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Screenwriting |OT|

kai3345

Banned
Well I figured why the hell not.

That screenwriting contest thread we had a few months back was really great and a good place to get feedback on your ideas, so I thought might as well make an OT for it.

So, Screenwriting-age post your scripts and give feedback on other people's ideas and we'll see where this thread goes. And to start things off I thought I'd post the intro to a series I'm trying to write:

Sorry, I guess the forum doesnt like spaces at the beginning of a sentence. Makes it a bit hard to read but I think its still readable.

--------------------------------------------------------------------------------------------

int. Nathan's room

NATHAN STOCKLEY, a white 17 year old boy with short blonde hair, sleeps in his bed. His body type is fairly average, not fat, and not unhealthily skinny either, just simply, average. He snores a few times, and tries to readjust himself, trying to get perfectly comfortable to make his sleeping experience perfect.

Suddenly, WHAM!

NATHAN's door slams open, with MRS. STOCKLEY entering the room. She is bleeding profusley from wounds on her stomach and neck. She loudly screeches NATHAN's name before collapsing to the floor.

NATHAN jumps out of bed to assist his mother.

NATHAN​

Mom!? MOM!?​

He checks her pulse, and realizes that she is dead. He begins to weep over his mother's body. A crash is heard in the next room. NATHAN runs to see what is happening.

int. The game Room

As NATHAN enters the second floor game room, he sees his father nearest to him, with a six shot revolver in hand. NATHAN then glances up to see a man at the far end of the room, hunched over NATHAN's little brother, devouering him. And finally in the corner of the room he sees his sister, ANNIE, attempting to fight off two men with a pool cue.

BAM! A gun goes off.

NATHAN looks down to realize that his father has taken his own life. After standing in shock for a minute, NATHAN realizes that two more men are stumbling up the stairs.

The men's flesh is rotting, almost falling off of the bone. Their eyes look empty and lifeless.

NATHAN kneels at his father's corpse and prys the gun from his dead hands. NATHAN checks to see how many bullets are in the gun. There are five.

BAM!

NATHAN shoots one of the men in the head, causing him to collapse and die.

BAM!

The second shot hits the other man in the neck. He doesn't seem even fazed.

NATHAN checks the ammunition in the gun again. Three. He holsters the gun on the back of his belt. He runs over to his sister.

ANNIE cracks the pool cue over one of the men's heads, knocking him out as well as creating a point on the end of the cue. She uses the point to stab the other man in the head.

NATHAN​

Annie! We have to go!​

Suddenly, MRS. STOCKLEY emerges from NATHAN's room, looking just like the other men, with her cold, dead eyes. NATHAN realizes she is not herself.

NATHAN​

(To Annie)​

Move, move!​

The two approach the window, leading into the backyard. NATHAN turns and stares at his former mother as she slowly shuffles towards them.

ANNIE​

Nathan, what do we do!?​

NATHAN grabs the gun and shoots the window, cracking it. He then charges through, shattering the glass, and landing one floor down in the grass below.

NATHAN​

Annie you have to jump!​

ANNIE turns to see her mother and another man now dangerously close to her. She looks out the window again, looking nervous, unsure if she can jump or not.

NATHAN​

Annie, jump!​

ANNIE jumps.

CRACK!

She lands wrong, breaking her foot on the impact. ANNIE screeches in pain.

A grunt is heard from upstairs as MRS. STOCKLEY and another ghoul walk off of the edge of the window, and onto ANNIE. Just as soon as they land on her, the two begin chewing into her flesh as she cries and screams.

NATHAN stands, helpless, unable to help his sister.

NATHAN stares at the monsters devouering his siter when suddenly his mother gets up and charges for him.

cut to black
 

kai3345

Banned
Timedog said:
you can use the indent tab, it's to the left of the world wide web cyberspace link tool.
i wrote it in the proper format, but when i pasted it here everything got fucked up
 
You're really gonna fade to black with his mother charging at him?

I may have also skipped to the end after a couple of lines.
 

kai3345

Banned
Scullibundo said:
You're really gonna fade to black with his mother charging at him?

I may have also skipped to the end after a couple of lines.
its the intro. get people hooked. I'm writing it as if it were a tv show. Crazy intro, and then would normally come the title sequence or whatever and then I'm gonna do a flashback/rewind showing what happened before shit went down so we can get to know the protagonist.
 
Timedog said:
you can use the indent tab, it's to the left of the world wide web cyberspace link tool.

And to its right, you'll find the remove link tool. Handy when you're too lazy to use backspace.
 
kai3345 said:
its the intro. get people hooked. I'm writing it as if it were a tv show. Crazy intro, and then would normally come the title sequence or whatever and then I'm gonna do a flashback/rewind showing what happened before shit went down so we can get to know the protagonist.

What I'm saying is that I think you want to CUT TO BLACK.
 
I'm easily the world's laziest screenwriter so I'm just posting here so I auto-subscribe to this thread, making it a constant reminder that I need to stop being so damn lazy / scared and get my ass to writing!
 

kanugo

Member
Just a quick suggestion for those who like to write. Just watch this documentary:

tales_from_the_script_poster.jpg


I've watched it the other day and loved it.
 
INT. Bedroom

DoctorWho, a handsome man in his mid 30s, types away feverishly on his computer.

DoctorWho (Typed on screen)
In before Whitta

And with that, the Doctor closes his NeoGAF tab and resumes masturbating to Hamster porn.

End Scene.
 

emomoonbase

I'm free 2night after my LARPing guild meets.
Here's the start of my amazing motion picture idea. Let me know what you think:

It was a quiet and calm night. Albert was sitting in his study next to a vast fire place. Seated in his massive leather chair he thumbed his way through a filthy, raunchy romance novel interrupted every few minutes with a sip of vodka from a canning jar.
“Holy shit this book has more immoral sexual activity than a roman whore house!” Albert exclaimed loudly. “It's like porn but with words!”
Albert's wife Nancy poked her head up from the nearby couch.
“Albert, I told you to stop reading that trash.” Nancy scorned. “It'll corrupt your mind.”
“Oh, I hope so Nancy.”
Nancy rolled her eyes and returned to her crocheting. Why she married this man she would probably never know. She only had to wait seven more months until the insurance policies matured and then she could follow through with her plan to kill his stupid ass and live high on the hog however.
“Hey honey, they're talking about clitorises in here. I didn't know you could mention clitorises in these kind of things?!” Albert said.
Nancy shook her head and thought of the pretty dresses she would buy after she slit Albert's fool throat like the annoying tool he was.
“I'm hungry Albert, let us go and get some supper.” said Nancy as she put her crocheting away in it's storage chest.
“I'm not hungry right now babe, this novel is so engrossing anyway.” replied Albert. “Betsy is getting her nipples licked by the young pirate captain who has never known real love! Can you fucking believe it?!”
Nancy decided it was best not to reply and headed towards the kitchen. Inside it's vast walls lined with pots and pans she began to rummage about looking for anything edible. All the servants had been dismissed for the night and god knows she wasn't about to cook anything. After a few minutes she found a plate of ham sitting in the bottom shelf of the stainless steel double doored fridge. She reached down to fetch it.
“Don't touch my ham!!!” screamed a voice.
Startled by the voice Nancy dropped the ham to the floor shattering the plate in the process.
“Who's there!??!” screamed Nancy.
 

harSon

Banned
RobotNinjaHornets said:
Is that Solid Snake just above the bottom right?

Yup, he's in it quite a bit.

This thread popped up at the perfect time. I have a bunch of free time so I thought I'd take up screenwriting again. I've been fleshing out an idea for a full feature script that I'm quite excited about, I have about half a notebook of notes regarding the idea, so writing I imagine my first draft should go by fairly quick.
 
EXT. CEMETERY - A CLOUDY DAY

Sad, sad music. Champ and another young man, BRUCE, wear
black suits, standing over Master’s GRAVE. Not surprisingly,
Champ is still wearing his bandanna.

He crouches and places a bouquet of yellow and white
chrysanthemums at the head stone. He stands, steps back, and
turns to Bruce.

CHAMP
(somber)
My master has been killed by the
Ninjihad. Am I a bad enough dude
to take on the Ninjihad?

Bruce puts a sympathetic arm over Champ's shoulder.

BRUCE
Hey man, for as long as I've known
you, nothing's ever kept you down.
You're the best around...

Bruce pauses and takes out a stopwatch from his jacket
pocket, smiling.

BRUCE (CONT'D)
And you're about to get even
BETTER.

The music PICKS UP, transposing to the more optimistic KEY OF
E. Champ smiles back.
 
If there's any screenwriters in Seattle, I'd love to collaborate.

I always have trouble writing on my own, but with someone else there, it magically becomes much easier to take those ideas and translate them to the written word.

With someone else invested, I really come to life. Anyone else have this experience, or do you prefer to eliminate all distractions and write all by your lonesome?
 

Timedog

good credit (by proxy)
I was thinking about making a script about a guy who's a gangster from the hood, but he's also a purple colored magic genie, decked out in gold and diamond studded pimp bling.
 
emomoonbase said:
Here's the start of my amazing motion picture idea. Let me know what you think:

It was a quiet and calm night. Albert was sitting in his study next to a vast fire place. Seated in his massive leather chair he thumbed his way through a filthy, raunchy romance novel interrupted every few minutes with a sip of vodka from a canning jar.
“Holy shit this book has more immoral sexual activity than a roman whore house!” Albert exclaimed loudly. “It's like porn but with words!”
Albert's wife Nancy poked her head up from the nearby couch.
“Albert, I told you to stop reading that trash.” Nancy scorned. “It'll corrupt your mind.”
“Oh, I hope so Nancy.”
Nancy rolled her eyes and returned to her crocheting. Why she married this man she would probably never know. She only had to wait seven more months until the insurance policies matured and then she could follow through with her plan to kill his stupid ass and live high on the hog however.
“Hey honey, they're talking about clitorises in here. I didn't know you could mention clitorises in these kind of things?!” Albert said.
Nancy shook her head and thought of the pretty dresses she would buy after she slit Albert's fool throat like the annoying tool he was.
“I'm hungry Albert, let us go and get some supper.” said Nancy as she put her crocheting away in it's storage chest.
“I'm not hungry right now babe, this novel is so engrossing anyway.” replied Albert. “Betsy is getting her nipples licked by the young pirate captain who has never known real love! Can you fucking believe it?!”
Nancy decided it was best not to reply and headed towards the kitchen. Inside it's vast walls lined with pots and pans she began to rummage about looking for anything edible. All the servants had been dismissed for the night and god knows she wasn't about to cook anything. After a few minutes she found a plate of ham sitting in the bottom shelf of the stainless steel double doored fridge. She reached down to fetch it.
“Don't touch my ham!!!” screamed a voice.
Startled by the voice Nancy dropped the ham to the floor shattering the plate in the process.
“Who's there!??!” screamed Nancy.

I'm in tears. :lol
 

Dr. Light

Member
So, I finished my Halo screenplay last month. Still putting various polishing touches on it. The overall format is a bit rough, but considering I googled "screenplay format" literally a half hour before I started writing, I'd say I did a pretty decent job. I have the outline for the entire trilogy, but obviously I won't bother with it if nothing happens with this first one.

Frankly (of course I'm biased) I think it's pretty solid. I doubt there are better Halo screenplays out there, to be honest. Dialogue could use some spit and polish, but the overall trilogy does some bold things with the Halo universe while staying true to the overall story of the games. Unfortuately, this script would probably require a $200 million budget to film. Peter Jackson or someone of his stature could get it made, but they've already seemed to express that they don't have enough confidence in a videogame-based movie to invest that kind of budget, considering that it hasn't been able to get off the ground yet.

Not sure what to do with this thing, my dream is that a major studio would buy it but that's probably a fantasy. I'm pretty sure you're supposed to copyright/register it before spreading it around. I really have no clue how to do this or if it's really worth the time and effort unless I truly believe I can become a screenwriter. I actually haven't shown it to anyone yet.

Oh, and to the OP: you're just supposed to capitalize the character's name the first time you introduce them.
 
Dr. Light said:
So, I finished my Halo screenplay last month. Still putting various polishing touches on it. The overall format is a bit rough, but considering I googled "screenplay format" literally a half hour before I started writing, I'd say I did a pretty decent job. I have the outline for the entire trilogy, but obviously I won't bother with it if nothing happens with this first one.

Frankly (of course I'm biased) I think it's pretty solid. I doubt there are better Halo screenplays out there, to be honest. Dialogue could use some spit and polish, but the overall trilogy does some bold things with the Halo universe while staying true to the overall story of the games. Unfortuately, this script would probably require a $200 million budget to film. Peter Jackson or someone of his stature could get it made, but they've already seemed to express that they don't have enough confidence in a videogame-based movie to invest that kind of budget, considering that it hasn't been able to get off the ground yet.

Not sure what to do with this thing, my dream is that a major studio would buy it but that's probably a fantasy. I'm pretty sure you're supposed to copyright/register it before spreading it around. I really have no clue how to do this or if it's really worth the time and effort unless I truly believe I can become a screenwriter. I actually haven't shown it to anyone yet.

Oh, and to the OP: you're just supposed to capitalize the character's name the first time you introduce them.

Have you read Alex Garland's HALO script?
 
Mike Works said:
OP, is there a reason why you put everyone's name in CAPS every time?

Its actually not a right or wrong practice. It is common and accepted, but not enforced by any means.

As for the rest of his formatting and capitalization choices..

Scene headers for example.
 
emomoonbase said:
Here's the start of my amazing motion picture idea. Let me know what you think:

It was a quiet and calm night. Albert was sitting in his study next to a vast fire place. Seated in his massive leather chair he thumbed his way through a filthy, raunchy romance novel interrupted every few minutes with a sip of vodka from a canning jar.
“Holy shit this book has more immoral sexual activity than a roman whore house!” Albert exclaimed loudly. “It's like porn but with words!”
Albert's wife Nancy poked her head up from the nearby couch.
“Albert, I told you to stop reading that trash.” Nancy scorned. “It'll corrupt your mind.”
“Oh, I hope so Nancy.”
Nancy rolled her eyes and returned to her crocheting. Why she married this man she would probably never know. She only had to wait seven more months until the insurance policies matured and then she could follow through with her plan to kill his stupid ass and live high on the hog however.
“Hey honey, they're talking about clitorises in here. I didn't know you could mention clitorises in these kind of things?!” Albert said.
Nancy shook her head and thought of the pretty dresses she would buy after she slit Albert's fool throat like the annoying tool he was.
“I'm hungry Albert, let us go and get some supper.” said Nancy as she put her crocheting away in it's storage chest.
“I'm not hungry right now babe, this novel is so engrossing anyway.” replied Albert. “Betsy is getting her nipples licked by the young pirate captain who has never known real love! Can you fucking believe it?!”
Nancy decided it was best not to reply and headed towards the kitchen. Inside it's vast walls lined with pots and pans she began to rummage about looking for anything edible. All the servants had been dismissed for the night and god knows she wasn't about to cook anything. After a few minutes she found a plate of ham sitting in the bottom shelf of the stainless steel double doored fridge. She reached down to fetch it.
“Don't touch my ham!!!” screamed a voice.
Startled by the voice Nancy dropped the ham to the floor shattering the plate in the process.
“Who's there!??!” screamed Nancy.

:lol
 

D4Danger

Unconfirmed Member
I don't have anything useful to add about screenwriting but if you use the
Code:
 tag you can format the text properly

[code]
      like      this    for     example
 
Scullibundo said:
Its actually not a right or wrong practice. It is common and accepted, but not enforced by any means.
Putting every character's name in CAPS throughout the entire screenplay is common? I've honestly never seen that done.
 
emomoonbase said:
Here's the start of my amazing motion picture idea. Let me know what you think:

It was a quiet and calm night. Albert was sitting in his study next to a vast fire place. Seated in his massive leather chair he thumbed his way through a filthy, raunchy romance novel interrupted every few minutes with a sip of vodka from a canning jar.
“Holy shit this book has more immoral sexual activity than a roman whore house!” Albert exclaimed loudly. “It's like porn but with words!”
Albert's wife Nancy poked her head up from the nearby couch.
“Albert, I told you to stop reading that trash.” Nancy scorned. “It'll corrupt your mind.”
“Oh, I hope so Nancy.”
Nancy rolled her eyes and returned to her crocheting. Why she married this man she would probably never know. She only had to wait seven more months until the insurance policies matured and then she could follow through with her plan to kill his stupid ass and live high on the hog however.
“Hey honey, they're talking about clitorises in here. I didn't know you could mention clitorises in these kind of things?!” Albert said.
Nancy shook her head and thought of the pretty dresses she would buy after she slit Albert's fool throat like the annoying tool he was.
“I'm hungry Albert, let us go and get some supper.” said Nancy as she put her crocheting away in it's storage chest.
“I'm not hungry right now babe, this novel is so engrossing anyway.” replied Albert. “Betsy is getting her nipples licked by the young pirate captain who has never known real love! Can you fucking believe it?!”
Nancy decided it was best not to reply and headed towards the kitchen. Inside it's vast walls lined with pots and pans she began to rummage about looking for anything edible. All the servants had been dismissed for the night and god knows she wasn't about to cook anything. After a few minutes she found a plate of ham sitting in the bottom shelf of the stainless steel double doored fridge. She reached down to fetch it.
“Don't touch my ham!!!” screamed a voice.
Startled by the voice Nancy dropped the ham to the floor shattering the plate in the process.
“Who's there!??!” screamed Nancy.

LOL! I want more.
 

sans_pants

avec_pénis
Scullibundo said:
Its actually not a right or wrong practice. It is common and accepted, but not enforced by any means.

As for the rest of his formatting and capitalization choices..

Scene headers for example.


the common practice for names is to capitalize the intro of each character. after that you go back to a normal format
 
I actually have a screenplay question:

I'm currently writing a (psychological) thriller somewhere along the lines of Insidious/Paranormal Activity/The Descent, and I'm struggling when it comes to figuring what the tone for the opening 20 minutes of the film (before shit goes down) should be.

For some horror films, like Insidious for example, the tone remains fairly constant throughout- right from the beginning you're shown eerie, creepy shots of the house; the characters make light jokes and quips, but you can tell they're under a more somber veil.

Other horror films start off much more relaxed and light- there can be moments of panic and tension, but largely the movie will portray the main characters in a fun and relaxed environment, which soon bleeds into the horrific environment, which shines a spotlight on the tonal shift. I suppose Cloverfield would be an example of this (open with the house party, transition to creatures eating dudes).

So I'm having trouble figuring out how to start my film. I've got all of the key plot points mapped up starting from when shit starts to go down (~20 minutes in), but I had nothing mapped out before that point. I of course want to introduce my characters and their motivations, but I'm struggling to decide on the best way to do this.

If any of you have advice, especially if you watch horror films, I'd be more than open to it.
 
sans_pants said:
the common practice for names is to capitalize the intro of each character. after that you go back to a normal format

That is the taught practice, but it is still a common practice to capitalize any character running throughout. It often comes from those who write for both the screen and the stage

See: Any Aaron Sorkin or Alex Garland script.
 
Mike Works said:
I actually have a screenplay question:

I'm currently writing a (psychological) thriller somewhere along the lines of Insidious/Paranormal Activity/The Descent, and I'm struggling when it comes to figuring what the tone for the opening 20 minutes of the film (before shit goes down) should be.

For some horror films, like Insidious for example, the tone remains fairly constant throughout- right from the beginning you're shown eerie, creepy shots of the house; the characters make light jokes and quips, but you can tell they're under a more somber veil.

Other horror films start off much more relaxed and light- there can be moments of panic and tension, but largely the movie will portray the main characters in a fun and relaxed environment, which soon bleeds into the horrific environment, which shines a spotlight on the tonal shift. I suppose Cloverfield would be an example of this (open with the house party, transition to creatures eating dudes).

So I'm having trouble figuring out how to start my film. I've got all of the key plot points mapped up starting from when shit starts to go down (~20 minutes in), but I had nothing mapped out before that point. I of course want to introduce my characters and their motivations, but I'm struggling to decide on the best way to do this.

If any of you have advice, especially if you watch horror films, I'd be more than open to it.
Here you go, Mr. Works:
http://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesWithJerks
 

Dr. Light

Member
Scullibundo said:
Have you read Alex Garland's HALO script?

Just googled that and read some excepts. Wow, this is wierd.

It's apparently 128 pages, which is EXACTLY as long as my script.

It's eeriely similar in many ways, and the ending is disturbing similar. Yeah, I know they're both based on the game, but.. this is surreal.

He seems to write action in a general sense, whereas I write a play-by-play. But some elements - like the whole "This is what it is like to be Master Chief" POV and a dream sequence are also in my script. Even his description of Chief's skin is the same.
 
Mike Works said:
I actually have a screenplay question:

I'm currently writing a (psychological) thriller somewhere along the lines of Insidious/Paranormal Activity/The Descent, and I'm struggling when it comes to figuring what the tone for the opening 20 minutes of the film (before shit goes down) should be.

For some horror films, like Insidious for example, the tone remains fairly constant throughout- right from the beginning you're shown eerie, creepy shots of the house; the characters make light jokes and quips, but you can tell they're under a more somber veil.

Other horror films start off much more relaxed and light- there can be moments of panic and tension, but largely the movie will portray the main characters in a fun and relaxed environment, which soon bleeds into the horrific environment, which shines a spotlight on the tonal shift. I suppose Cloverfield would be an example of this (open with the house party, transition to creatures eating dudes).

So I'm having trouble figuring out how to start my film. I've got all of the key plot points mapped up starting from when shit starts to go down (~20 minutes in), but I had nothing mapped out before that point. I of course want to introduce my characters and their motivations, but I'm struggling to decide on the best way to do this.

If any of you have advice, especially if you watch horror films, I'd be more than open to it.

One solution is to do a very short horror prologue with some blood, some suspense, something scary and intriguing, then jump into your Act I and you can be a little less horror heavy in setting up your story before the shit hits the fan in Act II.
 
sans_pants said:
you arent supposed to put any of that stuff in a screenplay anyway
This is factually incorrect.

As for character names, generally you put them in all caps the first time they appear in your script, not again after that. But there are no hard rules, a lot of writers use capitalization to accentuate action and break up the page.
 
Exclamation-One said:
Thanks for this (though F U for linking me to tvtropes- I'm trying to get some work done). I find myself both agreeing and disagreeing with the article. I'm on board with doing away with stuff like 16-year-old relationship drama, but at the same time, you do need a way to get your audience to connect with your characters.

Now keep in mind I'm not writing nor referring to a straight-up monster movie. Despite the fact that the script I'm writing is basically Insidious meets Cloverfield, there's no big monster that's going to be tearing shit up. I think when people sit down to watch The Ring or Insidious, they're not sitting down 5 minutes into the movie pissed off that the demon hasn't attacked and killed the main characters yet. Now if you're looking at something like 28 Months Later, then yeah, starting off with a bang is a great way to go.

Mercury Fred said:
One solution is to do a very short horror prologue with some blood, some suspense, something scary and intriguing, then jump into your Act I and you can be a little less horror heavy in setting up your story before the shit hits the fan in Act II.
Unfortunately, I don't think I can go that route for this script. As I mentioned earlier in this post, I'm going the Cloverfield route where something suddenly HAPPENS that changes the entire dynamic of these peoples' lives. From that point on, it'll be a largely suspense-based horror/drama.

But keep the suggestions and discussion coming people, this has already helped a lot.
 
Mike Works said:
Thanks for this (though F U for linking me to tvtropes- I'm trying to get some work done). I find myself both agreeing and disagreeing with the article. I'm on board with doing away with stuff like 16-year-old relationship drama, but at the same time, you do need a way to get your audience to connect with your characters.

Now keep in mind I'm not writing nor referring to a straight-up monster movie. Despite the fact that the script I'm writing is basically Insidious meets Cloverfield, there's no big monster that's going to be tearing shit up. I think when people sit down to watch The Ring or Insidious, they're not sitting down 5 minutes into the movie pissed off that the demon hasn't attacked and killed the main characters yet. Now if you're looking at something like 28 Months Later, then yeah, starting off with a bang is a great way to go.


Unfortunately, I don't think I can go that route for this script. As I mentioned earlier in this post, I'm going the Cloverfield route where something suddenly HAPPENS that changes the entire dynamic of these peoples' lives. From that point on, it'll be a largely suspense-based horror/drama.

But keep the suggestions and discussion coming people, this has already helped a lot.

And fuck you for mentioning 28 Months Later. :(
 
Gary Whitta said:
This is factually incorrect.

As for character names, generally you put them in all caps the first time they appear in your script, not again after that.
Hey Gary, I had a quick question for you. I searched out your script just now and found this version.

So, question. Do you add stuff like this (in bold):

P.O.V. FROM ACROSS THE CLEARING

About thirty yards away. Someone is watching. Waiting. SLOW,
DEEP BREATHS, heard through a GASMASK RESPIRATOR.

CLOSE ON A PAIR OF INDUSTRIAL GOGGLES

The MIRRORED LENSES reflecting the forest clearing, locked
onto the cat. The slow, metered breathing continues.
into your screenplay yourself, or is that someone else's addition? If you did put in those camera/lens directional shots, how often do you do it? I've heard that some writers shy away adding any directional description like that in order to avoid directing the director, whereas others swear by it in order to get their "vision" across.

So do you do write those into your scripts, and if so, how often do you use them?

Scullibundo said:
And fuck you for mentioning 28 Months Later. :(
28 Months Later had an awesome opening 5 minutes and that's all I mentioned- fact.
 
Mike Works said:
28 Months Later had an awesome opening 5 minutes and that's all I mentioned- fact.

You're confusing Weeks with Months. I'm still holding out hope Boyle will come back for Months like he's hinted at time and time again.
 
Mike Works said:
Hey Gary, I had a quick question for you. I searched out your script just now and found this version.

So, question. Do you add stuff like this (in bold):


into your screenplay yourself, or is that someone else's addition? If you did put in those camera/lens directional shots, how often do you do it? I've heard that some writers shy away adding any directional description like that in order to avoid directing the director, whereas others swear by it in order to get their "vision" across.

So do you do write those into your scripts, and if so, how often do you use them?
Yeah those were all in the original spec draft. Screenwriting books and teachers will tell you to avoid using specific camera directions, but I think it's fine if you use it sparingly and it's important to how the scene is presented. If I recall correctly I don't think I used a single camera direction beyond that opening scene. And if you look at the finished film you can see that the directors pretty much ignored it anyway :)
 

HiResDes

Member
I really want to get into the screenplay writing world, as I had a blast finishing my first short script earlier this year. I was thinking about enrolling and getting some sort of degree in the field to go along with my B.A in English, but I've heard that it's just a waste of time. Can anyone confirm this? Also if anyone would be willing to give feedback on my first script that would also be very helpful as I plan to start work on a much longer project in the fall.
 
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