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Wonder Woman and the Mystery of the Missing Marketing.

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I don't understand the character you're playing right now.

Like, gag posts aside, (hopefully) stepping out of character: are you saying you've actually watched all those movies and come to the conclusion not a single one of them is rated above "garbage" in your eyes?

I mean, I post here sometimes. Your perception must be really lacking if you think that I am serious about this. Like honestly Bobby, please.
 

Veelk

Banned
No watchmen on the list but CA FA is on there?

Come on Bobby :p

I wouldn't put Watchmen on any good comic book movies list either. Not because it is a bad movie in and of itself. There just isn't a reason to watch it when the comic is the same story told the exact same way, except better. I consider that the worst kind of adaptation.
 
I mean, I post here sometimes. Your perception must be really lacking if you think that I am serious about this.

I don't have you kids fuckin' memorized, Jesus. It's why I asked you to drop the gimmick if there was one!

edit: It was just a list off the top of my head, Rap! There's a lot of shit on my own blu-ray shelf that I didn't throw on there.
 
I don't have you kids fuckin' memorized, Jesus. It's why I asked you to drop the gimmick if there was one!

I have one bone to pick with your list though. I do not agree with anime being comic book movies. Just doesn't feel right.

I wouldn't put Watchmen on any good comic book movies list either. Not because it is a bad movie in and of itself. There just isn't a reason to watch it when the comic is the same story told the exact same way, except better. I consider that the worst kind of adaptation.

I don't really understand this.
 

Raptor

Member
I wouldn't put Watchmen on any good comic book movies list either. Not because it is a bad movie in and of itself. There just isn't a reason to watch it when the comic is the same story told the exact same way, except better. I consider that the worst kind of adaptation.

we talking CBM tho nor comics lists.

Your point is completly invalid.
 

KonradLaw

Member
I wouldn't put Watchmen on any good comic book movies list either. Not because it is a bad movie in and of itself. There just isn't a reason to watch it when the comic is the same story told the exact same way, except better. I consider that the worst kind of adaptation.

I don't know. The movie had a lot better ending than the comicbook.
 
I have one bone to pick with your list though. I do not agree with anime being comic book movies. Just doesn't feel right.

I dunno, seems valid to me. It's a book that got turned into a movie. That the movie is animated doesn't really change that it was adapted.

(And sorry for missing the gag earlier)

edit: Also, even though my estimation of Watchmen has dropped from its initial release (which I reviewed positively, if not glowingly) I do think the few changes that were made to the story were decent ones.

I also think the adaptation of V for Vendetta improves on the comic itself.
 

AndersK

Member
I don't know. The movie had a lot better ending than the comicbook.

One could argue it fundamentally misses the point, so i have a hard time agreeing. A space squid is a harder sell to audiences though, so i can see why they tried something else.
 

Veelk

Banned
I don't really understand this.

Why would I want to watch an adaptation that does absolutely nothing meaningfully different from the source material?

My question when watching Watchmen has always been "Why am I not reading the book instead". Because for me, it's the same thing, except better.

I guess some people just want to see something in comic form turned into live action and that in itself is worth having. But not for me. That's why I prefer the V for Vendetta movie. It wasn't as good as the source material either, but it did things differently enough that it was worth watching even having read the comic.
 
Why would I want to watch an adaptation that does absolutely nothing meaningfully different from the source material?

My question when watching Watchmen has always been "Why am I not reading the book instead". Because for me, it's the same thing, except better.

I guess some people just want to see something in comic form turned into live action and that in itself is worth having. But not for me. That's why I prefer the V for Vendetta movie. It wasn't as good as the source material either, but it did things differently enough that it was worth watching even having read the comic.

Because I like the book and I want to see it in 24 frames per second, with real actors? Is that a concept too hard to grasp? I honestly don't understand why you need people to explain to you why they want to watch an exact adaption of something. Though to be fair, you said it's not what you want. However, your reasoning that a movie that does an exact adaptiation cannot go in to a top 10 list is stil not feasable for me.

Edit: Also, not a lot of people read comic books anymore.
 

Pachimari

Member
Why would I want to watch an adaptation that does absolutely nothing meaningfully different from the source material?

My question when watching Watchmen has always been "Why am I not reading the book instead". Because for me, it's the same thing, except better.

I guess some people just want to see something in comic form turned into live action and that in itself is worth having. But not for me. That's why I prefer the V for Vendetta movie. It wasn't as good as the source material either, but it did things differently enough that it was worth watching even having read the comic.

This cannot be real...
 

Veelk

Banned
Because I like the book and I want to see it in 24 frames per second, with real actors? Is that a concept too hard to grasp? I honestly don't understand why you need people to explain to you why they want to watch an exact adaption of something. Though to be fair, you said it's not what you want. However, your reasoning that a movie that does an exact adaptiation cannot go in to a top 10 list is stil not feasable for me.

Edit: Also, not a lot of people read comic books anymore.

It's not hard to grasp at all. You don't need to explain anything. I understand it just fine. You liked a thing, and you wanted to see a thing again except irl. It's not complicated.

I just don't share the sentiment. If a movie is a 1:1 adaptation, I have no reason to not read the original material. "It's life action" just isn't a selling point for me.
 
You gotta explain that one for me. I always thought it would be pretty cheesy and terrible now.

Oh, it's corny as shit. But the earnest nature of what it's trying to do is winsome more than it is cloying. It wants to be (and often is) this big, open-hearted love-letter to heroism itself, and at some point you can't really cut that with cynicism and not hurt the story to some degree. So it's corny and cheesy, but it's appealingly so. It's Superman being Superman - approachable, likable, shucks/golly Superman. There's going to be some corn in there.

Granted, Donner actually does introduce a healthy dose of cynicism (when the movie moves to Metropolis), but mostly as a means to have Clark/Superman defuse it with his presence and actions (and the cynicism itself is also softened in the way Metropolis is shot - it's the most comic book this comic book movie gets, really).

To bring this back to Wonder Woman, (wha? huh?) it's one of the things I'm most curious about, the way it seems to be kinda/sorta patterned on Superman the Movie as an origin story. Down to Diana protecting Steve from an assault in an alley by using her powers. Granted, Clark's trying to be sneaky about it, and Diana isn't, because Lois doesn't know in her movie and Steve does in his.

But Wonder Woman, just from the marketing, seems to have inverted the split: Superman: The Movie is straight up '70s sci-fi for the first hour or so, even when it's being a moving Norman Rockwell painting. It's a movie about an alien living on Earth and dealing with that. It's all soft-focus and discussion of hopes and feelings. It's also, relatively, desaturated and arty. And then it gets to Metropolis and it's all bold colors, rapid-fire dialogue, fast motion, quick cuts: Comic Booky and "fun!" as shit. Right?

Wonder Woman seems to be all golden hues and bold colors and human drama and "wow!" on Themiscyra, at the beginning of the film. And then Diana leaves home, and comes to the big city, and everything gets way more monochrome and muted.

I'm really curious as to how it's going to play out, and if people are going to end up wishing, like they did with the first Thor (and like they're finally going to get with Ragnarok) that the whole movie simply took place in the fantasy realm and never dealt with "the real world" at all.
 

Blader

Member
I also think the adaptation of V for Vendetta improves on the comic itself.

This is something I need to rewatch because I saw it just the once a few years ago and hated it. I'm not necessarily "an adaptation must be 100 percent faithful" guy (and I didn't even like the comic THAT much; my favorite part of it is Moore's foreword, where he asks you to forgive you him for having such a juvenile, reactionary take on the Thatcher era :lol) but I found the sermonizing in the Wachowskis' movie the worst kind of liberal agit-prop. Like Sorkin's The Newsroom, it's one of those things that makes you feel embarrassed for being associated with that side of the spectrum. The not-so-subtle allusions to 9/11 trutherism were also just...ugh.

But like I said, I'm due for a rewatch. Especially NOW, of all times. :lol
 

Ashhong

Member
One could argue it fundamentally misses the point, so i have a hard time agreeing. A space squid is a harder sell to audiences though, so i can see why they tried something else.

I would love to hear this argument. I have not read the comic but I thoroughly enjoyed the movie. I always hear people say it missed the point. What does that mean????
 

Tobor

Member
One could argue it fundamentally misses the point, so i have a hard time agreeing. A space squid is a harder sell to audiences though, so i can see why they tried something else.

Which has been completely proven wrong the last few years. You can sell anything to audiences as long as the execution is good.

Then again, we're talking about Snyder, and given how horrendous his Doomsday was, maybe it was best he skipped on the giant space squid.
 

AndersK

Member
I would love to hear this argument. I have not read the comic but I thoroughly enjoyed the movie. I always hear people say it missed the point. What does that mean????

Sure thing, i'll have a go at it. I'll preface it by saying i liked it, (Only seen the DC), but had some niggles with the adaptation as a whole.

The way i see it, Swapping the Psychic squid with Manhattan has 2 main problems:

1) Manhattan is a US propoganda piece, a walking nuclear deterrent, and has been used to end wars (Vietnam most notably). To the world, Manhatten is as american as the stars and stripes. If he goes rogue and wipes out several major cities worldwide, US included, you'd have the world blaming the US government for losing control of a superweapon they themselves have pointed at their enemies for years. Its a change to the story that undermines Ozymandias' brilliance and his entire scheme.

2): The Squid is meant to be so ridicoulous, so alien, that the entire world would have to stop their squabbles just to attempt to comprehend it. Ozy owned several movie production companies, who made numerous alien invasion sci fi movies to subliminally mold people into accepting the unification needed to overcome the monster. More importantly, it only Attacked New York, meaning the world can't really blame the US for anything per se, and the resulting influx of sympathy would mend old wounds.

I don't think changing the threat to Manhattan is a terrible idea, it just needed Snyder to play it more loose in terms of the adaptation for it to work. I consider it Snyder's best movie, i'm just frustrated it didn't have the balls to go full space squid, and the substitute doesn't entirely work.
 

louiedog

Member
Jesus.

A list of good-to-great (some even outstanding) films based on comic book properties:

A History of Violence
Ghost World
Men in Black
Superman: the Movie
Nausicaa of the Valley of the Wind
The Dark Knight
Akira
American Splendor
Blue is the Warmest Color
Blade II
Hellboy II
Logan
Persepolis
Captain America: The First Avenger
Dredd
Road to Perdition
V for Vendetta
Wilson
Lone Wolf and Cub

Now, I'm sure one or two or more of the films I noted can (and will) be nitpicked at for not qualifying as "good-to-great" but the idea that nothing in that list is of any positive value is kinda fuckin' ridiculous.

tumblr_nskf2eXg0J1rp0vkjo1_500.gif
 

Veelk

Banned
Which has been completely proven wrong the last few years. You can sell anything to audiences as long as the execution is good.

Then again, we're talking about Snyder, and given how horrendous his Doomsday was, maybe it was best he skipped on the giant space squid.

In fairness, his Doomsday itself isn't entirely unfaithful to the comics, atleast in terms of his personality. But if there was ever an argument to be unfaithful to the comics, Doomsday was it.
 

NEO0MJ

Member
Oh, it's corny as shit. But the earnest nature of what it's trying to do is winsome more than it is cloying. It wants to be (and often is) this big, open-hearted love-letter to heroism itself, and at some point you can't really cut that with cynicism and not hurt the story to some degree. So it's corny and cheesy, but it's appealingly so. It's Superman being Superman - approachable, likable, shucks/golly Superman. There's going to be some corn in there.

Granted, Donner actually does introduce a healthy dose of cynicism (when the movie moves to Metropolis), but mostly as a means to have Clark/Superman defuse it with his presence and actions (and the cynicism itself is also softened in the way Metropolis is shot - it's the most comic book this comic book movie gets, really).

Hmmm, might actually give it a watch. That sounds very interesting.
 

SpaceWolf

Banned
Jesus.

A list of good-to-great (some even outstanding) films based on comic book properties:

A History of Violence
Ghost World
Men in Black
Superman: the Movie
Nausicaa of the Valley of the Wind
The Dark Knight
Akira
American Splendor
Blue is the Warmest Color
Blade II
Hellboy II
Logan
Persepolis
Captain America: The First Avenger
Dredd
Road to Perdition
V for Vendetta
Wilson
Lone Wolf and Cub

Men In Black? I really don't think-

Now, I'm sure one or two or more of the films I noted can (and will) be nitpicked at for not qualifying as "good-to-great" but the idea that nothing in that list is of any positive value is kinda fuckin' ridiculous.

Right, yeah.
 
I hope you do! I mean, it might not work despite all that, but I think keeping the context of when it came out in mind (just keeping it mind, that is, not letting it make excuses for the film's execution though) will help in giving it a fair shot.

but it could still just come across as supercorny more than anything. Which is fair - people in 78/79 thought that too.

Bobby come on dude

I was coming off the dome! It wasn't a comprehensive list built on hours of research or whatever!

Dude was goofing in the first place!
 

J_Viper

Member
I haven't seen Hellboy II in a good long while, but I remember the amount of slap-stick humor was way too much for me.

That first one though is still excellent.

When are you all going to realize that Hellboy and Constantine are the real GOAT comic flicks?
 

SpaceWolf

Banned
I haven't seen Hellboy II in a good long while, but I remember the amount of slap-stick humor was way too much for me.

That first one though is still excellent.

When are you all going to realize that Hellboy and Constantine are the real GOAT comic flicks?

Hellboy: The Golden Army is much better than the original. The Barry Manilow sequence remains one of the most outrageously underappreciated sequences in the genre.

And I love Constantine, but even I have to admit that film is flawed as all hell*

It sure does have its moments, though.

tumblr_n7ztkcjQXG1sy7n8oo1_500.gif


*Yes, that was intentional.
 
To bring this back to Wonder Woman, (wha? huh?) it's one of the things I'm most curious about, the way it seems to be kinda/sorta patterned on Superman the Movie as an origin story. Down to Diana protecting Steve from an assault in an alley by using her powers. Granted, Clark's trying to be sneaky about it, and Diana isn't, because Lois doesn't know in her movie and Steve does in his.

But Wonder Woman, just from the marketing, seems to have inverted the split: Superman: The Movie is straight up '70s sci-fi for the first hour or so, even when it's being a moving Norman Rockwell painting. It's a movie about an alien living on Earth and dealing with that. It's all soft-focus and discussion of hopes and feelings. It's also, relatively, desaturated and arty. And then it gets to Metropolis and it's all bold colors, rapid-fire dialogue, fast motion, quick cuts: Comic Booky and "fun!" as shit. Right?

Wonder Woman seems to be all golden hues and bold colors and human drama and "wow!" on Themiscyra, at the beginning of the film. And then Diana leaves home, and comes to the big city, and everything gets way more monochrome and muted.

I'm really curious as to how it's going to play out, and if people are going to end up wishing, like they did with the first Thor (and like they're finally going to get with Ragnarok) that the whole movie simply took place in the fantasy realm and never dealt with "the real world" at all.
Yeah, I hope the colour palette does figure into the storytelling like that.
 
they should've gone with Nazis as the villains. i have been watching the original series on MeTV and it is a hoot. this has that tired DC grimdark feel and with generic WWI baddies, hard to get excited about.
 
I think it does. There's a clip where she remarks that London looks like shit. I assume the gloominess is a visual signifier that the war is draining life from the world.
Good to know but London always looks gloomy, though, world war notwithstanding 😂
 

Cuburt

Member
It's weird that there is more Justice League marketing, a movie that is many months away, than a film that is out in about a month. That may be the most damning evidence.

If they are sending out WW to sink or swim on it's own, I don't know what that says about the film when JL practically sells itself and they marketed the fuck out of Suicide Squad knowing the movie was a mess. It definitely makes it appear that they don't feel it's marketable and would rather move onto the next big spectacle.
 

DeathyBoy

Banned
It's weird that there is more Justice League marketing, a movie that is many months away, than a film that is out in about a month. That may be the most damning evidence.

If they are sending out WW to sink or swim on it's own, I don't know what that says about the film when JL practically sells itself and they marketed the fuck out of Suicide Squad knowing the movie was a mess. It definitely makes it appear that they don't feel it's marketable and would rather move onto the next big spectacle.

This must be a US thing.

In UK before GOTG 2 yesterday they had an 'exclusive clip' of Gal/Chris talking the film up. Then a trailer. Before Beauty & The Beast today they had a new trailer. And I'm guessing it's playing in front of Fast and The Furious 8 as well.
 

Theorry

Member
It's weird that there is more Justice League marketing, a movie that is many months away, than a film that is out in about a month. That may be the most damning evidence.

If they are sending out WW to sink or swim on it's own, I don't know what that says about the film when JL practically sells itself and they marketed the fuck out of Suicide Squad knowing the movie was a mess. It definitely makes it appear that they don't feel it's marketable and would rather move onto the next big spectacle.

You are a day late.
 

Theorry

Member
Later, actually: The two TV spots hit on Thursday

Also, 2 extra TV spots doesn't really change the discussion all that much. Certainly doesn't close it.

The next few weeks might, though.

We got 3 tho in last two days. But i think there is abit to much focus on tv spots only really.
They have the power of magazine cover also with Gadot wich they are doing now. And i just saw Pine is starting to get on late night shows soon.

But today there was a very good article about "Batman V Superman & Suicide Squad Changed WB's Marketing" on Screenrant. With info from Time Warner's Chief Marketing Officer, Kristen O'Hara.

Very nice read.

”...I think in a data-driven world the heroic marketing moments aren't those big, huge moments, they're an aggregate of tiny little moments that happen over a long period of time that help us get smarter and smarter about our customers [and] their behavior that help us to create better experiences for them... So in the case of Wonder Woman, this is a release that we started talking about two years ago. And when we started on the path... franchise management was going to be something we looked really closely at. How data could help us do better. So the collection of data across the entire DC franchise – whether it was video games, comic book releases, TV shows, or theatrical releases, all of which we have an aggressive slate – every moment mattered to us."

”[Batman V Superman] was the first release where we had a strategy to collect data from the first trailer drop. Not just for that movie, but across all DC franchises. Every single campaign from then til March of last year needed to be a data collection opportunity. We used a data-driven approach for that movie and since then, the organization thinks very differently, and is going to market very differently today.

”Six months after that movie came Suicide Squad. It was one of the first movies where we stopped spending before release, because the segmentation and targeting was so effective we were hitting our numbers pre-release."

Fans may already be seeing DC Films' using these new strategies, taking a step away from the traditional movie marketing approach of keeping details and production secrets under wraps, until the pre-release marketing blitz inundates the public. For Justice League‘s set visit, press were invited to view the production and share details almost immediately, revealing more about the plot, characters, and connections to future films than have yet to be shown in official trailers. The same for Wonder Woman‘s recent press invite to the editing bay with director Patty Jenkins.

For many fans, it's a long overdue shift, allowing the studio and creators to involve fans in the production and marketing conversation earlier. And while secrecy or, as O'Hara put it, ”heroic marketing moments" like a massive trailer drop, Super Bowl TV spot, or actual releases may seem to have the greatest impact, it's getting harder to see the explicit benefit of that approach over smaller, targeted campaigns. The movie industry's most obvious form of marketing may be throwing a massive stone into a pond, and watching it dominate the news cycle until the ripples die. But would a regular stream of targeted pebbles create the same, or even better effect? And in the case of O'Hara's comments re: Suicide Squad... was every one of those massive splashes worth the time and energy before release?

http://screenrant.com/batman-v-superman-suicide-squad-changed-dc-plan/
 

KonradLaw

Member
One could argue it fundamentally misses the point, so i have a hard time agreeing. A space squid is a harder sell to audiences though, so i can see why they tried something else.

Original ending didn't fit the story. It always was the only really weak part of the comic and the movie fixed that by giving us solution that actually directly tied to the whole story, instead of feeling like a cheap shock trick that came from nowhere.
 
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