Rewatching Season 3 this week makes it painfully obvious. The humour used to be so god damn clever.
Now Homer grunts "I'M HORNY" through a mouth brace. Sigh.
They ruined Homer that is what happened. And he was the heart and soul of the show.
I think part of the issue is that the network settled on Al Jean, who's done *some* good stuff, but they should've kept rotating showrunners every 3-5 seasons.
Huh, it has occurred to me through this video that in my entire 24 year existence, I have never seen "peak Simpsons."
Huh, it has occurred to me through this video that in my entire 24 year existence, I have never seen "peak Simpsons."
They reair the old episodes all the time though.Huh, it has occurred to me through this video that in my entire 24 year existence, I have never seen "peak Simpsons."
I really can't believe what they did to Skinner. My brain has never let it enter the canon and I plan on keeping it that way.
The video makes it clear that it was closer to a gradual loss of writing staff and not one single major shift that precipitated it.they got a new showrunner and he sucked, then they never recovered
done
I really can't believe what they did to Skinner. My brain has never let it enter the canon and I plan on keeping it that way.
I often forget how sensitive people used to be to what's on TV.
Isn't the Simpsons anti continuity though? Maud Flander's death was the only thing actually sticking, that springs to mind.
Modern broadcast networks still operate under a present threat of legal sanction if they don't toe the line on said sensitivities.
I always roll my eyes at people who just mindlessly bash sitcoms because laughtracks are there to "prop up bad punclines". Denigrating multi-camera sitcoms is one of my biggest pet peeves in discussing pop culture.
As much as I usually like SEW for the research he does, he also kinda cocks up some of his information about staff changes by only looking at the specific writing staff.I'm not 2 mins in and I don't think I can go on watching. Using IMDB user reviews a some kind of barometer. Simpsons were something like 10 seasons in or more when you could give individual eps. a score and people were already nostalgic about peak Simpsons due to the VHS and later DVDs.
As much as I usually like SEW for the research he does, he also kinda cocks up some of his information about staff changes by only looking at the specific writing staff.
Like, he has Oakley and Weinstein as having left the show during the point where, uh, they were actually running the series.
You can have good comedy in those shows with and without them, but they are too often used as a crutch.
Or in the case of something like the Big Bang Theory, the show is an even emptier husk without them.
I dunno. Usually his research seems fine, since.he's not really tackling as big subjects and his sourcebase is at least reasonable (ie: looking at volume sales for Jump series when charting the decline of Bleach)SEW has a problem with his non-opinion videos where it seems like he does very narrow research that can be picked apart quite easily.
As much as I usually like SEW for the research he does, he also kinda cocks up some of his information about staff changes by only looking at the specific writing staff.
Like, he has Oakley and Weinstein as having left the show during the point where, uh, they were actually running the series.
What makes the Skinner one stick out so much is that the whole plot relies on a joke that is a) flimsy in every single stage of it's execution (from the reveal to the resolution, none of it is funny beyond "haha! lolrandom!") and no amount of 'rubber band logic' can convince an audience that the character of Seymour Skinner was a delinquent turned solider turned academy award worthy actor. By actor, I mean nothing of this man, at any point earlier in the show, gave the rise to the assumption that he is a deceiving person whose true feelings are kept hidden in public. He is flimsy, shambolic, hen-pecked by both mother and staff, stressed, clearly wants what is best for those around him, loyal, belittled, clearly rueful at his core against both mother and boss, sexually repressed - I can go on. All those things and more were crafted by the staff over multiple years as being the common identifiers for Skinner in an episode. What the impostor episode does is say "fuck it!" to all that, Skinner is a fraud and no one ever knew. It's a betrayal of everything the show gave us about his personality, not his history; that a man so beaten as him by life was actually leading a double life, only for said double life to become the accepted reality by the end of the episode.
Where was the joke in that 22 minutes of screen time? It was a conscious laugh at continuity executed so poorly that it is deemed appalling by critics and rarely mentioned by staff, and reeks of the very clear notion that Super Eye-Patch Wolf mentions in the video: it became the pop culture it was satirising, it wasn't making commentary anymore, it was just laughing at itself because it ran out of any other ideas.
The fall began for me when they introduced Cletus.
Cletus has one of the best jokes in the series which makes it all worth it.Everyone shits on Apu, but Cletus is more offensive imo. Apu at least has life and is hardly a prop; Cletus is.
Furthermore, count me in the club who hates Homer's Enemy as an episode and among those pretty convinced it represents the biggest point of inflection for how the writers treat Homer the character vs homer the hollow, cartoonish oaf he's become.