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Doctor Who. More like Doctor "What??"

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THE ABSORBALOFF YES
 
They did go to Venice for that episode though. Maybe they weren't able to get the shot you described there, but they definitely filmed there.
Nah, all the Venice stuff was filmed in Croatia.

The Doctor Who Confidential, however, took Matt Smith and Toby Whithouse to Venice.
 
Oh yeah, one more big thing that bugs me: the TARDIS.

It resembles a police box to not raise suspicion of people of what it is. Ok fine, I'm sure that works great. IN THE SIXTIES.

When you're hundreds or thousands of years into Earths past or future, (hell even in the present), a big blue police call box is not a normal sight to see. And not just Earth. When he actually travels to an alien world, why would something from Earths culture be the perfect way to 'blend in' to this alien society?'

Wouldn'nt it make much more sense for the TARDIS to adapt its looks to that specific time period and culture? Surely it has the power to do so.

I know I know, budget reasons. But there is no logic in leaving the TARDIS as an old British police call box form all the time.
 
The one thing Moffat never gets credit for is, even though his budget did not drastically increase, his Who looked about fifty times better than RTD's.

Seriously, The End of Time and The Eleventh Hour were shot like four months apart from each other. The difference is night and day.
 
Oh yeah, one more big thing that bugs me: the TARDIS.

It resembles a police box to not raise suspicion of people of what it is. Ok fine, I'm sure that works great. IN THE SIXTIES.

When you're hundreds or thousands of years into Earths past or future, (hell even in the present), a big blue police call box is not a normal sight to see. And not just Earth. When he actually travels to an alien world, why would something from Earths culture be the perfect way to 'blend in' to this alien society?'

Wouldn'nt it make much more sense for the TARDIS to adapt its looks to that specific time period and culture? Surely it has the power to do so.

I know I know, budget reasons. But there is no logic in leaving the TARDIS as an old British police call box form all the time.

That actually is discussed in-universe. There's this thing called a Chameleon Circuit which is supposed to make the TARDIS adapt to whatever environment it lands in. Thing is, that's been broken since he landed in the 60's back in the day. He's just never gotten around to fixing it. Who even knows where he'd find the parts nowadays with Gallifrey gone.
 
That actually is discussed in-universe. There's this thing called a Chameleon Circuit which is supposed to make the TARDIS adapt to whatever environment it lands in. Thing is, that's been broken since he landed in the 60's back in the day. He's just never gotten around to fixing it. Who even knows where he'd find the parts nowadays with Gallifrey gone.

Doesn't he say he probably could but actually just likes how it looks at this point?
 
That actually is discussed in-universe. There's this thing called a Chameleon Circuit which is supposed to make the TARDIS adapt to whatever environment it lands in. Thing is, that's been broken since he landed in the 60's back in the day. He's just never gotten around to fixing it. Who even knows where he'd find the parts nowadays with Gallifrey gone.

Moreover, this is pointed out in the second episode of the entire series. As in, in the 60's. This is something they're well aware of, but decided to go with it.
 
So is old who gone forever now? Are no new generations ever going to be exposed to all those great doctors? That would be really sad.
 
So is old who gone forever now? Are no new generations ever going to be exposed to all those great doctors? That would be really sad.

Some episodes are available on Netflix, most are available on DVD, and the living Doctor actors are still doing Doctor Who radio plays with companies like Big Finish.
 
More even than that: the Sixth Doctor got it working again for a few episodes. He didn't like it and broke it again.

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Some episodes are available on Netflix, most are available on DVD, and the living Doctor actors are still doing Doctor Who radio plays with companies like Big Finish.

Also The Horror Channel (Just recently added to Freeview, has been on satellite for a while) has classic Who daily.

Edit: Well, that's quite a coincidence. The story where Six fixed the TARDIS chameleon circuit briefly? Attack of the Cybermen. The story just started today on The Horror Channel? Attack of the Cybermen.
 
Some episodes are available on Netflix, most are available on DVD, and the living Doctor actors are still doing Doctor Who radio plays with companies like Big Finish.

I love Big Finish audio dramas. I have trouble with the Tom Baker ones. I can hear his age in his voice and it's hard for me to go, "Ok, this is supposed to fit in right after The Key to Time" when I hear his voice and think Curator rather than Doctor, if you know what I mean.

Which makes me super sad. Who wouldn't want more adventures with this delightful fruitcake?

G7X8
 
It's an uneven show, especially in the early seasons. But when you get one of those great episodes I think it's some of the best TV you can find. The most recent one, season 8, is really good. It has one or two clunkers (*cough* Forest *cough), otherwise very solid. It's also thematically quite dark and has some nice characterization.

I also dare anyone who calls it "kiddy" to watch something like Dark Water and then call it that again. The show is obviously never graphic, nor ever truly scary (not to me at least), but some of the scenes and concepts are unnerving to say the least.

So it's a very flexible show; it can be very goofy and "childish" one episode, and then be creepy the next. That's part of what makes it fun, I think; if you are to fully enjoy it you have to abandon any belief of what you think it should be, and just go along for the ride. Sometimes you simply don't like what you see, that's natural, but I've found that with an open mind I've grown to really like episodes that on paper shouldn't have been my cup of tea.
 
It's an uneven show, especially in the early seasons. But when you get one of those great episodes I think it's some of the best TV you can find. The most recent one, season 8, is really good. It has one or two clunkers (*cough* Forest *cough), otherwise very solid. It's also thematically quite dark and has some nice characterization.

I also dare anyone who calls it "kiddy" to watch something like Dark Water and then call it that again. The show is obviously never graphic, nor ever truly scary (not to me at least), but some of the scenes and concepts are unnerving to say the least.

So it's a very flexible show; it can be very goofy and "childish" one episode, and then be creepy the next. That's part of what makes it fun, I think; if you are to fully enjoy it you have to abandon any belief of what you think it should be, and just go along for the ride. Sometimes you simply don't like what you see, that's natural, but I've found that with an open mind I've grown to really like episodes that on paper shouldn't have been my cup of tea.

It's not a 'kiddy' show, but it is a kids' show. I think Alex Kingston (River Song) said it best in an interview once - we all watch it, but the show really belongs to that 8-16 bracket. It's their show. The BBC, Moffat, RTD and people seem to agree with this concept broadly, too.

It's taken on an interesting shape in recent years though, as that's strictly a UK view but in the US it's taken on the veil of this cult nerd thing and isn't really watched by children much at all.

They did go to Venice for that episode though. Maybe they weren't able to get the shot you described there, but they definitely filmed there.

They didn't go to Venice, but they shot chunks of that episode in... Bulgaria, I think. Somewhere like that.
 
Oh yeah, one more big thing that bugs me: the TARDIS.

It resembles a police box to not raise suspicion of people of what it is. Ok fine, I'm sure that works great. IN THE SIXTIES.

When you're hundreds or thousands of years into Earths past or future, (hell even in the present), a big blue police call box is not a normal sight to see. And not just Earth. When he actually travels to an alien world, why would something from Earths culture be the perfect way to 'blend in' to this alien society?'

Wouldn'nt it make much more sense for the TARDIS to adapt its looks to that specific time period and culture? Surely it has the power to do so.

I know I know, budget reasons. But there is no logic in leaving the TARDIS as an old British police call box form all the time.

Doesn't he say he probably could but actually just likes how it looks at this point?

Yeah, the 'chameleon circuit broken' was the original reason, but IIRC when MS answered the question he said 'It isn't broken, the TARDIS has chosen to disguise itself as a Police Box.' or something similar.

But yeah, just about the oldest piece of Who-lore you can get.

super heated plasma - there's a ton of stuff in the OP that familiarity with the 'old' Who would provide answers for...although you'll really be dealing with a combination of really bad FX and full on British TV SF surrealism for the most part.

Also - its a fun, family show that has a reputation for making the kids hide behind the sofa during the scary parts. I realise that it now has this massive global audience, but at heart its a UK Saturday night primetime show and not some deep piece of drama dealing in complex social commentary like The Wire.
 
The worst part about Series 4 is what they did to Donna at the end. Goddamnit, she was my favorite companion and they ended her story like that.
I'll second that, Agents of Shield is childs play compared to Love and Monsters from Series 2.
Love and Monsters isn't even close to being the worst Series 2 episode (that's Fear Her by a loooooooooooooong shot).
 
I find it totally unwatchable, it's just too much of a kids show.

I don't know how people can watch it without cringing.

It's supposed to be a kids show, but I always thought it was a pretty poor kids show due to how scary and creepy it is (but I think that's just because it's British). If it was ever remade in the US to go after the same audience; it would be a lot more childish.
 
I really love and hate this show. When it's on, it's fucking ON. But this show has a strange knack for ruining the ending of plotlines.

I thought it was way more akin to Series 2. Lots of mediocre episodes, with three great episodes, and two mind-blowingly awful ones.

Kill the Moon and Forest of the Night, oh god help us all

Kill The Moon's ending was so good that it actually destroyed the believability of both Clara and the doctor's character arcs afterwards because they could never follow through on it.
 
I was part of Doctor Who Club at my school. The world and characters seemed like a lot of fun but the progression didn't make much sense and so I never really cared to sit and watch the full episodes.
 
It's supposed to be a kids show, but I always thought it was a pretty poor kids show due to how scary and creepy it is (but I think that's just because it's British). If it was ever remade in the US to go after the same audience; it would be a lot more childish.

Hiding behind the sofa while watching Who was a big part of millions of kids lives when I was growing up, and New Who bought that back.

Why would being scary and creepy make something a poor children's show anyway?
 
Hiding behind the sofa while watching Who was a big part of millions of kids lives when I was growing up, and New Who bought that back.

Why would being scary and creepy make something a poor children's show anyway?

Indeed scary and creepy moments have been one of the best thing for me in the series, but I think last season was quite weak on that side, Matt Smith era had the awesome Silence, but it's kind of hard for me pointing something remotely as unsettling in S8.
 
For me, the key to getting Who was to enjoy it ironically and then gradually just start enjoying it period. I suspect it may be the same for other people too.
 
I find it totally unwatchable, it's just too much of a kids show.

I don't know how people can watch it without cringing.
This is how I feel most of the time, but I find myself coming back to it time and again partly due to nostalgia, and partly because there is the occasional fantastic episode.

The show oozes charm and has brilliant imagination. It's just a shame the writing is usually terrible and they don't give the slightest shit about plot holes or the story making sense.
 
Blink's a masterpiece. While I like The Empty Child/The Doctor Dances more as a pre-director Moffat story, Blink is one of those episodes that is paced and crafted perfectly and stands on it's own without having to rely on other episodes. There is not a wasted moment in the script.

Oh yeah, and it's scary as balls.


Blink and Midnight are the best imo.
 
It's definitely not at it's best right now due in part to Moffat's overuse of needlessly convoluted plot elements just for the sake of it.

That said, it's still a shitload better right now than it was during the time we had Davros and his Dalek Death Star... which was just the most truly awful time for the show.

Also, Capaldi and Coleman have fantastic chemistry, which is a big saving grace for the current form of the show.

don't listen to this man. please

Seconded. Torchwood is the fucking pits.
 
Season 8 has some of the best episodes yet with Flatline, Listen and Mummy on the Orient express.

Plus Missy is the best villain in recent memory, Michelle Gomez is the perfect actress for the job, so good.

Missy-Doctor-Who.jpg
 
Oh yeah, one more big thing that bugs me: the TARDIS.

It resembles a police box to not raise suspicion of people of what it is. Ok fine, I'm sure that works great. IN THE SIXTIES.

When you're hundreds or thousands of years into Earths past or future, (hell even in the present), a big blue police call box is not a normal sight to see. And not just Earth. When he actually travels to an alien world, why would something from Earths culture be the perfect way to 'blend in' to this alien society?'

Wouldn'nt it make much more sense for the TARDIS to adapt its looks to that specific time period and culture? Surely it has the power to do so.

I know I know, budget reasons. But there is no logic in leaving the TARDIS as an old British police call box form all the time.

To be honest, I was in Glasgow recently and there was a Police Box in the middle of the highstreet and everyone walked past it like it was part of the furniture. I joked to my girlfriend that maybe the Doctor was real all along and the TV show was just to make us comfortable with seeing these blue boxes around ;)
 
Season 1 or Torchwood is meh
season 2 has Marsters how can you possibly hate that?
Season 3 is GOAT
Season 4 is genuinely good scifi that drags on for a bit. It's not some awful piece of trash like people make it out to be
 
I will never understand why people dissect shows so much.
It is no wonder why people complain so much, they are sitting down just looking for reasons not to like something.
Sometimes you just have to enjoy the ride for what it is.
 
Season 1 or Torchwood is meh
season 2 has Marsters how can you possibly hate that?
Season 3 is GOAT
Season 4 is genuinely good scifi that drags on for a bit. It's not some awful piece of trash like people make it out to be

Tick all of those down by 1 and I'd agree with you. Except Marsters was the only good thing about S2.

I don't know how RTD pulled off Season 3 considering everything that surrounded it.
 
I don't get people calling it a kids show. Must be older kids if they can follow some of the crazy plot twists and insane pregnancy theories and stuff like we got in the Matt Smith series'. The plot is not really a kids show level plot.

Also some of the episodes deal with much more mature themes.

It's not Torchwood-level of adult, but I don't see it as a Spongebob counterpart.
 
Oh yeah, one more big thing that bugs me: the TARDIS.

It resembles a police box to not raise suspicion of people of what it is. Ok fine, I'm sure that works great. IN THE SIXTIES.

When you're hundreds or thousands of years into Earths past or future, (hell even in the present), a big blue police call box is not a normal sight to see. And not just Earth. When he actually travels to an alien world, why would something from Earths culture be the perfect way to 'blend in' to this alien society?'

Wouldn'nt it make much more sense for the TARDIS to adapt its looks to that specific time period and culture? Surely it has the power to do so.

I know I know, budget reasons. But there is no logic in leaving the TARDIS as an old British police call box form all the time.

"It’s camouflaged. It’s disguised as a police telephone box from 1963. Every time the TARDIS materialises in a new location, within the first nanosecond of landing, it analyses its surroundings, calculates a twelve-dimensional data map of everything within a thousand-mile radius and then determines which outer shell would blend in best with the environment.... and then it disguises itself as a police telephone box from 1963."

The chameleon circuit is broken, and the Doctor doesn't really seem like he wants to fix it. He seems to like it blue. At one point in season 6 he does manage to
make it invisible briefly.

In the older Doctor Who shows, the Master's TARDIS works correctly, so you'd see him running into a fireplace or a pillar or something and making his escape.
 
Oh yeah, one more big thing that bugs me: the TARDIS.

It resembles a police box to not raise suspicion of people of what it is. Ok fine, I'm sure that works great. IN THE SIXTIES.

When you're hundreds or thousands of years into Earths past or future, (hell even in the present), a big blue police call box is not a normal sight to see. And not just Earth. When he actually travels to an alien world, why would something from Earths culture be the perfect way to 'blend in' to this alien society?'

Wouldn'nt it make much more sense for the TARDIS to adapt its looks to that specific time period and culture? Surely it has the power to do so.

I know I know, budget reasons. But there is no logic in leaving the TARDIS as an old British police call box form all the time.

Besides the in-universe reasons people said, the writers really don't dare to change it at this point, considering it has become such an iconic symbol of the show and it would probably make a lot of hardcore fans unhappy. I think Doctor Who fans are in for the adventures and humour, not so much narrative logic.
 
I don't get people calling it a kids show. Must be older kids if they can follow some of the crazy plot twists and insane pregnancy theories and stuff like we got in the Matt Smith series'. The plot is not really a kids show level plot.

Also some of the episodes deal with much more mature themes.

It's not Torchwood-level of adult, but I don't see it as a Spongebob counterpart.

Well, it is a kids show. It's childish and cartoony and completely disinterested by "realism". But that's a problem because...?

This is ultimately like the "Nintendo is kiddy" thing. Yeah. It is.

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Still gunna play fuckin' Mario, thank you very much!

Listen, let people who are apparently just far too mature of a grown up to watch Doctor Who look down their nose at it. In the meantime everyone else still interested in madcap time travel shenanigans can join me on the TARDIS for better entertainment than should be legally possible.
 
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