Futurevoid
Member
The Dark Knight Blu-Ray. The IMAX scenes look brilliant and the rest of the movie shows up.:/
Ideally, shouldn't Blu-Rays preserve the original look of the animation cels? It gets complicated during Disney's low-budget phase (starting around 101 Dalmations and continuing into Robin Hood) because of the unclean lines they have in that period.
What film grain would there be in animation cels? Pointing a DNR cannon at the movies isn't the right way to go but this is one case where I argue film grain is the wrong choice. If the Disney company had digital cameras and digital projection, the movies would've never had grain in the first place.
It's been a while since I've watched it (I think I'll give it another whirl tonight), but I remember it not being as sharp and "crisp" as my other blu-rays which are known to be "reference quality."
The Dark Knight Blu-Ray. The IMAX scenes look brilliant and the rest of the movie shows up.:/
IMAX film source vs 35mm film source.
The 24 blurays are obscenely bad.
That really isn't the only problem with the non-IMAX scenes. It looks like there's a hideous amount of edge enhancement on the rest of the transfer that can't be solely attributed to different film stock.
Sword in the Stone: The Thread.
Just slap a filter on it, no one will notice!
I refuse to believe that this is somehow "our way of bringing the intended vision of what the animators wanted" considerin that they scrub away the grain and alter the colour timing to the point where detail is lost (Cinderella for example, in where highlights are blown out). John K spoke out about this, especially about the Cinderella point. I'm more than certain that this is just them bringing the old movies more in line with their digital features that came about in the '90's.It's not just Sword in the Stone, most of Disney's old animated catalog titles suffer from copious amounts of DNR, in varying degrees.
Robin Hood:
No further explanation need. Not as awful as the smearjob in SitS, but still pretty fucking awful.
Sleeping Beauty:
Even this gorgeous film that got high marks from video reviews suffers from this shit. There's a seriously incompetent shithead at Disney is making this decisions.
They used the IMAX master of the 35mm scenes, which go through an IMAX DNR process because they're blowed up for 70mm. It often looks great on the big screen itself, but the process is dreadful if left in tact for digital masters and home releases.That really isn't the only problem with the non-IMAX scenes. It looks like there's a hideous amount of edge enhancement on the rest of the transfer that can't be solely attributed to different film stock.
Hard Boiled
The Killer (yes, it's also an interlaced transfer on top of all the other fuckery)
The Hills Have Eyes blu ray is just an upscale of the DVD which is a shame.
Those are gorgeous. If Outlaw Star gets released here, I may have to get it despite owning all the original Bandai dvd sets.I posted what film grain in animation cels looks like earlier. I actually think it's kind of necessary to keep the film grain, for the sake of the lineart being preserved:
Here's some more shots, great example of 'good' anime 35mm to bluray (sorry, JPEG compression messes with it a bit):
Outlaw Star:
Record of Lodoss War:
the fucking worst.
almost unwatchable.
Funimation picked up the show back in 2013 along with Cowboy Bebop, Escaflowne and others. But since it's a license rescue, they're not in any rush to release it.Those are gorgeous. If Outlaw Star gets released here, I may have to get it despite owning all the original Bandai dvd sets.
What do you think it's photographed on?
I think it was Enter the Dragon that was released and it wasn't even 1080p. It's some sort of weird resolution upscaled.
I remember something about the newly-added scenes looking great, and the rest looking worse.This is shocking. I had no idea this existed.
I can't remember if Advent Children was really bad, or if that was my imagination.
I would love to check out Escaflowne. Hopefully they don't sit on them too long.Funimation picked up the show back in 2013 along with Cowboy Bebop, Escaflowne and others. But since it's a license rescue, they're not in any rush to release it.
I remember something about the newly-added scenes looking great, and the rest looking worse.
I remember something about the newly-added scenes looking great, and the rest looking worse.
I would love to check out Escaflowne. Hopefully they don't sit on them too long.
I refuse to believe that this is somehow "our way of bringing the intended vision of what the animators wanted" considerin that they scrub away the grain and alter the colour timing to the point where detail is lost (Cinderella for example, in where highlights are blown out). John K spoke out about this, especially about the Cinderella point. I'm more than certain that this is just them bringing the old movies more in line with their digital features that came about in the '90's.
Old Boy bluray is kinda shit. Compressed, colors are flushed... blacks aren't...
Old Boy bluray is kinda shit. Compressed, colors are flushed... blacks aren't...
While ultimately the fault lies with the studios when they perform the transfer, uneducated viewers play a role. I don't believe studios would do this if it weren't for ignorant viewers who whine if a transfer contains grain, seemingly unaware that film grain is an unavoidable part of celluloid movie making. So the studios DNR things to death in order to give their customers the sharp, clean images that they think they want.
Ignorance isn't just limited to film.
We've got an audio thread here on GAF where people are complaining about wide dynamic range in audio, and claiming that compressed DR is better.
There is an emulation thread about the WiiU where people are complaining that games displayed in their original aspect ratio have the "wrong" aspect ratio.
Consumers don't always know what is accurate and what is not.
the fucking worst.
almost unwatchable.
If I recall, the BD release of Episode I traded that for instead scrubbing away the grain, to bring it more in line with the digitally shot Prequels. I'm pretty certain the response to that has been apathetic.(see the original Region 1 version of Star Wars Episode I for a particularly egregious example).
The Toxic Avenger 2.
While not a true bad transfer something went wrong and made it to print.
http://www.blu-ray.com/movies/The-Toxic-Avenger-Part-II-Blu-ray/122649/
Very slow film with small grain structure. Or in the case of Sleeping Beauty very slow film that was also twice as big, meaning it had absolutely tiny grain structure.
This is shocking. I had no idea this existed.
I can't remember if Advent Children was really bad, or if that was my imagination.
I remember something about the newly-added scenes looking great, and the rest looking worse.
Hell, just look at anything about 'bass.' People think 'oh the bass is too weak' all the time when they've just been listening through bass-heavy equipment and stuff that's been messing with their perception of what normal music sounds like.
Add Utena to the list of 90s anime restored on Blu-ray I'm eagerly awaiting a Western release of
Same problem as the anime one, the original movie was rendered in SD LOL.
Look at the difference between the logo and the actual picture.
So are you agreeing with him that it should be filtered out? I'm honestly not too sure what side you're on here.
Of course, ideally animation shouldn't have grain in it, but the reality is that it does (not counting digital of course). In this case it's best to leave the grain intact and preserve the lines and brushstrokes.
They used the IMAX master of the 35mm scenes, which go through an IMAX DNR process because they're blowed up for 70mm. It often looks great on the big screen itself, but the process is dreadful if left in tact for digital masters and home releases.
Ideally, shouldn't Blu-Rays preserve the original look of the animation cels? It gets complicated during Disney's low-budget phase (starting around 101 Dalmations and continuing into Robin Hood) because of the unclean lines they have in that period.
What film grain would there be in animation cels? Pointing a DNR cannon at the movies isn't the right way to go but this is one case where I argue film grain is the wrong choice. If the Disney company had digital cameras and digital projection, the movies would've never had grain in the first place.
Thankfully absolute shit Blu-ray transfers are the exception rather than the rule.
Same problem as the anime one, the original movie was rendered in SD LOL.
http://images3.static-bluray.com/reviews/1443_16_1080p.jpg[IMG]
[IMG]http://images2.static-bluray.com/reviews/1443_8_1080p.jpg[IMG]
[IMG]http://images4.static-bluray.com/reviews/1443_6_1080p.jpg[IMG]
Look at the difference between the logo and the actual picture.[/QUOTE]
Jesus, you'd think they'd be a little more forward thinking.
[quote="TAJ, post: 170731574"]I'm saying that with a good scan it shouldn't be very noticeable in a 1080p downconversion in the first place. (with a source like vintage Disney animation) Lower res/quality scans give you approximations of grain. These approximations can clump together, both in the original scan and again on downconversion, and give you false grain.[/QUOTE]
I see, my bad. :)
Although the situation still gets a little messy when you get older material such as TV animation from Toei, which was all shot on crap 16mm.