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Final Fantasy IX 20th Anniversary Special Interview

sublimit

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FINAL FANTASY IX celebrates its 20th anniversary on July 7! As an FF Portal special commemorative feature, we interviewed creators involved with the original development of FFIX: Mr. Kazuhiko Aoki, Mr. Toshiyuki Itahana and Mr. Hiroyuki Ito.
We bring you lots of content you can only read here, including memories of when FFIX was being developed, the creator’s feelings about the game and more!

In our first interview we spoke to Mr. Kazuhiko Aoki, who handled event design and scenarios for FFIX!

―FFIX is sometimes introduced with the phrase “returning to roots.” Where did FFIX sit in the minds of the development team?

Aoki:

The slogans “returning to roots” and “return of the crystal” were there from the start. That’s why the setting of the game also has a medieval fantasy theme.

―It is true that compared to the science fiction elements of FFVII and FFVIII, FFIX made a sudden return to classic fantasy. There were even references to past FF titles, like character and vehicle names. Were those concepts also planned to be included from the beginning of development under the theme of “returning to roots”?


Aoki:

There were some things that were planned from the beginning, and then there were other elements that came about from those in charge of each part of the game during the creation process.
The newborn chocobo, named Bobby Corwen...smash those names together and you get Boco.
The foundation is 10%, and the remaining 90% comes from individual creators putting their own ideas and heart into a project. I think that’s the creation process of not only FF, but all games from SQUARE ENIX.

―Each main character of FFIX carries their own background story into the battles they face.
Do you have a favorite character? Please tell us your reasons as well, if you have any.

Aoki:

I did my best not to have any favorites, so as not to be biased toward any specific character.
There were backstories we wanted to elaborate on more, but sadly had to give up on due to time and data constraints.
At the time I wished I could have developed how Zidane is afflicted by the difference in social status between him and Garnet a little more. Illustrating the breakdown of relations with the nobles in Treno due to their disapproval of Zidane and Garnet’s relationship, Zidane butting up against the social confines he faces and the incredible power Garnet holds as royalty, and how Zidane gets back up on his feet despite all of that – I felt that would have done a lot to help further portray him as a character.

―The NPCs are also very well developed. What about them?

Aoki:

I don’t have any biases when it comes to NPC characters either. There actually wasn’t any differentiation in my mind between main characters and sub characters. Once the game’s story started to come to life on screen, my drive to develop each character even further – the steadfast reliability of Marcus or Garnet’s internal struggles, for example – only got stronger.

―The Tantalus members Genero, Zenero, Benero and all their siblings are an unusual bunch. How did they come to be?

Aoki:

There wasn’t a trace of them until right before the game went gold. Not only limited to FFIX, each FF series title has a period of about three to four months of quality improvements and brushing up after all elements that will be included in a game are implemented. How can we make it more interesting, what would make it easier to understand, what new discoveries can we find to add to the experience...as a creator you approach the process with a feeling similar to recreating something entirely. Those siblings came about suddenly right in the middle of that final tweaking for FFIX.

―The characters in FFIX are built shorter than in previous FF games. Was there a reason for that?

Aoki:

I don’t know the reason for making the characters shorter in stature, but I did often hear that the cutscene team had a hard time making use of the know-how they gained working on FFVIII. It was apparently a lot of trial and error.
The characters in FFIX excel at showing a certain sweetness or silliness, but even when they take on a totally different serious tone their expressions are so genuine. I feel that FFIX had quite a good balance going in that sense.

―FFIX is known for its many popular and memorable lines. Whose idea was it to put together the loading screen of CG screenshots overlaid with words from the game and art?

Aoki:

The cutscene leader and event staff made that by picking out lines from the game. It was also the manifestation of a strong desire to show what kind of characters these were.

―There were also many monsters with unique gimmicks, such as Ragtime Mouse’s quiz-style battle. Do you have a favorite monster or gimmick used by one?

Aoki:

I’m not sure if you could call it a unique monster, but my favorite are the black mages who appear in Cleyra. Your party characters don’t do a victory pose even if you win against them. That came from the battle system team’s consideration of the scene those battles take place in. You grow used to the characters celebrating when they win a battle, so I was really surprised the first time I saw that.
I don’t know if this is still true, but development happened with next to no meetings between the event and battle design teams. Although that’s not to say that those teams didn’t get along.

―FFIX has a lot of mini games, many of which are quite difficult. Are there any you find particularly memorable?

Aoki:

Chocobo Hot and Cold. It came from the director wanting some contents that would allow traveling all over the game world. The concept came together in less than 30 minutes, but the actual creators who worked on the mini-game put a lot of time into it. Every last detail was done with such care.

―FFIX’s soundtrack was handled by Mr. Nobuo Uematsu. We feel that music is another important factor in expressing characters or story. If there are any songs from FFIX that really stand out in your memory, please tell us about them.

Aoki:

That would be the song that Mr. Uematsu played for me the first time he worked at the Hawaii office.
It was in response to me asking if he had any recommended songs from the new game - I got an idea for part of the story the second it came on. That song would eventually be titled “You’re Not Alone.”
I asked, “Are there going to be any more changes to it?” and he responded, “Yes, sorry...I’d like to tweak it a little more.” It wasn’t finalized until the last minute, so I’m sure he really struggled with the composition of that piece.

―Was there anything during development that was especially challenging or that sticks out in your mind?

Aoki:

The last few weeks were a battle with data restrictions. We had data increasing every day, having to think about where to divide the story so we’d end up with an amount that fit on each of the four discs. That fine-tuning took some real mental gymnastics.

―If there’s anything else from your experiences during the development of FFIX or messages for the many people who still love FFIX you’d be willing to share, we would love to hear it.

Aoki:

There were about 300 people at the party celebrating FFIX’s completion. It was developed by a team divided between Japan and Hawaii, so about 1/3 of the faces there I had never seen before...I was surprised all over again at how many people were involved in the project.
I’m incredibly happy that FFIX is loved by so many people; that’s been a huge motivator and confidence booster when facing jobs I’ve had since. I think that’s true not only for me, but also the many creators who worked on FFIX as well. It would be nice to celebrate the game’s 20th anniversary with everyone who was at the post-launch party.
Near the end of that party, there was a moment when the sound effect team went up on the venue’s stage. “In FFX, there’s going to be this thing called Blitzball, and there will be a scene with the spectators cheering. We’d love if you would all be willing to help with that!” they said. And I thought “...Oh, they’ve already started working on X.” Just when I thought things were finished, they had already begun a new FF. It really hit me being there, this is how the FF series continues on forever.

―Thank you for your time today!
 

Danjin44

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I enjoyed FVIIR, I think more than most people here and loved what they did with the ending.

With that being said I really, REALLY like to see SE make modern FF in medieval fantasy setting with turn based combat.....even if just one time.
 

ZZZZ

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I enjoyed FVIIR, I think more than most people here and loved what they did with the ending.

With that being said I really, REALLY like to see SE make modern FF in medieval fantasy setting with turn based combat.....even if just one time.
I'm not sure we are ever getting a turn based combat again with high budget at least when it comes to SE.




Bravely Default is an option. it's medieval setting with turn based combat, a fun game.
 

Danjin44

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Unless it's a 1:1 remake i'm not sure i'd want another remake similar to FFVII part one. Better make a new game or FF IX - 2 in my opinion.
Don't worry, in my opinion the way SE did "Remake" FFVII, can only worked with VII and no other FF.

Bravely Default is an option. it's medieval setting with turn based combat, a fun game.
Oh I know, I LOVE Bravely series and super hyped for Bravely 2, but I still want to see SE make high budget turn based FF in medieval fantasy.
 
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Teslerum

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A modern style remake would make it loose its charm. Characters wont look that silly in 3D.

FFIX also aged the best of all PSX FF's. IMO, still perfectly playable especially with a background mod. VII and even VIII have parts that don't look that good even in the re-releases.
 
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Danjin44

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It doesn't even work in FFVII. Destiny and fate was never a theme in FFVII.
I don't know I personally love what they did with it, but my point was FFVII one of the few FF game with so many spinoffs.
 
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ZZZZ

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It doesn't even work in FFVII. Destiny and fate was never a theme in FFVII.
It's not destiny and fate per se but the notion of "free will" and how every living being is at the mercy of the lifestream is a theme that's already present in the OG.

The problem was the dialogue, Aerith's lines before they create a portal to the singularity was badly written, it was really melodramatic. I don't know why it existed in the first place, if they weren't planning on revealing to the audience what's happening, they could have kept the dialogue simple and short, instead of all the cryptic nonsense.
 
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Boss Mog

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Damn, I thought maybe we'd finally hear something from Hiroyuki Ito.
 

OHB123

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In case of interest, I literally just wrote an article about the specific beauty of pre-rendered backdrops in FFIX and the PS1 era more generally - And I didn't realize that a few days later would be the game's 20th anniversary - Whoops!

(I've just signed up to NeoGaf too to thank an old thread that had dug up high-res originals of the backgrounds - https://www.neogaf.com/threads/the-...tasy-ix-mama-robotnik-research-thread.551612/)

But anyway may be of some enjoyment!: https://www.eurogamer.net/articles/...picture-book-adventure-of-a-ps1-final-fantasy