argh. Well, I've been writing crits for the past 2 fucking hours when my iPad decided to refresh the window I was writing in and erase everything I've written. God fucking dammit
![Mad :mad: :mad:](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
so apologies if these comments are a little less detailed than they should be, but I'm tired of reading and writing now.
Jesus in Swag - good. I dig the Douglas Adams feel that it had, it reminded me of that freewheeling, anything-goes style of comedy sf from the 70s/80s and was an entertaining read. The prose was a little bit awkward in places though, and I had no idea who any of the references were at all. I think if you spent a little longer sanding down some of the more unweildy sentences then it would be fantastic. Maybe try reading it aloud to yourself to give a consistent idea of tone.
Surfaces - good. I like the almost-noir feel that this has, I reckon you could probably push it a little further even, have the main char be even more precocious and asshole-y and have this real me v you feel to it. That said, what was there was entertaining and read very well.
Between the Lines - really good. I liked how the opening paras kept me re-assessing what was going on, and I felt that the protagonist was likable and sympathetic. I think that the idea of someone who knew a big star is really interesting, especially that i-know-you-but-you-forgot-me thing. It's maybe a little cliche and involves Jodie being very self involved and kinda rude, but it still rang true. I think the conflict with the director was well handled too.
A New History - note, this didn't open on my iPad and may have cause my crit-wipe, so if I were you I'd just use the tried-and-tested dropbox method next time. As for the story ... infinity! You use the word three times in the first page, consider a different word maybe? Also, infinity is hard to imagine, so it doesn't work too well for me either. The setting reminded me of The Library by Borges, was this intentional? That's an actual infinite library though, whereas the Earth is very finite. I like the big SF ideas regarding interstellar colonies though, reminded me a lot of Hyperion that I'm currently reading. I like how pessimistic it is. So, big ideas all present and correct, but the story itself left me cold. In fact, I couldn't tell you what it was about really, and I only just read the thing. A rumination on humanity and the future is well and good within a narrative, but I don't really think anything happened in this story, and I could not tell you anything about the main character. Is he from Earth or elsewhere? I think elsewhere but I'm not sure. Why is he in the library though? What is he doing there, what does he look to get from it? I think the ideas in the story are wonderful and gave me a lot to think about, but the story itself was barely there. A mixed bag in all.
Gods and Shit - genuinely very funny. I was giggling all the way, but that ending made me lol. Also, you are now the proud owner of One Internet for sneaking in my secret challenge. Sort but sweet, the characters were well defined in very few words and the whole thing had a succinct point. Very impressed, comedy is super hard to get right. My main comment would be that you need to vote for two other people as well as Valerie. Share those points out bro!
This Song of Mine - fantastic. First I thought it was (yet another) story about Gods, so flipping that on me was a nice surprise. Charming tone to the story, I like how the bird is so chipper about her lot, it's very sweet and helps you connect to her very quickly, especially once you figure out where she's going and why. It set up a great dramatic tension since we all know why birds go down into the mines, and so that twist ending was utterly heartbreaking, you total bastard! She was too good at her job, what a beautifully bitter irony. Really fantastic story. I liked the pictures, the prose was faultless and the structure was really impressive. Well done!
Final Lecture - good. I think the classroom setting meant that this future history was a little dry, but it was still very entertaining, and I love the stuff about Star Wars and the supernatural era. Very funny, and I love the idea of a future society basing their knowledge of human culture around our fucked up fictions. If anything, you shy away from dealing with this tricky subject, going for comedy instead of the reality of how the archaeology of our history would work. Still, a nice spec SF piece that made me think and laugh in equal measure. Now, if there was a way of getting these questions into a narrative about people you'd be onto a winner.
Ephemeral Hearts - bit of a mixed bag this one, I was very conflicted reading it. On the one hand, you're excellent at thinking of details about people, details I would never even notice in real people, let alone manage to imagine about characters. But on the other hand, it was in service to a story that took a long time to go anywhere. If anything, the treasure map and hunt should have been introduced and begun in the first page, but as it was it took until nearly halfway through to reach what is the point of the story. You could have started with the treasure hunt to introduce the characters and then gone into the specific details from there. I also found the relationships a little complex - what was the deal with Anna living in a different house - half sister? But walking distance away from the other home? And how did Paul know Tess was his future wife, enough to write it on the back of the map as a kid? And what was the treasure anyway? This stuff was all really unclear to me, and was lost in so many inconsequential details. On the plus side, I think your prose had a nice flow to it here, much better than other stuff I'd read from you. Also, when it was said that Anna was coming to stay, I literally said aloud "the last place this girl needs to be is with this morose motherfucker!" Paul did not seem to me the type of guy you'd phone having just been dumped, I think I may actually have killed myself if I were Anna
The Interior - nice, second person narrative, clever boy! This was a powerfully depressing story, certainly. Unfortunately I'm from England, so a lot of the cultural references were lost on me, but I got the gist of the American teacher in the native Canadian reservation school. Depressed girlfriend. Fucking the principal of the school? Or just an aboriginal mother? I think it was good in a way, the prose was exacting and clear, but I wouldn't say it was an enjoyable read. I think it's really hard (as above) to make the reader interested in malaise. As a subject for a story it turns me off, no matter how skillfully written. I can accept it when there is maybe some chance for redemption, but this seemed like a series of vague vignettes with no sense of closure at all. I guess at the end, I felt a bit empty and sad, much like the protagonist, and I'm sure it's the thing you were going for in which case it's a successful story. But I'm afraid that it didn't work for me on an enjoyment level. Sorry!
... phew, that's all of them. I hope I haven't been too offensive to anyone, it's hard to say 'I didn't like this', especially to people that are doing this just for the joy of it. I think that everyone had AT LEAST one or two things that I admired and was impressed by in every story, and I can see the craft and skill and love on display. So please don't take offence from my tired and frustrated words (fucking iPad!!). You're all badass because YOU DID IT, and I think that being among your company is going to make me a better writer.
My votes:
1. This Song of Mine
2. Gods and Shit
3. Between the Lines
Honorable to Cyan for Surfaces, very close to that third place.
Right, had enough typing to last me a week. I'll collate and post result tomorrow morning when I get to work.