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31 Days of Horror 5 |OT| The October Movie Marathon

The Hound of the Baskervilles (1959)
A little disappointing, partly because it's really a stretch to include this as part of a horror marathon; it's more gothic mystery than anything. Cushing makes for a fine Holmes and it was great to see Christopher Lee in a role that wasn't a villain and has actual lines. But, while the story was interesting, the movie itself was just kind of dull and felt very long for something that's less than 90 minutes. I'd still rank this above Curse of Frankenstein if only because I liked Cushing and Lee more here, but nowhere near as good as Horror of Dracula.

Sad to say that my brief Hammer cycle this year was a bit of a bust, with Dracula being the only standout. Next up will be my first foray into giallo with Dario Argento's Deep Red.
 
21. The Devil's Backbone (2001) Now that I've finally seen all of Del Toro's Spanish films, I now see how his films skirt the line of being horror. It's a good film, and I saw a lot of similarities between it and Crimson Peak. It's not much of a horror film though, but I enjoyed it.
 
18 – Wind Chill

“Romantic? Try stalkerish!”


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Second bonus movie of the month, an unscheduled viewing of another of my wife’s favourite films.

Wind Chill’s main appeal is that for a reasonably unremarkable little ghost story about getting snowbound on a haunted back road just before Christmas, it has two very good actors in the lead roles. Ashton Holmes is excellent as the
potentially creepy but actually really sweet
guy who goes out of his way to give the
initially grouchy and difficult but eventually lovely and
wonderful Emily Blunt a lift home from college for the holidays. Their performances give the rather lightweight story an edge it probably doesn’t deserve and while there are some moderately spooky moments, the real fun comes from watching the two leads relationship develop.

Verdict: Worth a watch, though I should point out that I would watch Emily Blunt in literally anything.


19 – The People Under the Stairs

“You think he was white before? You should see that sucker now!”

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Returning to my scheduled programming, and it’s time for another Wes Craven movie I haven’t seen before. It’s also another Wes Craven movie I wish I hadn’t bothered with.

The People Under the Stairs feels like a film with an identity crisis. I guess it wants to be a comedy horror, but it’s not funny or horrifying. And you couldn’t really call it a teen adventure, because when Ving Rhames is on screen it’s all motherfucker this and pussy that. Then there’s the villains, who are cut from a Chris Columbus/John Hughes pantomime cloth; at least until the
incest, gimp suit, dismemberment and cannibalism
put in an appearance. And let’s not forget the embarrassingly badly handled socio-political subtext.

Despite the uneven tone, the film isn’t really bad so much as ridiculous, and actually has some decent performances (as well as some abysmal ones). Rhames is on fine form when he isn’t letting his disdain for some of the cheesier dialogue get the better of him, and AJ Langer is also quite good as the pale-as-a-ghost, locked-up daughter of the villains. Star of the show is definitely young lead Brandon Adams however; his wide-eyed, bouncy enthusiasm was pretty much the only reason I watched to the end.

Verdict: Nowhere near Craven at his best, The People Under the Stairs gets sillier and more annoying the longer it goes on until it reaches a final act that is just completely absurd. Not a film I’ll be watching again.
 
16. Videodrome (watched on 10/16/15) - Prior to watching this movie I had only seen a few bit and pieces of it here and there, but I had never really sat down to watch it all the way through. After watching it I honestly don't know know what to make of it as there are literally a ton of moments in the movie where I was going WTF????
 
Zombie Apocalypse was awful but friends brought it by. I give it two zombie tigers. Now on to the ever classy Abraham Lincoln vs Zombies ;)
 
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I've always had a soft spot for this. It's a huge mess but it's a pretty unique one. I love Max Thieriot and Raúl Esparza so it helps.

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This was part of my challenge last year but I needed something to pad my Wes Craven segment of my Hooptober list on Letterboxd. Thoughts haven't really changed. The kid is really annoying, the CGI is bad, and they ruin any progress they made towards making Freddy creepy again towards the end. Good but not great.

OP
 
Pre October

1. Unfriended
2. The Gift
3. Poltergeist Remake
4. The Visit
5. The Strangers

October

1. Joyride
2. The Faculty
3. The Fog(carpenter )
4. From Dusk Till Dawn
5.Misery
6. Prom Night original
7.Christine
8. Body bags
9. Gremlins
10. Insidious
11. House of wax 3D
12. Burnt Offerings
13. It follows
14. The Babadook
15. The Tourist Trap
16. The Conjuring-
17. Abraham Lincoln Vampire Hunter
18. Insidious chapter 2
19. Nightmare on Elm Street 3: Dream Warriors- haven't seen this one in many years, but it's a total blast! It doesn't take itself too seriously and has some cool deaths and funny scenes. Wish I had time to watch the whole franchise this year, but I'll try to watch some more
 
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I've always had a soft spot for this. It's a huge mess but it's a pretty unique one. I love Max Thieriot and Raúl Esparza so it helps.

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This was part of my challenge last year but I needed something to pad my Wes Craven segment of my Hooptober list on Letterboxd. Thoughts haven't really changed. The kid is really annoying, the CGI is bad, and they ruin any progress they made towards making Freddy creepy again towards the end. Good but not great.

OP

New Nightmare had an incredibly bad identity crisis.

It never once reaches satire levels like Scream (and Scream isn't that great a satire to begin with). It keeps fluctuating between commentary and straight horror. They literally throw away the Movie Set theme after the first ten minutes.
 
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#24. Goosebumps (2015)

Viewed On: Theatrical

A fun little family/horror adventure film. I've read tons of Goosebumps books in my time and have been quite excited for this film. It's a pretty standard family action adventure film. The Goosebumps references are what make this film not be a total bore. A lot of classic monsters from the books are represented here, it's nice to see the series finally get a solid film adaptation. And Jack Black is great as always.

I give this film 3 bags of popcorn (out of 5)

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#25. Crimson Peak (2015)

Viewed On: Theatrical

LOVED this one. I'm a huge Guillermo del Toro fan, and this is another one of his great horror efforts. Most people would notice right off the bat and agree that the visual style and costume/set design in this is very striking and top notch. It's just a joy to watch, every scene is like some sort of Gothic painting. The ghost love plot may not appease all but it fits the visual style very well. The ending is quite brutal, bloody, and violent in true del Toro fashion. There are several scenes in this film worth the "Pan's Labyrinth bottle scene" cringe.

I give this film 5 bags of popcorn (out of 5)

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#26. Gore-met, Zombie Chef from Hell (1986)

Viewed On: YouTube

Have some cheese nippieeees! What a fun piece of shot-on-video trash. The absurd plot, overacting, dance scenes, weird-looking non-actors, cheesy gore, and awful casio keyboard soundtrack all make this one a fun time.

I give this film 3 bags of popcorn (out of 5)

My watched list so far
 
#17 - Night of the Comet (1984)
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This movie was hilarious and enjoyable. It's kind of a parody of sci-fi/horror disaster movies but a decent one itself. A passing comet turns nearly everyone on Earth into red dust. There are a few survivors, and eventually zombies start showing up. Great homages throughout - for example, the characters go to a shopping mall (Dawn of the Dead). Night of the Comet isn't over-the-top silly. It just has a great sense of comedic timing with some memorable one-liners. "I'm not crazy, I just don't fucking care!"

viewing list
 
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16) The Vault of Horror (1973) (Oct 16)

The followup to 1972's Tales from the Crypt, The Vault of Horror follows the same formula - A framing story featuring a group of 5 strangers coming together and a telling of their stories. In typical EC Comics fashion all of the segments feature bad people getting their comeuppance.

Midnight Mess - A pretty predictable story, but it's comically fun and the main character is a real shitheal so it's great to see the ending play out.

The Neat Job - Easily my favourite of the bunch. Very funny and Terry-Thomas kills it as the lead character.

This Trick'll Kill You - I suppose this was supposed to be their big special effects extravaganza, but the effects obviously don't hold up today. It's beautiful to look at though and I do think it was clever to make the story about a magician that uses a lot of film tricks to trick the viewer.

Bargain in Death - Another fun one. Probably the best after The Neat Job.

Drawn and Quartered - Decent, but this one is the darkest and lacking the humor that the other stories feature.

Framing Story - Nothing really stands out with this one. None of the hosts from the comic appear and the ending surprise isn't exactly surprising. It just comes off as cheesy.

Overall, The Vault of Horror focuses more on black humor than its predecessor and I think that was the right decision. Recommended for anyone looking for more quality anthology movies.

Rating:
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out of 5 Michaels from Burial Ground: The Nights of Terror.


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[BONUS] Tales from the Crypt (TV, 1989)

I'm going to go though the first 2 seasons during the last half of the month. I won't be providing scores for each episode, but I might give an overall score for the season when I'm done.

s01e01 - The Man Who Was Death - After a prison executioner loses his job, he decides to take matters into his own hands. The premise for this episode was solid, but the execution (see what I did there?) was a little weak. I could have done without the lead character Ferris Bueller-ing to the audience, that time could have been better spent fleshing out the plot a bit. Decent start, but nothing overly special. It's always nice to see William Sadler though.
 
Thanks for the tip! I didn't know Troma had a YouTube channel. I just recently discovered Shout's free service on Roku.


Weird, Troma's YouTube has every Lloyd Kaufman directed movie except Terror Firmer.. one of the best Troma movies!!

Hm. I could have sworn Terror Firmer was up when they first launched the channel. They might put it back up. The Toxic Avenger movies were up, then taken down and are now back up again.
 
Been a while since I posted anything. I'm a bit behind on movies, but totally behind on reviews. I've junked some of my list to make room for some new VOD titles that I totally forgot were coming out this month. I just couldn't deny myself Deathgasm! Anyway, I'm getting ready to start movie #13, Cooties, and thought I'd throw up a few quick reviews.

4. The Night Stalker (October 9)

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"Judge for yourself its believability and then try to tell yourself, wherever you may be, it couldn't happen here."

Fun television movie with a dark undercurrent of government mistrust and paranoia. Kolchak is a curmudgeonly beat reporter who pursues the truth he knows authorities are covering-up. In this instance it just happens to be a vampire stalking the neon streets of Las Vegas. Straightforward long takes gives the whole affair a documentary feel, especially when the vampire has his dust-ups with the local cops. It plays like a tv crew just happened to stumble across this shit. In typical downbeat seventies fashion, Kolchak pays the price for being the Last Honest Man by being fired and ran out of town. No matter what the Man says, don't believe them. The Truth is Out There.

5. House by the Cemetery (October 10)

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"This house is so strange. I'm sure I could deal with the graveyard next door, but to live with a tomb in your home!"

The final entry in Fulci's unofficial Death triptych finds the Maestro of splat diving headlong into the haunted house genre. Only in true Fulci fashion, the ghost is a fucking zombie in the basement. Once a Victorian doctor, Dr. Freudstein (!) has transformed himself into a bloodthirsty ghoul comprised of the body parts of his victims. Fulci piles on the Gothic atmosphere and builds tension through long, languid and gorgeously composed shots until the whole thing explodes in a tension filled basement showdown between the good Doctor and the latest residents of House Freudstein (!). Logic and plot are thrown out the fucking window. Nothing makes much sense, but that's alright—everything is all according to keiku here. The ending is probably the most mind breaking out of the three Death films, and that's saying something! Includes one of the most amazing dubbing jobs in all of Italian Horror in the form of Bob's dialogue. All backed by a righteous Walter Rizzati score. Fulci lives!

First time viewings are bold.
 
If there's a better bad name than Freudstein in all of horror, I've yet to see or hear it. I don't know what Fulci was thinking, but I'm strangely OK with its existence.

I'm gonna sleep on the films I saw tonight; well, mainly on Ganja & Hess, largely because it was way the fuck more experimental and out there than I anticipated it would be, but it's one of those weird situations where I liked one film better overall, but recognize it also as a worse horror film than the other.
 
17. Creep (watched on 10/17/15) - Just finished watching this movie which was the second mandatory movie for this challenge and all in all it wasn't bad per say, but it wasn't good either, it was kind of in the middle for me. My biggest hang ups with this movie are the opening half, parts of the second half (mainly the
last minute jump scare and the segments about Aaron's nightmares
), and the usually problems that tend to pop up in found footage movies. I know that some people had hang ups about the guy who played Josef since he's a cast member of the TV show The League, but since I rarely watch that show I honestly didn't have that problem and I think he got better/creepier as the movie progressed.
 
12. The Shining "All work and no play make Jack a dull boy."

An excellent movie and certainly a classic. Every scene feels important. The twin girls are creepy. I do love the Overlook Hotel. Never mind all the haunting, I'd love to live in a hotel alone for 5 months. Jack Nicholson does a great job being psychotic. I also find his face weird-looking. Maybe it's because I'm used to seeing him as The Joker. I also like the pages of nothing but "All work and no play make Jack a dull boy." mostly because it's still formatted in different ways like an actual book.

If there's one complaint, it's the use of this high-pitched, nails-on-a-chalkboard sound used several times throughout the movie.

Oh, and here, have some Simpsons
And, uh, this:
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Full list
 
18 – Wind Chill

“Romantic? Try stalkerish!”


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Second bonus movie of the month, an unscheduled viewing of another of my wife’s favourite films.

Wind Chill’s main appeal is that for a reasonably unremarkable little ghost story about getting snowbound on a haunted back road just before Christmas, it has two very good actors in the lead roles. Ashton Holmes is excellent as the
potentially creepy but actually really sweet
guy who goes out of his way to give the
initially grouchy and difficult but eventually lovely and
wonderful Emily Blunt a lift home from college for the holidays. Their performances give the rather lightweight story an edge it probably doesn’t deserve and while there are some moderately spooky moments, the real fun comes from watching the two leads relationship develop.

Verdict: Worth a watch, though I should point out that I would watch Emily Blunt in literally anything.


19 – The People Under the Stairs

“You think he was white before? You should see that sucker now!”

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Returning to my scheduled programming, and it’s time for another Wes Craven movie I haven’t seen before. It’s also another Wes Craven movie I wish I hadn’t bothered with.

The People Under the Stairs feels like a film with an identity crisis. I guess it wants to be a comedy horror, but it’s not funny or horrifying. And you couldn’t really call it a teen adventure, because when Ving Rhames is on screen it’s all motherfucker this and pussy that. Then there’s the villains, who are cut from a Chris Columbus/John Hughes pantomime cloth; at least until the
incest, gimp suit, dismemberment and cannibalism
put in an appearance. And let’s not forget the embarrassingly badly handled socio-political subtext.

Despite the uneven tone, the film isn’t really bad so much as ridiculous, and actually has some decent performances (as well as some abysmal ones). Rhames is on fine form when he isn’t letting his disdain for some of the cheesier dialogue get the better of him, and AJ Langer is also quite good as the pale-as-a-ghost, locked-up daughter of the villains. Star of the show is definitely young lead Brandon Adams however; his wide-eyed, bouncy enthusiasm was pretty much the only reason I watched to the end.

Verdict: Nowhere near Craven at his best, The People Under the Stairs gets sillier and more annoying the longer it goes on until it reaches a final act that is just completely absurd. Not a film I’ll be watching again.
where can I watch wind chill?
 
Woohoo! Abraham Lincoln vs Zombies was movie number 31 for me so I'm going into overtime tomorrow. Giant piece of shit movie though, don't waste your time unless you have friends over to go MST3k on it. :) I rate it two robotic sidekicks.
 
Just watched sinister and the final girls

Sinister - decent. Not enough scare for me... Woulda been better without the supernatural aspect. Not enough story. Just alot of the same plot repated imo. Nothing really explained.

The final girls: pretty bad. I chuckled at some
Moments but overall i Was Disappointed. There are betterhorrors Comedy iut there. Blah. Left a bad taaste in mouth
 
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Talk about a change in tone. Chop Top is incredibly annoying.

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Probably the least enjoyable Universal classic horror film I've seen so far. Still not a bad way to spend an hour.

OP
 
#32 - Village of the Damned

A pretty good film. Very influential in terms of basically inventing the "creepy kids" subgenre, and the finale is memorable, but it shows its age in a lot of ways. It really hammers you over the head with its Red Scare message, and I feel like it could have done a lot more with the premise. I have to say though, between this and The Innocents, Martin Stephens really had a knack for playing creepy kids, even if his voice was very noticeably dubbed over in this one.


#33 - The Wicker Man

Fantastic, uh, horror...comedy...musical? The atmosphere is great throughout, with a sunlit sense of unease that's rare in horror films. It's also a brilliant satire that takes jabs at both of the extremes it presents. Christopher Lee is fantastic as Lord Summerisle, of course. I already knew the ending, as most people probably do, but that didn't make it any less enjoyable.
 
20 – Death Line

“Mind the doors!”

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Empire magazine described this as “one of the best British horror movies of the 1970s” which proves one of two things; either A: the 1970s was the worst decade for British horror movies in history or B: Empire magazine don’t know what they’re talking about, because as a horror film Death Line is almost totally useless. As an opportunity to wallow in the glory of Donald Pleasence acting everyone else off the screen, it’s fantastic.

The most interesting thing about the movie for me was how close it was in overall theme and plot to the other horror on the London underground movie I’ve watched this month, the excellent Creep (2004). In fact Creep feels almost like a remake of this movie, albeit one that remembered it was supposed to have horror in it.

I’m also pretty sure they wrote the tiny part of a mysterious MI5 agent in Death Line just so they could get Christopher Lee’s name in the promotional material. Even on the cover of the 2006 DVD release, Lee is still given equal billing with Pleasence despite the fact that the former is literally only in the movie for one completely pointless five minute scene. Much as I like Christopher Lee, that seems a bit unfair.

Verdict: Never scary, rarely gory and unless Mr Pleasence is on screen, pretty dull. When he is on screen, it’s great.
 
Day 11: The Crazies (2010)

I remember this film being well-marketed around the time, it involves a government plot where a deadly virus turns the town's people into blood-thirsty killers, with the story revolving around a small group of people who has to escape from the town.

The premise doesn't sound too exciting but it delivers very cheap thrills and nothing more. How I would describe it is a film full of set pieces with a very thinly veiled story to string those scenes together. For example, there's a scene involving a car wash, hospital, a garage etc... just a bunch of scenes.

Overall: 3/10, very boring
 
The Taking of Deborah Logan. I give it three snakes on a plane. Was kind of boring actually. The story itself was interesting and the ending pretty cool but it was just meh overall as a movie. Worth a watch since it is a slightly different take on found footage but passable by the same token.
 
I watched Goodnight Mommy last night. I didn't really care for it. It was interesting for a while but overall it was incredibly slow. It ended up being one of those movies I just didn't enjoy watching because it felt like I knew where it was headed and the whole thing was just sad and unfortunate.
 
Day 12: Suspiria (1977)

https://www.youtube.com/watch?v=MecSlkWMHPY

Now the next few films are going to be 'visual horror', with the firts being Dario Argento's classic Suspiria. I haven't seen this for a long time, so much of the film I have forgot about, but the main things i remember were the distinct style and cinematography of the director.

Upon second viewing of this, the story is still very lost with all the flashy colour palettes, the crazy score, the arty scenes and the mysterious nature of it all. It's about a ballet school with mysterious murders and a girl uncovers the dark secrets about the school.

This is very enjoyable, though not to everyone's taste and it might be hard to understand as the film's editing is a bit over the place, dubbing is a it messed up but in terms of seeing a very different horror film,this is right up there.

Overall: 8/10

Day 13: Tetsuo: The Iron Man (1989)

https://www.youtube.com/watch?v=uROMTzJsfOI

TETSUO! This film was on my radar for along time, mainly because i always saw the DVD cover of it in shops but never picked it up.

This is a black and white, visual, indy/arty film which has tremendous amounts of stop motion and pure visual craziness.

The story, i believe (the story is very confusing) is abut a guy who slowly transforms into an 'iron' man since the day he accidentally killed a guy who has an iron fetish. The guy slowly haunts him and then crazy stuff happens.

I have to say that this film was quite disturbing, lots of stuff was hard to make sense of, scenes were all over the place and the scariness of it gets lost after like 30 minutes of the film (this is just an hour long film). Its crazy, it doesn't make much sense, the 'driller' scene was funny but overall, this is a very arty, raw, and rough film to watch for long periods of time. Something different for anyone.

Overall: 6.5/10
 
#10 - Creep
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I pretty much agree with the popular sentiment here. There were a few creepy moments that are somewhat unnerving, and I don't think I'll be forgetting about Peachfuzz anytime soon, but overall this film was very average. I know a lot of horror is about suspension of disbelief and stupid people doing stupid things, and they even try to explain some of the stupidity away here, but even so, I still didn't buy it after a certain point. I thought the actor who played the creepy dude did a very good job though. Reminded me of a cross between Jim from The Office and Randy Quaid from Christmas Vacation. I did like the ending.


#11 - Hocus Pocus
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My wife was feeling left out, with me watching all of these horror movies by myself, and so we watched this one together. I haven't seen it in years, and with talk of the upcoming sequel, I thought I'd give it a go. It's very funny that after all these years, I still remembered quite a bit of the dialogue and scenes, and even a lot of the smaller mannerisms of the sisters. It's goofy fun, but the witches really do a pretty good job of bringing their characters to life. Even the SFX on Binx the cat are still pretty damn good for a movie as old as Hocus Pocus. Glad to see that this one holds up.

#12 - Deep Red
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I guess I can say now that I've watched enough of the genre to know that I really like it. Deep Red was no different. Although I preferred Tenebre, Deep Red was also really good. There were a great number of beautifully shot scenes, which I suppose is par for the course with the genre, and the music was mostly great. I think that Goblin was more on point in Suspiria, because there were a few tracks in Deep Red that felt out of place, especially near the end.

One reason I put Tenebre over Deep Red, camera work aside, was the pacing. Deep Red had some issues there. There was an early kill within the first few minutes, but then nothing until around the one hour point. The version I watched was just over 2 hours and had Italian dubbing and English dubbing with English subtitles throughout. But once the movie gets past the one hour mark things start to pick up considerably.

I know that gialli can be nonsensical, and that's no exception here. Many of the kills make absolutely no sense, as far as why the killer would choose these victims in particular. They have no connection with the killer, and simply happen to be in a place where the main character was. But that's not really a knock. There was something about both Deep Red and Tenebre that almost feel Matlock/Murder She Wrote/Columbo-esque, but with more sadistic murders and gore. Maybe part of the reason I'm digging the giallo subgenre is because I used to love watching those detective procedurals back when I was a kid. Anyways, I just finished watching it so my thoughts aren't super clear and I'm starting to ramble. Suffice it to say that I very much enjoyed the movie, although not quite as much as Tenebre, even though Deep Red was perhaps shot better.
 
October 17


Even now, I'm still having a hard time finding a good way to describe Ganja & Hess. A vampire film only at its most stripped-down and basic description, the film is less concerned about telling an A-B story and more about putting us in the proper mindset of both Hess and eventually Ganja as they adapt to their newfound damned immortality. As presented, vampirism is treated more like a crippling drug addiction, with the side effects being more of a moral debilitation than a physical one, as they sink further and further into existence less based on love for one another and more out of a need to have two people carry dead bodies around. The frequently unnerving editing ignores the rules of what one might consider traditionally good editing, but I can't deny that it was effective, as it found an eerie rhythm that constantly startles and upsets, aided further by a distorted soundtrack that finds ways to go in different directions at every turn. It's not so much a nightmarish vibe as it is a straight-up nightmare, and on that front, the film is a complete success. Is it a great film overall, though? I think it's hard to argue that parts of this experiment aren't as up to snuff, as there are some rather strange decisions made throughout that detract. A son is introduced in one scene and never mentioned again; an opening set of titles helps establish the premise of the film, only to be acted out a mere 15 minutes later; there's an attack scene involving three assailants, but only two are counted among the dead as it concludes; and so on. Being a slower-paced film, the awkwardness of such threads sticks out more, especially as they aren't few in number. The acting isn't also the greatest; while Duane Jones brings the reserved confidence he had in Night of the Living Dead to Hess (always a shame he never had a bigger career), Marlene Clark seems to be aiming for the back row throughout, with a big performance for a film that really doesn't need one; even a crucial monologue that helps define the character of Ganja seems intent on making sure Every. Single. Person. knows what she's thinking. The rest of the supporting cast are just kinda there as either victims with barely any dialogue (sometimes none), or quick to exit the film unceremoniously as they arrived. The film overall leaves me rather conflicted, which I do find helps it more than hinders it, but I recognize it's not the knockout that it could have potentially been. Perhaps it required a more experienced filmmaker behind the camera, but I can't imagine that it would be nearly as effective if there wasn't such a go-for-broke attitude towards the entire project that could only exist if the ideas weren't bigger than the talent. Ganja & Hess is the kind of nightmare that you're thankful you woke up from, but one that invites more interpretation and understanding that offers up a rewarding experience, if not an entirely fulfilling one.


J.D.'s Revenge has a bit of a unique problem: what if the protagonist is just too damn likable to also make for a despicable antagonist? Try as he might, Glynn Turman is just too damn friendly and easy to root for that his transformation into the title character (otherwise played by the dependable David McKnight, nicely nasty) never quite sticks. He says all the wrong things and does all the wrong things, but there's never a point where you're convinced that he's truly as evil as he needs to be. Turman definitely tries, but the more deplorable acts (including an otherwise effective rape attempt) have this sensation to them where you feel like giving him a hug to help it all go away. Turman doesn't have a single mean bone in his body, which really isn't his fault, but it does prove to be something of an issue in making any of the horror stick. Otherwise, J.D.'s Revenge is a neat little socially conscious horror thriller, touching upon domestic abuse and battered wife syndrome as well as trigger-happy cops (an oddly reoccurring theme in a lot of films I've seen this year, given recent events), all tied up with a decently engaging story that ties events from the past and present over a singular event that unfolds more and more truth as the movie progresses. Turman isn't the only likable presence here, as Joan Pringle makes for a good counterpart for Turman as his understanding girlfriend, and an earlier featured role for Louis Gossett, Jr. as a charismatic reverend who has done all he's can to atone for his past sins as a hood once in league with J.D., and whose brother (Fred Pinkard, stock evil) seems to be mistaking his genuine intentions as good salesmanship for their newer and more legit racket. Director Arthur Marks actually has a decent grasp on staging the more horrific moments of the film, and the film does move quickly with plenty of incident to go around, but it never quite becomes the horror film it could have potentially been if the casting wasn't so heavily favoring the charm. I could never bring myself to dislike the film on those grounds, but try as it might at times, I can't help but like the razor-wielding sex criminal our hero is attempted to be molded into.

Film for October 18: It's time to knock out another unseen from a maestro, and it's George Romero's turn at bat. Mixing a smidgen of zombie-like horror into the public's growing distrust of the government, The Crazies offers up Romero's growing skills as a socially conscious director with the ability to scare your pants off. While it's possible that it's aged, I'm eager to see what he was working with here.
 
The Relic 1997. This is my third rewatch and yet another I hadn't seen in years. I think the creature effects were pretty good up until the very end. Also really liked the story, I give it four sharp teeth.
 
Caught Unfriended this morning.

I'm honestly shocked at how much I enjoyed it. Everything about the movie felt super authentic. None of it felt like some 30 year old guy writing a script and trying to guess how teens talk today. The character interactions were a blast to watch, especially in the
"Never Have I Ever"
scene

A solid 4/5
 
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The Woman [2011]

Hmmmm...as far as revenge flicks go this is pretty good. It does a good job of making you want to see the perpetrators get their comeuppance (they are truly hateable) and I was satisfied with the conclusion it came to. I wish the story did a better job (actually, any job at all) of explaining the titular character's backstory though; it's not touched upon at all but it is there if you google it.

The gore is pretty good and there's a few scenes that made me wince, but as far as this sub-genre goes it can't come close to Martyrs for me.

7/10
 
Think may go on another mini-horror break after this binge weekend.

Movie 21- Friday the 13th (Remake)

Of the big slasher remakes, I think this is the best. I think because it tries to do it's own thing instead of being a re-telling or origin movie.

It does kind of mention the first film so there's that. Not sure how feel about Jason being essentially a drug body guard type dealio, but gave the kids reason to head up there.

Movie 22 - Vacancy
At this point, I just watch these movies to see how much they can stretch the premise for an entire movie. This one is just kind of laughable since the killers just enjoy playing with their food for a long-arse time. Even sending the would-be victims videos of their previous hunts.

Movie 23 - Buffy The Vampire Slayer
I know the show. I like the show a lot. I'd never seen the movie and never really heard people talk about it. So it was on-demand figured why the heck not. This seems a bit more comedic/nonsensical than the show, but it was a fun little movie.

Movie 24 - You're Next
I've seen so many home invasion movies this year, figured I'd watch THE home invasion movie for me. A nice, dark look at the home invasion movie. Some decently clever villains until they come across a force they just can't deal with!

Movie 25- Dawn of the Dead (Remake)
Zack doesn't do subtle, but that doesn't mean that this remake doesn't have it's own unique charm to it. A ton better than the Day remake I watched on Friday night!

Movie 26 -Tales of Halloween
Digging this trend of companies putting out movies on demand with small theatrical releases. This is like the 3rd or 4th movie I saw this month because of it.

As with all "series of mini-movies" your mileage will vary based on what you think of the different parts. For the most part, I found them enjoyable with one or two stinkers for me.

Also this movie wants me to believe that Halloween brings out the absolute worst in kids... maybe it does.
 
17. The Texas Chain Saw Massacre. I got home late last night and didn't have a movie in mind, so I went back to revisit one of my favorites. It's pretty much perfect. The gritty atmosphere, how unexpected and visceral the kills are, how there's layers of tension building from the very beginning of the movie, all the colorful characters. It's the only slasher that is outright horrifying. I love Halloween to death, but Texas Chain Saw Massacre is the best.
 
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This wasn't as bad as I expected it to be, the short run time really helped. It definitely made me uncomfortable so mission accomplished?
I read that this was meant to be the start of a trilogy? I wonder how that will turn out.

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Never in a million years did I think I'd prefer this to Scream 3 and 4. This was such a weird film.
The leads drawing out the werewolf by insulting their human form only for it to scream "LIAAAAAR" and flip them off
is definitely something I'll remember.

OP
 
10) It Follows (Netflix Australia): Horror-gaf redeemed.

Given some of the track record horror-gaf has, I went into this with extremely low expectations. This was a great horror movie. Although, I think this is one of those love it or hate it type of films.

The movie had an old school Jason/Myers feel to it. Something about how it just slowly walks to its victim, makes it more menacing.

The music/soundtrack was amazing. It added a lot to the atmosphere and feel to the whole thing. Probably worth the watch for the music.
 
lol, I just watched Creep last night and didn't know it was a mandatory movie until just now.

I guess I ought to catch up on my reviews. Haven't updated in probably ten days.
 
October 5th to October 15th:

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#8: Final Girl (2015)
I watched this because I thought I had seen a lot of discussion about it this month in various forums. Of course when it was over I realized it was the wrong film and I was instead looking for "The Final Girls" And I was not surprised to learn it was the wrong film since it was basically garbage. How Wes Bentley gets as much work as he does I will never know. Pass.


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#9: Area 51 (2014)
Mediocre found footage film about, you guessed it, Area 51. There's about one fairly tense scene and a whole lot of nothing, undermined even more by a poor, predictable ending and some shaky effects.


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#10: Hidden (2015)
Stars the delightful Andrea Riseborough, the acceptable Alexander Skaarsgard, and a not-terrible child actress. Mostly a post-apocalyptic bomb-shelter dwelling sort of film but with a few twists along the way. Not a strong recommendation, but pretty good for a movie that ends with "Directed by The [insert name] Brothers."


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#11: The Haunting (1963)
Classic haunted house movie which succeeds more through the focus on its protagonist's psychology rather than the house itself. Great direction-wise and production-wise, but not particularly scary for my part. Not that that's a problem. I'll probably rewatch it next year since I don't think I was in a receptive enough frame of mind this time around.


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#12: Ouija (2014)
Do not bother. There are no redeeming qualities to this film. Big fan of Olivia Cooke? Still avoid.


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#13: Horror Express (1972)
Pretty neat little train horror movie. Stars Peter Cushing and Christopher Lee, pursuing a creature/being that has escaped and begun murdering passengers. Then in the last third Telly Savalas shows up and is completely amazing. Very pleasantly surprised by this film (which I had never heard of 'til it aired on TCM).


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#14: Mad Love (1935)
Peter Lorre is a mad doctor in love, and nothing is going to stand in his way! It's the kind of film where a guy has lost his hand and gets it replaced with, perhaps, a hand of pure evil. Very well made overall but not my favorite of the genre.


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#15: The Beast With Five Fingers (1946)
Another Peter Lorre "Hand" movie, and I liked this one a bit more. Alan Alda's dad is a charming rogue but Lorre comes to dominate. Solid watch.


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#16: Unfriended (2014)
Similar in presentation to The Den (which is a better film in most respects), but despite some obnoxious tendencies Unfriended didn't lose me by the end. It's not without its substantial flaws, but it's good at what it's going for. Will probably be a polarizing choice.


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#17: The Final Girls (2015)
This movie has received a decent amount of praise around here, and while I think there are a number of good qualities herein, I can't say it was a slam dunk for me. Too much mother-daughter melodrama weighs down an otherwise fun horror-comedy. I did enjoy many of the performances but I was left wanting more.

Interestingly, the main girl's love interest (Ragnar's son on Vikings) was also the co-star of the movie Final Girl, reviewed above. I wonder if he made the same mistake as me!


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#18: It Follows (2014)
Came in based on a lot of other people's high recommendations, but I tried to keep my own expectations in check. I wound up liking it, quite a bit in fact, but I wouldn't hype it up so much to others. Very solid all around (very good photography, performances, soundtrack, etc), but not an instant favorite of mine.


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#19: Black Christmas (1971)
What a fucking classic. Does everything a good slasher film can do, and did it in 1974. Not to mention that it masters the "When a Stranger Calls" phone concept to build suspense five years before WaSC even came out. Genuinely creepy, great atmosphere. And then it's director did A Christmas Story (1983). Awesome guy.


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#20 - Always Watching: A Marble Hornets Story (2015)
In the 2 weeks leading into this October I finally checked out the webseries Marble Hornets. I knew practically nothing about it except that it may have something to do with the Slenderman mythos, something I had never followed. I marathoned videos for about 3 hours every night before finishing it, and I enjoyed it quite a bit. So much so that I even checked out a few of the other webseries similar to it / crossing over with it (Everymanhybrid, TribeTwelve, and Dark Harvest). They weren't quite as good but it was a great experience overall. Marathoning that sort of thing had a genuinely strong of horror effect on me. I was actually afraid to be in an empty house after finishing videos for the night.

So it was natural that I'd check out the semi-related Marble Hornets sidestory movie. And to be clear, the movie isn't at all similar in tone to the webseries. That's not to say it's all bad. It's decent and has a few good cast members, but it's not particularly impressive. Pretty light on scares, but people who haven't already seen Marble Hornets might be a little more impressed.


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#21: SIlent Night, Deadly Night (1984)
Many if not most here will be familiar with this film's sequel for its legendary "Garbage Day" scene, but the original is a slightly more restrained affair. It spends nearly half of its runtime as a psychological study of how someone might grow up to be a cheesy '80s slasher santa claus, and the remainder is dedicated to said slashing. Is carried somewhat by a classic 80s aesthetic. Overall not strongly recommended.


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#22: Frankenhooker (1990)
"Oh no, the Devil's music!!"

This movie takes a while to get good, but once it does you will be treated to several very fine moments of cinematic distinction. Ultimately a bit shorter and shallower than I'd have hoped for, but you can gather why it's considered a cult classic.
 
#20 - It Follows [2014]
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Interesting movie where you know the threat is always coming and is never going to stop unless you put someone else in danger. Enjoyed it but hated that they didn't flesh out the lore a bit more. Would hate to live life knowing there is always something coming after me and there is nothing I can do. 7/10
 
13. Creep "All you need is a video camera, yourself, and 8 hours of your time." (mandatory)

Between this, Silence of the Lambs (Buffalo Bill), and Funny Games (which I've only seen a video review of), I find that I really don't like the disturbing psychotic sociopath character. I suppose it depends on how it's done, as I did like Jack Torrence from The Shining, but characters like Josef I just can't stand in movies. I will give the movie one thing, and that's how they work with the found footage format. So ultimately, I didn't like this movie at all.

Full list

Up next: Tales From The Darkside: The Movie
 
#18 - Twins of Evil (1971)
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Can't get enough of Hammer films. Twins of Evil is about two sisters who go to stay with their puritan uncle Gustav (Peter Cushing). He lives near Karnstein Castle, where Count Karnstein begins to woo one of the sisters. Karnstein practices dark arts, going so far as to perform a human sacrifice. I liked how this film builds up to a conflict between the Karnstein's vampires and the Brotherhood, a group of witch hunters led by Gustav. The sisters are at the center of that conflict, but the movie's title is a double entendre in also referring to Gustav and Karnstein. Very entertaining horror drama with all the moodiness you'd expect from Hammer.

viewing list
 
October 18


Is it possible to make a pandemic horror film interesting by putting the pandemic itself in the background? Whether by budget limitations or Romero feeling really ambitious, The Crazies manages to find some good talking points about the response to an outbreak by focusing on the infrastructure set up to deal with it, and the various failings in place that reveals itself to be a bit of a team effort, but not before fingers start pointing at each other, followed by gunfire. While it does have the plot that you would expect, that being a small group of people trying to survive the infected, the military and ultimately themselves (hey, it's Romero), there's just as much attention paid to the other side of the conflict, with the emergency efforts detailed in full, from the mundane nature of checkups to the broken chain of communication that proves itself just as lethal as Trixie itself. Surprisingly, the film has a quick pace thanks to those efforts, as they do a good job of creating a kind of snowball effect where a lot of little things wind up creating a bigger problem for everyone, while offering up brief but informative glimpses into the containment procedures as it progresses. It definitely doesn't make for the most exciting film on the planet, but I greatly appreciated Romero for going down a different road and pulling it off as well as he does here. The road to get there is fairly bumpy, though, as he's dealing with a largely amateur set of actors and actresses that show their inexperience quite abundantly, with one major actor sounding like he's slurring every piece of dialogue given to him. More importantly, though, is that the large cast makes it hard to keep up with who is who, and while this is somewhat alleviated by the fact that the military side is focused more on the events themselves while the character moments are more or less on the survivor side, the emotional investment doesn't quite get where it needs to, despite a strong effort made in its ending to provide a proper capping. All in all, a fine effort from Romero wanting to travel down a road that no one seemed that interested on getting back on (I can really only think of Contagion as a similar film) executed well on his behalf, but not without some weaknesses that prevents me from putting it anywhere near his other zeniths of the 70s.

Film for October 19: Someone has to ask this question, even in the face of impending death at their hands: Who Can Kill a Child?
 
#34 - Deliria (Stage Fright: Aquarius)

When a black cat named Lucifer crosses your path you know you're fucked. This film eschews the traditional giallo whodunit tropes in favor of a Halloween-type setup that gets straight to the kills. The plot beats are predictable, but it's all done with style. The result is a fun slasher with great kills and soundtrack that basically eliminates the mystery element entirely, making it one of the most accessible Italian horror movies I've seen. This is only my second Soavi film, the first being Cemetery Man, but so far he's batting two for two.


#35 - Horrors of Malformed Men

What a weird movie. The first half is strange but fairly standard mystery fare, then the second half is crazy colors and grotesque imagery. A little murder mystery, a little Dr. Moreau, a little Jodorowsky before Jodorowsky was really a thing. The longer it goes, the weirder and more delirious it gets and the less sense it makes. The colorful lighting, the grotesque figures...it's a sight to behold. Torture, cannibalism, slavery, incest, this movie has it all. It's schlocky, low-budget trash that's fascinating to watch.


#36 - The Omen

Didn't work for me. I like my satanic panic movies a little more subtle. The Omen didn't really seem to know what it wanted to be. It felt like it wanted to be taken seriously, but a lot of scenes were unintentionally comedic. It's certainly never scary, the drama feels contrived, and the deaths are all hilarious. With some ambiguity this could have made a good story, but it's just so overwrought and full of itself and it doesn't work at all. And who is this photographer guy who figures everything out on his own and explains it to us in a nice tidy exposition package? Laaazyyy. Doesn't deserve to be held in nearly the same esteem as Rosemary's Baby or The Exorcist.
 
#21 - One Missed Call [2013]
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Enjoyed this one a bit and didn't really understand why it got so much hate but I also haven't seen the original. Dialog could have been better and the kills were a bit lame but it did enough to keep me entertained throughout the movie (that might of been due to Shannyn Sossamon though). Far from a must watch but middle of the road enough where its worth a watch. Lame and cliche fucking ending though. 5/10
 
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