Once in a long while, a show comes along and does the brave thing that flies in the face of expectations and stays true to itself. Avatar, with its season two finale, is one of those shows. Many compare Crossroads to the Empire Strikes Back. But now that I think about it, theres not really too much in common between the two besides the fact that both were great second acts that end on a dark note. I personally think what makes Crossroads great is that the characterizations are deep, meaningful, and consistent with everything weve seen on the show thus far. Ill try to touch on every aspect.
Sokka/Toph: As the supporting cast of this episode, they did a decent job and played their roles. Tophs recognition of Iroh was a nice touch, and Sokkas Instincts (tm) on Zuko proved to be correct. More metalbending is always good.
Azula:
Shes terrifying and inspirational at the same time... its hard to explain.
That statement can be applied to charismatic super villains everywhere. Lets take a look at her work within the finale. She engineers a bloodless coup, which stands out as one of the most awe-inspiring feats in the breadth of the series. She stares down and defeats the most powerful man in the Earth Kingdom without lifting a finger. One has to remember that the notion of the divine right to rule is deeply embedded Earth Kingdom and Fire Nation culture. Thats why Long Feng needed the Earth King (who is regarded as a god) as a puppet. By exploiting that fact, Azula is able to capitalize on a corrupt Dai Li, who want to maintain control at any costs. Grey Delisle deserves a lot of credit for developing Azulas presence, especially in this brilliant exchange:
Azula: "The fact is, they dont know which one of us is going to be sitting on that throne and which one is going to be bowing down. But I know. And you know."
Long Feng: ".....Youve beaten me at my own game."
Azula: "Dont flatter yourself. You were never even a player."
Azula then masterfully manipulates Zuko by dangling the carrot of redemption in front of her conflicted sibling. In this, we see the subtle difference between how Azula and Iroh appealed to Zuko. Iroh tells him to choose good, Azula tells him hes free to choose. Azula wins out. She just knows him so very well.
And just when you think she couldnt do anymore to top herself, she goes and does the unthinkable.
She kills the hero of the show.
Dead.
Shattering the typical trope of doing nothing during a power-up sequence, she presses her advantage, and shoots Aang through the back. True to real electrocution injuries, there are two wounds seen when Aang is falling: an entrance wound (back) and an exit wound (foot).
There is no doubt that Azula cements her place as one of the best villains in any show in this single episode.
Iroh: As usual, Iroh plays a multi-faceted role in this episode. He reminisces on his past as a conqueror, shows that hes a force to be reckoned with as the "Dragon of the West", offers sage words to Aang in one of my favorite heart to hearts, and attempts to help his nephew make the right choice. Unfortunately, throughout Book Two, he does not see (or maybe he did not want to see) that Zuko is his own man and cannot live the life Iroh wants for him. The wise man of the Avatar universe gets it wrong, leading to the events in the conclusion of the episode. His look away from Zuko is heartwrenching to watch.
Zuko/Katara:
Im sorry. Thats something we have in common.
This scene serves quite a few purposes. One is to set up storylines and characterizations for Book Three, and another is to connect the two on a human level. Prior to this point, Katara thinks Zuko is an inhuman monster (basically an Azula), and Zuko cares nothing about the water tribe peasant who constantly gets in his way of capturing the Avatar. By discovering their common bond of loss, it allows Katara to be the Katara we know, the one that is trusting and compassionate. It makes the ultimate betrayal all the more devastating, as Katara watches Zuko become an accessory to the murder of her best friend and her source of hope. Given Kataras personality, this will have ramifications in Book Three.
Zukos choice:
Katara:I thought you had changed!
Zuko: "I have changed."
With regards to Zuko, his choice in Crossroads is a defining character moment. I wasnt around the fandom when this first aired, but from what I gathered, there was a lot of outrage and cries of character assassination.
During my first viewing of the show, I was absolutely stunned with Zuko siding with Azula because I thought the show would take the easy way out in his turn towards the good side. It did not, and his choice is so brilliantly in character its not even funny.
Everyone expected Zuko to choose good, because well, thats what should happen, shouldnt it? But looking back in hindsight, there was absolutely no reason to think so from Zukos perspective.
Throughout his journey through Season Two, Zuko suffered tremendously. The chances of him regaining his rightful place in the Fire Nation grew dimmer as time passed. Despite Irohs unwavering support and encouragement for him to accept a humble and quiet life in exile, it was an existence that Zuko, at his core, could never accept. The tragic thing is, it wasnt for a lack of trying. Lord knows he did his best to become Li the tea server and give up his Avatar chasing days. But it was so fundamentally wrong that it made him physically ill and turned him into someone that we did not recognize as Zuko. Happy pod Zuko just seemed .... off.
In the end, he cannot be anyone but Prince Zuko, son of Ozai and Ursa, a loyal and proud Fire Nation subject, and the next heir to the throne. He's that when he's fleeing in exile. He's that when he's a nameless cowboy. He's that when he's a filthy refugee. Everything else anyone (including the well-intentioned Iroh) wanted him to be was a lie. His experiences in the Earth Kingdom has opened his eyes to the toll his nations war is having, but like his mothers last words, Zuko is someone who never forgets who he is.
It is with this understanding of his character that we examine his decision in Crossroads. There is absolutely no reason for him to side with the Gaang, people he neither knows nor likes, and people who in turn hate him and everything his nation stands for. In fact, the only relevant obstacle is Iroh, who urges him not to go down that path. But why would this emotionally immature boy with so many inner demons ever do anything but to try and win back the love and approval of his father?
Going along with Aang at this juncture wouldnt have made a lick of sense. Azula, master manipulator that she is, pours poisoned honey into his ear. At the end, we see that the only regret Zuko has concerning his choice is the betrayal of Iroh.
We all know that it was the morally wrong choice to make. But it was ZUKOs choice to make, and completely in line with everything we knew about his character and his subsequent growth. When Zuko said, I have changed to Katara, he meant it. He finally chooses his own destiny instead of going along with what other people want. In Season One, he chased the Avatar to regain Ozais favour. In Season Two, he tried to follow the wishes of Iroh to live a simple life. Both failed spectacularly. At the crossroads of his destiny, Zuko finally chooses for himself, and Book Three is about him having to live with the consequences of his choices.
Aang/Katara: Im not sure where to begin, but suffice it to say that their relationship arguably becomes the emotional climax of Book Two. Aang struggles mightily with the choice of fulfilling his duties and his love for Katara. Iroh gives him some reassuring advice and reiterates one of most important theme of the show:
Perfection and power are overrated. I think you were very wise to choose happiness and love."
As the fourway showdown begins, it initially appears to be a pretty even fight. Aang whomps on Zuko as he usually does, but more surprising is that Katara actually has Azula on the ropes. But as the fight wore on, a combination of Aangs inexperience in Earthbending and Zukos renewed sense of purpose shifts the fight towards the siblings. With the introduction of the Dai
Li, things go downhill fast. Katara resorts to the Octopus stance (a very nice callback to the Cave of Two Lovers), but the situation is lost. Facing imminent defeat, Aang makes the hardest choice he has ever had to make in a quietly devastating line:
Its important to note that he is giving her up not for ultimate power; he gives up love FOR love, in order to save her. He is successful and emerges from his crystal cave.
Azula kills him. The Avatar cycle is broken, and all hope is lost.
Kataras reaction is especially heartbreaking to watch, going from pride to grief in a split second. She conjures up a tsunami of incredible power, sweeping aside all to catch a falling Aang. Many have pointed out that in the subsequent frame, she holds onto Aang akin to
Michaelangelo's Pieta, a powerful image of grief and suffering. This is an apt comparison since Aang can be considered a messiah in the Avatar universe. As Zuko and Azula close in, Katara has given up, something that has never happened in the series. Honestly, what more can they really do to her that they havent already? But Iroh steps in to allow her to escape.
Back on Appa, Katara uses the spirit water to revive Aang. It works, Aang opens his eyes and smiles. Katara is overjoyed and relieved.
It is akin to their first encounter all over again.
My interpretation of this entire final act is that love is the ultimate power. In the Guru, we were told explicitly that love is indestructible. Aang lets go of love for love, dies, only to be revived to love Katara all over again. This is some pretty epic stuff. The final act also shows that the airbending philosophy of detachment is wrong. Pathik wants Aang to detach himself from the world for ultimate power, but without Kataras love, he would be permanently dead, the Avatar cycle would be broken, and all would be lost.
Ultimately, Crossroads comes down to choices, and destiny is what you make of it. Both Zuko and Aang chose wrong, and both paid the price. For Zuko, it is guilt for betraying the person who cared most for him. Aang makes the choice to let go with good intentions, but dies for it. Fortunately, the love of Katara is there to bring him back.