You gotta explain that one for me. I always thought it would be pretty cheesy and terrible now.
Oh, it's corny as shit. But the earnest nature of what it's trying to do is winsome more than it is cloying. It wants to be (and often is) this big, open-hearted love-letter to heroism itself, and at some point you can't really cut that with cynicism and not hurt the story to some degree. So it's corny and cheesy, but it's appealingly so. It's Superman being Superman - approachable, likable, shucks/golly Superman. There's
going to be some corn in there.
Granted, Donner actually
does introduce a healthy dose of cynicism (when the movie moves to Metropolis), but mostly as a means to have Clark/Superman defuse it with his presence and actions (and the cynicism itself is also softened in the way Metropolis is shot - it's the most comic book this comic book movie gets, really).
To bring this back to Wonder Woman, (wha? huh?) it's one of the things I'm most curious about, the way it seems to be kinda/sorta patterned on Superman the Movie as an origin story. Down to Diana protecting Steve from an assault in an alley by using her powers. Granted, Clark's trying to be sneaky about it, and Diana isn't, because Lois doesn't know in her movie and Steve does in his.
But Wonder Woman, just from the marketing, seems to have inverted the split: Superman: The Movie is straight up '70s sci-fi for the first hour or so, even when it's being a moving Norman Rockwell painting. It's a movie about an alien living on Earth and dealing with that. It's all soft-focus and discussion of hopes and feelings. It's also, relatively, desaturated and arty. And then it gets to Metropolis and it's all bold colors, rapid-fire dialogue, fast motion, quick cuts: Comic Booky and "fun!" as shit. Right?
Wonder Woman seems to be all golden hues and bold colors and human drama and "wow!" on Themiscyra, at the beginning of the film. And then Diana leaves home, and comes to the big city, and everything gets way more monochrome and muted.
I'm really curious as to how it's going to play out, and if people are going to end up wishing, like they did with the first Thor (and like they're finally going to get with Ragnarok) that the whole movie simply took place in the fantasy realm and never dealt with "the real world" at all.