Jesus Carbomb
From Water into Guinness
Captain McCrea "waking up" and wanting to get everyone back to Earth is a beautiful thing. Why do people hate it so much? 
From the way people usually talk about Up you would think it was a 20 minute animated short film about marriage.
Best talking dogs movie ever.And then after the first 10 minutes, it becomes a movie about talking dogs in biplanes.
I enjoyed The Good Dinosaur more... but I also think A Bug's Life is better than Toy Story, so I know my opinion will be called trash.
But it's correct.
Are you praising the rest of the movie because of how her death influenced the main character's actions? Am I understanding this correctly?The way people talk about Up, you'd think that the storyline regarding Ellie disappears after the opening.
Ellie is a presence that hangs over the entirety of Carl's character arc, the only reason his goal is to get to Paradise falls is to fulfill her dream, and as he struggles to get to the physical place, he moves away from it on a spiritual level. Ellie was a woman who found wonder not in places, but in people, and to truly honor her, Carl had to relearn that as he dealt with his grief.
You can argue that the opening was the best part of the movie. I certainly do. But as a storyline, it is fundamentally incomplete without the rest of the movie and wouldn't be anywhere near as good without the rest of the experience delivering on the catharsis of Carl's character development.
wrong
Ratatouille and The Incredibles exist
It was aight. Wall E for life.
Wall E is better but so is Zootopia.
Edit: I'll also add that I thought it was just okay and the artstyle was atrocious.
Inside Out was disappointing for me. It wasn't bad but it didn't blow me away. Wall-E and The Incredibles remain my favorite Pixar movies.
Wall-E and UP are among the best. Inside Out was pretty meh.
Are you praising the rest of the movie because of how her death influenced the main character's actions? Am I understanding this correctly?
I understand.I'm saying the opening itself is incomplete without the rest of the movie. It's a retort against people who act like the opening is the only thing that matters about Up and that the rest is 'typical pixar fanfare' or 'about talking dogs hunting a snipe'.
It's ALWAYS about Ellie, through and through. Yes, that is obstensively saying that her death influences the main character's actions, but more than that, it's an intrinsic part of a cohesive whole that you can't separate without breaking the experience for both the opening and the rest of the movie. The opening on it's own would be lessened without the rest of the movie resolving the conflict that it presents carl with.
You sound like you're describing people who love Ratatouille here. People seem to forget about the terribly forced and poorly executed love story that drags in the middle. That alone drops it out of being top tier.I think people remember the amazing opening and ending of that movie and gloss over how plodding the vast majority of it is.
You sound like you're describing people who love Ratatouille here. People seem to forget about the terribly forced and poorly executed love story that drags in the middle. That alone drops it out of being top tier.
Same. Or put another way, too much Joy, not enough Riley. It seems like a movie that really should have been about an hour long or so, but they desperately wanted it to be feature length and so they padded it full of Joy's wacky misadventures and hijinks to make it just long enough to hit that mark. Far too much time wasted on stuff like Joy and Sadness wandering a maze, talking about infomercial jingles, wandering Imaginationland, trying to make Riley have nightmares, etc, and trying every which way to get back to the other emotions and fail and have to look for some other method just enough times to pad it out to feature length. I mean, all that time is used to set up the world of the film/the psychology of it/whatever you want to call it, but in doing so, kills any pacing the film may have had or the effectiveness of the rising action and any real sense of urgency until like the final 20 minutes or so because until then every times start looking serious with Riley we get more wacky-hiinks with Joy and company to calm things down again, because the kiddies can't handle the story without all that or something and they needed to pad things out anyway?Too much inside, not enough out.
The movie really was too invested in explaining the sort-of psychology it embraced/created. And that was to the film's detriment.
Easily not the best Pixar movie.
Killed the thread too soon.wrong
Ratatouille and The Incredibles exist
The way people talk about Up, you'd think that the storyline regarding Ellie disappears after the opening.
Ellie is a presence that hangs over the entirety of Carl's character arc, the only reason his goal is to get to Paradise falls is to fulfill her dream, and as he struggles to get to the physical place, he moves away from it on a spiritual level. Ellie was a woman who found wonder not in places, but in people, and to truly honor her, Carl had to relearn that as he dealt with his grief.
You can argue that the opening was the best part of the movie. I certainly do. But as a storyline, it is fundamentally incomplete without the rest of the movie and wouldn't be anywhere near as good without the rest of the experience delivering on the catharsis of Carl's character development.
Just watched it, and it blew me away. Its roots in actual human psychology, and its exploration of memory and the 21st century obsession with happiness take it multiple levels above anything else they've ever done. There's just a lot more to unpack and explore than there is in their other more straight-forward movies. It's a masterpiece of social commentary and making brain science easily digestible in deceptive kid movie form.
I'm assuming I'm not alone in this line of thinking? It's truly a beautiful piece of work, and has supplanted The Incredibles and Monsters Inc. as my personal favourite. Ratatouille is up there too, of course.
I love Inside Out, one of my top favorite movies in all honesty.
I think your level of enjoyment to Inside Out (as well as most movies) is how much you relate to it on a personal level.
I enjoyed The Good Dinosaur more... but I also think A Bug's Life is better than Toy Story, so I know my opinion will be called trash.
But it's correct.
Just watched it, and it blew me away. Its roots in actual human psychology, and its exploration of memory and the 21st century obsession with happiness take it multiple levels above anything else they've ever done. There's just a lot more to unpack and explore than there is in their other more straight-forward movies. It's a masterpiece of social commentary and making brain science easily digestible in deceptive kid movie form.
I'm assuming I'm not alone in this line of thinking? It's truly a beautiful piece of work, and has supplanted The Incredibles and Monsters Inc. as my personal favourite. Ratatouille is up there too, of course.
I also think A Bug's Life is better than Toy Story, so I know my opinion will be called trash.
But it's correct.