Al-ibn Kermit
Junior Member
Pete is so leaving Trudy.
Lol you mean Trudy is going to leave him. He's fantasizing about leaving Trudy, he may even be planning it. But she's going to beat him to it.
Pete Campbell will always lose.
Pete is so leaving Trudy.
Yep.Trudy needs to unload an Uzi into Pete's chest right there in the living room.
Not to mention that the Joan/Jaguar parallel was so obvious that it kind of ruined the suspension of disbelief (for me). Amazing episode marred by some artistic compromise for convenience.That NPR review brings up a few things that bothered me as well. I don't really find Roger's actions in this episode to be very plausible. This is the guy who knows Joan intimately, barges into her office all the time to ask inappropriate things, and he lets this happen without ever even speaking to her about it? He takes Pete's word that she just wants a big enough reward and she's willing? It's a good episode, but it felt like I could see the plot bending and twisting people into acting the way Weiner needed them to.
That NPR review brings up a few things that bothered me as well. I don't really find Roger's actions in this episode to be very plausible. This is the guy who knows Joan intimately, barges into her office all the time to ask inappropriate things, and he lets this happen without ever even speaking to her about it? He takes Pete's word that she just wants a big enough reward and she's willing? It's a good episode, but it felt like I could see the plot bending and twisting people into acting the way Weiner needed them to.
Oh, snap. From the NPR review:
"She seems to behave, most of all, in whatever way suits the theme of the week's episode."
I sort of bought Roger's reaction because of what you said about Pete. He totally twisted his initial meeting with Joan. Maybe Roger just didn't want to get in her way and could understand her wanting to support their baby (knowing that he can't outright support Joan and the kid in public or whatever).That NPR review brings up a few things that bothered me as well. I don't really find Roger's actions in this episode to be very plausible. This is the guy who knows Joan intimately, barges into her office all the time to ask inappropriate things, and he lets this happen without ever even speaking to her about it? He takes Pete's word that she just wants a big enough reward and she's willing? It's a good episode, but it felt like I could see the plot bending and twisting people into acting the way Weiner needed them to.
If Joan had told him she wanted to do this, sure. But Roger knows Pete is a self-serving scumbag, I can't see him taking Pete's word on this.I sort of bought Roger's reaction because of what you said about Pete. He totally twisted his initial meeting with Joan. Maybe Roger just didn't want to get in her way and could understand her wanting to support their baby (knowing that he can't outright support Joan and the kid in public or whatever).
I guess I am a little conflicted, though. Looking back, it seems like Roger could have at least talked to her and protested the idea in private.
Isn't that just Megan's character though? She's young and married to someone that doesn't have anything in common with her. She's trying to act the way Don expects her to act while trying to live her own life at the same time.
I think it's more pronounced with Betty since she doesn't have much of an arc that actually engages the rest of the series. That way her character this season has served as more of an instrument, rather than organically developing with other characters/plots.I don't think the NPR review is referring to just her character but rather how the character is used blatantly to serve the theme of the week rather than her develop in a natural way.
Perhaps that could be said about every character in the show, especially this season where the themes are a bit louder. The exception I would make in her case is that her base character isn't quite interesting enough to warrant the screentime she's getting.
I think it's more pronounced with Betty since she doesn't have much of an arc that actually engages the rest of the series. That way her character this season has served as more of an instrument, rather than organically developing with other characters/plots.
I thought we were talking exclusively about this season.Can't say I feel the same. I thought Betty was a terrific character in the previous seasons, and far more interesting and relevant even than Megan.
I thought we were talking exclusively about this season.
I forgot Betty was still a part of the show..
...and yes, Roger's non-reaction also bothered me. I also kept waiting for Roger to have at least one conversation to Joan, but it never happened. So that definitely felt out of character and was something I immediately noticed.
My wife cried when Peggy said goodbye to Don, but I was thinking "about time".
Pretty much. Throwing money at her face was fucked up on a number of levels. It's also interesting how Don was as sensitive as he was about Joan prostituting herself for the company, but treated Peggy's talents as if she were a mere prostitute - from indiscriminately throwing cash at her face to then thinking that she was only threatening to leave the company because she wasn't being paid enough.
While this juxaposition was enjoyable, it kind of soured The Suitcase for me. Don didn't understand Peggy at all in the end, and I don't know whether that sits right with me given how the characters developed.
Much more via the link.There were other aspects to the story, but for us (and we think, for just about every other viewer), this episode was entirely about Peggy and Joan. Megan had an arc in this episode as well, but it was the weakest of the three and the costuming tended to reflect it.
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This is Peggys hard at work sweater, making it a particularly good choice for this scene, which demonstrates that shes working her ass off but not getting the kind of perqs normally thrown at male creatives on a big account. Golden yellow has always been her career color, going all the way back to Season One, and she wore this sweater in several scenes this season depicting how hard she works, most notably when she stayed late in the office while Megan went off to an audition.
That NPR review brings up a few things that bothered me as well. I don't really find Roger's actions in this episode to be very plausible. This is the guy who knows Joan intimately, barges into her office all the time to ask inappropriate things, and he lets this happen without ever even speaking to her about it? He takes Pete's word that she just wants a big enough reward and she's willing? It's a good episode, but it felt like I could see the plot bending and twisting people into acting the way Weiner needed them to.
- Tom & Lorenzo: Mad Style: The Other WomanMuch more via the link.
Weiner probably wanted the focus to be on Joan and Don and felt that having having Roger involved would distract from that. But his reactions just didn't feel right, and it wasn't just Roger, even Cooper seemed a bit too blase about it considering he's been shown to respect Joan in the past.
Agreed. I mean, the man had no qualms to recommend Joan stay away from Roger because "[she] could do much better," but is now somehow comfortable with the idea of whoring her out to potential clients? Eh.
Weiner probably wanted the focus to be on Joan and Don and felt that having having Roger involved would distract from that. But his reactions just didn't feel right, and it wasn't just Roger, even Cooper seemed a bit too blase about it considering he's been shown to respect Joan in the past.
I really hope the next episode isn't fluff, and has more game changing subplots in it.
And yes, moar Betty plz.
I thought his lack of protest was strange but didn't Joan warn him last week to "be careful or he won't even be considered a family friend" in regards to him trying to insert himself into her financial situation?I didn't find Roger's lack of reaction odd in the moment. And really, we may yet still a reaction from him abotu this. It's not like the issue's dead. Quite the contrary, this is going to keepplaying out for some time.
I expect Joan to give him grief over it at some point.
You're right. Nothing changed the game at all in this past episode.
Well, remember that Roger protests at first, but Pete says that Joan is amenable to the situation.
That totally changes the situation for Roger.
At any rate, I'm all for Pete's death.
I'm not saying this last episode, but you have to admit some of the earlier episodes this season were a little too "Look @ Fat Betty + Megan."You're right. Nothing changed the game at all in this past episode.
Well, I think this episode is why they had the "Don't meddle in my life" conversation. It sets the stage.It changes the situation, certainly. But IMO, not including a scene of them even discussing it is terribly disrespectful to their relationship/history. Like other critics have mentioned, the whole situation feels reverse engineered.
It changes the situation, certainly. But IMO, not including a scene of them even discussing it is terribly disrespectful to their relationship/history. Like other critics have mentioned, the whole situation feels reverse engineered.
The Jaguar people seem to be good sports about it. I guess they kinda have to be.
And as an aside, did this episode make anyone else think of Dudley Moore's Jaguar ad campaign from the movie Crazy People? I mean to mention it, but forgot.
"Jaguar: For Men Who'd Like Hand Jobs from Beautiful Women They Hardly Know."
And later, there are little forms to fill out at the dealership that they are giving away that read "Yes, I'd like a Hand Job."
On Sunday night, Mad Men's Joan Harris did something unthinkable, and the phrase "indecent proposal" returned to the popular lexicon for the first time since 1993. Prior to the episode's debut, the title ("The Other Woman") had fans fervently speculating that Joan and Don Draper might consummate their Christmastime flirtation. Instead, a much darker transgression took place. "What price would we pay, what behavior would we forgive, if they weren't pretty, if they weren't temperamental, if they weren't beyond our reach and a little out of our control?" Don purred at the Jaguar meeting, as Joan relinquished controlthe thing she has always prided herself on maintainingto the least deserving man on the planet, for a once-in-a-lifetime payoff. The emotionally wrenching episode was the best so far this season, and a tour de force for actress Christina Hendricks (whose hourglass beauty gets more press than her considerable acting chops). In an exclusive conversation with GQ, Hendricks walks us through Joan's fateful decision, reveals why Joan hasn't hooked up with Don, and explains why kicking that no-good Greg to the curb was so satisfying.
And so at last, Don Draper is Don Quixote, discovering and declaring a Dulcinea; raising a girl, rather than causing her to fall. Once called Peggy, she is now Margaret, Princess of Vogue. He kisses the ring in an act of affection and farewell, an act of mysterious adieu that best becomes the Legend of the Regal Ghost of the Commodity Form, prepared now, in part through his rough basic training, for her installation in the Palace of Exchange Value.