icarus-daedelus said:
Not to come off sounding like a jerk or anything, but can an Eyes Wide Shut fan explain the appeal of this movie to me?
aight
i think the very last scene sums up the movie fine. the "what do we do now?" "****." exchange. cuz that's really what it's all about. if nicole kidman's character had said "make love" instead, lol, it would've undermined the whole movie. people have the impression that sex is some kind of mutual happy bringing-together kind of thing, which it CAN be, and when it is, it's beautiful--but sex at its base nature is selfish. self-serving, completely. kidman's character knows this, that's why she's so blunt about it. that's why she so revels in telling her sailor fantasy (although i want to know what kind of weed makes one reveal to their partners their secret sexual fantasies cuz that's some scary ass KhRoNiC) to tom cruise's character early in the movie. she's a bored married nympho DYING to get ****ed, and revealing this fantasy was probably the only orgasm she's had in a long time. cruise's character, a common prude, is shocked by all this, goes on out there, and finds out that yeah a lot of people do prefer sex of the eff-word variety.
and boy what a creepy movie. if i had to pick which one was more unsettling, the shining or eyes wide shut, i'd pick eyes wide shut in a cumshot. because what's a crazy maniac compared to a shadowy, faceless organization/cult that basically exists in its own world that indiscriminately kills its own members? and kubrick's trademark long ass takes comes to its ultimate fruition, as every second in every creepy scene makes it that more tense. the questioning and unmasking at the orgy thing, the guy following cruise in the streets, the morgue scene--that was just totally scurry to me. and you never find out who is behind that orgynization or to what is their purpose, or really anything at all about them. kubrick never takes the veil off... that's some masterful shit right there. unless he did and i forgot, it's been awhile since i've seen it.
tom cruise really put in a performance for this too. he's underrated as an actor, as he was great in vanilla sky, born on the fourth of july, interview with the vampire... uh... some other stuff. his character in this is sort of an extension of his character in risky business (another good cruise performance), the prude completely baffled by this whole new world of sex. except instead of being personally involved with pimps and hoes, he sees things that even aoi tsuki hasn't. (maybe.) he's dumbfounded throughout the entire odyssey, and he conveys it well. and this sort of thing is foreign to most of us, so we're right there with him, open-mouthed, goose-bumped, and erect. i found that i could strangely relate to cruise in this. kidman was great in it too of course, but that goes without saying.
it's also beautiful to look at too. the lighting and the use of brown... it's remarkable, and adds another creepy layer of tone. and don't forget about all the eye candy.
or kidman's titties!!!!!
or her ass!!!!!!!!!!!!!!!!!!!!!!!!!!! DID 2001 HAVE THESE THINGS
it's my personal favorite kubrick movie. i think it's his unified vision, his penultimate. it's the kubrickiest kubrick movie.
and to the eyes wide shut haters: what was so bad about it?