautiful! Those high notes gave me chills, even though I thought she kinda went a bit off-key on the last one. Joshua: - Didn't really pay attention to this one since it was the last song, I didn't know it and I don't really like him |
|
Honourary member of the SISTERHOOD
(05-05-2012, 03:39 AM)
|
#4157
|
|
'Wait and Hope'
(05-05-2012, 03:51 AM)
|
#4158
It's just that when you say screaming (even "by design"), I think of the vocal production of "screaming" which is not the same as the vocal production of mixing. I'll just assume you're talking about the same thing but calling it something different.
Quote:
You're either misremembering or just not listening for it, because that's pretty much the exact opposite of what's happening. Listen to Hollie in this song again. She's flat, flat, flatter than flat, especially in the beginning, and the problem continues throughout the performance. And she's like that in many of her performances - unsupported and flat on any note that is supposed to be sung at a low volume or on lower notes or on head voice notes (as you surely can hear when she attempts a couple of those at the beginning of that song. And yes, she even has pitch problems on the big sustained belts as well. I don't know how you can say that, since pitch problems have been Hollie's biggest issue.
Quote:
Quote:
And how does Skylar cheat? She's producing the notes correctly; she's not screaming to hit them. She wouldn't sound as controlled and she wouldn't have the same resonance or vibrato if she were shouting or screaming to hit her notes.
Quote:
Quote:
Edit: See, I told you he has no patience. He admits it. |
|
Banned
(05-05-2012, 04:26 AM)
|
#4159
Pitch on the "money" notes is NOT Hollie's problem. Passion, conviction, and as you pointed out - flat on the low notes was her problem. Hasn't been a problem for a few performances, but the damage was done weeks ago and now despite singing better than anyone else, she's bottom 2/3 every week. Haley suffered a similar fate last year. It's odd considering how terrible Jessica's been on low notes as well, and a complete trainwreck on nearly every single group number. But Jessica has the benefit of every judge constantly reminding America of how "SHES ONE OF THE BEST SINGERS IN AMERICA, YO!". That's quite an advantage to have. Again, reminds of Haley blowing everyone away and the idiot judges giving her shit while at the same time felating Scottie McShitty.
I love Jimmy's honesty. He knows what this show has become (little girls voting for cute boys). I wish they'd dump the useless judges and replace them with competent folks. Harry Connick Jr for one. But as long as Nigel is running the show, it won't happen. They're getting exactly what they want (although less and less of it with each passing week it seems). As for the insulter, I don't think he has no patience. I think he/she has no knowledge, so when called on something he/she resorts to insults. No big loss. |
|
Banned
(05-05-2012, 04:36 AM)
|
#4161
|
|
Member
(05-06-2012, 12:07 AM)
|
#4163
On a way different note, do you all think Bo could have beat Carrie if instruments were allowed back then?
Last edited by JCX; 05-06-2012 at 12:20 AM.
|
|
the piano man
(05-06-2012, 12:21 AM)
|
#4164
Proper belting is always recognizable, singers, all of them mix between belting properly or downright screaming, depending what they want to achieve, the song, the day, the hour of the day, the mood and everything, no one is a "forever belting"
Example: Katharine Mcphee 2006, live, the last high note in 3:19, that's the best example of belting I can come up with. the same song during the competition, the same note in 3:09 the tone is poorly sustained in comparison, no belting. |
|
Why won't homeless people take my money????????
(05-06-2012, 12:52 AM)
|
#4165
Interesting question. It's possible that he could have won since instruments seems to always enhance a singer's performance. And add that to the fact that Bo is said to have lost by only a few hundred votes.
|
|
Banned
(05-06-2012, 03:14 AM)
|
#4166
|
|
'Wait and Hope'
(05-06-2012, 04:19 AM)
|
#4167
Quote:
Also, I don't know if you didn't know, but you can add "#t=#m#s" to the link to take someone directly to the part you're talking about. For me, this belt is pretty much textbook. So is this, and even more powerful. They're both very powerful, resonant and sustained belts. By contrast, here's an awful example by Jessica Simpson (hitting the same note they were).
And I still didn't think she was singing better than Skylar. She had a bigger voice, probably. She didn't have a better lower register (they were both mediocre, but I don't remember Skylar having the sort of flat-the-entire-time pitch problems Hollie was having), she didn't have better belts (bigger voice, yes; better technique, no), etc. |
|
Banned
(05-06-2012, 04:32 AM)
|
#4168
|
|
the piano man
(05-06-2012, 12:51 PM)
|
#4169
I really don't think the video from Mariah you gave is "the" textbook belting passage of the decade. It's is a good example but not better or worse than Macphee's last tone in that gala. Those videos are good for comparative purposes, it ilustrates the difference between an open (almost screamed), unsustained, even pitchy tone (Macphee in the competition) and a rich, full, sustained powerful and stable tone (Macphee live in 2006), by the same person with the same song
Belting is just using your diapraghm properly in order to give your tone stability and a "body", sorry this is the one topic I can't express myself properly in english, it's hard to explain so I'll leave it there. and sorry, didn't know about the minute/seconds thing in youtube. |
|
Member
(05-06-2012, 01:39 PM)
|
#4170
I still think Clarkson was one of the best belters that came from the show. She didn't perform at her best "during" the show's run, but she has done some incredible vocals during her career since. Personally think her best vocals were around the "Since You've Been Gone" popularity days. Her "unplugged" type and other live performances have sounded incredible. She rarely goes into head singing and attempts to keep everything in her true range.
Singers like Christina Aguilera that always go between head singing and belting really annoy me. She's good at runs, but her range just is not at the same level as more recent talent. Not sure that Christina Aguilera would be capable of winning AI with just her vocals. |
|
Banned
(05-06-2012, 01:47 PM)
|
#4171
|
|
'Wait and Hope'
(05-06-2012, 03:11 PM)
|
#4172
I'm assuming it was accidental (because you said this is a topic where you can't express yourself properly in English), but I did not say that the belt I linked to was "'the' text book belting passage of the decade" (especially since it happened 19 years ago!). I simply gave it as a better example of a belt that was textbook. By changing the words, you seem to be trying to arguing against an overzealous position that I'm not presenting. And the contrast between those videos isn't nearly as powerful as the contrast between Mariah's (or Whitney's), which was a better belt than Katherine's - more powerful, more resonant, better projected, better placed, better supported, possessed a better ring - and between Jessica's note, which was sung with a high larynx, supported in the throat, and with a super tense jaw. The second note of Katherine's wasn't nearly as bad as that one. It is sort of ridiculous to be sitting there saying that Katherine's note is as good as what Mariah (or implicitly, Whitney) did. That said, it wasn't really important that I chose those two belts as the point of contrast with the Jessica Simpson belt. Charging a dime a dozen for belts that are better than the 2006 belt you linked to would be highway robbery because they're so common. If those belts are the best you can come up with, you need to listen to more music, because that belt was barely average. I'm sort of stunned that someone is seriously arguing that that belt by Katherine MacPhee is that good.
She might need help in the studio; I don't know (and frankly, don't care); that doesn't make her worse than Hollie. Some voices just don't record well. Perhaps she doesn't feel comfortable singing in studio and doesn't do as well. I don't really know why she doesn't sound as good in studio, but I do know that if a singer sounds better / worse live as compared to in studio, the live performance is usually more indicative of their off-the-cuff, one-take ability. |
|
Banned
(05-06-2012, 03:21 PM)
|
#4173
|
|
'Wait and Hope'
(05-06-2012, 03:35 PM)
|
#4174
I'm already skeptical as it is about your knowledge when you were the one arguing that Hollie didn't have pitch problems even when not singing on full power, something that even a cursory listen to the majority of her performances would tell you is untrue - and is something that you backpedaled on when reminded of it (though you still stuck to the idea that her pitch on money notes is spot on). But you're still wrong about Skylar's belts being screamed and you've been presented with examples again and again where she wasn't. Your examples where she was screaming remain conspicuously absent. |
|
Banned
(05-06-2012, 03:50 PM)
|
#4175
No they're not. The 2nd song she sang last week, she screamed. Jimmy also noted it. And in order to provide other examples, I'd have to listen to her awful performances again. Not subjecting myself to that. For numerous weeks, Jimmy noted that the contest was between Jessica and Hollie. He knew who the best singers were, but your claim is that he's biased. I call bullshit on that. Provide proof he's being paid to be biased and you might sway me. I have nothing against Skylar other than she's an average-at-best singer on a show I'm watching. Hollie's an infinitely better singer. Just not a better performer at this point, although last week she outperformed and out-sang the lesser talented Skylar. I can agree to disagree with you and move on. Have a great rest of your weekend.
Last edited by Baconsammy; 05-06-2012 at 04:05 PM.
|
|
Honourary member of the SISTERHOOD
(05-06-2012, 04:14 PM)
|
#4176
smh
|
|
'Wait and Hope'
(05-06-2012, 04:21 PM)
|
#4177
Quote:
Quote:
My claim was not that he was 'biased.' My claim was that he was wrong. Those are two different claims and you're being dishonest by presenting a strawman like that and demanding that I prove a position I don't have. So, to sum up: You won't provide examples of what you're talking about. Your only source is Jimmy's comments, because you're unwilling to find them in the songs. You apparently think that Jimmy Iovine cannot be wrong about comments about singing and repeat whatever he says as gospel. When challenged on something he says, you start flailing with disingenuous demands that I prove that he's biased or being paid to lie. Given that the judges have been known to lie for I don't know how many seasons now, that we know that the producers try very hard to present narratives and put singers into archetypal boxes (e.g., the country girl, the belter, the diva, etc.) and we will hear nearly identical judging comments for the same performers week in and week out regardless of whether the performance deserved it (See incessant criticisms for Haley last year; see standing ovations for mediocre performances from Joshua this year), it is more than a bit naive for you to simply assume that Jimmy is coming into this process and is necessarily the voice of complete honesty and reason. But I don't need to say that he's lying or being dishonest. He could be, and I think it's a perfectly reasonable thing to suggest given that richer and more successful people than him have sat on that show and lied through their teeth, but it isn't important that he's biased or compromised. It matters that he's wrong. I know, I know. I try, and look what I receive. |
|
Member
(05-06-2012, 07:12 PM)
|
#4180
I don't mean to talk out of turn, but Skylar's not a screamer. She's as much of a belter as any other person is. There's a pushed, forced, and sort of clipped sound associated with screaming that Skylar avoids in the performances I've heard of hers. She can also sustain notes and she's been able to get up into that belty area even after all her time in competition (something Jessica and Hollie have problems with). You can't do that when you're screaming.
I guess I'd call her a "fierce" belter more akin to Stephanie J. Block or Carrie Manolakos with an added nasally twang. (I don't think they're technically accurate examples, but they're the first two that came to mind) If you wanted to use a pejorative to describe her, saying that she "yells" would be a bit more accurate because she's very loud and forward placed. But, granted, even that's not right. But if I had money in this game (I don't), I put more importance on how well someone connects to what they're saying and opens their emotions up to the audience than how well you can place a note. That's probably why I've liked Joshua's performances the best. 'Cause I'd rather you be overly histrionic (if it's comes from a real place) than be cold like a block of ice or have no emotions at all.
Last edited by lenovox1; 05-06-2012 at 07:34 PM.
|
|
Banned
(05-06-2012, 07:21 PM)
|
#4181
Or sing a song like Fortunate Son as if it were feel-good party anthem. That was embarrassing. Worse yet was Deandre's complete lack of understanding about what Only The Good Die Young was about. Hollie also appears to lack a connection with her songs. I'd say the same about Jessica, but I don't think she ever bothers to try to connect. She's like a singing robot. Joshua may sing in a manner that I hate, but you're right that he connects with the lyrics. Impressively so.
|
|
Member
(05-06-2012, 08:25 PM)
|
#4183
|
|
'Wait and Hope'
(05-06-2012, 08:53 PM)
|
#4184
Someone I can agree with. <3 I wasn't sure if it was an artistic choice or if her voice was just tired and she didn't do as well as she might have otherwise, though.
Quote:
|
|
Member
(05-09-2012, 04:27 PM)
|
#4185
Top 4 song spoilers with my guesses next to them.
California Dreamin' Have You Ever Seen the Rain - Jessica Steal Away - Joshua You Raise Me Up - Hollie Faithfully - Phil Song They Wish They Wrote: And I Am Telling You - Jessica, probably with pimp spot, even though Joshua would do better with this. I Can't Make You Love Me - Hollie Volcano- Phil It's A Man's Man's World - Joshua Duets: This Love: Phil and Hollie Eternal Flame: Jessica and Joshua
Last edited by JCX; 05-09-2012 at 04:30 PM.
|
|
Member
(05-09-2012, 07:58 PM)
|
#4190
I now refuse to read this thread before I watch the show (I am west coast). You guys always wonk up my impressions with your delusions. Some days I think B- is as high as people in this thread can comprehend. I almost think people post their reviews without having ever watching the show considering how disconnected and repetitive they are. Its like everyone is so scared to change their opinions that they just go "Hrm Hollie....shes bad I hear....I am definitely not allowed to think she is good....B- then."
/endrant I honestly thought Hollie slayed last week. Absolutely destroyed. She did RDMH far beyond what I thought she was capable of. Bleeding love was not AS good but was still easily one of the better performances of the night. |
|
Banned
(05-09-2012, 08:08 PM)
|
#4191
She did slay last week. She was far and away the best of the bunch last week.
|
|
Member
(05-09-2012, 11:17 PM)
|
#4195
I agree that praise is ridiculously out of sync with reality, but that is more of the judges' fault.
|
|
Banned
(05-09-2012, 11:45 PM)
|
#4196
When I say an act is good, I mean they're TV Singing Show Competition good. None of these people are naturally gifted performers/artists. Kelly Clarkson was one of the few people that was clearly different (while on the show). Some of them blossom afterwards, but Kelly did it on the show.
|