I enjoy science fiction. I enjoy a good long movie. I enjoy fine art. That being said, after years of putting it off for one reason or another, I excitedly dove into 2001: A Space Odyssey last night for the very first time with high expectations.
I came away from it feeling like an asshole. For years I've listened to critics, filmmakers, and friends whom I respect sing praises for this film, claiming it to be the single greatest achievement of the medium. But I found myself sitting there feeling like a thick jackass for not "getting it." Certainly there were many brilliant scenes like in any Kubrick film; the lip reading, Daisy, and Bowman aging scenes to name a few. But the rest was over indulgent space ballet and acid trips that stretched on for far too long. I can't believe Star Trek: The Motion Picture gets so much shit for basically doing the exact same thing, but had enough sense to leave most of it on the cutting room floor.
I suppose I would be more apt to accept it as a purely visual, nonverbal experience if the score wasn't so incredibly dry. The excessive use of Strauss did nothing for me, and was a poor complement to the visuals. Conan the Barbarian did this much more effectively thanks to Basil Poledouris' transcendental score.
The story overall was pretty great. Following man's humble beginnings through to one of its possible evolutionary futures was powerful stuff. I really loved HAL's desperate struggle for self preservation, and didn't view him as a villain at all. He made one mistake, and that's grounds for execution? Bowman and Poole are dicks.
I'm sure I'll appreciate this more with repeat viewings, but I doubt I'll voluntarily subject myself to it anytime soon. I'd much rather watch Moon.
I came away from it feeling like an asshole. For years I've listened to critics, filmmakers, and friends whom I respect sing praises for this film, claiming it to be the single greatest achievement of the medium. But I found myself sitting there feeling like a thick jackass for not "getting it." Certainly there were many brilliant scenes like in any Kubrick film; the lip reading, Daisy, and Bowman aging scenes to name a few. But the rest was over indulgent space ballet and acid trips that stretched on for far too long. I can't believe Star Trek: The Motion Picture gets so much shit for basically doing the exact same thing, but had enough sense to leave most of it on the cutting room floor.
I suppose I would be more apt to accept it as a purely visual, nonverbal experience if the score wasn't so incredibly dry. The excessive use of Strauss did nothing for me, and was a poor complement to the visuals. Conan the Barbarian did this much more effectively thanks to Basil Poledouris' transcendental score.
The story overall was pretty great. Following man's humble beginnings through to one of its possible evolutionary futures was powerful stuff. I really loved HAL's desperate struggle for self preservation, and didn't view him as a villain at all. He made one mistake, and that's grounds for execution? Bowman and Poole are dicks.
I'm sure I'll appreciate this more with repeat viewings, but I doubt I'll voluntarily subject myself to it anytime soon. I'd much rather watch Moon.