Raging Spaniard said:lol thats totally where I got it from :lol
*internethighfive*
That was before they just made the Mad Hatter a generic villian.
Raging Spaniard said:lol thats totally where I got it from :lol
Yasae said:Still looking for sailors later?
I never bought that Squall died after disc one. The bandages, the fact that characters potentially suffer much worse in battle, everyone is supernaturally resilient etc. It doesn't have enough weight. I don't think I regarded it as any different from Sephiroth slashing Tifa across her entire length. She would have more than likely died from that.. Fast.
Most players seem to assume that Edea healed Squall to full health for the purpose of interrogation, but why would she? b]Seifer knows that Squall is no great captain from Balamb Garden[/b]. Hes no more privy to top secret information than are the other three. If Edea wanted to know more about SeeD, she should be interrogating Quistis, whos been a SeeD for three years and who has been teaching SeeDs for one year. Squall has been a SeeD for all of two weeks. Why go through all the effort of killing him just to bring him to full health when hes obviously a threat to her?
We see some shots of the Balamb communications tower, the Ragnarok, and theres a clip of Rinoa, still blurred, with her hair in the wind. A shot of Seifer pushing Rinoa into Adel goes by, then we see more of the Balamb tower, and a clip of Rinoa reaching to Squall from the parade float.
Theres an explosion, and we see the arch from Deling City under which Squall died. The camera takes us through the arch and were back in the ballroom for more blurred face action. There are a lot of images in this section, including Edea from the parade float, Ultimecia, Rinoa in space, the eyes from all the cast members fading into each other, and probably a lot more than that. Theres also a frame from the last moment in disc one, the image of Squalls eye as he falls from the parade float.
There is one last shot of Rinoa, floating in space. The glass on her space helmet cracks and sends large pointed shards towards the camera. There is a sound, like someone being struck by a sword. We cut to Squall, eyes wide, a tear escaping him. He throws back his head and is consumed by white.
And now, finally, Squall is dead. We see a white feather fall to the ground, and the screen fades to black. The last ten minutes of the FFVIII ending movie are, in the simplest terms, of heaven, or some equivalent thereof.
The first disc had a fairly high level of realism despite the fantasy and low sci-fi topics present. The characters were all human, and outside of monsters there were no unearthly creatures to be seen. Rinoa had a dog that attacks for her at times, as earthly dogs are known to do. But there werent any fluffy feline creatures running around yelling Laguna! Laguna!
Dragona Akehi said:The problem with this theory is that in reality the Final Fantasy writing team has all the subtlety of an M4 Sherman Tank. Were Squall to have died, you can bet the player would have been beaten about the head with that explicit fact dozens of times.
Roland Barthes said:The Author, when we believe in him, is always conceived as the past of his own book: the book and the author take their places of their own accord on the same line, cast as a before and an after: the Author is supposed to feed the book that is, he pre-exists it, thinks, suffers, lives for it; he maintains with his work the same relation of antecedence a father maintains with his child. Quite the contrary, the modern writer (scriptor) is born simultaneously with his text; he is in no way supplied with a being which precedes or transcends his writing, he is in no way the subject of which his book is the predicate; there is no other time than that of the utterance, and every text is eternally written here and now.
Roland Barthes said:We know that a text does not consist of a line of words, releasing a single "theological" meaning (the "message" of the Author-God), but is a space of many dimensions, in which are wedded and contested various kinds of writing, no one of which is original: the text is a tissue of citations, resulting from the thousand sources of culture. [...] succeeding the Author, the writer no longer contains within himself passions, humors, sentiments, impressions, but that enormous dictionary, from which he derives a writing which can know no end or halt: life can only imitate the book, and the book itself is only a tissue of signs, a lost, infinitely remote imitation.
Roland Barthes said:Once the Author is gone, the claim to "decipher" a text becomes quite useless. To give an Author to a text is to impose upon that text a stop clause, to furnish it with a final signification, to close the writing. This conception perfectly suits criticism, which can then take as its major task the discovery of the Author (or his hypostases: society, history, the psyche, freedom) beneath the work: once the Author is discovered, the text is "explained:' [...]
Roland Barthes said:In this way is revealed the whole being of writing: a text consists of multiple writings, issuing from several cultures and entering into dialogue with each other, into parody, into contestation; but there is one place where this multiplicity is collected, united, and this place is not the author, as we have hitherto said it was, but the reader: the reader is the very space in which are inscribed, without any being lost, all the citations a writing consists of; the unity of a text is not in its origin, it is in its destination[...] we know that to restore to writing its future, we must reverse its myth: the birth of the reader must be ransomed by the death of the Author.
ElFly said:the Laguna dreams all the team is having are not addressed at ALL in this explanation, as neither is what had happened to Edea and Seifer.
All the same, one should still ask oneself one question while developing their own personal truths here.LegatoB said:Not to single you out in particular, but I've seen a lot of posts along these lines in the thread, and I feel it's worth stopping for a moment to examine why this form of argumentation is irrelevant to developing and discussing an interpretation of the literary work Final Fantasy VIII.
As I see it, this argumentation asserts three points:
1) That there is a single, "correct" interpretation of a literary work.
2) This "correct" interpretation is the one supported by the author(s) of the work.
3) It is possible to determine, with certainty, the position of the author(s) by examining the work itself as well as other works, communiques or biographical details.
All three of these points are total bunk. I could go on at great length to describe this in detail, but I need not, as Barthes has already done so. If you are lazy, please consult the Wikipedia entry on his essay "Death of the Author;" selected quotations are provided below for easy reference.
"It was all a dream" is only an undesirable conclusion if there's no value in the experience of the dream. I personally find the exploration of the final fantasy of a dying young man, desperately attempting to explain and find meaning in his brief existence, to be both gripping and significant. Perhaps all the more so for how unexpected this meditation was.Freshmaker said:All the same, one should still ask oneself one question while developing their own personal truths here.
Does this add anything to the story?
In the Squall is Dead notion, you've basically reduced the entire story to "It was all a dream." which really brings nothing worthwhile to the table. People arguing that the writers weren't smart enough to piss on the reader in this fashion are crediting the wrong end of the intelligence scale.
It hardly matters if he's just making up a bunch of shit, and it's all going to be flushed down the toilet the instant he dies regardless. There's no resolution, no growth, and no point. Do I care if he dies happy or sad? Eh. Not really.LegatoB said:"It was all a dream" is only an undesirable conclusion if there's no value in the experience of the dream. I personally find the exploration of the final fantasy of a dying young man, desperately attempting to explain and find meaning in his brief existence, to be both gripping and significant. Perhaps all the more so for how unexpected this meditation was.
LegatoB said:"It was all a dream" is only an undesirable conclusion if there's no value in the experience of the dream. I personally find the exploration of the final fantasy of a dying young man, desperately attempting to explain and find meaning in his brief existence, to be both gripping and significant. Perhaps all the more so for how unexpected this meditation was.
Rebochan said:Tifa did die. Every time you see Tifa, it's Cloud pretending she's alive and fulfilling his fantasy of her being his girlfriend.
Is it too late to join the Batman: TAS lovefest?
I meant "significant for the player," e.g. what I as a viewer/participant get out of the experience.chicken_ramen said:But, and I only touched on this earlier, we have no way of knowing what is and isn't significant. In more obvious examples of the 'it was all a dream' story we know the limits of the reality that has been stepped outside of because it is our own. Here the audience has no idea what elements are based on his reality and what are pure imagination. We know that Squall's reality is very fantastical, so we don't know it's limits. Because of this, all this interpretation serves to do is cast the story in a muddier light and the only 'insight' we're given into Squall is the same that the game gives under a straightforward reading.
Not sure if Occam's razor applies to videogame fantasy stories, though I can't help but think that simpler more logical theory is that Squall was imagining all these fantastical situations in the moments before his death.bathala said:Occam's razor - simplest explanation tends to be the best one.
this is like that metal gear theory
It actually is explained at length. None of it supports R = U though.Atilac said:it is never explained why Ultimecia is trying to go back in time.
Really? i can't remember any of it.Freshmaker said:It actually is explained at length. None of it supports R = U though.
Basically, it goes like this.Atilac said:Really? i can't remember any of it.
Rinoa is a witch, unless someone kills her and claims her powers she's going forward in time, ultimately making her Ultimecia.Freshmaker said:Basically, it goes like this.
Ultimecia was a normal girl until the sorceress took her over. At some point SeeD determined that she was going to become Ultimecia and imprisoned her in an attempt to prevent Ultimecia from destroying time.
Ultimecia hadn't done anything wrong at that point, and grew to resent her captors and the way they viewed her as that world's Hitler. She slowly went nuts until she finally broke out of confinement, killing the future SeeDs.
Since she was basically screwed because of historical record, she decided the best way to punish everyone was to destroy the timeline that had already decided that she was going to ruthlessly butcher everyone. So she used the time device modeled on Ellome's powers to travel back in time and attack what she perceived to be the root cause of all her problems... Which in this case was history itself.
That's why she was trying to achieve "time kompression".
This is all brought up in Ultimecia's speeches and other comments, and the doctor expands upon her core plan when you reach Esthar.
No. Witches have normal lifespans.Atilac said:Rinoa is a witch, unless someone kills her and claims her powers she's going forward in time, ultimately making her Ultimecia.
That's not what Ultimecia was trying to do. She was trying to destroy time. Her only real interest in time travelling was to go back far enough to destroy all creation.If she wasn't Ultimecia, maybe the original Ultimecia screwed up the past and Rinoa became the new Ultimecia. I do remember the time compression, the attempt to bridge a direct link from the past with the future? Rinoa would seek this because she would see Squall again.
She didn't really. She pulled Squall's concept of the most powerful GF from his mind and manifested it. She wasn't keeping it around as a pet or anything.Why would Ultimecia summon a monster from Squalls ring?
The way the game script runs, Ultimecia is angry because she was held without cause and hated/feared for no good reason.Squall gave that ring to Rinoa. Christ this is too complicated to process at 2 in the morning. Isn't it possible that Ultimecia/hitler triggered Ultimecia/Rinoa eventually causing the latter to override the former?
Freshmaker said:Basically, it goes like this.
Ultimecia was a normal girl until the sorceress took her over. At some point SeeD determined that she was going to become Ultimecia and imprisoned her in an attempt to prevent Ultimecia from destroying time.
Ultimecia hadn't done anything wrong at that point, and grew to resent her captors and the way they viewed her as that world's Hitler. She slowly went nuts until she finally broke out of confinement, killing the future SeeDs.
Since she was basically screwed because of historical record, she decided the best way to punish everyone was to destroy the timeline that had already decided that she was going to ruthlessly butcher everyone.
I wouldn't know. I haven't read the FAQ. That's just what I derived from playing the game a few times.ElFly said:That's what the FAQ writer deduces, but all that is not really supported by any in game evidence.
Ultimecia as Edea said:...Lowlifes. ...Shameless filthy wretches. How you celebrate my
ascension with such joy. Hailing the very one whom you have condemned
for generations. Have you no shame? What happened to the evil, ruthless
sorceress from your fantasies? The cold-blooded tyrant that slaughtered
countless men and destroyed many nations? Where is she now? She stands
before your very eyes to become your new ruler. HAHAHAHAHA.
She hates SeeD. She knows they're fated to kill her, but she doesn't know why SeeD is dedicated to that task, or how they can pull it off.Ultimecia said:Edea: ...A SeeD. ...Planted in a run-down Garden.
Edea: ...The accursed SeeD.
This is all Ultimecia acting on incomplete future knowledge. This is why she orders Seifer to hunt down every SeeD and kill them.Seifer: I'm sure you can imagine what happens now.
Squall: ...What do you want?
Seifer: Tell me what SeeD is. Edea demands to know.
Squall: SeeD... (...A code name for Balamb Garden's elite mercenary force...
SeeD... Combat specialists...) (......???) ...Don't you already know?
Seifer: I'm not a SeeD. There must be some kind of secret you're given
when you become a SeeD!
Squall: There's nothing. Even if there were, you think I'd tell you?
Seifer: Well now, Squall. I'll ask you again. What is SeeD? And why do
they oppose the sorceress?
Squall: (SeeD... Oppose the sorceress...?)
Seifer: Excellent. (to Squall) Balamb Garden is to be destroyed on
charges of training SeeDs to oppose the sorceress.
Squall: (...WHAT!?)
Seifer: It's a pity, really. I grew up there, too... But orders are
orders, and Edea wants it destroyed.
Squall: (This is strange.) (That's right... It was when I was being
tortured by Seifer. He wanted to know what SeeD was.) (Matron should
know...) (But Matron is Sorceress Edea. There's no denying that.) (What
does this all mean?)
Edea: So the time has come. You're the legendary SeeD destined to face
me?
Squall: (What is she talking about?)
Edea: I must say that I am impressed. ...An impressive nuisance. Your
life ends here, SeeD.
Seifer came.
Edea: Worthless fools.
Squall: (You're not our 'Matron'.)
Edea: All SeeD must perish!
Edea actual said:Edea: ...I have been possessed all this time. I was at the mercy of
Sorceress Ultimecia. Ultimecia is a sorceress from the future. A
sorceress many generations ahead of our time. Ultimecia's objective is
to find Ellone. She is after Ellone's mysterious power. I knew Ellone
very well. Ultimecia is a very fearful sorceress. Her heart is filled
with anger and hate. There was no way I was going to let Ultimecia get
a hold of Ellone. The only thing I could do was... ...Surrender my soul to
Ultimecia and lose control of my mind. That was the only way I could
save Ellone. And the end result... Well, you all know. The sorceress that
appeared in Galbadia was in fact Ultimecia...inside my shell...
She really hates SeeD. On top of that, they've just walked through the future and have seen every future SeeD dead. Those were the SeeDs charged with guarding Ultimecia.Ultimecia's only line you seem to think exists in the entire game said:Ultimecia: ...SeeD... SeeD......SeeD...... SeeD, SeeD, SeeD! Kurse all SeeDs.
Swarming like lokust akross generations. You disgust me. The world was
on the brink of that ever-elusive 'time compression'. Insolent fools!
Your vain krusade ends here, SeeDs. The price for your meddling is
death beyond death. I shall send you to a dimension beyond your
imagining. There, I will reign, and you will be my slaves for eternity.
HAHAHAHAHAHAHAHA. Whom shall I exterminate first!? I'll start with you
three!
ElFly said:I think that a kind of big plothole, is who in the hell Ellone is.
Her power is one of a kind, never gets any explanation, she is not a sorceress, she was just this random girl WHO CAN SEND PEOPLE INTO THE PAST.
It always struck me as arbitrary.
GrumpyAlien said:That is one thing I was just thinking of an hour ago. How does she receive this power and why? It hurts my head thinking about it because I just played the game through this week and I have no idea why "sis" can send people back in time. Is it ever explained?
Even if I don't understand everything completely I really like stories like this. Every time I go through the game I seem to find something new about it. Kinda like how I enjoy watching films like Mullholland Drive or Inland Empire over and over.
ElFly said:I think that a kind of big plothole, is who in the hell Ellone is.
Her power is one of a kind, never gets any explanation, she is not a sorceress, she was just this random girl WHO CAN SEND PEOPLE INTO THE PAST.
It always struck me as arbitrary.
Atilac said:Now bare with me; it is never explained why Ultimecia is trying to go back in time. One theory was that she was trying to see Squall again. Rinoa is immortal, Squall isn't: he died of old age, she becomes lonely and saddened by his death, over many years her grief eventually drives her insane. The reason she attacks herself and Squall is because so much time has passed she doesn't remember what he looks like, or is so crazy she doesn't truly comprehend what is happening. Ultimecia wasn't trying to destroy the world, she was mentally fractured and disparately trying to return to better times.
major_killjoy said:^This. If this was the grand reveal, at the end of FF8, I would've loved this game and the character of Rinoa. Realizing that she is Ultimecia and kissing Squall, in the last scene, (knowing full well of what is going to happen in the future) makes it incredibly bittersweet.
anaron said:How people find R=U is interesting is beyond me.
So, apparently it's tragic if Rinoa outlives Squall, then goes batshit insane, wants to kill SeeD for NO apparent reason (Yes, no reason whatsoever) remember, she goes to the past not the present. It's a silly idea.
You can say " No she wants the world to suffer with her" but why? That's not the kind of character Rinoa is, and it only makes her character seem even shittier if this happens.
Freshmaker said:Immortal Riona would not be surprised by this. The R = U theory actually makes Ultimecia less tragic and less interesting.
what were those discussions? Do people disagree on Xeno's plot?Servizio said:I'm getting flashbacks to Xenogears discussions back in the day.
I gave you the reason already. She was unjustly imprisoned (from her perspective) and hated for what she would become. It didn't matter what she did. History had already rendered its judgement on her.harriet the spy said:How is it tragic that Ultimecia just wants to kill everyone for no reason?
She's nuts by the time she attempts this. You can't really expect reason from someone pushed past the breaking point.Even if she was sequestered for no good reason (which I don't remember being clearly evidenced by the game, but it has been a loooong while since i last played), do you think it's normal to want to murder THE WHOLE WORLD because of that?!? Plus, killing everyone kinda proves the point of people who actually jailed her, so that thought should her realize she was actually a bitch and then decide it was fair to jail her
:lol This compared to immortal Riona getting lonely and deciding to slaughter everyone who ever lived as a kick?Hell, that would make her a Uber-bitch in the first place, and therefore certainly not a tragic character.
harriet the spy said:How is it tragic that Ultimecia just wants to kill everyone for no reason? Even if she was sequestered for no good reason (which I don't remember being clearly evidenced by the game, but it has been a loooong while since i last played), do you think it's normal to want to murder THE WHOLE WORLD because of that?!? Plus, killing everyone kinda proves the point of people who actually jailed her, so that thought should her realize she was actually a bitch and then decide it was fair to jail her
Hell, that would make her a Uber-bitch in the first place, and therefore certainly not a tragic character.
harriet the spy said:what were those discussions? Do people disagree on Xeno's plot?
anaron said:How people find R=U is interesting is beyond me.
So, apparently it's tragic if Rinoa outlives Squall, then goes batshit insane, wants to kill SeeD for NO apparent reason (Yes, no reason whatsoever) remember, she goes to the past not the present. It's a silly idea.
You can say " No she wants the world to suffer with her" but why? That's not the kind of character Rinoa is, and it only makes her character seem even shittier if this happens.
I know. But, so, what works for Ultimecia doesn't work for Rinoa? Why do we haveto expect reason from Rinoa, esp. if she spend a fucking millenium alone?Freshmaker said:I gave you the reason already. She was unjustly imprisoned (from her perspective) and hated for what she would become. It didn't matter what she did. History had already rendered its judgement on her.
She's nuts by the time she attempts this. You can't really expect reason from someone pushed past the breaking point.
Hey, I did say maybe she just wanted to be back with Squall. Or maybe she didn't care. Or maybe she wanted to end it all.:lol This compared to immortal Riona getting lonely and deciding to slaughter everyone who ever lived as a kick?
What a compelling argument.2) Riona killing everything that ever lived because she lost Squall is just fucking stupid.
I can't believe I am defending this shitty theory with my life! :lol
Because their reasons are COMPLETELY opposite. One has been codemned for something she hadn't even done yet, the other is lovesick because Boo-fucking hoo she outlived Squall.I know. But, so, what works for Ultimecia doesn't work for Rinoa? Why do we haveto expect reason from Rinoa, esp. if she spend a fucking millenium alone?
If I recall, someone in the game says that she is trying to create a world where only she can live in(can't remember completely)Hey, I did say maybe she just wanted to be back with Squall. Or maybe she didn't care. Or maybe she wanted to end it all.
That doesn't make it any less stupid.To be fair, there are more real-life examples of lovesick people who blow a fuse, take a gun and kill people (remember that asshole who took a gun to a women's gym?), than wrongly convicted people who decide to avenge themselves.
What a compelling argument.
Witches aren't immortal. They die of old age like anyone else.harriet the spy said:I know. But, so, what works for Ultimecia doesn't work for Rinoa? Why do we haveto expect reason from Rinoa, esp. if she spend a fucking millenium alone?
If she wanted to get back to Squall, she didn't need Ellome, and she didn't need to compress time. Also, why exactly was Riona supposed to hate SeeD?Hey, I did say maybe she just wanted to be back with Squall. Or maybe she didn't care. Or maybe she wanted to end it all.
Really? People who perceive themselves as punished for no good reason tend to be fairly violent when they snap. That's pretty much every single spree shooting. That's the professor who shot his co workers because he was denied tenure etc.To be fair, there are more real-life examples of lovesick people who blow a fuse, take a gun and kill people (remember that asshole who took a gun to a women's gym?), than wrongly convicted people who decide to avenge themselves.
Then put more weight on my first reason. It is a stupid theory.What a compelling argument.
anaron said:Don't. It's really not worth any thought.
That doesn't make it any less stupid.
Compelling enough, that you could barely respond to it with a good rebuttle?
you're so stone-hearted the theme of the game was love after all!the other is lovesick because Boo-fucking hoo she outlived Squall.
See, on the other hand, you're frustrating to discuss with. you just repeat the same points over and over, while not listening to anything being said.Witches aren't immortal. They die of old age like anyone else.
Really? People who perceive themselves as punished for no good reason tend to be fairly violent when they snap. That's pretty much every single spree shooting. That's the professor who shot his co workers because he was denied tenure etc.
Anaron... I certainly don't give a shit - you won, congratulations!
Oh but I've given reasons as to why it's stupid. But I guess you've chosen to ignore them?You can't keep repeating STUPID STUPID STUPID and hope to make any good point.
How can I give a rebuttal to "ITS STUPID DERP"? You're being silly. But anyways, it was fun. Time for sleep... oh, btw
you're so stone-hearted the theme of the game was love after all!
See, on the other hand, you're frustrating to discuss with. you just repeat the same points over and over, while not listening to anything being said.
Tell me, please quote my post where I say that witches are immortal, and R=U is actually true?
You can't, because I didn't say this. I say it's an incorrect but cool plot, and putting aside minor issues like immortality (not being mentioned in the game), it's not completely baseless.