Fancy Clown
Member
I would start by suggesting the films of Sergio Leone, Howard Hawks, and Mario Bava. Those are probably his biggest three inspirations.
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Let's talk John Carpenter / Carpenter 101
- Thread starter Fancy Clown
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I would start by suggesting the films of Sergio Leone, Howard Hawks, and Mario Bava. Those are probably his biggest three inspirations.
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CliffyB's Cock Holster
Cigarette Burns isn't too bad, but his other MoH entry Pro-Life is an utter stinkaroo; unequivocally the sloppiest thing JC has ever put his name to. There's a continuity error involving a head-blast that really has to be seen to be believed,
Weird that Carpenter fared so poorly, whereas Argento (another master who's late-career output has been underwhelming) did comparatively so well. Although that's likely down to "Pelts" (his second season effort) being such a blatant homage to Lucio Fulci's later gore and sleaze epics.
I just wanted to say, I caught John Carpenter live yesterday for Release The Bats at The Troxy. It was to all intents and purposes a mind blowing evening and something I'll never forget. The highlight of it all though, was Carpenter and the band performing the theme tune to Assault on Precinct 13, my favourite ever Carpenter theme, and injecting the thing with a guitar that almost took the roof off. Absolutely incredible. Best Halloween ever.
Discotheque
Banned
Howard Hawks feels like John Carpenter before John Carpenter happened if that makes any sense
Like he also had a very ambitious need to delve into multiple genres
pretty done
Member
The movie is just all around bad acting
One of those "how the hell does this have over a 7 on IMD... oh the director"
I saw the Bristol showing just over a week ago, was tremendous aye
He's clearly having so much fun on stage!
Wolfe
Member
Yeah, how could anyone actually enjoy that movie! Shame on them.
Rhomega Beta
Member
I saw the first 3 Halloweens, The Fog, and They Live for this year's 31 Days of Horror. I've also seen Escape from New York, Escape from LA, The Thing, Christine, and Big Trouble in Little China. Great guy.
I saw the Bristol showing just over a week ago, was tremendous aye
Totally. He literally came out with his hands in the air, horns out, and was rocking throughout the whole thing. It was lovely to see.
pretty done
Member
Well I didn't say that but ok. I guess you really liked They Live
I love JC. One of my favorite directors because he's stands so firmly on his own ground. He's got a vision and he sticks to it.
Just finished the Apocalypse Trilogy. Fantastic stuff. Do yourself a favor and watch Price of Darkness and In The Mouth of Madness. Criminally underrated (and not much talked about) films. His sense of horror is almost existential those films. I said this on our film thread, but I frequently wish horror went in the direction Carpenter was pushing it towards: cerebral and disturbing.
Just finished the Apocalypse Trilogy. Fantastic stuff. Do yourself a favor and watch Price of Darkness and In The Mouth of Madness. Criminally underrated (and not much talked about) films. His sense of horror is almost existential those films. I said this on our film thread, but I frequently wish horror went in the direction Carpenter was pushing it towards: cerebral and disturbing.
Fancy Clown
Member
For sure, although that's partly due to the studio structure in the 50's where they were farming out directors to all sorts of projects.
buttery fistful
Member
if i were a fighter/boxer, The Duke's song would be my intro
The Thing and Escape from New York are some all-time favorites of mine
The Thing and Escape from New York are some all-time favorites of mine
Always wanted to get into the works of Mario Bava. What would you deem his essentials/classics? I've heard of Kill, Baby, Kill, but that is about it.
Feel free to PM me if you don't want to deviate the thread.
Fancy Clown
Member
Black Sunday, Black Sabbath, Blood and Black Lace, and The Whip and the Body are his essentials imo. After that his output is a little more uneven in the 70's but there's still plenty of good stuff. Kill Baby Kill is really solid, but I wouldn't put it on the level of the others I listed. Try to watch the Italian version of Black Sabbath if possible, too.
CrichtonKicks
Member
Watched Prince of Darkness for the first time last weekend. Large parts of it were pretty awful (especially most of the acting) yet it was still really compelling. And the score really just made the movie.
Was kind of disappointed in the script a bit- I had heard for years about how it was this examination of the idea of the Anti-Christ as a religious figure and also something from a scientific perspective. But that seemed to only get a few minutes of screentime and never really congealed into anything.
The video from the future was pretty cool and creepy. Both literally and figuratively ahead of it's time- the style matched the found footage stuff that become popular after Blair Witch which is really odd when merged with something that is so quintessentially '80s.
Was kind of disappointed in the script a bit- I had heard for years about how it was this examination of the idea of the Anti-Christ as a religious figure and also something from a scientific perspective. But that seemed to only get a few minutes of screentime and never really congealed into anything.
The video from the future was pretty cool and creepy. Both literally and figuratively ahead of it's time- the style matched the found footage stuff that become popular after Blair Witch which is really odd when merged with something that is so quintessentially '80s.
I think what I most love about his work is that there is a lot of showing and not much telling. Most of his scripts don't drone on and on about the logistics of whatever world he has created for his characters. They are snippy, quotable, and each scene usually serves its purpose to further some part of the plot or to set up an amazing set piece.
This is where Rob Zombie failed with Halloween 1&2 remakes: they aren't fun. They tried to rationalize "walking evil." He wanted to make you feel something for each and every character and that's not what the viewer wants or needs with genre films. Carpenter isn't a very fluffy director. I find his movies incredibly lean and rewatchable over and over again.
This is where Rob Zombie failed with Halloween 1&2 remakes: they aren't fun. They tried to rationalize "walking evil." He wanted to make you feel something for each and every character and that's not what the viewer wants or needs with genre films. Carpenter isn't a very fluffy director. I find his movies incredibly lean and rewatchable over and over again.
I totally agree about large parts of the movie being pretty awful. I remember not enjoying the majority of the movie... yet I think about it a lot, relative to how much I enjoyed it at the time. I really like the overall concept as well as stuff like that future video, and especially the ending.
Same goes for Mouth of Madness. I felt like there was a big part in the middle that wasn't very good - probably when the creepiness "behind the scenes" starts coming out in the open and is unavoidable - but everything after he leaves the town and returns home is fantastic.
mariachi507
Member
I've recently ordered the upcoming Second Sight blu-ray of Assault on Precinct 13. Note for anyone looking to buy, it's most likely a region 2 only release. The reason I'm posting about it though, is that one of the extra's included is a short film called Captain Voyeur. This is notable since it was just discovered in 2011 and it's one of Carpenter's short films made during his years as a USC film student. The film itself is said to only be about 8-minutes long, but it features a masked man stalking a woman. I'm very interested to see what similarities there are to Halloween which he made a few years after and to see how he evolved in that timeframe.
PhoncipleBone
Banned
I wouldn't agree with you, but I wouldn't be pissed. Moving between those films is a lateral move. Both masterpieces.
Fancy Clown
Member
Looks fuckin amazing. Not sure I could wrangle enough of my friends to play it though lol
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