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Moriarty's Tour of Pixar

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I was the first person from the group of journalists to arrive, giving me plenty of time to look around the lobby, which is actually a gigantic football-field length atrium, the centerpiece of the entire building.

As it was explained to me later, Steve Jobs originally proposed a building with one bathroom, something that would drive foot traffic to a central area all day long. Obviously, they’ve got more than one bathroom in the building, but just standing there and watching as everyone arrived to start their day, it was obvious that Jobs had managed the feat.

The mailboxes, the employee café, and the common room where all the games are all open into that atrium, and people lingered, talking, exchanging ideas and discussing the various projects they’re working on. It seemed like a fertile, creative environment, and I felt like Charlie Bucket holding a golden ticket as I examined the larger-than-life INCREDIBLES statues in the center of the atrium and the concept paintings hung on the walls.

He also led us through the section of the building where the animators actually work. Here’s where the Wonka factory comparison felt strongest. Instead of cubicles, each of the animators has a customized space. There was one guy who had this groovy corner office that was open on two sides, and he had no chair at all. He had the entire office set up so that he could work standing, like so:

That was a pretty extreme example of what someone could do with their space. A lot of the animators decided early on that they didn’t want cubicles, so instead, Pixar found these groovy little cottages that they bought for them. Walking through the animation department is like walking through a neighborhood for dwarves. Lots of little houses laid out along “streets,” each one with an address on the door.

The animators also have lounges set up so they can congregate and relax, including a jungle-themed lounge with piñatas hanging overhead.

One of the most amazing things we saw was the assembled hardware required to make Pixar’s films happen. The computer brain of Pixar is as big as I’d expected, and there’s something surreal about this serene room full of rack after rack after rack of black computer boards, nearly featureless, being the place where such memorable characters as Buzz and Woody and the Incredibles and Boo and Sully all live and breathe. There’s also something HAL9000 about the entire room, and I started to get worried that the computer was reading our lips as we stood looking in at it through the window.

http://slashdot.org/article.pl?sid=05/03/22/1326256&tid=97
 

darscot

Member
I want to know how much Canadian influence there is? After seeing that huge Canadian flag on the making of the Incredibles I know there must be a few of us down there.
 
The images have been found after the slashdotting or whatever:
pixar9.jpg
The lobby
pixar2.jpg
The guy who works standing
pixar0.jpg
The cubicle-"cottages"
pixar3_large.jpg
Lounge

http://aintitcool.com.nyud.net:8090/display.cgi?id=19658#1
http://64.233.167.104/search?q=cache:HC9JsXpV-TkJ:aintitcool.com/display.cgi?id=19658+&hl=en&start=1
 
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