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NeoGAF’s Official Game Soundtracks of the Year 2011 (Voting Ends January 13th)

Nert

Member
Introduction

Welcome to NeoGAF’s second annual Game Soundtracks of the Year thread! Video game soundtrack discussion is common here, and many posters highlight music as one of the most important components of the games that they play. By creating and maintaining this thread, we hope to

1) Create a common point of reference for GAF’s favorite soundtracks from 2011.

2) Expose people to soundtracks for games that they haven’t played, including some from relatively niche titles.

3) Create an extensive archive of this year’s soundtracks for future enjoyment and reference.

4) Give credit to the talented composers of the gaming industry.

We feel that music can be enjoyed separately from play experience in a way that other aesthetics can’t. Music’s abstraction prevents it from being entirely game-dictated. Composer continuity is much more noticeable among otherwise different games, too. Video game composers also tend to be much more visible and organizationally independent than visual artists and game designers. Finally, as many owners of Nier can attest, quality game music CAN drive purchases.

This thread will both conduct a poll and feature an archive.

Voting Rules

To keep things simple, we have opted to use a tiered three vote system. For your vote, pick your three favorite game soundtracks of the year and rank them in the order of your preference. Your first pick will receive three points, your second pick will receive two points, and your third pick will receive one point.

If you can’t think of three soundtracks, it is okay to vote for only one or two; keep in mind, however, that these points aren’t flexible (no selection will receive more than three points, and only one selection can receive three points), so selecting less than three soundtracks will reduce the weight of your vote. If you want, you can also provide links to any specific tracks that stand out to you, but this isn't required.

Sample Ballots

1. Game A (Will receive 3 points)
2. Game B (Will receive 2 points)
3. Game C (Will receive 1 point)

Honorable Mentions (if any)

-or-

1. Game A (Will receive 3 points)
2. Game B (Will receive 2 points)
3. (Blank, no additional points allocated)

Honorable Mentions (if any)

-or-

1. Game A (Will receive 3 points)
2. (Blank, no additional points allocated)
3. (Blank, no additional points allocated)

Honorable Mentions (if any)

Voting will end on January 13th at 11:59 PM (PST). Vote tallying will not begin until after the voting period closes, so you can edit your post and change your vote as many times as you want until then.

Discussion is highly encouraged! Feel free to describe what makes your selections stand out from the rest. Post as many honorable mentions as you want. If you’re so inclined, you should respond to others’ choices as well, positively or negatively (keeping things civil, of course). Quotes from Gaffers will be incorporated into the final results and archive thread.

Obviously, if you have any criticisms, suggestions, or requests for us, we’d be happy to hear it. Here are our own highlights from the year to get things started, followed by the archive in its entirety (the archive is currently unfinished, but we’re quickly updating it).
 

Nert

Member
GhaleonQ’s highlights:

1) Radiant Historia/Radiant Historia
An Earnest Desire of Grey
The Edge of Green
The Garden Where the Celestite Lies

2) Lightning 11 1: Restoring The Bond/Inazuma 11
Riiyo
Thunder Gate Middle School
Holy Ground

3) Noora And The Time Workshop: The Witch Of The Misty Forest/Nora And The Time Studio
The Time To Fight
The Tough Man Is A Gentleman
Ancient Weald

Terror Of The Stratus/Senritsu No Stratus
Counteract
Puppet
The Order Of The Universe

2nd Land: The Jet-Black Mage Knight/Ninokuni DS
Field
Shizuku
Battle

Hero 30 Second/Half-Minute Hero 2
God Battle
Last Battle
Rival

Catherine
Catherine
Stage
Thus Spoke Brooks

Shogun 2: Total War/Total War: Shogun 2
Beautiful Blade
Bitter Cold
Taiko Shuffle

Lovable Zombie/Zombi Daisuki
T23: Quest No. 08
T13: Quest No. 06
T12: Quest No. 05

Monster Tale/Monster Tale
Deanuford
Meadeland - The Scratch Pit
Primhedge Palace

7th Dragon 2020/7th Dragon 2020
Daiba - Freezing Town
A Stranger's Beginning
The Unknown One

Pocket Monsters White/Black/Grey/Pokemon White/Black/Grey
Gate
Sekka City
Battle Versus Team Plasma

Puyo Puyo Birthday/Puyo Puyo 20th Anniversary
Credits Theme
BGM 10
BGM 53

Treasure Report: The Mechanized Legacy/Treasure Report
Treasured
Dial Cylinder Skullduggery
Who Could That Be

Mighty Switch Force/Mighty Switch Force
Break Up Take Down
Caught Red Handed
Apprehend Them!

Turnabout Prosecutor 2/Ace Attorney Investigations: Miles Edgeworth 2
Pursuit
Hakari Mikagami ~ Goddess of Law
Reminiscence - IS-7 Incident

Ilomilo/Ilomilo
Cozy Sofa
Sunny Days
Jelly Moonlight

Lightning 11 4: Go/Inazuma Eleven 4
イナズマイレブンGO シャインを実況play!part9
3DS イナズマイレブンGO シャイン VS 白恋中 前半
[3DS] Inazuma Eleven GO Shine OP - イナズマイレブンGO シャイン OP

Classic Dungeon: X2/Cladun x2
7 Dances
Elegant Gypsy
Black Metallic

Serious Tiger: The Hooligan Teacher In High School/Gachitora
【ガチトラ!】暴れん坊教師 part17
【ガチトラ!】暴れん坊教師 part35
【ガチトラ!】暴れん坊教師 part47
 

Nert

Member
Archive

In line with the general goals set out earlier, this thread will feature an extensive archive of game soundtracks released this year. The majority of the soundtracks included will come directly from those voted for and discussed in this thread. For each soundtrack featured, there will be links to several songs for people that would like to try them out.

If you feel that a noteworthy soundtrack was left out of the archive, let us know in the results thread and we’ll address it. If you happen to run into something that you end up loving long after the thread has been posted, don’t worry; we’ll continue to update the archive throughout 2012.

Format

• U.S. title/title from country of origin, album information (databases like VGMDb and online retailers)
• Composer(s
• Song Titles (with hyperlinks to YouTube, DailyMotion, Nico Nico Doga, or other APPROPRIATE websites)

...

7th Dragon 2020/7th Dragon 2020 http://vgmdb.net/album/29529
Yuzo Koshiro http://vgmdb.net/artist/148
Daiba - Freezing Town
A Stranger's Beginning
The Unknown One

Ace Attorney Investigations: Miles Edgeworth 2/Turnabout Prosecutor 2 http://vgmdb.net/album/22491
Noriyuki Iwadare http://www.squareenixmusic.com/composers/iwadare/index.shtml
Pursuit
Hakari Mikagami ~ Goddess of Law
Reminiscence - IS-7 Incident

Ace Combat: Assault Horizon/Ace Combat: Assault Horizon http://vgmdb.net/album/27567
Keiki Kobayashi, Hiroshi Okubo, Rio Hamamoto, Norihiko Hibino, Jesahm, Takahiro Izutani, Yoshitaka Suzuki http://vgmdb.net/artist/898
Beyond the Canal
Hangar Bay #2
Naval Warfare

Alice: Madness Returns/Alice: Madness Returns http://vgmdb.net/album/26020
Marshall Crutcher, Jason Tai, Chris Vrenna http://www.marshallcrutcher.com/

Akai Katana Shin/Akai Katana Shin http://vgmdb.net/album/24499
Ryu Umemoto http://vgmdb.net/artist/50

Akiba’s Trip/Akiba’s Trip http://vgmdb.net/album/27592
Toshiko Tasaki http://vgmdb.net/artist/984
Gutter Star
Master
Park

Anno 2070/In The Year 2070 http://vgmdb.net/album/28647
Tilman Sillescu, Alexander Roder, Markus Schmidt, Jochen Flach http://vgmdb.net/artist/5049
Closer to God
Her Headache is Gone
World Beneath the Surface

Arcana Heart 3/Arcana Heart 3 http://vgmdb.net/album/16135
Motoharu Yoshihira http://vgmdb.net/artist/4397

Assassin’s Creed: Revelations/Assassin’s Creed: Revelations http://vgmdb.net/album/29874
Lorne Balfe, Jesper Kyd http://vgmdb.net/artist/11850
Welcome To Kostantiniyye
The Crossroads of the World

Bangai-O H.D Missile Fury/Bangaio Missile Fury http://www.d3p.us/ProductDetails.asp?ProductID=139
Norio Hanzawa http://vgmdb.net/artist/1587
Stage Theme 4
Stage Theme 6
Stage Theme 11

Bastion/Bastion http://vgmdb.net/album/27893
Darren Korb http://vgmdb.net/artist/11600
Build That Wall
Spike in a Rail
Terminal March

Batman: Arkham City http://vgmdb.net/album/29369
Nick Arundel http://www.imdb.com/name/nm1211924/
Arkham City Main Theme
I Think You Should Do As He Says
You Should Have Listened To My Warning

Battlefield 3/Battlefield 3 http://vgmdb.net/album/29180
Johan Skugge, Jukka Rintamäki http://www.jukkarintamaki.com/?page_id=2

Blocks That Matter/Blocks That Matter http://vgmdb.net/album/29138
Yann VanDerCruyssen http://vgmdb.net/artist/11711
Sand
Ruby
Diamond

Yo dog, this shit is illin'

Bloodrayne: Betrayal/Bloodrayne: Betrayal http://vgmdb.net/album/28820
Jake Kaufman http://vgmdb.net/artist/1015
Dusk Falls
Poisoned Halls
Sanguine Nightmare (8-bit)

Bulletstorm/Bulletstorm http://vgmdb.net/album/25438
Michał Cielecki, Krzysztof Wierzynkiewicz http://www.michalcielecki.com/

Burnout Crash/Burnout Crash http://vgmdb.net/album/29179
Vanesa Lorena Tate http://vanesalorenatate.com
Crash City
Detonate
Traffic Attack

Catherine/Catherine http://vgmdb.net/album/22774 http://vgmdb.net/album/21743
Shoji Meguro, Kenichi Tsuchiya, Atsushi Kitajo http://vgmdb.net/artist/983
Catherine
Stage
Thus Spoke Brooks

Child of Eden/Child Of Eden http://child-of-eden.us.ubi.com
Tetsuya Mizuguchi, Kenji Tamai http://www.genkirockets.com/en
Evolution
Beauty
Matrix

Cladun x2/Classic Dungeon: X2 http://nisamerica.com/games/cladun2
Syntaro Jimbo, Yo Oyama http://vgmdb.net/artist/63
7 Dances
Arcanus Cella II
Blue Moon

Crysis 2/Crysis 2 http://vgmdb.net/album/24007
Borislav Slavov, Tilman Sillescu, Hans Zimmer, Lorne Balfe http://vgmdb.net/artist/10393

Dark Souls/Dark Souls http://vgmdb.net/album/26577
Motoi Sakuraba http://vgmdb.net/artist/166
Bell Gargoyle
Daughters of Chaos
Nameless Song

De Blob 2/De Blob 2 http://vgmdb.net/album/24344
John Guscott http://www.myspace.com/johnguscott
Prisman Holiday
Stencil Jive (Irrepressible)
Boogaloo in Blue

de Blob 2 contains the most funky music you'll hear in a game from 2011. Music plays a pivotal role in de Blob as painting the environments increases and builds upon the music with the more areas covered and each paint colour corresponds to an instrument, which extends to me painting the town literally red for the saxophone.

Deathsmiles II: Makai No Merry Christmas/Deathsmiles 2 http://vgmdb.net/album/18180 http://vgmdb.net/album/20436
Manabu Namiki, Noriyuki Kamikura, Yoshimi Kudo, Natsuko Naito, Tomoko Sasaki http://vgmdb.net/artist/249

Deus Ex: Human Revolution/Deus Ex: Human Revolution http://vgmdb.net/album/29469
Michael McCann http://vgmdb.net/artist/11587
Icarus
Lower Hengsha Ambient Part 1
The Hive

Disgaea 4: A Promise Unforgotten/Netherworld War Story Disgaea: A Promise Unforgotten http://vgmdb.net/album/21168 http://vgmdb.net/album/27294
Tenpei Sato http://vgmdb.net/artist/608

Dissidia 012 Final Fantasy/Dissidia Duodecim http://vgmdb.net/album/22763
Takeharu Ishimoto http://vgmdb.net/artist/776

Dungeon Siege III/Dungeon Siege III http://www.dungeonsiege.com
Jason Graves, Timothy Michael Wynn http://www.jasongravesmusic.com
Glitterdelve Mines
The Assault on Raven's Rill
The Rukkenvahl Chapterhouse

El Shaddai: Ascension Of The Metatron/El Shaddai: Ascension Of The Metatron http://vgmdb.net/album/25010
Masato Koda, Kento Hasegawa http://vgmdb.net/artist/618
Scarlet Liturgy
A Floral Creation
Revelations

For a game as bipolar and eclectic in nearly every facet, the sheer breadth of influences and genres on display in El Shaddai is fitting but hugely impressive all the same. For my money, Scarlet Liturgy is the single best musical composition to feature in a video game this year.

Overall, El Shaddai’s soundscape and visual landscape work together so well to construct a beautiful sensory experience for the player to experience. The soundscape is especially important to help set the tone for the visual aspects that the game presented to the player. If the soundscape were sub-par, or if they didn’t hit the right notes to support the visuals that each level presented to the player, then the soundtrack as a whole would be utterly ineffective. There is a ton of variation in terms of musical style and instrumentation employed on this soundtrack, and I urge people to give it a listen sometime, even if they aren’t going to play the game it’s for.

Eschatos/Eschatos http://vgmdb.net/album/25123
Yosuke Yasui, M-KAI, Yuki Yonezawa http://vgmdb.net/artist/1563
Point of No Return
Rush Into
Silver Lining

Final Fantasy XIII-2/Final Fantasy XIII-2 http://vgmdb.net/album/29649
Masashi Hamauzu, Naoshi Mizuta, Mitsuto Suzuki, Nobuo Uematsu http://en.wikipedia.org/wiki/Masashi_Hamauzu
Chaotic Labyrinth
Groovy Chocobo
Plains of Eternity

First off, the direction in this music is just amazing. Not only do we hear the aesthetic of XIII being preserved by two newcomers in addition to Hamauzu, each new composer brings flair that is distinctly theirs to the OST. From the wide variety of many different vocal timbres and music aesthetic and style, this diverse soundtrack filled with very diverse genres for everyone, even you crazy chocobo riders.

Final Fantasy Type 0/Final Fantasy Reishiki http://vgmdb.net/album/27417
Takeharu Ishimoto http://www.squareenixmusic.com/composers/ishimoto/index.shtml

Final Promise Story/The Final Promise Story http://vgmdb.net/album/25091
Akiyoshi Manabe, NEK, 164 http://vgmdb.net/artist/10785
Soul Strike
The Imminent One
War of Attrition 1

Fortune Street/Top Street Wii http://fortunestreet.nintendo.com
Hidenori Miyanaga http://www.mobygames.com/developer/sheet/view/by_title/developerId,138717
Casino Slot
Mario Circuit
Mount Magmageddon

From Dust/From Dust http://en.wikipedia.org/wiki/From_Dust
Tom Salta http://www.tomsalta.com/behindFromDust.html
Breath of Earth
Breath of Plants
Breath of Water

Frozen Synapse/Frozen Synapse http://vgmdb.net/album/26867
Paul Taylor http://www.nervoustestpilot.co.uk
Deeper
Complexity
Focus

I'm not sure how to phrase my love for this soundtrack; mode7games managed to not only create one of the finest indie games I've ever played but also produced a soundtrack that matched, if not bettered full retail releases. It's extremely evocative and, perhaps even more than the other two OSTs I listed, compliments the game in such an amazing way.
 

Nert

Member
(Still being updated)

Gemini Rue/Gemini Rue http://vgmdb.net/album/24289
Nathan Allen Pinard http://www.nathanallenpinard.com
Sayuri
The Winchester Building
Blu Chamber

Ghost Trick: Phantom Detective/Ghost Trick http://vgmdb.net/album/18731
Masakazu Sugimori http://vgmdb.net/artist/1523
Awakening
Chained Past
Welcome to the Salon

If there was one soundtrack this year that got me pumped and on the edge of my proverbial seat, it would be Ghost Trick's. It's got a very distinct, in your face sound that complements the game perfectly.

Gloria Union/Gloria Union: Twin Fates In A Blue Ocean http://vgmdb.net/album/25610
Shigeki Hayashi http://vgmdb.net/artist/1107

Gods Eater Burst/God Eater Burst http://vgmdb.net/album/21599 http://vgmdb.net/album/17574
Go Shiina, Kazuhito Kikuchi http://vgmdb.net/artist/977

Gray Matter/Grey Matter http://vgmdb.net/album/21820
Robert Holmes http://www.scarletfuries.com
David's Theme
Never Going Back (Instrumental Version)
The Vision Laura

Half-Minute Hero 2/Hero 30 Second http://www.maql.co.jp/special/game/30s
Kenji Ito, Yoko Shimomura, Yasunori Mitsuda, Masashi Hamauzu, Kumi Tanioka, Manabu Namiki, Masaharu Iwata, Yoshitaka Hirota, Michiko Naruke, Noriyuki Iwadare, Haruka Shimotsuki, Motoi Sakuraba, Hiroyuki Iwatsuki, Toshikazu Tanaka, Yoshino Aoki, Tetsuya Shibata, Hideki Asanaka, Maiko Iuchi, Takaaki Nakahashi, Takushi Hiyamuta, Yasuo Yamate, Yasumasa Yamada, Yui Isshiki, The Engines, Blackart http://vgmdb.net/artist/139
God Battle
Last Battle
Rival

Hard Corps: Uprising/Contra: Uprising http://www.konami.com/games/hardcorps
Daisuke Ishiwatari http://vgmdb.net/artist/1566
Stage 8
Stage 2
Loading

Hyperdimensional Game Neptunia http://vgmdb.net/album/19503
Kenji Kaneko http://vgmdb.net/artist/1173

Ilomilo/Ilomilo http://vgmdb.net/album/27000
Daniel Olsen http://ilomilo.com
March of the ilomilos
Sunny Days
Tea on the Side

Inazuma Eleven/Lightning 11 1: Restoring The Bond http://vgmdb.net/album/10017
Yasunori Mitsuda, Toru Yamazaki, Hiroshi Yamazaki http://vgmdb.net/artist/146

Inazuma Eleven 4/Lightning 11 4: Go http://www.inazuma.jp/go
Natsumi Kameoka http://vgmdb.net/artist/4357

InFamous 2/Infamous 2 http://vgmdb.net/album/26484 http://vgmdb.net/album/24077
Jim Dooley, Jonathan Dodge Mayer, Galactic, Bryan Mantia, The Black Heart Procession http://www.jimdooley.com
Plight
Shoot the Messenger
And I Thought I Was a Pyro

Instant Brain/Instant Brain http://vgmdb.net/album/30486
Keishi Yonao, Hideki Higuchi, Ryu Umemoto, 守屋忠慶, Yuji Takenochi, Tetsuro Sato http://vgmdb.net/artist/131
Bar Hugo
Narrow Reality
Tragic Past

Kingdom Hearts RE:Coded/Kingdom Hearts: Coded http://na.square-enix.com/khrecoded
Yoko Shimomura http://vgmdb.net/artist/139

Kirby: Mass Attack/Gather Kirby Of The Star http://kirby.nintendo.com/massattack
Shogo Sakai http://vgmdb.net/artist/989
Forest Stage 1
Forest Stage 3 (Night)
Desert 2 (Sky Sands)

Kirby’s Return To Dream Land/Kirby Of The Star Returns To Dream Land
Jun Ishikawa, Hirokazu Ando http://vgmdb.net/artist/328

Knights Contract/Knights Contract http://www.namcobandaigames.com/knightscontract/index1.html
Kosuke Yamashita http://vgmdb.net/artist/335
BGM 007
BGM 025
BGM 029

L.A. Noire/L.A. Noire http://vgmdb.net/album/27214
Andrew Hale, Simon Hale, Fly http://www.simonhale.co.uk
Minor 9th
Torched Song
(I Always Kill) The Things I Love

A jazz-centric score that perfectly sets the tone for the game's era and enhances the noirish overtones. I'd often leave the title screen running in the background just to hear the glorious 9 minute main theme that plays over it. Also, all the licensed music you could listen to while driving highlighted rather distressingly that radio stations played far superior music back in the '40s than they do now.

Lord Of Arcana/Lord Of Arcana http://vgmdb.net/album/21668
Nobuo Uematsu, Kenichiro Fukui, Satoshi Henmi http://vgmdb.net/artist/77

Lost In Shadow/Shadow Tower http://vgmdb.net/album/19286
Takasi Watanabe http://vgmdb.net/artist/10530
Background Music 01
Background Music 25
Background Music 32

Mario And Sonic At The London 2012 Olympic Games/ Mario And Sonic At The London 2012 Olympic Games http://www2.sega.com/gamesite/marioandsonic/flagspage.html
Kenichi Tokoi http://vgmdb.net/artist/257

Mario Sports Mix/Mario Sports Mix http://mariosportsmix.nintendo.com
Masayoshi Soken, Kumi Tanioka http://vgmdb.net/artist/670

Mighty Milky Way http://vgmdb.net/album/26011
Jake Kaufman http://vgmdb.net/artist/1015

Mighty Switch Force http://vgmdb.net/album/30801
Jake Kaufman http://vgmdb.net/artist/1015
Break Up Take Down
Caught Red Handed
Whoa I'm in Space Cuba!

Mindjack http://www.mindjackgame.com
Tsuyoshi Sekito http://vgmdb.net/artist/224
Machines in Search of a Soul
Mind Incursion
The Dreadnought

Monster Tale http://www.majescoentertainment.com/games/display_game.php?PLTFRM=nintendo-ds&GN=monster-tale
Ian Stocker, Nelson Everhart, Gene Rozenberg, Rawly Pickens http://www.magicaltimebean.com

Moon Diver/Moon Diver http://dlgames.square-enix.com/necromachina

MotorStorm: Apocalypse/Motorstorm: Apocalypse http://vgmdb.net/album/26701
Klaus Badelt http://klausbadelt.com

Muchi Muchi Pork/Plump, Plump Pork http://vgmdb.net/album/5625 http://vgmdb.net/album/22079
Daisuke Matsumoto, Masa-King, Kizakura, Naohiro Saito, Natsuko Naito http://vgmdb.net/artist/778

Ninokuni DS/2nd Land: The Jet-Black Mage Knight http://vgmdb.net/album/21993
Joe Hisaishi http://vgmdb.net/artist/752
Field
Shizuku
Battle

Nin2-Jump/Nin-Nin-Jump http://vgmdb.net/album/25968
Ryu Umemoto http://vgmdb.net/artist/50

Nora And The Time Studio/Noora And The Time Workshop: The Witch Of The Misty Forest http://vgmdb.net/album/28094
Michiko Naruke http://vgmdb.net/artist/391
The Time To Fight
The Tough Man Is A Gentleman
Ancient Weald
 

Nert

Member
(Still being updated)

Okamiden/Great God: The Little Sun http://vgmdb.net/album/20915
Rei Kondo, Masami Ueda, Hiroshi Yamaguchi http://vgmdb.net/artist/13
The Playhouse
Spirit Suppression
Nanami's Theme

Patapon 3/Patapon 3 http://vgmdb.net/album/26885
Kemmei Adachi, Daisuke Miyake, Yu Ogata http://vgmdb.net/artist/1665
3:08: http://www.nicovideo.jp/watch/sm14385545
3:28: http://www.nicovideo.jp/watch/sm14385655
0:00: http://www.nicovideo.jp/watch/sm14385850

PilotWings Resort/Pilotwings Resort http://vgmdb.net/album/29636
Askua Ito http://vgmdb.net/artist/10200
Hang Glider
Pedal Glider
Turbo Jet

Pokemon White/Pokemon Black/Pocket Monsters White/Pocket Monsters Black http://vgmdb.net/album/20831
Junichi Masuda, Go Ichinose, Shota Kageyama, Hitomi Sato, Morikazu Aoki, Minako Adachi, Satoshi Nohara http://vgmdb.net/artist/274
Gate
Route 10
S.S Royal Isshu

Portal 2/Portal 2 http://vgmdb.net/album/26352 http://vgmdb.net/album/27024 http://vgmdb.net/album/29202 http://vgmdb.net/album/25840
Mike Morasky, Jonathan Coulton, The National http://vgmdb.net/artist/6176
The Part Where He Kills You
There She Is
Want You Gone

Portrait Of Girls/Kagura Battle: Portrait Of Girls http://vgmdb.net/album/26610
Mutsumi Ishimura, Akihi Motoyama, Tatsushi Hayashi http://vgmdb.net/artist/9582

Prinny 2: Dawn Of Operation Panies, Dood/Prinny: Dawn Of The Great Panties War http://nisamerica.com/games/prinny2
Tenpei Sato http://vgmdb.net/artist/608

Professor Layton And The Last Specter/Professor Layton And The Specter's Flute http://vgmdb.net/album/15351
Tomohito Nishiura http://vgmdb.net/artist/779

Pushmo/Pushpull
Yuka Tsujiyoko http://vgmdb.net/artist/394
Challenge
Lesson
Menu

Radiant Historia/Radiant Historia http://vgmdb.net/album/21312
Yoko Shimomura http://vgmdb.net/artist/139
An Earnest Desire of Grey
The Edge of Green
The Garden Where the Celestite Lies

Rayman Origins/Rayman 5: Origins http://vgmdb.net/album/29075
Christophe Heral, Billy Martin http://vgmdb.net/artist/4390
Sea of Serendipity
Lum King
Music World - Classic

energetic, eclectic, silly, and instantly memorable - just like the game

Red Orchestra 2: Heroes Of Stalingrad/Red Orchestra 2: Heroes Of Stalingrad http://vgmdb.net/album/29087
Sam Hulick http://vgmdb.net/artist/4285

Ridge Racer 3D/Ridge Racer 3-D http://vgmdb.net/album/25124
Hiroshi Okubo, Taku Inoe, Shinji Hosoe, Rio Hamamoto, Ryo Watanabe, Ayako Saso, Keiichi Okabe, Akihiko Ishikawa http://vgmdb.net/artist/246

Rune Factory: Tides Of Destiny/Rune Factory Oceans http://vgmdb.net/album/25578
Tomoko Morita, CHI-KA, Kiyoshi Ikegami, Masahiro Arakawa http://vgmdb.net/artist/579
Fenith Island
Goblin Pirate Gang
Happiness

Seiso Koki Strania/The Years Of Steel Machines, Strania http://vgmdb.net/album/25125
Keishi Yonao http://vgmdb.net/artist/131
Boss 3
Stage 5
Stage 6

Senritsu No Stratus/Terror Of The Stratus http://vgmdb.net/album/29984
Nobuko Toda, Shuichi Kobori, Ludvig Forssell http://vgmdb.net/artist/1792
Counteract
Puppet
The Order Of The Universe

Shadows of the Damned/Shadows of the Damned http://vgmdb.net/album/28533
Akira Yamaoka http://en.wikipedia.org/wiki/Akira_Yamaoka
Fathomer
Smile for a Broken Dawn
Sushi Lamp

another Yamaoka masterpiece. The complete soundtrack is a 130 or something tracks-beast with rock songs, ambient wonders and silly things like "Sushi" down there.

Solatorobo: Red The Hunter/Solatorobo: And Then To Coda http://vgmdb.net/album/20418
Chikayo Fukuda http://vgmdb.net/artist/3651
And Then, To Coda
Tomorrow Will Come
The Mission's Absolute Value

Sonic Generations/ Sonic Generations http://vgmdb.net/album/29979
Collection Room
Crisis City (Modern)
Speed Highway (Classic)

An abundance of excellent Sonic themes remixed superbly.

SpaceChem/SpaceChem http://vgmdb.net/album/29405
Evan LE NY http://www.jamendo.com/en/artist/evan
Some Elements
A New World
Working

SpaceChem was the sleeper hit this year in many ways. In addition to being my GOTY it also had a killer soundtrack that captured tones from industrious to upbeat to eerie, oftentimes alternating between the three in a single track.

Superbrothers: Sword And Sworcery EP/Superbrothers: Sword And Sworcery E.P. http://www.swordandsworcery.com
Jim Guthrie http://www.swordandsworcery.com/music
The Prettiest Weed
Dark Flute
Unknowable Geometry

Love the album as much as the game, and like Nier last year it's the only game soundtrack I listen to frequently outside the context of the game. Excellent work from Jim Guthrie.

Tactics Ogre: Let Us Cling Together/Tactics Ogre: Unmei no Wa http://vgmdb.net/album/20913
Hitoshi Sakimoto, Masaharu Iwata, Hayato Matsuo http://sakimoto.jp/
Air Land
Impregnable Defence
Light Everlasting

Tales Of The World: Radiant Mythology 3 http://rm3.namco-ch.net
Motoi Sakuraba http://vgmdb.net/artist/166

Tales Of Xillia http://vgmdb.net/album/27543 http://vgmdb.net/album/27051
Motoi Sakuraba http://vgmdb.net/artist/166
Believe in Me
A Mountain Village in the Dawn
Clenching the Fists

Motoi Sakuraba was the only composer credited on this album. While we know Sakuraba sticks to a rather rigid formula for Tales soundtracks (or game soundtracks in general if we want to get picky), he does take a bit of a departure here and there. In-game, the soundtrack works very well, with many of the melodies fitting a lot of the landscapes and the battle music standing out the most. As a result of some of these departures taken, I think Sakuraba has composed a rather mature Tales soundtrack, one of the best in the entire series, with varying musical genres and entertaining compositional work.

Tama Tamashi/Bullet Soul http://vgmdb.net/album/29530
Kenji Ito, Kota Takahashi, Keisuke Kurose http://vgmdb.net/artist/138
Impregnable Fortress
Rampant Militarism
Relentless Force
 

Nert

Member
The 3rd Birthday/Parasite Eve: The 3rd Birthday http://vgmdb.net/album/21822
Mitsuto Suzuki, Yoko Shimomura, Tsuyoshi Sekito http://vgmdb.net/artist/777

The Binding of Isaac/ The Binding of Isaac http://vgmdb.net/album/27230
Danny Baranowsky http://dbsoundworks.com/#
Enmity of the Dark Lord
Divine Combat
...Be Done

The Book Of Unwritten Tales/The Book Of Unwritten Tales http://vgmdb.net/album/28702
Benny Oschmann http://vgmdb.net/artist/8241

The Elder Scrolls V: Skyrim/The Elder Scrolls V: Skyrim http://vgmdb.net/album/29727
Jeremy Soule, Mark Lampert http://vgmdb.net/artist/431
The Streets of Whiterun
Dragonborn
Kyne’s Peace

The King Of Fighters XIII/The King Of Fighters 13 http://vgmdb.net/album/19571
Tetsuhiro Ogawa, Iku Mizutani, Toshihiko Hiraguchi, Tomonao Niiya, Makoto Suehiro, Tasuku Mizutani

The Legend Of Heroes: Trails Of Blue/The Legend Of Heroes: Trails Of Blue http://vgmdb.net/album/29735
Hayato Sonoda, Takahiro Unisuga, Saki Momiyama http://vgmdb.net/artist/2151

The Legend Of Heroes: Trails In The Sky/The Legend Of Heroes: Trails In The Sky http://vgmdb.net/album/1674
Hayato Sonoda, Takahiro Unisuga, Saki Momiyama http://vgmdb.net/artist/2151

The Legend Of Zelda: Skyward Sword/The Legend Of Zelda: Skyward Sword http://www.zelda.com/skywardsword
Hajime Wakai, Shiho Fujii, Mahito Yokota, Takeshi Hama, Koji Kondo
http://vgmdb.net/artist/692
Fi’s Theme 6
Romance Theme 1

Finally getting an orchestrated soundtrack was just the shot in the arm the series' music needed, IMO. Expertly composed and orchestrated throughout, Wakai and Yokota did a phenomenal job turning this into the greatest Zelda soundtrack in the series, and the use of multiple variations for songs was a great idea.

While some may not like Skyward Sword’s soundtrack, and that is perfectly reasonable, the effort that Nintendo’s sound team put into this title’s music cannot be understated. The soundtrack tries to enhance the game via adding and subtracting layers for when the player performs a certain action, but you can also say that the game tries to enhance the soundtrack itself by reciprocating the player’s actions making an impact on the music. The decision to make the music orchestrated is probably one of the best things that happened to the series. The music is melodic, memorable (I think these are among my favourite dungeon and boss themes in the series now), and utterly breathtaking. There weren’t a lot of pieces on this “soundtrack” that I disliked, and I found the soundtrack as a whole very beautiful, meaningful and melodic. The fact that it had a lot of Celtic and Asian influences to mix the Zelda soundtrack up a bit, made this soundtrack one of the most memorable soundtracks of 2011, if not the most memorable soundtrack of 2011 for me, personally.

The Tiny Bang Story/The Tiny Bang Story http://vgmdb.net/album/27227
Michael Chertichev, Andrew Burmistrov, Ruslan Shafikov http://www.strategic-music.com/docs/portfolio.html?wid=170
Beautiful Delusion Part 1

The Witcher 2/The Witcher 2: Assassins Of Kings http://vgmdb.net/album/28641
Adam Skorupa, Krzysztof Wierzynkiewicz, Riverside http://vgmdb.net/artist/2965
Vergen By Night
A Nearly Peaceful Place
Assassins of Kings

To the Moon/To the Moon http://vgmdb.net/album/29957
Kan R. Gao, Laura Shigihara http://kangao.org/
Once Upon a Memory
Take Me Anywhere
Everything's Alright

Total War: Shogun 2/Shogun 2: Total War http://vgmdb.net/album/25383
Jeff VanDyck http://vgmdb.net/artist/4045
Beautiful Blade
Bitter Cold
Taiko Shuffle

Treasure Report/Treasure Report: The Mechanized Legacy http://tr.channel.or.jp
Maki Kirioka http://vgmdb.net/artist/3957

Trine 2/Trine 2 http://vgmdb.net/album/30515
Ari Pulkkinen http://www.aripulkkinen.com/

Ultimate Marvel vs. Capcom 3
Hideyuki Fukasawa http://vgmdb.net/artist/893
Theme of Phoenix
Theme of Doctor Doom
Theme of Doctor Strange

UnchainBlades Rexx/UnchainBlades Rexx http://vgmdb.net/album/26349
Tsutomu Narita, Nobuo Uematsu http://vgmdb.net/artist/6443

Uncharted 3: Drake's Deception/Uncharted 3: Drake's Deception http://vgmdb.net/album/29686
Greg Edmonson http://vgmdb.net/artist/8262
The Rub' al Khali
Something Better
Pursuit

Greg Edmonson continues to provide scores for the series that come the closest to the full, rich and traditional sound heard in high-quality film scores. It would be simple enough to mention how excellent the themes are here, as well as how majestic and stirring some moments are (see: wide shot of Drake walking through the desert). However, the score is not simply fantastic because of those things, but also because it works on a pure gaming level as well. It would be "easy" enough for a composer such as Edmonson to write some well-rounded orchestral pieces, but his action and in-the-moment cues are equally impressive, showcasing not only his scoring talents but his understanding of how much the right music can amplify any given gameplay situation. Far and away the best videogame score I have heard this year and it absolutely deserves a shitload more attention than it has been receiving.

Valkyria Chronicles III/Valkryia Of The Battlefield 3: Unrecorded Chronicles http://vgmdb.net/album/22542 http://vgmdb.net/album/23624

Warhammer 40,000: Space Marine/Warhammer 40,000: Space Marine http://vgmdb.net/album/28680
Cris Velasco, Sascha Dikiciyan http://vgmdb.net/artist/1268

White Knight Chronicles II/White Knight Chronicles: Awakening Of Light And Darkness http://vgmdb.net/album/21566 http://vgmdb.net/album/20432
Takeshi Inoue, Yumiko Hashizume, Noriyasu Agematsu http://vgmdb.net/artist/5408

Xenoblade Chronicles/Xenoblade http://vgmdb.net/album/18946
Manami Kiyota, Yoko Shimomura, Tomori Kudo, Hiroyo Yamanaka, Kenji Hiramatsu, Yasunori Mitsuda http://vgmdb.net/artist/4822
Gaur Plains
Mechonis Field
Thoughts to a Friend

Yet another example of variety bringing wonderful things to a soundtrack. While there was a team of more than two people working on this soundtrack, the cohesiveness of all the elements of each contributor were all brought together so well in this package, that at times it's hard to even find flaw in the music. It's well-rounded, diverse, and definitely worth your time.

Yakuza 4/Like A Dragon 4 http://vgmdb.net/album/18550 http://vgmdb.net/album/18551
Hidenori Shoji, Kenichi Tokoi, Yuri Fukuda, Yoshio Tsuru, Mitsuharu Fukuyama, Yasuhiro Takagi, Yuichi Kanatani, Chihiro Aoki, Takashi Izeki, Takahiro Kai, Minako Seki, Ryohei Okino, Flarewave Sound System, Eiji Kawai, Love Sound System, Shigemitsu Goto, Hideki Sakamoto http://vgmdb.net/artist/795

Zen Puzzle Garden/Zen Puzzle Garden http://vgmdb.net/album/23947
Module http://vgmdb.net/artist/10338
Mizuumi no Tera
Kaizen
Sora no Sekai

Last Year's Threads

2010 Voting Thread
2010 Results and Archive Thread
 
1.) The Legend of Zelda: Skyward Sword
2.) Shadows of the Damned
3.) El Shaddai: Ascension of the Metatron

Honorable mention: Catherine

There are so many good choices this year. It'll be interesting to see how this turns out.
 

GhaleonQ

Member
Whew. I'll say my piece now.

I did the bigger portion of the listening, but Nert did far more work. Great job, Nert!

This was FAR harder than last year. The DS got a new file format that we can't rip. The Vita and 3DS are unrippable right now. And way down at "14,803,677th worst thing about the Japanese natural disasters" is that albums got delayed, cancelled, or "out" of the scene.

The story this year for me was disappointment. All of my favorite series had soundtracks that were worse than their previous one's. However, I'd like to support a few unknowns. Noora is arranged by Iwadare (Lunar, Grandia, Ace Attorney) and the 1st full soundtrack by Naruke of Wild Arms fame in forever. Look out for Nobuko Toda's Stratus. She basically did incidental music for the last bunch of Metal Gear games. You can tell. Nert uses links in the titles, so those may not be the official titles. Um, and, yeah, Shimomura's on top of my list again. I can't do anything about it. She's just the best.

2 fights I'll pick because it shows how diverse we are: I don't get Bastion or Xenoblade. Xenoblade is more exhausting than ambitious, like a late-period Sakuraba soundtrack. Bastion is a phenomenal concept that has multiple tracks with just 1 or 2 ideas repeated endlessly. I'm tired, but I'm not sure that gauntlet throw is going to be more graceful when I wake up. IT WAS UGLY AND I LIKE IT THAT WAY. I respect the opinions, though, especially because they seem to be contenders for number 1.

And here is Square Enix Music's contribution: http://squareenixmusic.com/features/awards2/bestscore.shtml http://squareenixmusic.com/features/awards2/bestartist.shtml http://squareenixmusic.com/features/awards2/bestaudio.shtml

Lastly, I STRONGLY encourage you to listen before voting (or re-voting). I know I'll be revising.

Edit: We'll try to finish up as quickly as possible.
 

Nert

Member
Everyone should keep in mind that you're free to change your votes as many times as you please before the voting period is up. There's nothing wrong with debate, either.

I'm going to do some editing (some of Ghaleon's suggestions have broken links) and then take a break for a while before getting into more discussion.

Edit: One more reminder: We'll be pulling some quotes from you guys for the top 15 this year, and will potentially do so for other songs in the archive (space depending), so you might want to explain your choices.
 

kswiston

Member
1) Superbrothers: Sword and Sworcery EP
2) Bastion
3) The Elder Scrolls V: Skyrim

#3 is a distant third for me. I am including skyrim due to the number of times I have delayed starting my game to listen to that awesome title track.

I don't typically listen to game soundtracks unless playing the game in question, but S&S and Bastion are two exceptions. Both are excellent.
 
1) Xenoblade Chronicles
2) Deux Ex: Human Revolution
3) The Legend of Zelda: Skyward Sword

Honourable Mention: Pokemon Black and White.
 

Snuggles

erotic butter maelstrom
You guys put a lot of effort into this, nice work. There's no rush so I'll listen to some tracks and take time to mull it over. Unlike 2010, there isn't a clear victor (obviously I'm referring to VVVVVV).
 

GhaleonQ

Member
You guys put a lot of effort into this, nice work. There's no rush so I'll listen to some tracks and take time to mull it over. Unlike 2010, there isn't a clear victor (obviously I'm referring to VVVVVV).

There's a TON of retro on both of our lists, if you're going VVVVVVing again. 7th Dragon 2020 did vocaloids instead of 8-bit this time, but Classic Dungeon has the remixes out there, too.
 
You guys put a lot of effort into this, nice work. There's no rush so I'll listen to some tracks and take time to mull it over. Unlike 2010, there isn't a clear victor (obviously I'm referring to VVVVVV).

NieR won last year didn't it? Like... I'm pretty sure it was a landslide victory.
 

GaussTek

Member
1) Xenoblade Chronicles
2) Ghost Trick
3) To the Moon


Honorable mentions:
- TLOZ Skyward Sword
- Pokémon Black & White
- Solatorobo
 
1) Final Fantasy XIII-2 - I have to say that I absolutely adore this soundtrack. I’m glad Square Enix decided to try something fresh instead of sticking to XIII’s sound. The vocal tracks, especially the ones sang by Origa (which really helps the wispy/ethereal tone that most of the songs she's involved in have), give off some huge Nier vibes to me, which is always great.

I’m rather surprised at Hamauzu’s relative lack of involvement with the soundtrack, but after hearing what Mizuta and Suzuki had to offer, I’m perfectly fine with that. Mizuta especially surprised the heck out of me. I wasn’t a fan of his at all before this (I never did enjoy his stuff on XI, 4WoL, etc.), but he absolutely blew me away this time. “Run”, “Last Hunter”, “Giant Impact”, “Xanadu: Palace of Pleasure”, and “Win or Lose” definitely made me a fan of his.

All of that Mizuta gushing having being said, &#8220;New Bodhum&#8221; is probably my surprise favorite track on the album. Origa&#8217;s wispy vocals combined with the overall ethereal feel of the track just mesmerizes me. I&#8217;ve had it stuck in my head for days now. :<

I'm not sure if I prefer XIII or XIII-2's soundtrack overall, though. What I do know is that I think both are absolutely perfect at what they try to do, but that it probably isn't fair to compare them, seeing as they're both entirely different from the entire series, but each other as well.

2) Sonic Generations - 95% remixes of music from older Sonic titles? Yes. Fuckawesome regardless? You betcha! The general slant of Classic Sonic's stages using electronica/techno was an interesting one, but I think that it worked out pretty well. With tracks like Crisis City Act 1 with i and Rooftop Run Act 1 with that sexy violin, it's hard to argue with that! Say what you will about Sonic Team, but they NEVER disappoint when it comes to music, and Generations is definitely no exception.

3) The Legend of Zelda: Skyward Sword - This may be blasphemous to say, but I've never been THAT big of a Zelda music fan. It's been in the lower tier of Nintendo's franchises in the music department for me, and after Twilight Princess' terrible sound quality, I'd pretty much stopped caring. And then came Skyward Sword.

Finally getting an orchestrated soundtrack was just the shot in the arm the series' music needed, IMO. Expertly composed and orchestrated throughout, Wakai and Yokota did a phenomenal job turning this into the greatest Zelda soundtrack in the series, and the use of multiple variations for songs was a great idea.

Honorable Mentions: Pokemon Black & White - Gamefreak's music team (Shota Kageyama in particular) outdid themselves this year. 4 discs full of fantastic area and battle themes. They'd be hard-pressed to top themselves with the next title, but I'd loooove to eat some crow in this case.
 

Levyne

Banned
1.) Xenoblade.
2.) Deus Ex Human Revolution
3.) Skyward Sword

This is Xenoblade's most criminally underused track. Hopefully at least one person sees this and gives it a listen.

Unfinished Battle
 

Cth

Member
Are we limited to the games listed by Nert and GhaleonQ?

I saw a vote for AC: Revelations but it's listed under archive.

It's between Skyrim and AC:R for me.. both were GIGANTIC soundtracks.. Skyrim is more epic sounding, but AC:R's final scene combined with the music was just so powerful.

Anyways, just looking for clarification before voting.

EDIT:
HUGE ENDING SPOILERS FOR ASSASSIN'S CREED REVELATIONS, but this is the scene:
http://www.youtube.com/watch?v=1gQFiYKD3hc

FULL SOUNDTRACK (2:42:57):
http://www.youtube.com/watch?v=c7tc0VfZwtk
 

Dark Schala

Eloquent Princess
1) The Legend of Zelda: Skyward Sword
Sound Team: Hajime Wakai, Shiho Fujii, Mahito Yokota, Takeshi Hama, Koji Kondo

Preface: There are spoilers in the music links, marked or unmarked. Be warned.

I&#8217;d like to note right off the bat that when it came to The Legend of Zelda: Skyward Sword, I did not look into a lot of media when Nintendo began its deluge. I did not read a single Iwata Asks about this game until after beating it. I did not listen to the music, even, until I had played the game (and in that respect, I didn&#8217;t spoil the music for myself except for the music in the E3 content). Thus a lot of what Skyward Sword had to offer&#8212;in terms of visuals, audio, gameplay, environments, and narrative&#8212;came as a surprise to me. Especially the audio.

The sound team decided to use a live orchestra this time around, and if you ask me, the audio benefits a lot from it. By comparison, Twilight Princess has a lot of nice compositions, but it lacked the sufficient instrumentation to bring the music to life completely. Here, the compositional content is absolutely solid, and the instrumentation is utterly gorgeous, with brass, harps, woodwind, guitars, percussion, piano work&#8230; everything working together to create a beautiful and elegant soundscape that works together with the watercolour artstyle that the game had adopted. It&#8217;s certainly amazing to finally hear fully orchestrated themes for boss battles and miniboss battles in-game.

Ever since Ocarina of Time, the Zelda series has put a lot of work into soundtrack dynamism. This means that the theme changes somewhat depending on what actions the player undertakes. This is featured quite heavily in Skyward Sword in many themes, including the Bazaar theme, the Skyloft theme, Skipper&#8217;s Retreat, and the Sky Overworld theme. The Bazaar dynamics is probably the cutest one by far, with each vendor having his or her own take on the theme (the blacksmith has more hard percussion, while the Fortune Teller&#8217;s includes sitars and strings, for example). The Sky Overworld theme is quite similar to Hyrule Field from Ocarina of Time, where the theme includes more percussion at certain points (in SS, it adds the snare drum percussion when Link is under attack).

To add to that, the dungeon themes do this a lot too. They typically begin with a base layer which doesn&#8217;t include a lot of instrumentation or percussion, but as you move deeper into the dungeon, more and more instrument layers are added, culminating into a climatic finish leading up to the dungeon boss. Lake Floria&#8217;s an interesting exception to this because instruments are subtracted when you get out of the water, but the full ensemble comes into play when you dive into the water. It&#8217;s a nice attempt to immerse the player in the beautiful watercolour world Nintendo has constructed, and I think that, for the most part, it works.

I didn&#8217;t want to say this before in the official thread, but a lot of Skyward Sword&#8217;s music reminds me of music that just fell out of a Genso Suikoden title. This is quite evident in the Skyloft theme, which includes a lot of Celtic instrumentation, and an acoustic underlying melody. It has its fair share of dynamics, when Link goes near the Residential District and the music loses a bulk of its percussion (using only a bongo-like instrument) to simulate tranquility. Other examples of themes that gave me a similar feeling would probably be the banjo, guitar, and accordion-based Lumpy Pumpkin theme, the woodwind and percussion-based Skipper&#8217;s Retreat themes, the Faron Woods pizzicato string themes, the silly Kikwi themes, and the elegant guitar-based Goddess&#8217;s Statue theme. They&#8217;re somewhat evocative of themes I rarely hear in games anymore, so it&#8217;s very special for me to hear themes with these types of instrumentation on this soundtrack. It&#8217;s beautiful and absolutely heartwarming.

The theme that really stunned me was Guardian Chase. It&#8217;s something I never would have expected in a Zelda game, even if we had Twilight Battle in Twilight Princess five years ago. The industrial sounds meld well with the strings and piano melody to create an atmosphere of fear and panic. It&#8217;s quite&#8230; Silent Hill-esque in a way, which is probably the best direction the composers went in due to the context it&#8217;s used in. The instrumentation works very well to pull off the desired effect.

The harp themes are a little interesting. Jarring things like odd mouth movement and janky harp-playing animation aside, the harp themes are kind of catchy. Nayru&#8217;s Wisdom is probably my favourite out of the bunch, just because of how well the piano, harp, xylophone, guitar, and strings work together to create something so melodic and heartwarming.

I do think it&#8217;s a bit of a shame that the Ballad of the Goddess proper wasn&#8217;t used enough in the game. There are probably a lot of things that could have been done with it outside of playing it on the harp. The solo vocal version of it sounds like something out of The Last Story to me, and the soft vocals of the singer (Zelda) sound so tranquil and moving. The &#8220;choir&#8221; version of it, with the slower tempo and piano (with bells and strings), is also very beautiful, it&#8217;s sometimes breathtaking and heartbreaking.

Fi&#8217;s Theme is probably one of the most remarkable themes on this soundtrack, arranged several times throughout the soundtrack for various events and people. The woodwind and string instruments in nearly all of its iterations are soothing and engrossing. My favourite version has to be the piano and string one, though. It&#8217;s heartbreaking, yet so elegant and masterfully-arranged.

Even Groose&#8217;s silly theme is a welcome addition to the Zelda series, despite having a rather similar basal layer to Linebeck&#8217;s Theme. The trumpet and woodwind are just&#8230; hilarious. To be honest, I listened to this track before playing the game because someone told me that I just had to listen to it because it was so darn silly. Actually, this brings me to another point: even though they were few and far between, the character themes were composed quite well in this game, each having their own motifs and signature instrumentation (Ghirahim&#8217;s Theme which features piano, organ work, and choral work, for example). The consistency is very welcome.

The best themes on the soundtrack, however, are the boss themes. Once again, fitting in with the consistency of the character themes, Lord Ghirahim&#8217;s battle themes actually build upon each other, starting with string, brass, slow percussion and organ in the first theme, then adding a snare drum in the second theme, and finally adding choral work in the third theme. Well played.

Generally, I don&#8217;t think much of the miniboss themes, but this time, they&#8217;re so melodic with the brass, strings and percussion playing a role in keeping with a steady tempo. Even the timpani decides to help out. The Scaldera/Tentalus battle theme, with its torturous stringwork and percussion in 4/4 time, tries to set a terrifying mood for the player, and it ultimately succeeds because it doesn&#8217;t really pick up the tempo.

My favourite boss theme has to be the Koloktos battle theme, though. I just can&#8217;t get enough of it. From the opening of the battle with the trumpets, the basal piano, the supporting strings, and the steadily-paced percussion, into the rising action with the stronger trumpets, and synchronizing stringwork, rising into the climax of the fluid action of all instruments involved, it&#8217;s just so damn amazing to hear all at once.

Overall, the compositional value of this soundtrack is extremely high. I love the concentration of woodwind on this soundtrack. It just gives off a kind of &#8220;softness&#8221; and playfulness that I haven&#8217;t heard in a Zelda title in quite a while. This soundtrack emphasizes melodic orchestration rather than synth ambience, and it&#8217;s something that I came to enjoy over the course of playing Skyward Sword. I would also like to say that the Staff Roll and the Legend of Skyloft themes are utterly amazing and beautifully orchestrated. I&#8217;m looking forward to more stuff like this in the next Zelda title.

While some may not like Skyward Sword&#8217;s soundtrack, and that is perfectly reasonable, the effort that Nintendo&#8217;s sound team put into this title&#8217;s music cannot be understated. The soundtrack tries to enhance the game via adding and subtracting layers for when the player performs a certain action, but you can also say that the game tries to enhance the soundtrack itself by reciprocating the player&#8217;s actions making an impact on the music. The decision to make the music orchestrated is probably one of the best things that happened to the series. The music is melodic, memorable (I think these are among my favourite dungeon and boss themes in the series now), and utterly breathtaking. There weren&#8217;t a lot of pieces on this &#8220;soundtrack&#8221; that I disliked, and I found the soundtrack as a whole very beautiful, meaningful and melodic. The fact that it had a lot of Celtic and Asian influences to mix the Zelda soundtrack up a bit, made this soundtrack one of the most memorable soundtracks of 2011, if not the most memorable soundtrack of 2011 for me, personally.

2) El Shaddai: Ascension of the Metatron
Composers: Masato Kouda, Kento Hasegawa

In the OT, I generally say to newer players or players looking forward to trying the game out to take El Shaddai: Ascension of the Metatron as more of a sensory experience rather than a Devil May Cry-esque experience. The game, as interested parties may know, is a visual spectacle, with each level bringing a new design with it, fusing colours and various designs together to create a nice aesthetic.

What enhances each level is the music. Masato Kouda (Monster Hunter) and Kento Hasegawa (Devil May Cry) have composed pieces spanning across 2 CDs that involve organic work, choral work, electronic work and essentially mood-setting pieces. These pieces generally go hand-in-hand with the visual aesthetic involved in each level, and the colour palette chosen for each setpiece. It assists in enhancing the overall tone of the level, assisting in immersing the player in the artstyle and background employed within the area. In many respects, El Shaddai&#8217;s pieces work well for this.

Dissonant tracks such as &#8220;Hellfire Scream&#8221; with heavy piano and electronic portions and &#8220;Cries of the Fallen Heroes&#8221; consisting of voice and electronic bits, drag the player into both settings that are drowning in fire, and then in places that are completely devoid of colour, which enhance the aesthetic, but also the mood while Enoch platforms his way around the landscape in search of the next door or in search of a special object.

The soundtrack also has its share of beautiful tracks in "A Floral Creation" (beautiful piano track), Twilight Overture (piano piece, topped with beautiful strings and ethereal choral harmony work) and &#8220;From Heaven Above, the Bell of Hope Echoes&#8221; (with bells, rapid percussion, brass, xylophones). What&#8217;s nice about these pieces is that they go so well with the landscapes that they are created for. &#8220;A Floral Creation&#8221; blends in nicely with a very colourful platforming landscape with cute creatures hanging around the landscape acting as obstructions or acting as platforms themselves. &#8220;Twilight Overture&#8221; is a piece used for an entirely greyscaled tranquil area, with Hebrew scripture acting as the &#8220;river&#8221; that Enoch must run on. Finally, &#8220;From Heaven Above, the Bell of Hope Echoes&#8221; works so well as a final platforming chapter theme due to the liberal use of bells, organs and rapid percussion.

Even the outlandish tracks like "Revelation" and You are mine completely support the areas they&#8217;re in, despite sounding like they shouldn&#8217;t be part of the soundtrack at all.

A final bit I must elaborate upon is the glorious battle music. This game has a set of bosses, who all have their own motif. This motif is played in three themes: an initial boss theme, a cutscene theme, and another boss theme. All of these themes are arranged with different instrumentation and they&#8217;re very pleasing to the ear. My personal favourite is Sariel&#8217;s motif, completely present in the beautiful string theme "Tragic Scream", Sariel's Decision, and Flight of Darkness. All of these themes have a wonderful underlying composition, but they&#8217;re so beautifully arranged. They&#8217;re quite elegant.

Overall, El Shaddai&#8217;s soundscape and visual landscape work together so well to construct a beautiful sensory experience for the player to experience. The soundscape is especially important to help set the tone for the visual aspects that the game presented to the player. If the soundscape were sub-par, or if they didn&#8217;t hit the right notes to support the visuals that each level presented to the player, then the soundtrack as a whole would be utterly ineffective. There is a ton of variation in terms of musical style and instrumentation employed on this soundtrack, and I urge people to give it a listen sometime, even if they aren&#8217;t going to play the game it&#8217;s for.

Other Samples:
A Mirror Reflecting Images
Rushed Progress

This was a tough decision on my part. I waited a while to pick this one out because it had been such a short time after I had finished off both games, and I realized that if I picked something then, I&#8217;d be rather biased in my decision-making. Now that it&#8217;s been a while, I&#8217;ve decided that&#8230;

3) Rayman Origins
Composers: Christophe Héral, Billy Martin
Rayman Origins came as a surprise to me, both the game and the soundtrack. I was looking at this game solely for its art direction and not really for anything else. While the gameplay is absolutely wonderful, with momentum mattering and platforming needing to be precise. The art direction is also absolutely stunning, the colour palettes, the enemy design, the background design, the character animations&#8230; just everything works so well. Surely if these two elements are astounding wonderful, something must be lacking. Perhaps the music?

Surprisingly not! Christophe Héral and Billy Martin composed an utterly charming soundtrack filled with genre variance and silly melodies to keep the player smiling throughout. The compositional quality is excellent and wonderfully arranged. I can&#8217;t get enough of the instrument representation in this soundtrack. The majority of the soundtrack sounds like it&#8217;s performed by live instruments as well. All of it leads to high musical quality and a downright amusing soundtrack leaving listeners feeling giddy with happiness.

I think those who&#8217;ve played the game will know The Tricky Treasure extremely well. The banjo and the fiddle just&#8230; make this. The banjo solo portions are quite swell and I just love the bass and percussion picking up and interrupting it. It&#8217;s just wonderful, and capping the theme with a brass fanfare is an utter delight. The Shooting Me Softly theme with the utterly amusing kazoo evokes similar feelings.

The Gibberish Jungle themes are heavy in percussion, and I enjoy the consistency across all of those themes. Even the boss theme for that area is consistent with this, featuring percussion heavily. It&#8217;s little touches like this that make me smile and nod with understanding. They aren&#8217;t the best themes on the soundtrack, but their consistency certainly fits with the artstyle employed, and the overall &#8220;consistent&#8221; nature of the game.

Desert of Dijiridoos with the light strings and gentle percussion progressions into something wonderful adding more instruments to create a wonderful &#8220;symphony&#8221; of its own. It&#8217;s pleasant and beautiful and leaves me wanting more. The Ethnic version of it utilizes a more frantic and harder percussion with woodwind and strings supplementing it with a wonderful catchy melody. It just fits and coordinates well with the level design and background art employed, and is an absolute joy to listen to both in and out of game.

Gourmand Land employs flamenco, jazz and big band. While the icy portion of the level utilizes jazz, lounge themes and big band to a full extent due to the level design including limes you can jump on, cocktails littering the areas, straws that you can swing from, ice cubes littering the area, and oranges everywhere, it only seems fitting for the acoustic guitars, woodwind and slower tempo themes to join in the fray. Frozen Paradise demonstrates this very well. But sometimes the areas call for something rapid, so Breaking the Ice supplies this with saxophones, strings and guitars everywhere. This is also used as a transitional theme as the area shifts from a chill lounge area littered with cocktails to a fiesta taking place in the kitchen. The flamenco is wonderful in these hot areas. Waiting for the Waiter is the slower theme, but I prefer Hellish Paradise with the castanets, guitars and delightful vocals. Gourmand Land is just littered with wonderful music and it was a delight hearing all of it.

The shining beacon of the album has to be the Sea of Serendipity stuff. Lums of the Water might seem annoying, but it totally fits in with the background of swimming with thousands of fish looking for lums. The bright colour palette becomes associated with this theme and it becomes so fun and delightful to sing along with the gibberish, listening to the wonderful jazz. Swimming Against the Stream kicks it up a notch with quick strings playing the melody of Lums of the Water. It&#8217;s just a delight to hear an instrumental version of that played so well with a strings base. The Abyss tears the player away from the happiness of the lums (while continuing to play the lums motif, by the way) and right into the darkness of the deep sea. It fits right in with the darker lit areas and sometimes the areas just lit by the player character. It&#8217;s mysterious and the strings and percussion can be downright frightening. Sea of Serendipity isn&#8217;t all about tranquility or creeping the player out, but it&#8217;s about fast percussion as well, supplemented by Panic at the Port and The Darktoon Chase. They&#8217;re toe-tappingly catchy!

The Mystical Pique communicates strength via its humming lums, strong strings and wonderful underlying strings. It&#8217;s a shame that there&#8217;s only one version of it on the album proper, because the in-game versions are really nice since they take away some of the instrumentation to create unique pieces.

The themes The Mecha Factory and Nowhere to Run round out the album quite nicely. The Mecha Factory plays during one of the final chase sequences of the main game, evocative of clocks and gears. The uptempo piano melody, strings and brass make for a very compelling chase theme. And Nowhere to Run sounds like one of those old western run and gun themes with the guitar and underlying strings in the background&#8230; then bringing up the fever with the trumpets and chorus. It&#8217;s so catchy and wonderful to hear as you&#8217;re running forward and dying repeatedly. :lol

Overall, I had a ton of fun listening to this soundtrack. I have no trouble or hesitation with thinking that this is one of my favourite soundtracks of the year. Monsieurs Héral et Martin should be extremely proud of their work and the effort they put into trying to coordinate with the background art, what&#8217;s going on in the background for proper theme transitions, and just the overall fun they obviously had with composing the soundtrack with the vocal content, the fun compositional flourishes and the varying genres throughout the soundtrack. I leave this soundtrack with a smile, and I urge listeners to give it a chance.

Honourable Mentions:

They're over here.

Note that I listened to Xenoblade last year. I've decided to save Final Fantasy XIII-2 for 2012's list. Same with Final Fantasy Type-0.
 

GWX

Member
1) Mighty Switch Force
2) The Legend of Zelda: Skyward Sword
3) Mario Kart 7 (just for the credits song)

quick edit:
Honrable Mention: Bastion and Rayman Origins
 

Jintor

Member
1) Bastion
2) Xenoblade Chronicles
3) Ghost Trick


Honourable Mentions: Skyward Sword, Rayman Origins, Portal 2, Radiant Historia, Child of Eden

I will further clarify later, but these are the games where I found myself humming or singing the songs to myself often apropos of nothing for no particular reason, which I usually take to indicate that the music is good enough to have gotten stuck in my head.

I'll listen to more when I have more time, probably after the new year.
 
I see people mentioning Ghost Trick so far. Went to Youtube, and stealing my bro DS this weekend....The OST is awesome. Thanks and bunch GAF.
 
1. Uncharted 3: Drake's Deception - Greg Edmonson continues to provide scores for the series that come the closest to the full, rich and traditional sound heard in high-quality film scores. It would be simple enough to mention how excellent the themes are here, as well as how majestic and stirring some moments are (see: wide shot of Drake walking through the desert). However, the score is not simply fantastic because of those things, but also because it works on a pure gaming level as well. It would be "easy" enough for a composer such as Edmonson to write some well-rounded orchestral pieces, but his action and in-the-moment cues are equally impressive, showcasing not only his scoring talents but his understanding of how much the right music can amplify any given gameplay situation. Far and away the best videogame score I have heard this year and it absolutely deserves a shitload more attention than it has been receiving.

2. The Legend of Zelda: Skyward Sword
3. Shadows of the Damned
 
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