Parenthood has had to negotiate all these issues, and generate enough ratings to stay on air to boot. It’s always been a good show, but it’s had issues that kept it shy of greatness: a lot of Braverman storylines to juggle, characters getting lost in the shuffle or relegated to comic relief, and a tendency to be emotionally manipulative. Right now, though, Parenthood is the best it’s ever been. It’s mastered its tone, its fantastic cast is getting well-used, and it’s jerking tears (and laughs) honestly. (Parenthood comes from producer Jason Katims of Friday Night Lights—another show about the emotional entanglements of community—and it’s taken that show’s place as what I like to call “Daddy’s Cry Time.”)
This isnÂ’t just because of KristinaÂ’s breast-cancer storyline, but IÂ’ll focus on that because so many of the other stories inevitably get pulled into it. Yes, giving a main character cancer is an easy way to boost the stakes, but itÂ’s hardly an unrealistic one: if any family survives long enough, there are going to be health crises.
One reason the story has worked so well is that it hasnÂ’t taken over or changed Parenthood but played off its central theme: the way family places you at the nexus of a web of competing needs and responsibilities, none of which magically go away because another one comes along. Kristina gets cancer, but thereÂ’s still MaxÂ’s election at school, and HaddieÂ’s adjustment to college, and the baby, and AdamÂ’s business. Adam persuades Kristina not to postpone her surgery for anyone elseÂ’s sake, but the other problems are still there. (In fact, thereÂ’s just the barest hint, as she prepares for a terrifying surgery, that itÂ’s a little bit of a blessing to be able to focus, through Max, on someone elseÂ’s problem for a moment, even as she prepares to miss his speech for surgery.)