... Alternate title: Jonathan Rhys Meyers Wants To Suck You Off.
Note: OP is best seen in Default Theme .
Teaser | Official Trailer | Official Trailer #2 | The Making of Dracula | Interviews with the cast (Click the related videos)
Yes, yes you are!I am going to hate this.
Dracula shows a lot of skill when it comes to launching a swift-paced series and weaving together several taut story lines and characters; at times it even finds an undiscovered sweet spot between Downton Abbey and Bela Lugosi. Rhys Meyers is an adequately creepy vampire and there is sex, style, mystery and adventure all around. Only one crucial piece is missing: Dracula isnt scary.
Grade: B-
It's been too long since I have watched Mr Meyers on my TV screen. Can't wait for this.
Why is the only black guy the crazy sycophant?
I realize that this is Idris Elba as everyone territory, but Mads Mikkelsen would be a fucking awesome Dracula. Not feeling Rhys one little bit.
Renfield is not a sycophant, he's actually subject to Dracula's mind control. At least that's in the novel.
Black people were probably not especially common in Victorian England, so to give Dracula an exotic minion increases the sense of other-ness that surrounds him.
NBCs Dracula is a slick, lavish reinvention of the Dracula mythos. Its got a solid cast, high production values, and a terrific lead in Jonathan Rhys Meyers. However, for whatever reason, it seems to lack (sigh) bite.
2.5/4
Though I dunno why everyone's insistent on making Vlad Tepes this sorta lovestruck monster. Dude was just a plain psychotically evil person.
Jessica De Gouw is a goddess. I think this is her breakout. If not, she gonna run wild on Arrow.
He was awesome on Da Vinci's Demons though!
attractive cast (though Jonathan Rhys Meyers looks like a drug addict these days) but this looks horrid
Is this a mini series or will it be an ongoing?
What are other reviews saying?
The show has a knack for Godfather-style plots and counterplots, as well as for sixties Hammer-horror violence that doles out gore and suffering strategically: a dollop of blood here, a severed head there. Theres a bracing wantonness to the writers inventions here.
Lead writer Daniel Knauf, who created HBOs Carnivale, has tweaked Bram Stokers classic tale in delightful, if heavy-handed ways.
The show has a lot going on and it isnt always easy to follow, but for the most part its stylish, sexy and smart.
outside Carnivàle he's done nothing of interest to meIt's pretty horrid, ya.
But. Knauf.
Like Hannibal (another NBC drama built around an antihero with a peculiar diet), this series pushes boundaries in terms of gore, torture and sex, flourishes that feel both organic and perhaps a bit less jarring given the fantastic setting and situations.
The gorgeous art direction make this great fun, and Rhys Meyers plays his part with such blood-slurping, mouth-wiping gusto that even a dentist could love him.
On how Hannibal has helped push the limits of gore on NBC...
"All of this I attribute to Bob Greenblatt's inspired leadership at NBC. He previously ran Showtime and is of a cable mindset and I think that's what he wanted to bring to his tenure to NBC. They're trying to break rules and give audiences something new. Why give more procedurals? There are plenty out there. I think what Greenblatt wanted was to shake things up and that's how Hannibal happened and why that's a great success. I hope Dracula benefits from that increasing curiosity as to whether network can give people the thrills and scares they'd have to find somewhere else."
Showtimes President Is Said to Be Stepping DownIs Greenblatt one of the good executives or the bad ones?
I've no clue.
Mr. Greenblatt helped turn Showtime, a unit of the CBS Corporation, into a more muscular competitor to HBO. During his time there, Showtime added popular and critically acclaimed series like Dexter, The Tudors, The L Word, Weeds and Californication. Showtime received 29 Emmy nominations last year, a record for the network.
- IGN reviewThe writers on "Dracula" have not hit on that variation. I'd hate to rule out the possibility that a great TV show could be made about energy-based political machinations in the burgeoning industrialization of late-19th Century London, but it turns out to be a backdrop that drains all of the pleasure from the property that gives "Dracula" its name. Once again, if all you want from "Dracula" is Jonathan Rhys Meyers smoldering, some lavish visuals and shareholder drama involving British Imperial Coolant, then this will be satisfying. If you want scares, disturbing imagery and a fresh take on vampire mythology that feels like it adds worthy details to the genre's vast library, then this falls way, way short.
NBC's Dracula has a campy, can't look away quality that may become addictive for some. We've received the first several episodes, and though we haven't had the chance to watch ahead, we hear that the series improves as it goes along. So we'll likely be checking back in with it. The pilot is a clunky mix of melodramatic vamp romance, nods to Coppola's extravagant adaptation of Bram Stoker's novel, and a contemporary - and somewhat politicized - spin on the mythology, which may be off-putting for some. Jonathan Rhys Meyers brings his particular brand of bizarre sexuality/'70s glam rock flair to what is essentially a very soapy period drama/play on an old-fashioned Gothic horror. All of these elements combine to create one of the more bizarre, though in many ways intriguing, pilots of the season.
Romantic vampires are to me what garlic is to them. Pass.
Watching this conspiracy, class warfare and romantic indiscretion collide makes for a hugely engaging show, all the more so because of the lushly photographed Victorian settings and droll dialogue.
Rhys Meyers already has his fans, but hes likely to win over skeptics as this new Dracula makes a seduction out of death.
All dark shadows and gloom, there's a comic-book vigor to the series, and the narrative contortion of a soap.
Episode 1 "The Blood is the Life"
New to England, Alan Grayson hosts a lavish party. He becomes fixated on Mina, a beautiful young woman who looks like his dead former love. Newly engaged to Mina, Harker grapples with worries over providing Mina the life she deserves.