EDIT: The title will probably be out of date as more reviews are added. Unless one of our mods decides to change it, just look the stats below for updated scores. I will try to check back over the week and update as necessary.
It looks like critics are not fans of Guy Ritchie's latest. On to Aladdin!
Rotten Tomatoes - 38 Fresh, 102 Rotten - 27% / 4.6 avg
https://www.rottentomatoes.com/m/king_arthur_legend_of_the_sword
Metacrtiic - 41 reviews, 41 (mixed reception)
http://www.metacritic.com/movie/king-arthur-legend-of-the-sword?ref=hp
Critic Quotes:
http://www.hollywoodreporter.com/review/king-arthur-legend-sword-review-1001614
It looks like critics are not fans of Guy Ritchie's latest. On to Aladdin!
Rotten Tomatoes - 38 Fresh, 102 Rotten - 27% / 4.6 avg
https://www.rottentomatoes.com/m/king_arthur_legend_of_the_sword
Metacrtiic - 41 reviews, 41 (mixed reception)
http://www.metacritic.com/movie/king-arthur-legend-of-the-sword?ref=hp
Critic Quotes:
From one moment to the next, it's possible to on some level enjoy the shaking up of tired conventions in a swordplay fantasy such as this and then to be dismayed by the lowbrow vulgarity of what's ended up onscreen. The film gives with one hand and takes away with the other, which can be frustrating in what's meant to be entertainment.
Hunnam is game for the rugged demands placed upon him and takes the physical punishment administered to him in stride. Playing the figure of unalloyed evil here, Law gives the malice of this man who would be king full rein, while Bana provides convincing contrast as the betrayed brother.
After using visual effects to extensively create huge masses of armies and mayhem, the film suddenly resorts to a herky-jerky video game approach in a climactic stand-off that looks quite lame in contrast to most of the action.
- Todd McCarthy
http://www.hollywoodreporter.com/review/king-arthur-legend-sword-review-1001614
http://variety.com/2017/film/reviews/king-arthur-legend-of-the-sword-review-guy-ritchie-1202420937/After playing the straight man to Robert Downey Jr.s borderline-unhinged Sherlock Holmes in two Ritchie-directed blockbusters, Law seems to relish getting to let loose here, and his villainous Vortigern has all the gristle of a high-camp performance. But Ritchies overwrought sense of flamboyance isnt nearly queer enough to achieve so bad its good self-parody. Rather, he comes across as an aging rebel worried about being judged un-hip, clearly over-compensating in order to remain one step ahead of fellow stylists Zack Snyder (300), Tarsem Singh (Mirror Mirror), and Alex Proyas (Gods of Egypt) all of whose genuinely outrageous, inadvertently awful work appears to be a source of inspiration here.
Collectively, these directors have reached a point where their films run the risk of collapsing under the weight of their own production design, especially since Hollywood no longer makes stars big enough to compete with the environments that surround them. (Have you noticed: Even Trump looks tiny when photographed at Mar Lago?)
At least Hunnam has the potential to be the next Brad Pitt, having begun his career in a series of demanding acting roles including a long run on FXs Sons of Anarchy before making the transition to blockbuster screen idol. Hes got presence, along with a sense of vulnerability thats essential to the Arthur role, in which he plays a true-blood prince, orphaned by his uncle, raised in a brothel, educated on the streets, and thrust into the unlikely position of saving the kingdom.
But Hunnams competing with so much ridiculous window-dressing here. Its as if Ritchie, who began his career with the rowdy follow-that-shotgun caper Lock, Stock and Two Smoking Barrels, has once again tried to build an entire movie around the whereabouts of a rare weapon, when the legend of the sword isnt nearly as interesting as that of the man who wields it.
-Peter Debruge
https://www.thewrap.com/king-arthur-review-legend-of-the-sword-guy-ritchie-charlie-hunnam/Amidst the frantic cutting, Ritchie keeps loading on the phallic imagery: Arthurs power derives from his sword, while Vortigem must be stopped from completing his tall, tall tower. And then there are the constant snakes: some challenge Arthur or provide him with hallucinogenic venom, while Vortigem receives advice from a group of serpent women who appear to have swum in from The Little Mermaid.
This isnt an actors movie, although Law does at least find a few moments to play Vortigem like a preening Mussolini, shouting at the assembled masses while swathed in fur and eagle-head epaulets. Otherwise, the characters are there to move the story along and to be consistently heroic or villainous throughout.
In a sense, Arthur aristocrat by nature, thug by nurture is the ideal Ritchie hero; the filmmakers lineage can be traced back to Edward I, but hes spent most of his directing career celebrating small-time gangsters (Snatch, RocknRolla) and backing the proletariat in the class struggle (Swept Away).
If you like Guy Ritchie in blam-blam-blam mode, then King Arthur will be your grail of mead; those who prefer his work on a film like The Man from UNCLE which feels like My Dinner with Andre compared to the hyperkineticism on display here may find that theres too much a lot in this Camelot.
- Alonso Duralde
http://ew.com/movies/2017/05/09/king-arthur-legend-of-the-sword-ew-review/As Laws Vortigern snarls about how he wants this threat to his black-magic reign dead, Arthur saddles up with a group of rebels (and one pouty, catwalk-ready mage, played by Astrid Bergès-Frisbey) to bring Vortigern down. Its here that the film briefly sparks to life, as Arthurs grifting, wisecracking cronies (with colorful names like Goosefat Bill) hatch their throne-toppling scheme in thick Cockney accents reminiscent of Ritchies East London street toughs from Lock, Stock and Two Smoking Barrels. Theyre rascals you want to spend some hang time with. But the film never allows you to. There are too many phony-looking special-effects sequences of giant marauding elephants and magical eel creatures to get to. It doesnt matter if they dont help the story; what seems to matter is that Ritchie had enough money at his disposal to conjure them, so why not spend it? Hunnam and his charismatic band of merry pranksters get lost in the sea of pixels. Which is a shame. Because King Arthur could have been a rollicking blast. Instead its just another wannabe blockbuster with too much flash and not enough soul.
- KEVIN P. SULLIVAN