It's not about if it's good, it's about it actually existing at all.
What, you didn't like?LOVE
Dead Leaves did it right, as expected.
Eh, I liked them. I thought the way they were explained and the interviews with them were really cool and sometimes funny like. It felt really fitting with the whole "crazy underground race" thing they were going for. It was like a monster truck commercial or something with the participants."GORI RIDER YOU MOTHER FUCKER"
Well I can't imagine that theinsane planet of warmongers was suddenly okay with them being there just because the race had ended.
But this is only from the first few action packed minutes of this two hour action packed movie!At the rate you guys are going with inline gifs for Hells, you're going to give away the whole film before most of us have a chance to watch it!
Watch it and find out!Is that a nipple spike, or is it just really cold out?
The explosions did look cool though.
don't look at me, I don't watch anime.
... and that should do it for cosmic's OT. Anymore than that and I'd actually start spoilering stuff!
But this is only from the first few action packed minutes of this two hour action packed movie!
The Funky Boy subplot is 50% of my problem with Redline. good god talk about losing sight of what your movie is about.
Well, that's fair, anime smells.
I thought it fit relatively well. It's like a level hazard in Mario Kart.
I'll probably end up watching it eventually.Watch it and find out!
Yeah, at least Redline never stops looking good. Unfortunately, if your entire film is about racing, you only have two major races in the entire film, and you've already run out of ways to depict racing interestingly shortly into the second race and feel forced to distract the viewer with something else for the rest of the film to compensate, that's a problem.
Well, that's fair, anime smells.
If a level hazard in Mario Kart stopped the race for 10 minutes, it'd be pretty aggravating.
I really do like the looks of Hells but I confess I am worried it'll end up similar to my experience with Redline, especially with its long running time.
I really do like the looks of Hells but I confess I am worried it'll end up similar to my experience with Redline, especially with its long running time.
Once again we see how far KyoAni is ahead of everyone else. The particle effects in this scene were phenomenal. Not only did the depth-of-field effect create the illusion that they permeate the scene, rather than just being pasted over it, but each particle felt hand-crafted and hand-placed, as opposed to seeing the same particles following the same path in a copy-and-pasted manner.
Ooooohhhhh...There's also Tailenders which is like a poor man's Redline but much shorter!
http://www.youtube.com/watch?v=wJJ5oz_c74g
Gundam 0083 episode 7
So much better than the last episode.
Kou is kind of dull but I do like him & Nina.
Ahahahahaahahahahahahahahahahahaha
I don't actually think Redline ever runs out of interesting ways to depict anything. The film is visually creative throughout it's entire run. However, just being visually creative or unique is not the same thing as being an interesting movie that engages your audience on any level. It's the same in any film - action that you don't care about is just boring visual noise.
FUCK BLUE SHELLS >_>
I didn't mean to imply that I personally believed that Redline had run out of interesting ways to depict the actual race; rather that I interpreted the presence of Funky Boy as a sign that those involved with the production felt that simply more racing wasn't enough to carry that portion of the film.
I think that a more elegant way to add complications to the race would have been simply to increase the frequency and variety of combat between racers. More foul play, more weapons, and all of it an officially legitimized aspect of the race. No need for an external villain to swoop in and disrupt the flow of events.
Or, you know, just have a race. I hear racing is supposed to be exciting... all those Nascar and F1 people can't be wrong. lol
It worked for Cars anyway.
There's also Tailenders which is like a poor man's Redline but much shorter!
http://www.youtube.com/watch?v=wJJ5oz_c74g
Man, I don't even remember what the hell Redline's plot was about. Like, wtf is a Funky Boy?
All I remember are the utterly amazing visuals and animation.
I refuse to believe.Brand new two-minute theatrical trailer for Gothicmade.
http://www.youtube.com/watch?v=QU5pMBLfobk
This could actually be happening!
No worries dude!Excellent! I'll get right on that. Thanks a lot.
Or, you know, just have a race. I hear racing is supposed to be exciting... all those Nascar and F1 people can't be wrong. lol
It worked for Cars anyway.
Blue shells are the best shells.That's too hard, we need more blue shells.
Well... I mean,Redline wouldn't have been able to pull off (Cars spoilers)though. I'm not terribly fond of Cars overall, but I certainly appreciated what it did there.the "he didn't win after all" twist
Blue shells are the best shells.
(Anyone still play MK7?)
Jarmel, Jarmel, Jarmel.The Girl Who Leapt Through Time
Yea I definitely didn't like this as much as Summer Wars. At certain points I wasn't even sure if I liked it in general. The main problem I had with it is the stupidity of the main lead or rather the frivolousness of her. She doesn't do jackshit with her abilities except extremely minor and petty things. Yes it's repeatedly pointed out in the movie how idiotic she is but just because you point something out doesn't get you off the hook.Also the major butterfly effect seemed really forced for dramatic purposes rather than something natural. Then we have the Aunt who seemingly is cool with everything despite what Makoto is saying should be insane. I later found out that this is the sequel to a live-adaptation but I was wondering what was going on with the Aunt during the entire duration of the movie. The repetition of the line "Time Waits for No One" really kinda heavy-handed with not only the visual representations but also the repeated audio ones as well. I finally had a couple of issues with the ending.The fact that she wasted(what she thought anyway) her last jump when Chiaki asked her about the time travel just to avoid the question, I was yelling at the screen how idiotic she was.The first is that Makoto says to Chiaki at the end that she would wait for him despite her aunt essentially saying not to. Using her aunt's analogy, it's like running out to meet the guy and say a quick hello before running back in and waiting for him to come in. It's like a quick flip flop. I would have preferred her to be more progressive all the way to the finish line. She helps him and then regresses back into her Aunt. The second one is that they do a time-jump and the bit seems like an unnecessary epilogue that really doesn't add anything. I mean if they were going to do a timejump I was expecting something a bit meatier instead of a quick, check-up on everyone.
I did like some of the visual angles even if the animation didn't blow me away.
Umm... snap? lolYeah, I'm still playing MK7. I've been playing it since it was Mario Kart 64.
Jinrui kind of reminds me of bizarroworld Kinos Journey with the ways it explores humanity and society, except using sentient hair, fairies and evil chickens.
Jarmel, Jarmel, Jarmel.
Blue shells are the best shells.
(Anyone still play MK7?)
Yeah, I'm still playing MK7. I've been playing it since it was Mario Kart 64.
Mario Kart 64 wishes it was as good as MK7. Or as good as just about any other Mario Kart.
Mario Kart 64 wishes it was as good as MK7. Or as good as just about any other Mario Kart.
The Girl Who Leapt Through Time
Yea I definitely didn't like this as much as Summer Wars. At certain points I wasn't even sure if I liked it in general. The main problem I had with it is the stupidity of the main lead or rather the frivolousness of her. She doesn't do jackshit with her abilities except extremely minor and petty things. Yes it's repeatedly pointed out in the movie how idiotic she is but just because you point something out doesn't get you off the hook.Also the major butterfly effect seemed really forced for dramatic purposes rather than something natural. Then we have the Aunt who seemingly is cool with everything despite what Makoto is saying should be insane. I later found out that this is the sequel to a live-adaptation but I was wondering what was going on with the Aunt during the entire duration of the movie. The repetition of the line "Time Waits for No One" really kinda heavy-handed with not only the visual representations but also the repeated audio ones as well. I finally had a couple of issues with the ending.The fact that she wasted(what she thought anyway) her last jump when Chiaki asked her about the time travel just to avoid the question, I was yelling at the screen how idiotic she was.The first is that Makoto says to Chiaki at the end that she would wait for him despite her aunt essentially saying not to. Using her aunt's analogy, it's like running out to meet the guy and say a quick hello before running back in and waiting for him to come in. It's like a quick flip flop. I would have preferred her to be more progressive all the way to the finish line. She helps him and then regresses back into her Aunt. The second one is that they do a time-jump and the bit seems like an unnecessary epilogue that really doesn't add anything. I mean if they were going to do a timejump I was expecting something a bit meatier instead of a quick, check-up on everyone.
I did like some of the visual angles even if the animation didn't blow me away.
Jarmel, Jarmel, Jarmel.
Brand new two-minute theatrical trailer for Gothicmade.
http://www.youtube.com/watch?v=QU5pMBLfobk
This could actually be happening!
Isn't that the entire point of the movie? plus I always thought it was kind of realistic in a sense, in that most female teenagers would probably do silly things, if they were given a time jump ability similar to makoto in the film.The main problem I had with it is the stupidity of the main lead or rather the frivolousness of her. She doesn't do jackshit with her abilities except extremely minor and petty things. Yes it's repeatedly pointed out in the movie how idiotic she is but just because you point something out doesn't get you off the hook.
Boy is it weird to see people still watching this.Lupin III: Blood Seal - Eternal Mermaid
I really wasn't super into this episode. Fairly aimless outside of the loose ends it was working to tie up, and lots of scenes just felt really plain and predictable without having the snap to them I like from a written standpoint. The scenes where Mutta is Santa? That stuff should be gold, but instead I was just groaning the whole way through.