Ward & karenq0506: The central concept was a few degrees shy of working for me. I had problems with the notion that people who were part of a space-faring civilization would legitimately believe that they were purchasing stars in the hopes of visiting them some day when they would otherwise be well acquainted with the limitations of space travel. More importantly, though, the ultimate motivating factor did not work at all for me. Accepting the premise that there would be some form of life that could live on a star and could mentally influence someone from half a galaxy away, I couldn’t swallow the idea that they would even know of Bertrand’s existence or share his concepts of deeds of ownership to the point where they would compel him to repossess such a document. They are already demonstrating what could ostensibly be described as god-like abilities in knowing that this transaction even happened, why would beings of such power care what humans do, especially when there’s literally nothing that will come of it?
John Dunbar & Sethista: In theory, the idea of a remote village that practices a religion centered on a god that resides in a possibly bottomless sinkhole has all sorts of creepy potential to it, but I felt a bit cheated that none of the central mysteries of the setup were resolved. Selene helping the Brewer turn his life around by rekindling his faith felt an insufficient consolation prize for me after Selene was pulled out of the hole rather than have anything I was wondering answered. I will say that the village did seem awfully cosmopolitan and connected to the outside world for their obscure religion to be so firmly entrenched.
Cyan & Tangent: Not sure if the world building made sense to me. The fact that the settlement down the side of the cliff face spoke the same language as the city at the top of the cliff face would seem to indicate that they caught people falling relatively frequently (indeed, the fact that Cayua was caught within months of Inan would speak to this), which made it odd to me that there wasn’t anyone there from up top or that they wouldn’t have direct knowledge of how things went up there. Also wasn’t a fan of the failure to commit to an ending, it felt like everything up until this point was building to the dilemma of what to do about Cayua as the driving conflict for the story. But then it just ends almost literally as soon as said conflict was introduced without any resolution whatsoever.
Figments: All pretty well-worn territory (Hell, I wrote a story about a post-apocalyptic hellscape full of murderous robots and a main character named Sarah myself just a couple weeks ago). The ancillary characters didn’t have much development, Sarah was only marginally better, and the whole thing ended abruptly and without satisfactory resolution. That’s the difficulty of writing scifi within such a strict word count, it makes it difficult to do satisfactory world building and characterization in the same space, so nothing but sympathy for any difficulties you may have encountered on the way.
Metaphoreus & Flowersis British: Man, this was thiiiiiiiis close to being almost perfect to me. There was a lot I liked about this, especially stuff like the play on the “tick tock” with the “knock knock” and the way it becomes “tock tick” the way that the events that play out circle back upon itself. There was a definite Event Horizon vibe to this—which is one of my favorite movies, incidentally—and it was a great interpretation of the theme. And it is because I liked it so much, I’m going to pick all the nits I had with this, because I don’t think any of it is so insurmountable that another revision wouldn’t smooth it out quickly. First off, the exposition via the dialogue in the first portion where Rubin does a lecture on black hole physics came off as a bit forced and it seemed clear that he was informing the reader by proxy. The second the signal analyst mentioned that they had received a signal and asked if it could be from the future, it was instantly apparent that’s what it was. I also don’t believe that if they had received this signal, they would have sat on it. I know Phil had a thing going on about those who view the future are doomed to repeat it, but that was really weak cover for me. Receiving a signal from a black hole would be a big deal, no matter how you cut it. I also cringed at the mention of Taylor Swift, as I do not believe for a hot minute that she’s going to have a meaningful and lasting impact on musical culture hundreds of years from now. Of greater concern was the notion that the Captain would move the ship closer to the black hole (Why? On the scale we’re dealing with, a few thousand miles wouldn’t make a perceptible difference to the view), that somehow this would largely go unnoticed/uncommented on by the crew, and that the captain would be so cavalier in his dismissal of Rubin’s concerns over this action, or that Rubin somehow wouldn’t have noticed the discrepancy when double checking the ship’s calculations for their escape trajectory. Also not sure how the ship could be structurally compromised by the gravitational forces of the black hole, and yet have portions remain inhabitable for a relatively prolonged period, seems like it would be an all or nothing proposition. But seriously, I loved this one overall. Just needs a bit of spit polish to make it shine.
ZeroRay & Rock And Roll: I thought calling the prototype “Quinnception” was a little too on the nose and derivative, and possibly kind of tipped your hand on where the story was ultimately going to go. The pacing felt a little off to me too, as the revelation that Quinn was a brain in a jar came surprisingly far upstream given how much story remained after that point, which seemed to result in some rushed bits in the first portion before the reveal. I almost had the visual impression that these guys were literally running around, they were so exuberant in their dialogue and cheery about the business they were involved in. And part of that plays into my second issue is that I had a difficult time believing Quinn’s motivations. He was downright giddy about this stuff, and I’m supposed to believe that the final step of the formula of having people kill themselves on command is a bridge he won’t cross? But making a formula where people will kill other people is hunky dory? What about all the people he was responsible for killing up until that point to make it even that far? He was selling remorse, but I wasn’t buying.
Charade & mu cephi: The Silkspire in particular reminded me of the Gentleman Bastard series and its Elderglass structures. I don’t know if that comparison would still be as striking to me if it wasn’t a story about thieves pulling a heist. Honestly, I thought this was kind of an uneven split of content. The meat of the story is in the second half with the chaplain’s tale, the first half of it could be stricken away entirely and you would still have a fully functional and complete story. The only real important take-aways from the first half is that Rane is a thief, has a team, and got caught, all of which are reiterated in the second half anyway. But I really enjoyed that second half, I just wish the first half mattered more to the central conflict.
Chainsawkitten & Aaron: I’m not fully sure what it is I read. Sounds kind of like a hunting expedition for dinosaurs, so at first I’m thinking some sort of caveman-esque fantasy setting, but then Cthulhu shows up. So now I’m thinking this is maybe the world after Cthulhu has awoken and done and the world has been nuked back to the stone age. But then the narrator goes on about sleeping until the end of the world, and now I don’t know what I’m reading. Is this a prehistoric Cthulhu cult hunting dinosaurs? Is this the far flung distant future where something similar to dinosaurs exist and humans have gone all Morlock? Outside of the ambiguity of when this is supposed to be happening (and I’m inclined to think it’s the latter option, as I don’t envision either of you guys to be the sort to make a boo-boo as big as humans and dinosaurs being contemporary), I found this well done.
Ourobolus & Nezumi: Heh, I had been thinking to myself “If I draw Nezumi, we’re going to end up writing about furry animals in a burrow somewhere.” Oh, what could have been. The swearing seemed a little out of place, even though it was largely confined to a single foul-mouthed character. It just seemed weird against a backdrop of anthropomorphic animals out of a children’s book or movie or something. They also all seemed rather cognizant with functioning intellects, which makes it a bit odd that so many of them would agree to go find “paradise” without someone at least asking “which way is it and how do you know?” It was like elevating a fable or something to a more sophisticated (or at least more adult) language without addressing the logic gaps that are part and parcel with it. Wish I knew if they survived the jump or not, because I kind of feel Rocky needs to get his comeuppance and die : P
Sober & Valhelm: I don't understand what this story was about. The ending seems to imply that it may have been some sort of experiment to see what happens if you send a bunch of people into the depths of space with no further instructions or something?
Mike M & Blargonaut: OMFG, that was a pain in the ass to format. Even after I set both versions of our story in the same formatting, somehow the number of lines per column didn’t work out right, and I had to meticulously cut and paste it together. Also, my version had slightly more words and it didn’t seem like that much difference in the amount of dialogue, so I don’t know how Blargonaut’s column went longer than mine. Fun concept to do, though.
Votes:
1. Icarus
2. On the Terminator
3. The Dreamer