BaronLundi
Member
Man, I think I am gonna give it a shot at some point. Seems like some love it while others hate it.
If you read a few page back then yes it may seem that way.
Fake edit : oh shit, you're expendable's doppleganger.
Man, I think I am gonna give it a shot at some point. Seems like some love it while others hate it.
Fake edit : oh shit, you're expendable's doppleganger.
Inland Empire - Holy Christ. So, I really like David Lynch, I think he is one of the best directors when it comes to create powerfull moody atmospheres, and Inland Empire it's not an exception. It's bizarre and often horror-like, building a pretty disturbing mood throughout the whole movie. And Laura Dern does an amazing job selling it in the movie.
As for the plot...Well, I think I have a general idea of what it wants to tell, but I have too many missing holes that I expect to understand in following viewings.
It's really interesting, but at some time one has to wonder if making the movie as it is helps develop the powerfull and bizarre mood, or it just makes the movie a complete mess. I guess I will have to decide once I see the movie, at least, another time.
Not my favorite of Lynch, but a great experience in any case.
I'd definitely check out "The Man Who Shot Liberty Valance" even if you aren't a big fan of classic era westerns. I really loved it, and I didn't care much for the other John Ford westerns I've seen. Plus the "framing" device and dat john wayne/john stewart chemistry make it stand out from the rest.Are there any others worth checking out? I know The Man Who Shot Liberty Valance is a big one, but I'm not really a fan of the classic era westerns and I didn't like The Searchers so I'm not all that keen on John Wayne/John Ford stuff.
Western-GAF:
I've been on a pretty big western kick the last few months, a genre that I didn't care much for as a kid -- which I blame Back to the Future III for -- but have steadily grown into a big fan of. The ones I've *really* liked so far are the westerns that deal with the "end of the West" as a major theme. For that sub-genre, here's what I've seen so far: Unforgiven, The Wild Bunch, Pat Garrett and Billy the Kid and Once Upon a Time in the West.
Are there any others worth checking out? I know The Man Who Shot Liberty Valance is a big one, but I'm not really a fan of the classic era westerns and I didn't like The Searchers so I'm not all that keen on John Wayne/John Ford stuff.
I'd definitely check out "The Man Who Shot Liberty Valance" even if you aren't a big fan of classic era westerns. I really loved it, and I didn't care much for the other John Ford westerns I've seen. Plus the "framing" device and dat john wayne/john stewart chemistry make it stand out from the rest.
Check out McCabe and Mrs. Miller. That came out around the same time as Pat Garret and is often overlooked. Bring me the head of Alfredo Garcia, Soldier Blue, and The Missouri Breaks. That's a brilliant western with Jack Nicholson and Marlon Brando.
Western-GAF:
I've been on a pretty big western kick the last few months, a genre that I didn't care much for as a kid -- which I blame Back to the Future III for -- but have steadily grown into a big fan of. The ones I've *really* liked so far are the westerns that deal with the "end of the West" as a major theme. For that sub-genre, here's what I've seen so far: Unforgiven, The Wild Bunch, Pat Garrett and Billy the Kid and Once Upon a Time in the West.
Are there any others worth checking out? I know The Man Who Shot Liberty Valance is a big one, but I'm not really a fan of the classic era westerns and I didn't like The Searchers so I'm not all that keen on John Wayne/John Ford stuff.
The man with no name trilogy is very much worth your time. The Good, The Bad, and The Ugly is my favorite film. The Great Silence is another good western. If you liked Once Upon a Time in the West you should probably watch Once Upon a Time in America. Not quite a western but still on of Leone's greats
Man, I think I am gonna give it a shot at some point. Seems like some love it while others hate it.
Near Dark by Kathryn Bigelow. I ain't crazy about her (in fact I despise most of her work) but this movie was a pleasant surprise. Slick looking and with some really horrific moments. You can surely find traces of James Cameron's style here, which isn't a bad thing when it comes to action, cinematography and camera angles. If you like horror-action and haven't seen this yet, well, time to get that DVD
Start with the the more widely accepted ones. Basically everything on the "Watch" part of my earlier post. After those, you'll be more prepared for what Vice'06 actually is and how that style came about.
That's really not an apt way to describe the style of her recent films.She was so much better before she switch to making fake documentaries.
That's really not an apt way to describe the style of her recent films.
What's the worst Woody Allen film? I think that's the way to go from here on out, there are a few good ones still left that I know I'll like, but I think I'll start watching the films that are considered his worst.
She was so much better before she switch to making fake documentaries.
What's the worst Woody Allen film? I think that's the way to go from here on out, there are a few good ones still left that I know I'll like, but I think I'll start watching the films that are considered his worst.
Edit: although on reading some stuff just there some consider Whatever Works to be one of his worst, which I know just isn't the case...
The books are YA books for sure, but they're not bad. I enjoyed reading them. They're also more graphic than the movie. And they had less shakycam.Hunger Games (2012) - Disappointed and underwhelming. Aside for some minutes and some scenes, I was unable to be excited for what was going on. Maybe for (pre-) teens this could be labelled as "cool" but in the end it is shallow. I don't know the books, are they better written than this? Hated the camera shaking work, more prevalent at the start, and directing was average at best. Because of the circulating hype vs the actual value. 2.5/5
I have yet to see a film of her i really like.
Strange Days had at least a good concept, but the film itself wasn't that good at all.
Didn't like Point Break either (let alone Hurt Locker).
Halloween 4: Return of Michael Myers (1988) - After the snooze feast as the part 2 and 3 are, at least this had more excitment. Still, real scares are almost absent as this entry was focused more on the gruesome and the more and more unstoppable Myers. The little girl was possible the best actor in it. 3/5
This morning I watched You Will Meet A Tall Dark Stranger. Wouldn't consider it his worst but if you aren't a Woody Allen fan I could see how you wouldn't like the film. None of the main five characters are very likeable or end up with a nice ending....things actually worked out best for the least intellegent person (the Mom).
The least enjoyment I have got out of a Woody Allen film is What's Up Tiger Lily? but I don't think it's fair to count that.
Ugh this movie made me feel like I'd just been cornered in an alley and beaten with pipes.
It's like Lynch took all the subtlety of his more horrifying material (Twin Peaks FWWM, red dress by the sink in Mullholland Drive) and decided, "Ah, what the hell, I'm just going to yell at you for two hours. Subtlety is for lame-o's."
H4 seems to be the most popular sequel, at least among the internet fandom.
It's pretty much just a remake of part 1 though, heh.
This has, after around 15 subsequent viewings since launch, became my favourite Lynch film ever. I think I have a 90% grasp on the plot now, I discuss it with friends at length quite often. It's got a rabbit hole that never ends. Brilliant, also you must realise, David has a great sense of humor so don't go too deep! Phenomenal movie.
Also, the song in the film that starts it off and ends it is on a GREAT album by Chrysta Bell and David Lynch called 'This Train' which is amazing. David wrote this album with her over I think, 10 years or so, haunting dark jazz music. In addition to this there is the album 'Polish Night Music' which is an extention of the official soundtrack, also brilliant.
The books are YA books for sure, but they're not bad. I enjoyed reading them. They're also more graphic than the movie. And they had less shakycam.
H4 seems to be the most popular sequel, at least among the internet fandom.
It's pretty much just a remake of part 1 though, heh.
4-5-6-7-8 all kind of blur into a haze of half-assed mediocrity to me. The original of course towers above the rest (and the rest of everything horror-related, for me), 2 was a cash-in retread but Carpenter was at least involved and its entertaining, 3 is the now cult favorite, and I enjoyed Zombie`s films for what they were.
1 >>>>> 3 > 2 > Zombie films > rest for me
I find it awesome that both mother and daughter star in the best two slasher movies (if Psycho can be called that).
I think Psycho definitely classifies, even if it is restricted to one scene.
3 scenes (or at the very least 2).
It's been a while since I've seen it....but doesn't Norman get tackled by Sam before he can do any further slashing?
I disagree entirely. That movie is anything but blatant. It's more intense than Lost Highway or Mulholland Drive, but it's still complex and full of subtlety.
To Live and Die In LA: 6/10. Not much better than any 80’s cop show episode, not that that’s a bad thing. Kind of a cool idea though to have it be about the Secret Service, but not the presidential protection part, but the counterfeiting part, which is like 90% of what the Secret Service actually does (thank you Discovery Channel!) It stars Willem Da Counterfeiter and a young Barton Fink, and has cool made up names like “Rick Masters” and “John Vukovich.” William Petersen is like this shitty poor man’s Hasslehoff, like a counterfeit Hasslehoff. And actually, it also has this shitty counterfeit car chase that was clearly just photocopied from The French Connection. I had no idea this was so meta.
The Conformist: 8/10. Well this was a masterpiece wasnt it? Gorgeous photography, and no feces in sight!
George Washington: 8/10. Very clearly inspired by Malick, but you, black. Just a very delicate movie but with a great sense of dread throughout the first part, I liked it alot. And now I shall watch another of his movies, which I can only assume will also be inspired by Malick, called YOUR HIGHNESS. Again I assume highness refers to a spiritual pinnacle within us all that I will see someone struggle to attain on film. Cant wait.
Really it's the Wang Chung soundtrack that made the movie so meta in the 80s.
Last Tango in Paris after this was a bit disappointing.
Have you seen All The Real Girls? Aside from his Eastbound & Down episodes, it's his masterpiece.
Really? Well, maybe you are right. I rarely read so I wouldn't really know, but I read through them in a couple of days in anticipation of the movie and enjoyed myself. I did not really enjoy myself during the movie so eh. Agree to disagree I guess.Yes, they are bad. Hunger Games is one of the few times the movie was better than the book because the book was so bad to begin with.