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RTTP: The Texas Chainsaw Massacre (1974)

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First saw TCM last summer, but didn't like as much as I had hoped. Decided to watch it again, with a more attentive eye and I enjoyed it much more. If there's one thing the movie nails, it's tone; from the opening narration and the unsettling camera flash sounds over imagery of rot and death, to the dilapidated sun-scorched Texas outskirts, you feel the intense heat and the grimy desolate middle of nowhere isolation

The tension and off-kilter unease builds, until in broad daylight, Leatherface just appears, no warning, no build-up or creepy music needed. And with that, the characters are in the midst of a nightmare. Halloween may be more tense, and Elm Street may literally take place within nightmares, but Texas Chainsaw Massacre is a nightmarish chase through hell.

Unlike other slasher movies, the horror here isn't the invasion of the killer and evil onto the banality of normal life. It's everyday people suddenly finding themselves in a gruesome insane nightmare so far removed from normalcy. TCM does it better than many other movies I've seen. One hammer blow to skull and slamming door, and suddenly the movie becomes a slaughter, a rush of meathooks in backs and hammers to skulls and chainsaw eviscerations and skeletal tapestries and dismembered limbs and cannibalistic mockery of your everyday family dinner.

Texas Chainsaw Massacre isn't gory or that bloody by today's standards, in fact it barely shows any gore or blood, but you still feel all of it thanks to the sheer physical brutality of Leatherface, the sound effects, and the characters' acting. The twitching body after hammer to the head is more disturbing than any shot of a crushed face or spraying blood could be.

The dinner scene is still effective as well, partially because it feels like you're trapped in what is just an everyday family dinner for these people, which makes it even more horrifying. The causal nature of it all, bringing Grandpa down for dinner, father and sons sitting together among face skin lamps and chairs with literal arms. It's the typical family dinner twisted and perverted.

And surprisingly, I liked this Leatherface's design much better than the remake, which I had seen a while back. Previously, that design was my favorite, but after watching the original, 1974's look has this rough design that is just unsettling. It doesn't fit quite right and is oddly shaped (you know, like a human skin mask roughly sewn in some Texas backwoods basement), the eye areas are shadowed giving him an inhuman look. While 2003's fits perfectly like a nicely-molded mask. It just doesn't seem as creepy.

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Emarv

Member
There's nothing quite like the end of this movie to me. The oppressive feeling of the dinner scene to how relieved you feel when Sally gets in the truck and how eerie it feels watching Leatherface dance with the chainsaw. Just one of a kind.

A great transgressive piece of filmmaking.
 
There's nothing quite like the end of this movie to me. The oppressive feeling of the dinner scene to how relieved you feel when Sally gets in the truck and how eerie it feels watching Leatherface dance with the chainsaw. Just one of a kind.

A great transgressive piece of filmmaking.
I liked how Sally is so direct at just trying to get the fuck out of there once everything starts happening. She's crashing through windows, fighting back and trying to escape whenever she gets a chance, waving down help.
 
The first kill is so beautiful in its execution. With the squeals made by Leatherface to lure Kirk in, the framing of the static hallway shot, Kirk tripping towards the door, the pan up showing Leatherface for the first time, the sound of the hammer hitting Kirk's head, Kirk convulsing on the floor, the cut back to the static hallway shot, Leatherface almost nonchalantly hitting Kirk on the head again as if he's a regular farm animal for slaughter.

As if all of that isn't horrible enough, it's the next few seconds which make the scene truly terrifying for me. Just the way Gunner Hansen moves as he drags Kirk in the slaughter room and the sound he and the door makes as he slams it shut. Then, in a film that is largely absent of music, we get this low droning sound cue. If I had to pick a single sound that represents dread it would be that one.

That's the shit just got real moment, and it's perfect.
 
The first kill is so beautiful in its execution. With the squeals made by Leatherface to lure Kirk in, the framing of the static hallway shot, Kirk tripping towards the door, the pan up showing Leatherface for the first time, the sound of the hammer hitting Kirk's head, Kirk convulsing on the floor, the cut back to the static hallway shot, Leatherface almost nonchalantly hitting Kirk on the head again as if he's a regular farm animal for slaughter.

As if all of that isn't horrible enough, it's the next few seconds which make the scene truly terrifying for me. Just the way Gunner Hansen moves as he drags Kirk in the slaughter room and the sound he and the door makes as he slams it shut. Then, in a film that is largely absent of music, we get this low droning sound cue. If I had to pick a single sound that represents dread it would be that one.

That's the shit just got real moment, and it's perfect.
It's still effective 43 years later, even more so now because horror movies for the last 20-30 years have trained us to know that the horror doesn't happen during the day. Daytime is safe. What was already an effective and terrifying moment becomes a clever subversion of genre expectations. I wasn't expecting it at all when I first saw the movie. The matter-of-fact nature of the kill, chillingly nonchalant like you said, makes it even better.
 

Betty

Banned
Saw this as a kid, about 12 years old, the scene where Leatherface surprised that guy and ends with him slamming the slaughter door gave me nightmares for months.
 

obin_gam

Member
It's a good movie. Re-saw it in tribute to Tobe Hooper's passing a week ago.


But the one flaw that makes it kinda irritating in the latter half is that the main girl screams a bit too much everytime she is on screen. Really grating to the ears.
 
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