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New Justice League Poster

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Gjl83uC.jpg
 
I love how obvious it is that they see Superman as a burden instead of the fantastic character he has the potential to be in film.

Or they're just hiding him from the marketing because they're trying to build up hype for his return at the end of the second act.
 
Eh, it's alright, I guess?

Oh well. Gonna be bigger than Thor btw. Marvel marks a bit too gassed over that trailer

GAF servers would be fried if Thor actually outperformed Justice League. Even the fact that we're mentioning them in the same breath says a lot about the MCU and the DCEU.
 
I love how obvious it is that they see Superman as a burden instead of the fantastic character he has the potential to be in film.

I'm not sure how you got that opinion from this poster... why not save it for the film? Or the final trailer (god I hope not, just save it for the movie)
 
You can tell WB is really taking the BvS criticisms to heart by sticking a fucking sunrise in every poster and promo art. :lol
 
You can tell WB is really taking the BvS criticisms to heart by sticking a fucking sunrise in every poster and promo art. :lol

There's a blinding light in the BVS poster too... and the sun rising as Superman is resurrected or comes back kinda makes sense since he's solar powered...
 
Okay, the tagline is seriously bothering me. Bat's head is overlayed over "United" but his body is overlayed by "The League". The inconsistency means my eye is confused whether it's supposed to pay attention to the character or the text to at a glance.

Why does the tagline have to be so goddamn huge anyway. It takes up the entirety of the center of the picture. Maybe it's to hide that the league isn't doing anything interesting, but...well, that's the problem. I hate how so many posters seem to just be "Have character stand there staring at something".
 
Since they are aerodynamic... would that not make sense?

He's the got danged Flash he cares about aerodynamics as much as Superman should care about gravitational forces.

YrZfgXr.gif


SNYDER: Okay so the Flash he runs really fast right? Like, he's a really good running guy?

JOHNS: Well, it's not really that simple I mean, yes he runs fast but-

SNYDER: Perfect we'll put him in a bike helmet.
 
He's the got danged Flash he cares about aerodynamics as much as Superman should care about gravitational forces.

YrZfgXr.gif


SNYDER: Okay so the Flash he runs really fast right? Like, he's a really good running guy?

JOHNS: Well, it's not really that simple I mean, yes he runs fast but-

SNYDER: Perfect we'll put him in a bike helmet.
To be fair, Quicksilver got some training shorts in Avengers and thats it.
 
He's the got danged Flash he cares about aerodynamics as much as Superman should care about gravitational forces.

YrZfgXr.gif


SNYDER: Okay so the Flash he runs really fast right? Like, he's a really good running guy?

JOHNS: Well, it's not really that simple I mean, yes he runs fast but-

SNYDER: Perfect we'll put him in a bike helmet.

Hey I'm not agreeing with it, but if that's their line of thought, at least they put some thought into it and it kinda makes sense. You seem him, you think aero dynamic...
 
I'm not an expert photographer/cinematographer but there's a stand out issue with this poster, something that really bugs me - facing left.

Left lateral movement is generally associated (in western, non-Arabic cultures) with negative connotations: evil, being wrong or regression. We read right hand movement as progress. 60-64% of camera pans are to the right, indicating that overall progress in film visually connoted as to-the-right.

http://academic.csuohio.edu/kneuendorf/vitae/EgiziiDennyNeuendorfetal12.pdf

This study uses examples from Hitchcock's Strangers on a train and Run Lola Run to show how a protagonist and antagonist are intentionally introduced, and how a protagonist finally learns to do things the right way, respectively. In Run Lola Run, for instance, she starts out her day running from right-to-left only to fail in both initial attempts to save her boyfriend's life and only when she chooses the path going to the right (on screen) does she succeed.

There's a few instances of "good" characters moving left in dramatic/climactic battles, Braveheart and The Last Samurai -- but compare that to The Battle of the Bastards from Game of Thrones that took a decided heroes move to the right on screen striving against the forces of evil.

The JL poster seems to position its heroes as facing off against evil forces that are coming from the left (and presumably moving right).

There's the added confusion of lighting - the sun is behind them, on their right hand shoulders, but they're also being lit by another source coming from the left?

It all seems to be intentionally working against convention -- or I hope it's intentional, because it could just as easily come off as sloppy and not well thought out.

But you can see that the filmmakers understand these conventions and have executed them before -- Snyder purposefully positioned Superman on the right of the screen facing left against Batman -- a visual cue for us to presume Batman as the hero who faces to the right, against adversity, in both the movie (BvS) and on its poster.
 
Just a badly designed image. Their legs and torsos take up such a huge % of the poster, but they don't really convey anything interesting. And their faces (which, like others have said, aren't facing the same direction) are at the very top of the image, where they are too small/distant for the viewer to connect with.

I guess it's supposed to convey that they're powerful, but to me it feels like the image is simultaneously far away and crowded. Ugh.
 
I'm not an expert photographer/cinematographer but there's a stand out issue with this poster, something that really bugs me - facing left.

Left lateral movement is generally associated (in western, non-Arabic cultures) with negative connotations: evil, being wrong or regression. We read right hand movement as progress. 60-64% of camera pans are to the right, indicating that overall progress in film visually connoted as to-the-right.

http://academic.csuohio.edu/kneuendorf/vitae/EgiziiDennyNeuendorfetal12.pdf

This study uses examples from Hitchcock's Strangers on a train and Run Lola Run to show how a protagonist and antagonist are intentionally introduced, and how a protagonist finally learns to do things the right way, respectively. In Run Lola Run, for instance, she starts out her day running from right-to-left only to fail in both initial attempts to save her boyfriend's life and only when she chooses the path going to the right (on screen) does she succeed.

There's a few instances of "good" characters moving left in dramatic/climactic battles, Braveheart and The Last Samurai -- but compare that to The Battle of the Bastards from Game of Thrones that took a decided heroes move to the right on screen striving against the forces of evil.

The JL poster seems to position its heroes as facing off against evil forces that are coming from the left (and presumably moving right).

There's the added confusion of lighting - the sun is behind them, on their right hand shoulders, but they're also being lit by another source coming from the left?

It all seems to be intentionally working against convention -- or I hope it's intentional, because it could just as easily come off as sloppy and not well thought out.

But you can see that the filmmakers understand these conventions and have executed them before -- Snyder purposefully positioned Superman on the right of the screen facing left against Batman -- a visual cue for us to presume Batman as the hero who faces to the right, against adversity, in both the movie (BvS) and on its poster.


Holy over analysis Batman!

You've put more thought into it than the designers
 
I didnt know you could disable them!!!!! Thank you for that. I just did that. Browsing at work shall be easier now without colorful images on the side.

yep, disabling avatars, disabling images, and using the chrome CSS Stylebot to make GAF look more like the page we use at work is a great advantage
 
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