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NotTheGuyYouKill
Member
(Yesterday, 04:20 AM)
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So, this is a Spoiler thread discussing the plot and implications of Assassin's Creed: Black Flag. I did a search but didn't find a thread. All spoilers are UNMARKED.






So what'd you guys think of Edward's journey? I read some plot details from the AC Novel 'Forsaken', dude's life takes a pretty shitty turn after that semi-optimistic ending. The first half of the plot was sorta meh. I liked Edward, he was a totally unabashed dick, but then when shit started raining on him, he became kinda interesting. Great voice actor. I guess it was around him getting marooned he started to get interesting. Man, pretty much all his friends died. I did end up liking him a lot and that he his journey was to become selfless and humbled after all his suffering.

Bartholomew Roberts was such a weird villain. So he's a reincarnation of one of the Alien Precursor god-dicks? That guy had the weirdest accent and line delivery, but I loved it.

The Observatory, I will admit, was a really cool-if-nonsensical plot device. The ultimate surveillance machine. Loved it being a Crystal skull, and the whole sequence leading up to the discovery of it and then again coming to kill Torres was atmospherically really nice. The death sequences for his targets were nicely changed. Some survived, some were spared, and he wasn't an Assassin for most of them.

The modern day stuff remains mostly incomprehensible, but I guess the Ubi parody stuff was amusing. It's a nice breather, I guess. Wonder what happens now that they have John's body. Also, UGH JUNO SHOWED UP AGAIN SO OVER THAT. The modern story line is just so odd I find it hard to track now. The reincarnation aspect was interesting. At the very least, they introduced more mystery that didn't leave me feeling deflated (Reincarnation and The Observatory). Neat twists and ideas, but maybe too late.

Oh, I LOVED Edward's hallucination/dream sequence. I'm a sucker for that stuff. It was done really well. They always nail the historical parts, and I loved how it played out.

So with a great flapping and rustling of feathers, the jackdaw came down swiftly and clutched at the coat of a large ram. But when he tried to fly away, he found he could not lift the animal, for his size and strength were not up to the task. And even as the jackdaw struggled, the ram hardly noticed he was there. Nearby, just across the field, the shepherd saw the fluttering bird and was quite amused. Running up, he captured the jackdaw and clipped its wings. That evening he gave the jackdaw to his children as a gift. "What an odd little bird this is, father!" they laughed and shouted. "What do you call him?" "This is a jackdaw," the father said. "But if you should ask him, he would claim to be an eagle."

That was a great bit. I liked they put that in there. Roberts' actor nailed it.
Last edited by NotTheGuyYouKill; Yesterday at 04:29 AM.
SketchTheArtist
Member
(Yesterday, 04:28 AM)
Absolutely loved it! I really enjoyed the fact that they didn't have an actual Assassin but more of a guy stuck in between that little war. A true breath of fresh air for me!
UnluckyKate
Member
(Yesterday, 04:34 AM)
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great game great adventure but terrible Assassin's Creed story.

The assassin's just gave the contract to Edward and never cared more until the end to close the Observatory.

Also, Kenway is a bit left and right as a character. My biggest grief is how the game engine handle the lightning on his blonde beard
NotTheGuyYouKill
Member
(Yesterday, 05:10 AM)
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Originally Posted by UnluckyKate

great game great adventure but terrible Assassin's Creed story.

The assassin's just gave the contract to Edward and never cared more until the end to close the Observatory.

Also, Kenway is a bit left and right as a character. My biggest grief is how the game engine handle the lightning on his blonde beard

Ha, his beard looked hilarious throughout the game.

The Assassins hated Edward so much at the start, it was hilarious.
Frumix
Member
(Yesterday, 11:11 AM)
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I liked Edward's story, quite so, he had a clearly visible arc and was generally a fun guy; and I know Connor's point and why they made him like that, but the pirate Kenway was still more entertaining to watch, you know? Although the way they wrote him was perhaps a bit too foolhardy and positive, he doesn't even go "Oh shit, I've wasted my entire life on THIS?" for a second and even his moral shift is very subtle, he never displays strong negative emotions. But it's cool he never really felt strongly about Assassins' way of life and he could act against Templar's agenda out of his own convictions rather than a creed imposed on him.

Bartholomew Roberts and Abstergo tech guy both, not sure how I feel about that, surely this isn't a being Juno spoke about warmly in AC3? They both were rather insane.

And man, they sure did cut down on the White Room dialogue.

Perhaps the most interesting part of the metaplot was the past of the Animus technology, how it came to be, what difficulties they faced and also the way they expanded upon Aveline's story, considering her own game more or less lacked meta narrative entirely, though I'm not sure why they're trying so hard to make Liberation a main line game now.
NotTheGuyYouKill
Member
(Yesterday, 08:08 PM)
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Aveline's storyline felt so superfluous, honestly. Over in a flash. Nothing of consequence happening. Well, other than the clairvoyance.
MC_Hify
Junior Member
(Yesterday, 08:48 PM)
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I liked that part at the end of Sequence 11 where Anne and Edward realize they are the only ones left and just sit there in utter dispair.

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