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10 Films To See In November (what are you watching?)

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10 Films To See In November



Adam Sandler's Jack and Jill may be the crowning cinematic achievement in theaters this month, but since you already know that, I've decided to focus on some other selections in the tail end of the year. Many titles in the mix are Oscar hopefuls, as we'll get the first major critics circle decisions at the end of the month. Check out the list below and as always, refer to distributor pages or your local theater to see when you'll receive some of the limited releases.

See:

10. My Week with Marilyn (Simon Curtis; Nov. 23rd)



Synopsis: Colin Clark, an employee of Sir Laurence Olivier's, documents the tense interaction between Olivier and Marilyn Monroe during production of The Prince and the Showgirl.

Trailer

Why You Should See It: Reviews have been mixed for this biopic, but as our report from New York Film Festival confirms, this Marilyn Monroe biopic is worth seeing her for the portrayal by one of the greatest actresses of our generation, Michelle Williams.

9. The Muppets (James Bobin; Nov. 23rd)



Synopsis: With the help of three fans, The Muppets must reunite to save their old theater from a greedy oil tycoon.

Trailer

Why You Should See It: The marketing for The Muppets seems to be on overdrive for the last few months, but will it deliver on more that just nostalgia and quick quips? I'm not entirely sure, but it should prove to be at the very least entertaining with the many celebrity cameos and the return of Jim Henson's creations.

8. A Dangerous Method (David Cronenberg; Nov. 23rd)



Synopsis: A look at how the intense relationship between Carl Jung and Sigmund Freud gives birth to psychoanalysis.

Trailer

Why You Should See It: One of the bigger disappointments at Toronto this year was the next film from David Cronenberg. A stellar cast including Michael Fassbender, Keira Knightley and Viggo Mortensen all do their best and this one is on this list for them alone, but the trio can't save the static material and flat direction found here. Check out my TIFF review here.

7. The Artist (Michel Hazanavicius; Nov. 23rd)



Synopsis: Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.

Trailer

Why You Should See It: The Artist is a fine film with romance, laughs and drama. But this black and white silent film experiment doesn't extend much beyond that. It is bound to reap awards among critics this fall (already picking them up at various film festivals), but I'm afraid this one will fall victim to over-extended hype come Oscar time. Check out my full TIFF review here.

6. Elite Squad: The Enemy Within (José Padilha; Nov. 11th)



Synopsis: After a prison riot, Captain Nascimiento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves only government officials and paramilitary groups.

Trailer

Why You Should See It: Foreign audiences will be shocked to see this on the list, but yes, the massive Brazilian hit is finally hitting our theaters here. It is a great action flick and I'm looking forward to director José Padilha heading to Hollywood for the Robocop reboot and its star Wagner Moura in Neill Blomkamp‘s District 9 follow-up Elysium. Check out the reason for their acclaim this month in limited theaters.

5. Tyrannosaur (Paddy Considine; Nov. 18th)



Synopsis: Joseph, a man plagued by violence and a rage that is driving him to self-destruction, earns a chance of redemption appears in the form of Hannah, a Christian charity shop worker.

Trailer

Why You Should See It: The dark material and gratuitous violence turned many away, but we loved the directorial debut of Hot Fuzz star Paddy Considine at Sundance. Unfortunately its distributor isn't planning a big push this fall, but one can see the Peter Mullan and Olivia Colman drama in limited release this month.

4. Melancholia (Lars von Trier; Nov. 11th)



Synopsis: Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide into the Earth.

Trailer

Why You Should See It: I struggled after leaving Lars von Trier's latest film, disappointed by the first half, but feeling left stunned by the finale. As the weeks go by, I'm growing more fond of this apocalyptic drama and after being in VOD release for a month, it finally hits theaters; the way it was meant to be seen. Check out our glowing TIFF review here.

3. Hugo (Martin Scorsese; Nov. 23rd)



Synopsis: Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery involving his late father and an automaton.

Trailer

Why You Should See It: Going by the rough cut I saw last month at the New York Film Festival (see full impressions here), Scorsese's first family film reveals a legendary filmmaker pushing his boundaries with excellent 3D, as well as sneaking in a wonderfully vibrant lesson on film history. Hugo would be desirable with his just a name attached, but rest assured it is one of the best theatrical experiences this fall and it absolutely must be seen in the three-dimensional format.

2. Into the Abyss (Werner Herzog; Nov. 11th)



Synopsis: Conversations death row inmate Michael Perry and those affected by his crime serve as an examination of why people - and the state - kill.

Trailer

Why You Should See It: After his hit Cave of Forgotten Dreams 3D this year, Herzog had his latest documentary pushed up at the last minute to see a release this month. Easily in my top 10 films of the year, we loved it at Toronto saying, "Herzog remains a master, providing us humanity, which is far more complex – and troubling than the facts."

1. The Descendants (Alexander Payne; Nov. 16th)



Synopsis: A land baron tries to re-connect with his two daughters after his wife suffers a boating accident.

Trailer

Why You Should See It: After a seven-year break, Sideways director Alexander Payne has finally returned with one of the most touching films of the year. George Clooney delivers the best performance of his career, emoting more than ever before and you can see it this month, letting Payne's loose, relaxing tone wash over you. Check out my TIFF review here.

------------------------------------------------------

Matinee:

Tower Heist (Brett Ratner; Nov. 4th)



Synopsis: When a group of hard working guys find out they've fallen victim to a wealthy business man's Ponzi scheme, they conspire to rob his high-rise residence.

Trailer

Why You Should a Matinee: Brett Ratner's latest thankfully looks more like his crowdpleasing Rush Hour than his more disappointing recent work. From the marketing to the return of Eddie Murphy to the plot itself, everything screams '90s and if it delivers on the fun factor as early reviews have claimed, I have no doubt this will be a worthwhile matinee.

Immortals (Tarsem; Nov. 11th)



Synopsis: Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.

Trailer

Why You Should a Matinee: This sword-and-sandal epic is one of the most interesting films of the month. Tarsem delivered one of the most beautiful films in the last decade with The Fall and with Immortals, if all else falls apart, I'm hoping for his style to continue.

A Very Harold & Kumar 3D Christmas (Todd Strauss-Schulson; Nov. 4th)



Synopsis: Six years after their Guantanamo Bay adventure, stoner buds Harold Lee and Kumar Patel cause a holiday fracas by inadvertently burning down Harold's father-in-law's prize Christmas tree.

Trailer

Why You Should a Matinee: The third film in the Harold & Kumar series delivers exactly what you expect, in the best way possible. There is santa getting high than shot down from the sky, a claymation penis, Neil Patrick Harris eating out a woman on stage then getting a handjob in heaven, naked nuns and priest molestation jokes, a baby taking cocaine and marijuana and that is only seen in the red-band trailer. And it is all in glorious 3D.

The Other F Word (Andrea Blaugrund; Nov. 2nd)



Synopsis: This revealing and touching film asks what happens when a generation's ultimate anti-authoritarians -- punk rockers -- become society's ultimate authorities -- dads.

Trailer

Why You Should a Matinee: Ever wonder what happens when punk rockers stop doing just that and attempt family life? This latest documentary follows many of them from Blink-182's Mark Hoppus to Red Hot Chili Peppers' Flea to Rise Against's Tim McIlrath and we quite liked it at SXSW.

J. Edgar (Clint Eastwood; Nov. 9th)



Synopsis: As the face of law enforcement in America for almost 50 years, J. Edgar Hoover was feared and admired, reviled and revered. But behind closed doors, he held secrets that would have destroyed his image, his career and his life.

Trailer

Why You Should See A Matinee: After a string of dry failures, Clint Eastwood has teamed with Milk screenwriter Dustin Lance Black for a J. Edgar Hoover biopic starring one our most sought-after actors, Leonardo DiCaprio. Early word has been virtually non-existent, but judging from the trailer this one looks to be going through all the motions we've come to expect from Eastwood.

London Boulevard (William Monahan; Nov. 11th)



Synopsis: An ex-con hired to look after a reclusive young actress finds himself falling in love, which puts him in direct confrontation with one of London's most vicious gangsters.

Trailer

Why You Should a Matinee: The Departed screenwriter's directorial debut is finally hitting US theaters and while it is quite a mess, it is worth seeing for Ray Winstone as his usual gangster self and Colin Farrell and Keira Knightley as leads.

The Lie (Joshua Leonard; Nov. 18th)



Synopsis: A man's life is altered unexpectedly after telling a lie to get out of work.

Trailer

Why You Should a Matinee: The Blair Witch Project break-out star has gone on to have a healthy acting career and his narrative feature debut recently premiered at Sundance, where we praised his creation of compelling characters. It unfortunately falls apart in the last 15 minutes with some odd narrative decisions, but one can now check it out in limited release this month.

Arthur Christmas (Sarah Smith; Nov. 23rd)



Synopsis: On Christmas night at the North Pole, Santa's youngest son looks to use his father's high-tech operation for an urgent mission.

Trailer

Why You Should a Matinee: From the team behind Wallace and Gromit and Cloudy with a Chance of Meatballs, comes what looks like the best family animation of the holidays. The humor is clever and while not a high bar, the story looks more interesting than something like its competitors, the third Alvin & The Chipmunks film and the Happy Feet sequel.

What films are you seeing in theaters this month?
 

wenis

Registered for GAF on September 11, 2001.
The Muppets
Elite Squad: The Enemy Within
The Other F Word

That's just off first looks. I'm sure I'll check out more as reviews and opinions start to drop. Saw Melancholia last month, good stuff.
 
Movies I want to see and I'll see in theatre:
The Descendants

Movies I want to see:
J Edgar
Harold and Kumar 3
Immortals
Tower Heist
Into the Abyss
Hugo
Melancholia
A Dangerous Method
The Muppets
 

border

Member
I love George Clooney, but The Descendants does not look very good at all. The Hawaiian setting and the kooky, ineffective dad role are grating. After reading that this was "the best performance of his career", I was expecting a lot more out of the trailer than that.

November looks like a pretty bad month for film. I tend to regard Oct/November as the dumping ground for movies that were supposed to be Oscar hopefuls but ended up being to cloying, preachy, or saccharine. The real contenders won't be here 'till December, as usual.
 
border said:
I love George Clooney, but The Descendants does not look very good at all. The Hawaiian setting and the kooky, ineffective dad role are grating. After reading that this was "the best performance of his career", I was expecting a lot more out of the trailer than that.

November looks like a pretty bad month for film. I tend to regard Oct/November as the dumping ground for movies that were supposed to be Oscar hopefuls but ended up being to cloying, preachy, or saccharine. The real contenders won't be here 'till December, as usual.

It was the first role he has had that I honestly forgot it was George Clooney in the lead, he totally inhabits it. That said, if you don't like Payne then you'll likely not find much to like here.
 
D

Deleted member 81567

Unconfirmed Member
Expendable. said:
Adam Sandler's Jack and Jill
tumblr_lmpfj6rjab1qclt3z.gif
 

Meier

Member
Small quibble. I'd say the "In America" star when referring to Paddy Considine. One of the better films of the aughts shouldn't be glossed over.

I was very nervous about Hugo but am thrilled at the positive response last month. Definitely goes back in to the to-see pile.

Arthur Christmas is a must see and I'll definitely see J. Edgar. Love Clint and can't imagine this one not being excellent.

Been anxious for The Descendants for a very long time so I can't wait for that one.
 

Empty

Member
hugo - hopefully it's better than its trailer, in scorsese we trust
my week with marilyn - saw a trailer before ides of march, looked good
in time (uk) - toxic word of mouth, but might as well try and see if it has a bit of gattaca magic
moneyball (uk) - don't know anything about baseball but it looks social networky and i do love brad pitt.

now i know the descendants is directed by the guy behind 'sidways' i'm really interested but it's not out till next year over here.
 
Tower Heist looks fun and teenager friendly. We might see that. My wife will go with a friend to see the next Twilight flick.

Other than that, we'll put a few of these on our Netflix list.
 
Movies I'll see in the theater:
J. Edgar
Hugo
The Artist

I want to see the rest of the top ten as well other than The Muppets and will likely catch them when they release on Blu-Ray or Netflix. I've seen Melancholia already and absolutely loved it so I'll probably watch that again.
 

Solo

Member
border said:
I tend to regard Oct/November as the dumping ground for movies that were supposed to be Oscar hopefuls but ended up being to cloying, preachy, or saccharine. The real contenders won't be here 'till December, as usual.

This may be how you see it, but its all kinds of wrong.

1990 - Dances With Wolves - released in November
1991 - The Silence Of The Lambs - released in February
1992 - Unforgiven - released in August
1993 - Schindler`s List - released in December
1994 - Forrest Gump - released in July
1995 - Braveheart - released in May
1996 - The English Patient - released in November
1997 - Titanic - released in December
1998 - Shakespeare In Love - released in December
1999 - American Beauty - released in September
2000 - Gladiator - released in May
2001 - A Beautiful Mind - released in December
2002 - Chicago - released in December
2003 - The Return Of The King - released in December
2004 - Million Dollar Baby - released in December
2005 - Crash - released in May
2006 - The Departed - released in October
2007 - No Country For Old Men - released in November
2008 - Slumdog Millionaire - released in November
2009 - The Hurt Locker - released in June
2010 - The King's Speech - released in September

And that's just 1990 onwards. Not a single BP winner released in December in 7 years, and 7 winners in 22 years.
 

omgkitty

Member
Movies I will most likely see
J. Edgar
The Descendants
A Dangerous Method

Movies I want to see
The Muppets
The Artist
Melancholia
Hugo
Arthur Christmas
Martha Marcy May Marlene

Didn't realize there were so many movies coming out this month. Martha Marcy May Marlene is coming to a local theater here this month so hopefully I'll be able to catch it. Kind of hard to find time to watch things with holidays and school work.
 

Dan

No longer boycotting the Wolfenstein franchise
The Artist has the same two leads as OSS 117: Cairo, Nest of Spies. That has me instantly interested.

Arthur Christmas (I love Aardman, but Flushed Away was kinda weak, wary of their CG collaborations, will wait to hear reviews)
The Artist
A Dangerous Method
The Muppets
 

FoneBone

Member
Dan said:
The Artist has the same two leads as OSS 117: Cairo, Nest of Spies. That has me instantly interested.

Arthur Christmas (I love Aardman, but Flushed Away was kinda weak, wary of their CG collaborations, will wait to hear reviews)
The Artist
A Dangerous Method
The Muppets
Same... maybe add in The Descendants, though.
 

noah111

Still Alive
Awesome thread, is this your first time doing this? I know there's the movies you've recently seen thread, but i've always wanted somewhere to check out the best/newest movies to watch, but never got around to it.

Thanks for this, well done and informative. Please keep it up monthly if there are enough movies worthy to talk about. Movie-GAF YESS.

PS. I'll look into your site, followed recents with rss. :D
 
BoboBrazil said:
Seems like a bad awards season so far. Nothing really stands out on that list with the potential to be amazing.

Yeah, nothing on the level of The Social Network like last year. Only really The Tree of Life and Shame I can see be considered "masterpieces" so far. The only ones that have similar potential are The Girl with the Dragon Tattoo, and possibly War Horse.

Sentry said:
Awesome thread, is this your first time doing this? I know there's the movies you've recently seen thread, but i've always wanted somewhere to check out the best/newest movies to watch, but never got around to it.

Thanks for this, well done and informative. Please keep it up monthly if there are enough movies worthy to talk about. Movie-GAF YESS.

PS. I'll look into your site, followed recents with rss. :D

I've done it monthly for about two years now :)
 

border

Member
Solo said:
This may be how you see it, but its all kinds of wrong.

And that's just 1990 onwards. Not a single BP winner released in December in 7 years, and 7 winners in 22 years.

All kinds of wrong? Except for the fact that December is the most represented month out of everything you listed....
 

Solo

Member
border said:
All kinds of wrong? Except for the fact that December is the most represented month out of everything you listed....

The "as usual" bit is the wrong bit, unless less than 1/3 is what you would define as being the norm.
 

Meier

Member
Expendable. said:
Clint Eastwood has made two terrible films in a row and this looks pretty dry as well. I hope Leo saves it though, seeing it this week.
Hereafter was not terrible. It wasn't as good as we'd hoped for but let's not go overboard. Are you a game reviewer on the side?

I still haven't seen Invictus yet (doh) to comment, but again, I'm confident most people would not consider it "terrible." I know it received primarily positive reviews upon release.
 
Meier said:
Hereafter was not terrible. It wasn't as good as we'd hoped for but let's not go overboard. Are you a game reviewer on the side?

I still haven't seen Invictus yet (doh) to comment, but again, I'm confident most people would not consider it "terrible." I know it received primarily positive reviews upon release.
Invictus was certainly terrible, at least Hereafter was a somewhat ambitious failure. I'll give you that.
 

jtb

Banned
Expendable. said:
Yeah, nothing on the level of The Social Network like last year. Only really The Tree of Life and Shame I can see be considered "masterpieces" so far. The only ones that have similar potential are The Girl with the Dragon Tattoo, and possibly War Horse.



I've done it monthly for about two years now :)

I love Fincher, love the book, but there's no way Girl With Dragon Tattoo will be a "masterpiece" or an awards contender. And that's just the way I like it.
 

noah111

Still Alive
Expendable. said:
I've done it monthly for about two years now :)
REALLY?! I meant on GAF though, is it seriously possible that i've overlooked your threads to that level? Damn..

PS. Watched Johnny English the other day with some friends, so cliché and predictable but still filled with humor since it's Rowan. Looking forward to watching the sequel after reading the review on your site.
 

Dan

No longer boycotting the Wolfenstein franchise
FoneBone said:
Same... maybe add in The Descendants, though.
I loved Payne's stuff way back when, and I mostly love Clooney, but the trailer for The Descendants doesn't intrigue me even a little bit. I've talked to others who feel the same way. I half wonder if I've simply outgrown these kinds of movies.
 

FoneBone

Member
Dan said:
I loved Payne's stuff way back when, and I mostly love Clooney, but the trailer for The Descendants doesn't intrigue me even a little bit. I've talked to others who feel the same way. I half wonder if I've simply outgrown these kinds of movies.
I'm waiting to see more reactions - I've had a similarly lukewarm reaction to the marketing.
 
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