tiredheadcrab
Member
This movie is out on Blue ray next month. According to best buy atleast. I will wait then.
I agree. Shoot it on 35mm Tri-X. That'd look damn good.I wish someone would commit to making a dope black and white genre picture instead of doing these half-assed after the fact conversions. You would shoot the movie differently if the goal was black and white right from the beginning.
I saw a good video related to this, talking about classic noir and modern noir/neo-noir and how many of the visual mainstays of the genre lose much of their impact without the subtle contrasts between black and white when they're done in colorI'm a huge fan of black-and-white photography, and so I find the recent trend toward showing films without color to be very fascinating.
Too many of the cell-phone generation think B&W is just a filter on your phone, and that couldn't be further from the truth. Quality B&W photography requires an especially keen eye for contrast and lines, and the equipment to handle it - in the digital age, that means a native monochrome sensor without any color array or a supremely tricky film simulation.
Glad to see this is going to be re-graded shot-by-shot... they'll get my money.
Can't you just buy it on bluray and set your tv to black and white?
Seems like it's on the blu ray as well.Well not getting the bluray day one then. Thanks for the head up Fox, going to wait for the eventual B&W double dip version then.
To make a great B&W version of a film, the whole thing's gotta be regraded & timed shot by shot," he added.
Same. I absolutely love black-and-white, but most people I know give me shit for "being a hipster" because of it. The contrast between the blacks, whites, and all your grays in-between, make black-and-white so damn satisfying. I could look at it for ages.I'm a huge fan of black-and-white photography, and so I find the recent trend toward showing films without color to be very fascinating.
Too many of the cell-phone generation think B&W is just a filter on your phone, and that couldn't be further from the truth. Quality B&W photography requires an especially keen eye for contrast and lines, and the equipment to handle it - in the digital age, that means a native monochrome sensor without any color array or a supremely tricky film simulation.
Glad to see this is going to be re-graded shot-by-shot... they'll get my money.
The overrating of Logan continues with this stupid marketing gimmick.
The movie just came out in March!
Someday I hope to see a film where black & white elevates a film that was already released in color.
Street Fighter: The Movie
Damn that looks awesome. Might get the blu ray for it.Mangold tweeted out the trailer for 'Logan: Noir'
https://twitter.com/mang0ld/status/864336327738654720
Youtube
It hurts all over again. But, it looks incredible.
Mangold tweeted out the trailer for 'Logan: Noir'
https://twitter.com/mang0ld/status/864336327738654720
Youtube
It hurts all over again. But, it looks incredible.
UK Blu-Ray doesn't release until July 10th, which is unfortunate.Cool. Mad Max was terrific in B&W. No UK though? Mediocre.
Mangold tweeted out the trailer for 'Logan: Noir'
https://twitter.com/mang0ld/status/864336327738654720
Youtube
It hurts all over again. But, it looks incredible.
Too many of the cell-phone generation think B&W is just a filter on your phone, and that couldn't be further from the truth. Quality B&W photography requires an especially keen eye for contrast and lines, and the equipment to handle it - in the digital age, that means a native monochrome sensor without any color array or a supremely tricky film simulation.
Too many of the cell-phone generation think B&W is just a filter on your phone, and that couldn't be further from the truth. Quality B&W photography requires an especially keen eye for contrast and lines, and the equipment to handle it - in the digital age, that means a native monochrome sensor without any color array or a supremely tricky film simulation.
There are shots in that trailer that absolutely work great in black & white (the truck heading through the cornfield, specfically)
But I think most of the stuff in the final battle is just going to look like desaturated footage. There's just not enough pop to the imagery, I don't think. Stuff like the farmhouse fight, which is mostly lit with headlights and fire? That stuff should look great in black & white, because it's already a sharp, contrasty image.
But I think this is going to be kind of uneven, even after they went through and shot by shot corrected for black & white.