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Inglorious Basterds (Quentin Tarantino, Brad Pitt) trailer released

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Yo

Anyone that didnt like this trailer and liked Kill Bill should find the 1st trailer for Kill Bill

God that looked awfull...

It seems to me as if Tarantino like his trailers ultra-cheesy, moreso than the whole movies.
 
Alucard said:
This looks awfully tongue-in-cheek, which is par for the course for Tarantino. Think I'll skip it.

Yeah, I tend to take World War II films pretty seriously. The part of the trailer where the guy is running down the hall with a M60 unloading...Not to keen on that. I know QT isn't one for realism at times, but that's just lame. This isn't Grindhouse.
 
Solo said:
Because QT is a racist foot-fetishist, thats why!

He's not a racist, at least I personally don't think so. It's just bizarre that he manages to insert racism into the most awkward of moments, examples being; Dead nigger storage, Sicilians are spawned from niggers, his description of Black workers in Reservoir Dogs, referring to the Piano Player (Samuel L. Jackson!) as a negro fella in Kill Bill, etc. It doesn't really bother me, I personally anticipate the 'racial scene' when watching his movies for the first time, it just comes off as unneeded and bizarre :lol

ToyMachine228 said:
Yeah, I tend to take World War II films pretty seriously. The part of the trailer where the guy is running down the hall with a M60 unloading...Not to keen on that. I know QT isn't one for realism at times, but that's just lame. This isn't Grindhouse.

It's not all like that, it's definitely not as serious as most War films, but it's definitely not ridiculous to the point of campyness. If you were able to stomach Kill Bill then you'll be able to stomach Inglorious Basterds.
 
harSon said:
He's not a racist, at least I personally don't think so. It's just bizarre that he manages to insert racism into the most awkward of moments, examples being; Dead nigger storage, Sicilians are spawned from niggers, his description of Black workers in Reservoir Dogs, referring to the Piano Player (Samuel L. Jackson!) as a negro fella in Kill Bill, etc. It doesn't really bother me, I personally anticipate the 'racial scene' when watching his movies for the first time, it just comes off as unneeded and bizarre :lol

I think it's just that some people would actually say those things in real life. He's framing it in a certain manner to relate to the public, that people in fact DO talk like that. Just like how a black guy would make a movie, with extensive use of the N-word.
 
That trailer did absolutely nothing for me, except give me an uneasy feeling Inglorious may be heading down similar territory as Deathproof. As in Tarantino is simply at a point were he is indulging himself without any wider focus.

I think Jackie Brown proved he is often as his most effective when he reigns his natural instincts in.
 
The full quote from which the trailer dialogue is ripped from the script:

My name is Lt. Aldo Raine, and I’m putting together a special team. And I need me eight soldiers. Eight – Jewish – American – Soldiers.

Now yÂ’all might have heard rumors about the armada happening soon. Well, weÂ’ll be leavin a little earlier. WeÂ’re gonna be dropped into France, dressed as civilians. And once weÂ’re in enemy territory, as a bushwackinÂ’ guerilla army, weÂ’re gonna be doin one thing, and thing only, Killin NaziÂ’s.

The members of the Nationalist Socialist Party, have conquered Europe through murder, torture, intimidation, and terror. And thatÂ’s exactly what weÂ’re gonna do to them. Now I donÂ’t know about yÂ’all. But I sure as hell, didnÂ’t come down from the goddamn smoky mountains, cross five thousand miles of water, fight my way through half Sicily, and then jump out of a fuckin air-o-plane, to teach the NaziÂ’s lessons in humanity.

Nazi ainÂ’t got no humanity. There the foot soldiers of a Jew hatin, mass murderin manic, and they need to be destroyed. ThatÂ’s why any and every son-of-a-bitch we find wearin a Nazi uniform, there gonna die. We will be cruel to the Germans, and through our cruelty, they will know who we are.

They will find the evidence of our cruelty, in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German will not be able to help themselves from imagining the cruelty their brothers endured at our hands, and our boot heals, and the edge of our knives. And the Germans, will be sickened by us. And the Germans, will talk about us. And the Germans, will fear us. And when the Germans close their eyes at night, and their subconscious tortures them for the evil theyÂ’ve done, it will be with thoughts of us, that it tortures them with.

But I got a word of warning to all would be warriors. When you join my command, you take on debit. A debit you owe me, personally. Every man under my command, owes me, one hundred Nazi scalps. And I want my scalps. And all yÂ’all will git me, one hundred Nazi scalps, taken from the heads of one hundred NaziÂ’s or you will die trying.
 
xbhaskarx said:
I don't know what bothers me more, that the movie title has two misspellings, or that this thread title only has one.
Everyone who is only misspelling the 2nd word is letting Tarantino off the hook for being borderline-illiterate.
 
harSon said:
Why does Tarantino always have some random phrase of blatant racism in his movies? :lol He pretty much does it in every film, and it's no different in Inglorious Basterds having read the script!

You mean the first scene of the movie where a guy who calls himself "The Jew Hunter" says (paraphrasing) 'negros are gorillas' before proceeding to do a 2 page monologue on the similarities between jews and rats?

Classic Tarantino, really. Still, this is how nazis really thought, so the dialogue cannot be faulted.
 
master15 said:
That trailer did absolutely nothing for me, except give me an uneasy feeling Inglorious may be heading down similar territory as Deathproof. As in Tarantino is simply at a point were he is indulging himself without any wider focus.

I think Jackie Brown proved he is often as his most effective when he reigns his natural instincts in.

As you know, JB is my favourite QT film, but you have to read some of the script, mate. The focus sprawls sometimes, but it's definitely not heading in the Death Proof direction.
 
The casting alone has me interested. I wish Simon Peg was in it as well, as was originally planned.

I think too many people are assuming this movie is going to be 100% serious. The teaser makes it pretty clear that it isn't.
 
WickedAngel said:
Brad Pitt as Cotton Hill.

I thought it was hilarious and will definitely see it.

...

Brad Pitt is Lt. Aldo Raine. Where did you get Cotton Hill from? Did I not get some kind of joke?
 
Something tells me this movie is going to lack all irony and be oblivious about the similarities between the 'Basterds' and the Nazis they're slaughtering.
 
What's with the focus on Jewish soldiers only? I have a feeling Tarantino fully intends on using that to bring in additional comedy from stereotypes.
 
TheFallen said:
What's with the focus on Jewish soldiers only? I have a feeling Tarantino fully intends on using that to bring in additional comedy from stereotypes.
Is not the whole point of them taking revenge for what the nazis did against jewish people?
 
A very nice trailer breakdown from Empire magazine. Quentin Tarantino also adds some background on some of the images really like the feel his going for in this one.


The Inglourious Basterds trailer is finally, officially online and here's everything you need to know about Inglourious Basterds - not only from Empire's resident expert Damon Wise, but also from our old friend Quentin Tarantino. Yes, we persuaded the director to talk us through his most recent opus, and explain just what is going on... Like that famous misspelled title. But why the extra u in Inglorious? "I can't tell you!" says Tarantino mysteriously. "But the 'Basterds'? That's just the way you say it: Basterds."

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The Line-Up
The opening shot, like most of the trailer, comes from 'Chapter Two: Inglourious Basterds'. That's Chapter Two of the film's five-chapter script (there are also quite a few snippets of Chapter Four: Operation Kino in there as well). This is the very beginning of that chapter, in which Sgt Aldo Raine (Brad Pitt) is assembling a crew of violent Nazi hunters to instil fear into the Third Reich. These are the actual Basterds that you will see in the movie: you will note that there is no Arnold Schwarzenegger and no Sly Stallone. "I never threw any of those names around, alright!!" protests Tarantino.

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Eli Roth
The Hostel director has been a controversial choice to play Boston-born Donnie Donowitz, who, with Pitt's character, was the first of the original Basterds that Tarantino came up with. "There was always Donnie, and there was always Aldo," he says. "But after that, I had to come up with some more characters. After Donnie and Aldo, I wrote those characters and then I auditioned for them."

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Brad Pitt
"My name is Lt Aldo Raine... and I need me eight soldiers." Using this scene so early in the trailer is a bit of cheat, since it actually takes place some 20 minutes into the movie. Pitt's character is a Southern redneck whose efforts to bring down the Nazis will ultimately dovetail with plans made by the British and a German double agent, as well as a revenge plot conceived by one of the Nazis' surviving victims. "He's wonderful," Tarantino enthuses. "We've wanted to work together for a long time and this was just the right one, completely. I didn't really consider anybody else."

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Hirschberg And Zimmerman
Two more Basterds, Private Hirschberg (Samm Levine) and Private Zimmerman (Michael Bacall), are revealed in the line-up. They seem mild, but looks can be deceptive. Offscreen is Sgt Stiglitz (Til Schweiger), a German renegade who defected after killing 13 Gestapo officers.

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Nation's Pride
This is a teasing snippet of 'Chapter Three: German Night In Paris'. This black-and-white footage is from a film-within-the-film called Nation's Pride, a propaganda film being made by Joseph Goebbels, starring Frederik Zoller (Daniel Bruhl), a famous German sniper. Says Tarantino, "He's a little bit based on Audie Murphy [an American GI who became a Western star after a biopic was made of his wartime heroism]. And just like Audie Murphy, he's about to become a movie star."

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Around The Table
This is the very beginning of the movie and is taken from 'Chapter One: Once Upon A Time In Nazi-Occupied France'. A formidable Nazi, Col Landa, aka the Jew Hunter (Christoph Waltz), is tracking down the whereabouts of the missing Dreyfus family, who he thinks are being hidden in this rural farmhouse. "Each chapter in this movie has a vaguely different look, and a different feel, and the tone is different in all of them," says Tarantino. "The opening chapter truly feels like a spaghetti western, but with World War Two iconography."

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The Field
This is Shosanna Dreyfus (Melanie Laurent), daughter of the Dreyfus family, a Jewish girl who escapes the SS and flees to Paris. Pay attention, because Shosanna, and not Aldo Raine, is the closest thing this film has to a lead character. "Shosanna was always a main character," says Tarantino. "One of the biggest changes in my conception of it from way back when until now - in fact, hands down the biggest thing - is that, in the original version of this script, Shosanna was more of a kind of movie character. She was badass. But the thing about that was, I did that with The Bride in Kill Bill. So I started making her more like a real girl in this situation."

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The Nazi Badge
Intones Raine, "We will be cruel to the German...". Indeed they will! Not only do the Basterds steal military insignia as trophies, they also scalp their victims. "The Basterds are acting like the Apaches in a no-win situation," says Tarantino. "That's what they're trying to do: they're trying to win a psychological guerilla war against the Nazis."

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Branded
This is Private Butz wearing "a little somethin' you can't take off", courtesy of Aldo Raine. In this scene, Butz is telling an irate Adolf Hitler about his lucky escape from the Basterds.

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Nazi Chicks With Guns
This is an excerpt from the epic La Louisiane bar scene, in which British soldier Lieutenant Archie Hickox (Michael Fassbender) goes to meet his contact, double-agent Bridget Von Hammersmark (Diane Kruger), while the Basterds stand guard. "The La Louisiane scene is like a reduced Reservoir Dogs," says QT, "but with Nazis and in German. It's a 23-minute scene, and instead of that warehouse they're in a little basement bar."

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Blue Angel
Kruger's Von Hammersmark is a presence in the movie long before she makes an entrance, her face appearing on many movie posters that line the streets. She is a big star in Germany, the equivalent, perhaps, of a Marlene Dietrich. "I like the idea that it's the power of cinema that fights the Nazis," says Tarantino. "But not just as a metaphor - as a literal reality."

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Bar Fight!
This mini-Reservoir Dogs scene, set in a tiny, claustrophobic basement bar, is one of Tarantino's proudest achievements in the movie. "La Louisiane is a huuuuge deal, I think the biggest deal I've ever done, in any of my movies. I always said that once we'd done the La Louisiane, then... everything else won't exactly be easy, but it will appear easy after La Louisiane. And we'll be able to do a great climax because we've done the La Louisiane."

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Batter Up!
Donny Donowitz may actually be the fiercest of the Basterds - says Aldo: "Watchin' Donny beat Nazis to death is the closest we ever get to goin' to the movies." Tarantino claims he won't be pulling punches. "If you think the script's violent," he grins, "then you'll think the movie's violent."

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Shoot 'Em Up
This is a scene from Chapter Two, in which the Basterds ambush a Nazi patrol. "I wanted to stay away from all the silly war-movie cliches that I never bought into," says Tarantino. "Y'know, they have to take out a guard, so they very lightly strangle him and that takes care of that. They kill a German soldier and all of a sudden, not only is there no blood on their uniform or even a bullethole, it miraculously fits them when they put it on! All that kind of stuff."

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Aldo In Character
Tarantino is full of praise for Pitt's commitment to the role. "When he's on set, he's Aldo," he says. "He doesn't really break character. When you talk to him about other stuff, he talks in Aldo's voice. And because I created the character, it's great to have the guy around all the time."

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Heil Hitler?
This is the moment that Adolf Hitler (Martin Wuttke), leader of the Nazi Party and ruler of wartime Germany, finds out about the bloody antics of Aldo Raine and his mysterious crew, fearing that his soldiers are being turned into "superstitious old women" who believe the Basterds have supernatural powers. "I always knew I would have Hitler in it," says Tarantino. "I always knew Hitler would be a character. That was one of the first things I wrote. The Hitler stuff I wrote a long, long, long time ago. But I enjoyed writing Hitler. It was a lot of fun."

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harSon said:
Why does Tarantino always have some random phrase of blatant racism in his movies? :lol He pretty much does it in every film, and it's no different in Inglorious Basterds having read the script!

And he always has Sam Jackson in his movies too...

(think he is narrating in this one)

The movie is about Nazis so you have to figure its going to be there.

His older stuff didn't bother me. Most of Jackson's lines from PF and JB were adlibbed by him. And the rest were how some people do talk about other types of people when they aren't around..
 
rezuth said:
Is not the whole point of them taking revenge for what the nazis did against jewish people?

Except we didn't know anything about the Holocaust until much later in the War. This gives me the impression that the team is dropping in before Normandy.
 
Pitt's character is a southern redneck...

"He's wonderful," Tarantino enthuses. "We've wanted to work together for a long time and this was just the right one, completely. I didn't really consider anybody else."

See I'm thinking your desire to work together for such a long time caused you to miscast this part. You could have just waited until your next movie (10 years from now).
 
Borgnine said:
See I'm thinking your desire to work together for such a long time caused you to miscast this part. You could have just waited until your next movie (10 years from now).

Quentin Tarantino cannot hear you.
 
I dont know how i missed this trailer.

rezuth said:
This kinda looked like if Uwe Boll would make a WW2 movie to me. Not saying its going to be bad but this whole trailer just kinda reminded me of the Postal movie trailer.
:lol That's exactly what i thought. I'm not going to write it off because of a terrible teaser, but still, they chose some crappy stuff to show and i also agree with others that Brad Pitt looks awful in this.

I hope it's fun in a Black Book sort of way.
 
Blackace said:
And he always has Sam Jackson in his movies too...

(think he is narrating in this one)

The movie is about Nazis so you have to figure its going to be there.

His older stuff didn't bother me. Most of Jackson's lines from PF and JB were adlibbed by him. And the rest were how some people do talk about other types of people when they aren't around..

The movie definitely has one of those scenes, I was anticipating the scene when reading the script :lol
 
icarus-daedelus said:
I'm sure the script is great and blah blah blah, but seriously, Brad Pitt is so miscast here. Every damn word out of his mouth is completely distracting and phoney.

All twenty two of them.
 
Yoboman said:
All Tarantino flicks have terrible trailers

It'd be hard to make a decent trailer out of any of his movies, the only marketable movie he'd made thus far is Kill Bill and even that trailer was lackluster.
 
I never got Tarantino's fetish with racist dialogue either, regardless if thats how some people talk in real life.

That said, the teaser is fucking awesome. Gives me an idea for a book. hmmmm.
 
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