uh uh. everything in my system i auditioned w/o reading reviews.pj325is said:See product -> (optional) read reviews in stereophile or on forums -> buy product -> evaluate, probably hear difference, regardless of reality
nitewulf said:uh uh. everything in my system i auditioned w/o reading reviews.
the DAC/integrated amp was recommended, i went and listened to it. it had features that i needed.
i couldn't find most of the recommended speakers. so i went hunting. do you realize that difference exists within different price brackets in speakers? i bought the ones that sounded the best to me, within the budget i was willing to spend.
the speakers were too much of a load for the integrated amp, the amp overloaded and shut down if i turned up the volume high. so i went power amp hunting. again, bought the one that sounded the best to me.
there are other analogies i could use. photography is a hobby of mine as well. you sound like a guy who's bashing hobbyists for buying expensive pro quality lenses and DSLR bodies when photos could also be taken with a point and shoot. sure, both would in essence take pictures, and i guess if you psychologically train yourself, you might even make yourself believe that both devices will output the same quality photos. because after all, they do have same electronics.
Winged Creature said:Its a variety of things one of the most important being the analog output stage. The PS3 doesnt have the greatest analog output stage.
http://www.playstatic.com/news/570Question: Regarding sound. I think nobody expected the SACD function of the PS3 to be so complete.
Kanehide: We didnt intend it to be such a featured function, but we decieded that it would be one of the things we concentrate initially to get a handle on the Cell processor. We were only able to do 24bit/88.2kHz degimation, but got it up to 24bit/176.4kHz. We worked the the department which makes Amps to really get a feel for how sound is processed. When SACD is playing, cell had nothing much to do. So we concentrated on how to use the cell to improve the quality of the sound further. The know how we got from the process for immense, although it took us away from the the realm of playstation and into the world of high end audio.
Question: Looking at the SACD playback, it seems emphasis was placed on sending PCM over HDMI more than the quality of the analog outputs.
Kanehide: The reason for that is simple. Although the analog output quality of the PS3 is very high, it really cant win against AV amps costing thousands of dollars. Where we can compete in is the processing power of the Cell. So we concentrated of passing good PCM data to the amps through HDMI. PS3 cell processor is a lot better than the chips found in AV amps, so we figured we will do all the processing on the PS3, and pass the result to the amps, getting much higher quality. Of course, the only connection that can pass sound data at that quality turned out to be HDMI.
pj325is said:I'm not trying to tell anyone what to do, I just want people to be more skeptical. It can only save you money.
If something has a good return policy and the return shipping isn't outrageous, there's no harm in trying it. However, I believe the psychological aspect of sound perception can't be ignored, and it really makes the ear alone an unreliable reporter. I also think people underestimate the ability of the ear to become accustomed to things. It's the main reason so many people get the "upgrade bug" after the novelty of their new toy wears off.
I'd really like to continue buying home theater crap but I'm at a wall where I can't justify anything to myself. About the only thing lacking is smooth subwoofer response, which I may alleviate with a second sub in the near future..
thefit said:polk....lol sorry
Blackface said:I guess you should post that on avforum where they were rated (tied) the best bookshelf speakers for $450 two years ago?
thefit said:Personal preference I suppose. I'll trust my ear before I trust avforums I supposed ultimately thats what it comes down too.
Winged Creature said:nothing wrong with polk, but like you I didnt like them
theBishop said:There's nothing magic about "PC Speakers". If you want "Audiophile Quality", go out and buy some audiophile speakers. The only difference is you'll need an amplifier.
Winged Creature said:you didnt read the thread did you
nitewulf said:speaker disappearence doesn't have to be expensive. you need stand mount monitors, which by default have better imaging than floorstanders...than create a triangle with you at the vertex. even small monitors will disappear w/ the correct layout and toe-in...you just have to play around a lot. room treatment at that point is a lot more important a you dont want hard surfaces reflecting soundwaves all over the place.
however for that smooth liquidity, that hollow imaging, tube gear helps. its a lot other stuff too though, your recording should be acoustic and emphasize the mids. compressed rock, electro wont ever sound really good w/o tone controls. they are always pretty flat and dull. its jazz and other acoustic well recorded stuff that can linger around in the air, i found.
welcome to the thread.theBishop said:There's nothing magic about "PC Speakers". If you want "Audiophile Quality", go out and buy some audiophile speakers. The only difference is you'll need an amplifier.
Earlier this year, I reviewed the Energy RC-10s, which are slightly bigger and about twice the price of the Alpha B1s -- $550 per pair. The absolute price difference is not much; in audiophile terms, it is less than the cost of the speaker wire I used for both reviews. However, in the context of a budget system, that difference could easily be put to use elsewhere. What do you get when you spend those extra $270?
First of all, the construction quality of the RC-10s is much better. The Alpha B1s are well made, but, at their price, you cannot expect the heavy cabinet and real-wood veneer of the RC-10. The RC-10s are also biwirable, although, at their price, it usually makes more sense to run a single good cable than two cheaper ones.
Sonically, the Alpha B1s are slightly warm, while the RC-10s are dead neutral. However, where the RC-10s really justify their higher price is in frequency extension. Their highs seem to extend a good bit beyond those of the Alpha B1s, even though the specifications don't indicate a difference. Those extended highs are also ultra smooth. The high frequencies of the Alpha B1s are smooth, but they are not as open and are slightly less delicate. The RC-10s also manage to convey quite a bit of depth information that the Alpha B1s do not.
At the other end, the RC-10s play lower than their smaller competitors. It's true that you could fill out the bottom end of the Alpha B1s with a subwoofer, but the cost of that sub would put you into the RC-10's price range and would not give you the more expensive speaker's other refinements. There are some installation situations in which a subwoofer is the only way to get low bass, but for most people a larger main speaker is preferable.
Having the added extension at both ends of the frequency spectrum not only produces greater timbral accuracy and more pounding bass, but it also conveys a better sense of the recorded ambience and the space around performers. For me, one of the advantages of SACD reproduction over that of standard Red Book CD is hearing that greater sense of space. That ambience is really what makes the difference between the sound of an acoustic instrument and a good synthesizer. With the Alpha B1s, I could not hear the differences between the SACD and Red Book layers of even well-recorded discs, such as Weingartner Symphony No. 4 [CPO 777 098-2], as easily as I could with the RC-10s. That sense of space is not essential to enjoying the music, but it is something that I value. The Alpha B1s tended to give the impression of live recordings having been made in a slightly drier hall than I heard with the RC-10s or with my own Amphion speakers. These details aren't on every recording, and they won't be reproduced by all equipment, but when they are there, the Energy RC-10s do a better job of telling you about them.
nitewulf said:speaker disappearence doesn't have to be expensive. you need stand mount monitors, which by default have better imaging than floorstanders...than create a triangle with you at the vertex. even small monitors will disappear w/ the correct layout and toe-in...you just have to play around a lot. room treatment at that point is a lot more important a you dont want hard surfaces reflecting soundwaves all over the place.
however for that smooth liquidity, that hollow imaging, tube gear helps. its a lot other stuff too though, your recording should be acoustic and emphasize the mids. compressed rock, electro wont ever sound really good w/o tone controls. they are always pretty flat and dull. its jazz and other acoustic well recorded stuff that can linger around in the air, i found.
giga said:kevm3 you still want to sell those rc10s? They're actually 12lbs each speaker, so total probably around 25lbs. Shouldn't be more than $30 to ship UPS ground.
Currently debating between the PSB Alpha B1 and the RC 10. Soundstage did a good comparison between them, and it seems like it would be a good investment to go for the energy for ~$100 more: http://www.soundstage.com/revequip/psb_alpha_b1.htm
The PSB Alpha B1 seems to be the best value bookshelf for ~$200/pair. See the review above and another here: http://www.stereophile.com/standloudspeakers/507psb/
Dice said:How would a Fubar IV Special Edition and Musical Fidelity V-DAC compare to each other? I'm slanted to the Fubar because it has a headphone out, but mostly I need something that I can feed both my PS3 and PC into. Does either one have the ability to switch between them without unplugging one?
giga said:kevm3 you still want to sell those rc10s? They're actually 12lbs each speaker, so total probably around 25lbs. Shouldn't be more than $30 to ship UPS ground.
Currently debating between the PSB Alpha B1 and the RC 10. Soundstage did a good comparison between them, and it seems like it would be a good investment to go for the energy for ~$100 more: http://www.soundstage.com/revequip/psb_alpha_b1.htm
The PSB Alpha B1 seems to be the best value bookshelf for ~$200/pair. See the review above and another here: http://www.stereophile.com/standloudspeakers/507psb/
that would be true for small rooms. my room is medium sized for a urban area. my speakers are the perfect size for my room, i'd hit a ceiling if i go for a large floorstander, which WILL overpower my room. but my room has a lot of hard, reflexive surfaces, so the high frequencies are more of a problem for me. bass is fine, not ultra low, by virtue of my monitor speakers. eventually i'll upgrade to full range speakers that'll fit my room acoustically.Timedog said:The biggest acoustic problems you're most likely going to have are in the low frequencies, and area rugs and paintings are going to do exactly nil against that stuff. Acoustics are as important as any gear.
Winged Creature said:So I finally ordered a Rotel pre-amp to go with my power amp. The cambridge integrated is either gonna be sold off or just used in a another system.
Here is the Pre-amp, it looks bad in the pic but in person i think its gorgeous
Darkatomz said:It's not free, never was.
I just got my Swan M200MKII's earlier this week, and I ordered some banana plugs and other goodies from Monoprice myself I'll get a pic up later if I can. They're awesome, but I'm thinking I need a new sound card soon now.
nothing wrong with m10s, very capable speakers for cheap and monoprice was never free ship. and i dont think cables will help much, since all you can change is the interconnect and not the speaker cables because they are attached to the speakers themselves...Alucrid said:I failed audiophile gaf and went with the easy option, the Swan M10s. Anyways, now I'm buying some cables and what not to hook it up to everything from monoprice. Am I crazy, or was their shipping supposed to be free?
zhenming said:nothing wrong with m10s, very capable speakers for cheap and monoprice was never free ship. and i dont think cables will help much, since all you can change is the interconnect and not the speaker cables because they are attached to the speakers themselves...
nitewulf said:it also depends on your room size and your listening preferences guys, if you are using 128kbps mp3s as source, and only for near field desktop listening, you dont need very high grade stuff. at that point, hi-fi speakers wont make the low quality mp3s sound any better or anything. not to mention everyone has to start somewhere.
winged_creature, how are those B&Ws sounding?
Darkatomz said:It's not free, never was.
I just got my Swan M200MKII's earlier this week, and I ordered some banana plugs and other goodies from Monoprice myself I'll get a pic up later if I can. They're awesome, but I'm thinking I need a new sound card soon now.
nitewulf said:might as well ask suggestions for turntables in this thread, as i'm looking to get into analog. what models should i be looking at within the $1000+ range?
yeah i know, but this thread has evolved into a hi-fi stereo thread anyway. thanx for the links, i'll check those threads.Onix said:You're asking about phonographs in a PC audio thread? Really?
Really?
nitewulf said:might as well ask suggestions for turntables in this thread, as i'm looking to get into analog. what models should i be looking at within the $1000+ range?