Writer-producer Akiva Goldsman discusses the upcoming seasons of his two ‘Star Trek’ shows, plus updates on ‘Firestarter’ and ‘The Dark Tower.’
So you’ve started filming Strange New Worlds, how does it compare and contrast to the other Trek shows so far?
It's unlike the other shows in that it's really episodic. If you think back to The Original Series, it was a tonally more liberal — I don't mean in terms of politics, but it could sort of be more fluid. Like sometimes Robert Bloch would write a horror episode. Or Harlan Ellison would have "City on the Edge of Forever," which is hard sci-fi. Then there would be comedic episodes, like "Shore Leave" or "The Trouble with Tribbles." So [co-showrunner] Henry Alonso Myers and myself are trying to serve that. We've all become very enamored, myself included, with serialized storytelling. And I'm talking to you from behind the stage where we're shooting Picard, which is deeply serialized. But Strange New Worlds is very much adventure-of-the-week but with serialized character arcs.
Were there any changes to the Enterprise set design and uniforms compared to what we saw when we were introduced to these characters in Discovery season 2?
Yeah. It's a fine line because obviously we want to keep continuity with the storytelling and the style, but we also want Strange New Worlds to be a different show. It's not Discovery. There are a few more reach-backs (to The Original Series) and the uniforms have been adjusted slightly, the sets are slightly different. Remember the Enterprise existed as a little piece of [the show Discovery] but now its its own object. When you close your eyes and think of the key sets and situations that you think of The Original Series, that's what we're looking to do.