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The "GAF Members Who Make Comics" Thread: advice, criticism and long nights

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Gazunta

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When I'm not neck deep in the bowels of the games industry I like to make comics. It's been a real passion of mine for as long as I can remember, far longer than I've had the itch to work with games, but games pay better and the industry is more stable (which just goes to show how shaky the comics business is).

So I thought I'd make a thread for those of us on GAF who are also into making comics, from occasional hobbyist to serious amateur to seasoned professional. If you make comics or even just want to make them, let's talk about it.

What this thread will be about:

Art. The creative process.

What tools do you use to make your comic? Are you a pen and paper artist, or do you use new digital tools? What's your approach on coloring? How do you handle the task of lettering? What's your writing process? How do you approach creating a new character? Where do you get your punchlines or dramatic plot points from? What drives you to create?

Business. Like it or lump it managing the business side of your comic is vitally important for it to grow and gain and audience.

How do you make money off your work? Do you run ads on your comic? Do you sell merchandise? Have you offered your comic for sale at conventions? Do you have a business plan? Who owns the rights to your work?

Criticism. Post your comic and the harsh ray of GAF sunlight shall be cast upon it.

Be prepared to be told how bad it is BUT MORE IMPORTANTLY post and recieve some constructive criticism in return. Trust me, you NEED honest and often brutal criticsm of our work in order to get better. I'm at the fourth year of doing a daily comic and it's only now that I think my stuff doesn't completely TOTALLY suck. It just mostly sucks, but it's only through honest appraisal that it's going to get better.

Delivery. It's not enough to have a great comic - you need to get it out there.

How do you deliver your comic to your audience? Do you post them on your website? Do you use a content management system? Do you have a FaceBook page? Do you make photocopied minicomics to sell at the local record store? Do you sell digital comics through Comixology? How often do you release a new comic and how big is it? There's a lot of old and new methods for getting comics in people's hands, and each one has a pro, a con and an opportunity. Marketing is important!

Enjoyment. You're going to need to enjoy making comics to do this long term.

What gets you through the late nights making this stuff? What's your favourite part of the whole creative process? What prevents you from packing it all in and doing something else like playing some of these video games I keep hearing about on GAF?

What this thread WON'T be about:

Comics you don't make. We already have a lot of great threads focused on other people's comics and what we think of them. Unless you're using it for reference, let's not have a heap of "oh man new PBF is up check it out" posts, OK?

Circle jerks. One thing I hate about a lot of comic collectives is that it's just a big mutual appreciation society of everyone telling each other how talented they are and how the world is unfair for not liking their comic. Guess what, most comics suck, and chances are yours (and mine) does too. While we shouldn't be out and out nasty, there's no point mollycoddling anyone.

OK. I think that's enough to get a conversation started. I'll post shortly my answers to some of these questions. I'm really, really curious to hear yours.
 
I like Presidog but I don't really like White Teenagers With Problems. Presidog is a joyful comic while White Teenagers With Problems just doesn't seem funny to me. The best part of Presidog is that you know the punchline, the enjoyment comes from the journey to that point. He really is a dog with a deep soul who does all he can to help other people, even at the cost of his own fulfilment. We can all learn a little something from Presidog, I think.
 
I used to make bad comics. I stopped because they were bad.

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Also I forgot that I couldn't draw. Or, more importantly, realised I had no motivation or desire to continue drawing.

I also made some FLASH ANIMATIONS because that seemed like a good idea.
It wasn't.

(also THIS IS VERY LOUD)
 
boris feinbrand said:
I'm currently making a webcomic with my Girlfriend. You can check it out via my profile if you want. Constructive criticism is very welcomed.
LOL I thought it was going to be a musical comic: No band nerd. I need to learn to read.
 
Man I haven't updated my main web comic in mooonths but I've done all kinds of little side projects and one-offs since then. I'm subscribing to this thread in hopes that I'll remember to post them in the future when I finally make more.

Or I mean you could always go to my website, ReplayValueStudios.com or my tumblr.

I've been really involved with animated shorts and working on two series pilots to pitch to Cartoon Network lately which is why my comic has been left in limbo. I like where I left it off though, and I have some really good/big/interesting ideas for the next several arcs, so I'm in no hurry to push out the next chapter until it and I am ready.

Plus a lot of people really seem to like "Oh Shit, Monsters" which just blows my mind and they don't take a lot of effort to make, so yeah, can always pop those out in the meantime.

---Here are my answers to the topics posed by the OP---

ART
I do almost everything digitally - even the stuff that looks like it's pencil sketch. I use a variety of programs to achieve different looks - Sketchbook Pro is my most used for sketches and "Oh Shit, Monsters", but I also dabble in Manga Studio for my main comic, and Flash for my cartoons.
The first four OSM comics were done quick and dirty with a marker in a giant sketchbook, and that's what gave that comic its unique (AKA, Bad Art) look. Luckily I was able to mimic it pretty closely in SBP with the ballpoint pen tool. I rarely ever plan out the OSM comics because I specifically want the art to look like it was hastily thrown onto the page.
I hate to color my work. In fact I hate to even "ink" it most of the time. I am a big, big sketch guy. Sketches hold so much energy and action that I feel gets lost a lot of the time when a drawing is cleaned up, inked, and colored.
Lettering I do in Flash (except for OSM which is hand-lettered). This is a hugely cumbersome step but it's the cleanest and easiest way for me to make the word bubbles.
Stories just come to me. I know that sounds really stupid but I don't know any other way to put it. Either they will write themselves in situations that I get into in real life, or I'll just sit and think for a few moments about a situation, and things go from there. Sometimes I'll get a core idea, and I'll let it sit in my head for days, weeks, even months before I'm ready to put it on paper. (For my main comic, for example, I have enough stories for the next 4 arcs, AKA 20 comics, which introduce all kinds of new characters and places. That's almost two years of comics if I were to do one a month!)
What drives me to create is just, I love telling stories. The reason I call myself "Replay-Value Studios" is because I believe that really solid, good stories deserve to be retold again and again, aka they have a high replay-value. I hold myself to that standard when I write, "Is this going to be funny a second time through? Will this story stand on its own in a few months or years?" I LOVE creating worlds and characters and telling stories, and I like to think I'm reasonably talented artistically, so it's just the way I share with people.

Business
How do I make money off my work? Right now I don't. I just do it for fun. As I said above I love to tell stories so just putting them out there for people to read is enough for me. That doesn't mean I wouldn't love to make money off of it, but that's not why I'm doing it. I figure if I get a job at an animation studio, that's where I'll get my money from. These comics are just personal fun things I do on my own. I'd like to eventually have a big enough fan base to sell merch to, like shirts or posters or maybe someday even collections/books. I guess I could always go to some place like Red 5 Comics or Image and pitch one of my ideas if I really wanted to make money off of it that way. But once you turn it into work like that, it loses what makes it fun and special.
I own all the rights to my work. I try to avoid other people's characters and I write/play/sing my own music so this has never been a problem. And if I ever feature a friend in a comic I ask first, though I'm otherwise covered under parody like South Park is so it's not really a concern of mine. That and people I know typically beg me to draw them in comics so I've yet to run into anyone not wanting to be in them.

Criticism
I am my own worst critic. I have art up at work and people see it on a daily basis and they are impressed and love it and I think it's shit and it embarrasses me to no end that it's on the wall. I am constantly, constantly pushing myself to be better. I'll finish a piece and be satisfied and three minutes later I'm seeing all the flaws (that nobody else ever sees, of course) so I'm onto something else to keep improving. I actually get into really heated arguments with my dad over the quality of my work and how I always pick out the flaws that nobody else even notices. I am a perfectionist but it's impossible to be perfect so instead I just strive for perpetual self improvement.

Delivery
I have a website, a tumblr, a Twitter, YouTube channel, and my Facebook, so when I post something new, people know about it.

For my main comic, when it's actually running, I do an issue a month. I used to do three pages a week, totaling one comic per month, but there are instances where there are pages and pages of action or sequences with no words, and posting that a page at a time is murder. So I decided to pretend I had a real comic book and did one 24-page chapter per month.

Other things, like short and daily comics and Oh Shit, Monsters, come out whenever I get an idea for them. As I said earlier I don't like to rush things out or make the comics feel like work, because they suffer when I do that. So I keep a kind of "Three Word Phrase" or "Hark! A Vagrant!" or "Nedroid Picture Diary" update schedule of "whenever I have an idea worthy of sharing with people."

If I ever decide to get really serious about it, I'll make posters and mini comics and run web ads. There's a comic store about three blocks from my house that I'm sure I could post flyers in if I chose to.

Enjoyment
I just love to draw. I always have. Ever since I was a little tiny baby child I would sneak into my dad's office and steal his sticky note pads and make flip books out of them. People love my art. They don't see the flaws that I do and they like the stories and the drawings and they're always clamoring for me to do caricatures of them and they seem to genuinely enjoy what I share so that in turn fuels me to keep doing it. I think even if nobody ever read or liked my work I'd still do it just because the act of drawing and creating is therapeutic to me and if I didn't get these stories out of my head and onto the page they would overload my brain and I would just die.

So yeah I guess that's my speech?

Edit 2:


Dead Man said:
This makes me grin:

jDLeM.jpg
Thanks!

See this right here is why I do what I do. I was having a really, really awful night when I drew that. (The same night I drew the Shit Party image too). Sometimes I'll draw myself yelling, or tearing my eyes out, or punching a wall, or being chained up, just venting onto the page. That night I decided to draw myself 80's dance montaging out my problems. That it makes someone else smile is a really great unintentional bonus.

How I Got Into Cartooning: When I was little I was watching Chip & Dale: Rescue Rangers. I was already drawing and cartooning at this point but on this day, watching this episode [whichever one it happened to be, I think where they get lost in the jungle], everything clicked. I thought: watching this cartoon makes me happy. I am having a lot of fun and it's making me happy, and I want to be able to make stuff that has the same effect on other people.

:)
 
WordAssassin said:
Man I haven't updated my main web comic in mooonths but I've done all kinds of little side projects and one-offs since then. I'm subscribing to this thread in hopes that I'll remember to post them in the future when I finally make more.

Or I mean you could always go to my website, ReplayValueStudios.com or my tumblr.

I've been really involved with animated shorts and working on two series pilots to pitch to Cartoon Network lately which is why my comic has been left in limbo. I like where I left it off though, and I have some really good/big/interesting ideas for the next several arcs, so I'm in no hurry to push out the next chapter until it and I am ready.

Plus a lot of people really seem to like "Oh Shit, Monsters" which just blows my mind and they don't take a lot of effort to make, so yeah, can always pop those out in the meantime.
This makes me grin:

jDLeM.jpg
 
Dead Man said:
All those words and no comic of your own? For shame.
Well I didn't want to start the thread with links to my comic, that would just look like a plug :)

But OK. I make a daily comic called Funny Webcomic. In retrospect it's a terrible name but I am stuck with it now. I have a large roster of characters that I do comics about, and there is a poll on the site where people can vote for what characters I do a comic about on each Friday.

Popular comics include: Presidog (He's a dog who is also the president)

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White Teenagers With Problems (CW teen drama parody sorta)

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and Brendan Brewer, Video Game Reviewer. Last week I was lucky enough to have Brendan be the subject of a feature article on Kotaku Australia. (Yeah yeah yeah, Kotaku blah blah blah, but this was a big deal to me)

2011-09-30-Reviewer-22.gif


Art: These days I draw everything digitally in Photoshop. My tools of choice are a 12" Cintiq and a Wacom Intuous 4, they both have their advantages over the other. If I ever get a 21" Cintiq I'm pretty sure I'd use that exclusively. I also use Art Studio on the iPad if I'm away from a computer and need to get something down quickly. It's not the cleanest solution but it does the job.

Business: This is an area I need to spend more time concentrating on. I have ads on my site which pay for the server bills at worst an the occasional pizza at best. I need to track this stuff better AND work on ways to earn more revenue from the site. I have a book collection of the first year's worth of comics in print and DRM-free digital version which I sell for a tenth of the price of the physical copy but make the same amount of money from. Printer bills are a killer. I need to fix that and find a local solution for printing instead of getting them made in the states and spending a fortune on postage.

Creativity: I have had Dave Sim's "Draw a page a day" mantra stuck in my head since I was 15 and 20 years later I can't NOT make something every day. I will go mental if I don't. Getting a nice tweet or email or whatever helps A LOT. It's also nice to look back at the comics I've made over the past 20 years and see there's some cool stuff.

Delivery: I update the comic every weekday. I have also spun off one of the most popular themes into its own site (Blow The Cartridge - Suggest an old video game and I will make a comic about it) so people can more easily share those strips. I promote my comics on Twitter, G+ and I have a dedicated FaceBook page for the comics which has a WHOPPING 50 PEOPLE OMG FAMOUS. I think it's incredible the opportunities we have to make comics now. When I started I made 50 photocopied minicomics every three months and trekked into the city to sell them on commission at the record and comic stores, and most of the time they didn't sell.

Enjoyment: I love love love LOVE doing this. I love learning about comics. I love talking about comics. I could do this all day every day if I could. There's a long way to go before I can make that a reality though.
 
I like this thread, even if I'm a bit shy. I'm currently working on a horror web comic called Tales of the Exorcist, Indigo

http://indigocomic.com/

It's a labor of love for me. I don't make any real money off of it. I haven't been able to work on it as much as I've wanted in the past year, so I'm far behind my goal. My only real wish is for it to be distributed and read by people.

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I know I have a long way to go in terms of writing and art, so don't be too harsh on me. But I'm having fun along the way :)
 
I used to do the comic strip for my college paper. $5 a pop but it was cool to get paid for it. Recently some friends go together to try and make a webcomic out of his novels, but I'm either busy working my ass off in casino marketing, commuting, being a dad to teenagers, or playing games to unwind. Maybe someday I'll pick the effort back up. Being creative through marketing is far more satisfying financially than any other creative I've done, but only kind of vaguely satisfying, creatively.

Here is the best of my (years) old stuff. I prefer the single panel format. Gets you right to the punchline
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thebaroness said:
I like this thread, even if I'm a bit shy. I'm currently working on a horror web comic called Tales of the Exorcist, Indigo

http://indigocomic.com/

It's a labor of love for me. I don't make any real money off of it. I haven't been able to work on it as much as I've wanted in the past year, so I'm far behind my goal. My only real wish is for it to be distributed and read by people.

I know I have a long way to go in terms of writing and art, so don't be too harsh on me. But I'm having fun along the way :)
Dude, like, holy shit; looks great.
 
thebaroness said:
I like this thread, even if I'm a bit shy. I'm currently working on a horror web comic called Tales of the Exorcist, Indigo

[amazing art]

I know I have a long way to go in terms of writing and art, so don't be too harsh on me. But I'm having fun along the way :)
Uh, holy shit? This looks better than a lot of the art in comics currently on the stands from Marvel and DC. I'm not even, just, this is fucking amazing. No words! WOW.

Edit: God dammit! Just looking at these two pages alone. You are really talented!

Imbarkus said:
This made me LOL pretty hard, ahahahaha
 
WordAssassin said:
This made me LOL pretty hard, ahahahaha

Thanks man. I had my best joke in my fifth comic. Never topped it. Probably not in any other endeavor in my life. I peaked early. ;)

Gazunta said:
What tools do you use to make your comic? Are you a pen and paper artist, or do you use new digital tools? What's your approach on coloring?

For me it's always got to start with pencil and paper. The comics I posted before are then just pen work on top of that. Not even, like, good, variable width fountain pens, just some plain old artsy felt tips.

I did have a good experience talking a pencil rough, scanning it in, and then going over it with a Wacom pad in Illustrator to get that variable pen width. It was the technique I was going to bring to my friend's webcomic. I only used it once or twice, for some art I did in my job promoting Sally Jesse Raphael and Jerry Springer, for example:

sallyjerry.jpg


You can't beat having editable curves and layers for adjustments later, and it makes changing the colors pretty easy, though Illustrator was pretty limited in that regard. I suppose next time I could take Illustrator color blobs (that I would draw under the variable width lines, hiding the edges) into Photoshop and do some cool Wacom airbrushing, patterns, textures, and gradients. I'm sure that's what a lot of artists do. For me, though, it's all got to start with an idea on pencil and paper.
 
WordAssassin said:
Uh, holy shit? This looks better than a lot of the art in comics currently on the stands from Marvel and DC. I'm not even, just, this is fucking amazing. No words! WOW.

Edit: God dammit! Just looking at these two pages alone. You are really talented!

Thank You, I think my writing has to catch up to my artwork. But I am the sole person working on this. I'm the penciler, inker, colorist, writer, etc. I don't have a staff like the big boys in the comic industry :)
 
thebaroness said:
Thank You, I think my writing has to catch up to my artwork. But I am the sole person working on this. I'm the penciler, inker, colorist, writer, etc. I don't have a staff like the big boys in the comic industry :)

So tell us something about your techniques. Looks like traditional pencil, then inked, some nice spattery airbrushy stuff going on in the coloring. Photoshop or by hand? Gotta be digital somewhere along the way as the font look it. Very good work.
 
Imbarkus said:
So tell us something about your techniques. Looks like traditional pencil, then inked, some nice spattery airbrushy stuff going on in the coloring. Photoshop or by hand? Gotta be digital somewhere along the way as the font look it. Very good work.

Actually you pretty much nailed it. After small little pencil thumbnails, I layout the panels on 11x17 comic paper with pencils. I ink them with pentel brush pens and PITT pens. Then I scan them in and color them with photoshop. I layout flat colors then kinda texture to my heart's content. The whole process has been one big education for me on how much work goes into a comic heh. But yes I agree that everything is better when begun on a piece of paper.
 
boris feinbrand said:
I'm currently making a webcomic with my Girlfriend. You can check it out via my profile if you want. Constructive criticism is very welcomed.

C'mon, don't be shy. Post the link here!

WordAssassin said:
Man I haven't updated my main web comic in mooonths but I've done all kinds of little side projects and one-offs since then. I'm subscribing to this thread in hopes that I'll remember to post them in the future when I finally make more.

Or I mean you could always go to my website, ReplayValueStudios.com or my tumblr.

What I really love about your stuff is how unscripted it feels and how much fun it looks like you're having making it. I just wish you'd get a scanner so your comics didn't look like you took a photo of them with your grandfather's box camera during an eclipse of the sun. More, please!
 
Imbarkus said:
I used to do the comic strip for my college paper. $5 a pop but it was cool to get paid for it. Recently some friends go together to try and make a webcomic out of his novels, but I'm either busy working my ass off in casino marketing, commuting, being a dad to teenagers, or playing games to unwind. Maybe someday I'll pick the effort back up. Being creative through marketing is far more satisfying financially than any other creative I've done, but only kind of vaguely satisfying, creatively.

Here is the best of my (years) old stuff. I prefer the single panel format. Gets you right to the punchline
I did comics for my school newspaper a couple of years ago. I did the single panel stuff too, mostly because it involved (I thought) less drawing. I still can't draw very well, but it went okay. It was very similar to alot of your examples but mostly just Far Side-esque I'm going to say inspired. I thought it was pretty fun and had a blast doing it. My editor didn't really "get" any of it and I didn't do it for more than a semester. I still have all the newspapers sitting around somewhere that I'm in. I wasn't really too sad when I got the email that I wouldn't be doing it anymore, it was a decent chunk of time to churn a quality one out. My favorite is however I still knew a few people at the newspaper and after a few weeks they said they were getting a bunch of emails from people wondering where my strip was as they really liked it. They had dropped all the comics they had and were only getting emails about mine (that section, fun and games and laughs or whatever) had never gotten any more than a couple emails a month (mostly about ambiguous puzzle answers) and now they were getting tons. I loved hearing that. Later that week I was telling this story at a party I was at to some people and a guy overheard and yelled out OH YOU'RE THAT GUY!?! ran into his room and returned with a big picture album where he had cut out tons of strips from Dilbert and Get Fuzzy... and then a bunch of mine. He asked me to sign one and I did and I was so happy that night. I don't know why. I still don't think any of them were really really good (my art was total shit) but I still remember my comic making days fondly.

But anyway your comics reminded me of mine. They're funny btw. I'll try to dig up some of mine later.

EDIT: That's a really big solid paragraph, I could break it up but I'm tired.
 
Cool, man. Do post them, and thanks!
 
I draw a webcomic based on a superhero I created in elementary school, which my brother in law writes. We started posting about a month ago, and new pages go up every Sunday.

The Interminable Cockroach Man!
Art and Concept by Sam Albro
Written by Kyle Strickland
http://www.cockroachman.com/

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The car in the first few strip isn't my best work, but when I started this I decided to not back down from drawing any subject that I consider one of my weak areas. It's the only way to grow as an artist.
 
After I'm done with NaNoWriMo and The Sketchbook Project this year, I plan to focus on creating a fan comic, so I'm going to keep this bookmarked for now. Thanks!
 
Just looking at other people's stuff here, especially WordAssassin's, makes me want to start drawing for a bit.

Too bad I busted my stylus. :(

The thing I always love about people who make comics, are seeing the guys who don't stop. I can never make anything, and I fall into the trap of maybe making 1-2 starter comics, doing about 5 mediocre comics in a day, and then just falling flat. A daily comic seems like a fucking nightmare unless it really is a labour of love, and even when I've tried a fortnightly thing, there's just so much stuff to draw attention away.

Like, I think I'm pretty happy with my garish art style, which really just compensates for my inability to draw with weird boneless disproportional duders. It's keeping something funny, I find, to be the hard part of humour comics. Or keeping it entertaining if you're doing a drama / action kinda thing.

I tried doing this stupid fucking thing, but ran into the problem that I had no idea what I was doing.

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Also the art was bad.

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I don't even know what this one was about

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Because the "forever alone" face was still a novelty

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I think I should just stick to hitler jokes. I seem to be okay at those.

I think I missed the point of your thread, gaz. Was the point to spam it with artwork? I hope it was. I'm sorry.
 
thebaroness said:
I like this thread, even if I'm a bit shy. I'm currently working on a horror web comic called Tales of the Exorcist, Indigo

http://indigocomic.com/

It's a labor of love for me. I don't make any real money off of it. I haven't been able to work on it as much as I've wanted in the past year, so I'm far behind my goal. My only real wish is for it to be distributed and read by people.

I know I have a long way to go in terms of writing and art, so don't be too harsh on me. But I'm having fun along the way :)
Your art is amazing. I'm smitten with your colour choices and restraint with palette usage. It's really something to look at. The expressive lines and flexible posture of your characters are particular alluring.

Your website leaves me cold, I have to say. The header image, while attractive, is huge and takes up half my screen. There's no comic on the front page of the site - which would be fine if I could easily see where to click to see it. It took a bit of hunting around.

Kritz said:
You suck because you don't make more comics. 5/5
 
Gazunta said:
You suck because you don't make more comics. 5/5

It takes me a week to come up with a two word game review. This may give some perspective to why I don't make comics.
 
Gazunta said:
What I really love about your stuff is how unscripted it feels and how much fun it looks like you're having making it. I just wish you'd get a scanner so your comics didn't look like you took a photo of them with your grandfather's box camera during an eclipse of the sun. More, please!
I actually have a scanner, but I am very lazy and, more importantly, the sketchbook these were drawn in (I'm assuming you're talking about the first four Oh Shit, Monsters comics, since they're the only ones done on physical media) is HUGE. At least twice the size of my scanner if not three times.

I've contemplated redoing those four digitally, but I'm really in love with some of the drawings and expressions and I know I won't be able to recreate them. Of course the pictures are shitty anyway so that only adds to the Bad Artness. I suppose I could cut the pages up and scan them piece by piece, but that would mean destroying the originals. :(

This idea just came to me - take multiple pictures, up-close, of each comic and stitch them together in Photoshop. That might be the closest to a "scan" of them we can get.

Of course, everything else I make is digital so they don't have that problem. But you're right, I do really have a lot of fun making comics and I'm really glad that shows. :D You should see this animation I'm doing right now, it is so fucking stupid but I'm having the time of my life making it. I'll post it when it's done I guess.

A lot of the reason they feel unscripted is because they totally are. If you go into my archives, all the [really really crass, warning!] comics from 2006-2010 are one-offs or small arcs that are based off either real things that happened to me, conversations I've had, or hypothetical situations my friends and I have invented. In the second half of 2010 I moved to Burbank and the comics became one continuous storyline about my move and how I was coping with it so that's a taste of my more scripted stories. (Though I don't think up about 90% of the dialogue until I'm actually putting it in the bubbles - I just have a general idea of what's going on and then I improvise when I write it)

Kritz, your comics crack me up! I love the absurdity of them. They are wonderful.
 
I like that my name was important enough to bold.

Might as well ask what tablets people use since mine has shit itself. Was just a little cheapo Wacom Bamboo, cost like $150. At some point I'd probably be willing to spend a bit more for something larger, maybe. And maybe with pens that are a bit more durable.
 
I assume presidog came before doctor cat?

Anyway I'll post this one again :P

My PUBLISHED comic which was in the Australian Version of Nintendo Magazine System in about 1994 when I must have been 13 or 14, did I mention it was PUBLISHED?

mario-vs-soniccomic.jpg
 
abaya comic is excellent, i laughed

ive always wanted to make comics since i was a little kid. however, i never realized just how much work it really was. i loved comics but i was definitely not cut out for making them. i have mad respect for anyone that makes it in the industry cause that shit is tough, man
 
Kritz said:
I like that my name was important enough to bold.

Might as well ask what tablets people use since mine has shit itself. Was just a little cheapo Wacom Bamboo, cost like $150. At some point I'd probably be willing to spend a bit more for something larger, maybe. And maybe with pens that are a bit more durable.

I didn't want your name to get lost in my big paragraph!

This is what I draw on:

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It's an old HP/Compaq TC1100. I don't typically draw with it up in that position, but the dock it came with lets you rotate the screen like an animation table so it does come in handy! I just wish it was bigger, doing huge layouts on that little screen blows. :(

I recently maxed out the RAM on it too (1.5GB, watch out!) so it FINALLY runs Flash smoothly. Thank GOD. (For the last two years I've been using it with factory-welded 512MB of RAM, shit would CRAWL sometimes in Flash. I'd draw a line and half a second later it'd actually show up on screen.)

I've tried and failed multiple times to use things like the Bamboo. I just can't get past the disconnect of drawing in a different place than I'm looking.
 
Tangentially related:

I used to work in the department of education as an IT guy, and all the places that I worked got these fuckers in around 2008-2009:

smartboard2.jpg


(It's a giant interactive touchscreen that you can draw on / navigate an OS with as a primary or secondary monitor)

I think they're standard in the DOE for Australia and probably America too, now, but I found it was a cool thing to draw on even if the accuracy was pretty shithouse. I'd love to have something like that (as if) with any kind of fidelity. Alas, I am only a mortal.

I think it's kind of jarring to draw on a bamboo simply because when I draw a circle, it seems like the aspect ratio of my monitor versus the tablet makes me draw an oval instead. Now, don't get me wrong, I can draw a circle. So maybe I should look into buying something with a screen.

I might eventually ask around AusGAF to get an idea of local pricing. At a glance this Gigabyte model doesn't look too far off the mark, but I have a bad eye for these kind of things.

(I'm not super willing to spend oodles of money, simply because I'm aware tablets can have a golf-club kind of effect where anything you draw is going to be 5% the tools, 95% your own ability)

EDIT: ... I think I worked in that school where that photo was taken. God it looks so eerily familiar.
 
I'd really like a 21-inch Cintiq but scaring up that kind of cash is just... ugh. I really wish Wacom didn't have such a stranglehold on the market and there were other, cheaper alternatives. I've seen a few stray hybrid tablet PCs running around from different manufacturers but they all either have worthlessly small screens or don't support the proper software.

I'd almost want to get a ModBook... is that company still around I wonder? (They took MacBooks and converted them into pen-based OS X tablets - time to hit Google!!)

Edit: Yep, they're still around. You can send in your MacBook and they'll convert it for $899, or you can buy one right from them for $1849. Still pricey as hell but when you compare that to a Cintiq, which is JUST a screen, and the ModBook is the entire computer... that's pretty sweet. Couple that with iCloud support for wirelessly pushing documents to and from the tablet... UUGHHHH SO POOOOOORRRRR
 
This is the only thing I have online at the moment.

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It makes zero sense if you don't know the specific reference.
 
Imbarkus said:
I used to do the comic strip for my college paper. $5 a pop but it was cool to get paid for it. Recently some friends go together to try and make a webcomic out of his novels, but I'm either busy working my ass off in casino marketing, commuting, being a dad to teenagers, or playing games to unwind. Maybe someday I'll pick the effort back up. Being creative through marketing is far more satisfying financially than any other creative I've done, but only kind of vaguely satisfying, creatively.

Here is the best of my (years) old stuff. I prefer the single panel format. Gets you right to the punchline
Some of these are really on the mark. The Vague-o-knife got me good. Great work! I appreciate how hard it is to cram everything into one panel and still make the joke work, so well done.

Good to hear you have a day job that at least lets you flex some creative muscles. I've gone from a job that's 90% creative to 10%. I'm hoping it's meant I can put more creative energy into the comics.
 
Dead Man said:
LOL I thought it was going to be a musical comic: No band nerd. I need to learn to read.

That would be a cool idea though^^

I guess I'm going to post some of our episodes here if there's interest. (didn't know if it's ok with GAF)
 
I've just recently put to rest one of my webcomics. I think I was doing it on and off from 2004 until just a few months ago. I eventually got bored doing it and decided to move on, I'm currently working on another webcomic that I hope to debut in 2012.
 
Ah, comics. Truly an area I'm passionate about. My father is a newspaper cartoonist, and I was surrounded with anthologies of the greats as a kid. I'd rather not post his stuff here, but if anyone's curious shoot me a PM and I'll show off his stuff.
 
echoshifting said:
imbarkus, I hope you don't mind that I've posted the vague-o knife on my facebook page. That's fucking hysterical.

Not at all, man. I'm honored. I already got my 5 bucks years ago. Now, it belongs to the universe.
 
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