thehypocrite
Member
45 minutes? I rather watch the extended version of the film again 👌
Eh. I've had worse. The main this is that it didn't catch me off guard. Ever since Zack Snyder introduced the film with an excerpt from The Dark Knight Returns....specifically the demeaning, power tripping speech Batman gives to Superman at the end...I knew exactly what to watch out for. It's not to say that I wasn't hoping for the film to be good, but I knew that if it was going to be bad, it'd be bad in how it characterized Batman and Superman's conflict first and foremost.
Bracing against that blow mitigated a lot of it. Now, the ending to Mass Effect 3 made me legitimately despondent for like a whole week. If I hadn't seen it coming like I didn't ME3, that would have been way worse.
Have you seen the guy's Civil War video too?
I have not. To be honest, like 75% of the reason I've watched or read so much about BvS had to do with the constant discussion of the movie here on GAF. By comparison I haven't watched anything on Man of Steel or Suicide Squad (I did see the editing video which was really good). Or really any movie, cape or no cape.
I will watch the CW video today at some point. I'm genuinely curious how my opinion might be shaped if I go into CW like I did BvS.
I feel like Man of Steel was the BvS before it's time and got constant threads, but nothing like this. Before MoS, The Dark Knight Rises was brought up every month or so. Idk, DC movies just stick in the mind. Probably because it's Batman and Superman, the two most iconic heroes. I genuinely am curious what a Post Wonder Woman film will be like, especially since it depends on greatly on how good it's gonna be(Please be good, please be good, please be good...)
Fuck me, dumb arguments make sense when divorced from context.
Well, you'd know.
Man of Steel got a ton of threads. I participated in quite a bit of them - spent a fair amount of time arguing against the primary "He leveled a whole city 100% all by himself and murdered so many people" narrative as it was emerging (I lost badly).
It wasn't a very good movie. Turns out it was just okay.
It wasn't until Batman v Superman that whatever on-pause goodwill the cinematic universe had got spoiled and went rotten in the fridge.
Haven't watched this yet, but the best BvS video essay is probably going to be MovieBob's inaugural "Really That Bad" whenever it comes out.
The guy is off point at one part of the video about needing dialogue to explain character motivations or story because visuals alone will not do the job. Not everything needs to spelled out for the viewer. Fury Road alone stands as proof of this.
I'm not saying that BvS does a good job in this regard either, but just talking in general.
The horse is so dead, its reincartion died.
B&R is worse. BvS at least has real ambition. It tries to do big things, which is exactly what makes it such a colossal failure. In competent hands it would have been genre defining (and you could argue that it still is, in a bad way).I'm not sure which film is worse tbh. BvS sent me into a fit of nerd rage. B&R left me feeling empty andinside.cold
Why do you search out video essays on movies you hate? Are you unsure why you hated the movie and need strangers to explain it? I hated the Harry Potter movies. Yet watching multiple video essays agreeing with me seems pointless.
Veelk, BobbyRoberts,DashRipRock (or whatever): "Those same reasons are why the movie is factually terrible. It is my opinion that your opinion is invalid."
This thread ended up going like I thought it would
Why that looping gif of Jeremy? What he do
Why do you search out video essays on movies you hate? Are you unsure why you hated the movie and need strangers to explain it? I hated the Harry Potter movies. Yet watching multiple video essays agreeing with me seems pointless.
Almost one's been anything but civil to most people here. At worst, I ribbed Bleepey a few times, but that's because it's Bleepey. Meanwhile, you opened the thread conversation trying to silence me from speaking my opinion.
Stop with the melodramatic persecution complex.
MoS and BvS will keep being talked for eternity.
Meanwhile the MCU...
MoS and BvS will keep being talked for eternity.
Meanwhile the MCU...
Don't worry, you'll always have Thor 2: The Dark World.
In fact, I'm surprised we haven't gotten to that part of the thread yet.
So made my way through it. I wanted to stop at the 5 minute mark since the guy misses some major points which completely invalidates some of his later criticisms about the Martha-moment. But he makes some interesting points afterwards.
Lets talk about the Martha-moment since that is the most talked about thing in this film. From the first sequence it becomes clear that Snyder is working towards that moment, and it is a bit that is missed by a lot of these essays for some reason. In the opening sequence we get shown some important details:
So that is just the first sequence and it's already getting established that his mother's death was the bigger catalyst for Bruce to become Batman.
- His mother is the pro-active one when Joe Chill is holding them at gunpoint
- Bruce looks towards his dying mother instead of his father
- The last word his father says is 'Martha'
- We see his mother's pearls fall beside young Bruce in the cave.
This is then confirmed to the audience in the second dream sequence where we see a literal Batman being born out of his mother's grave. So the film is going out of its way to show the audience the importance of Martha to Bruce, without blatantly saying it. This entire Batman exists for the most part because of the death of his mother. So when the moment happens it is not something out of the blue but actively worked towards by Snyder.
Now I do think the moment could have been more effective if we see more of Clark researching Bruce, finding out about his parents and finding common ground between him and Bruce. So that when the battle begins it's about Batman only caring about the differences between them (which is a problem at the core of most human conflicts) and Superman trying to reason with the ways they are alike, culminating in the Martha-moment.
The moment would have been more effective if Clark just said "Save my Mother" instead of "Save Matha" then. Actually would have fit thematically with what Snyder was trying to set up instead of just looking like Batman would only stop if their mothers shared the same name ie. Bats would have still killed him if Martha Kent was named Lisa Kent instead.
People talk about One Direction, does that make them a good band?MoS and BvS will keep being talked for eternity.
Meanwhile the MCU...
So made my way through it. I wanted to stop at the 5 minute mark since the guy misses some major points which completely invalidates some of his later criticisms about the Martha-moment. But he makes some interesting points afterwards.
Lets talk about the Martha-moment since that is the most talked about thing in this film. From the first sequence it becomes clear that Snyder is working towards that moment, and it is a bit that is missed by a lot of these essays for some reason. In the opening sequence we get shown some important details:
So that is just the first sequence and it's already getting established that his mother's death was the bigger catalyst for Bruce to become Batman.
- His mother is the pro-active one when Joe Chill is holding them at gunpoint
- Bruce looks towards his dying mother instead of his father
- The last word his father says is 'Martha'
- We see his mother's pearls fall beside young Bruce in the cave.
This is then confirmed to the audience in the second dream sequence where we see a literal Batman being born out of his mother's grave. So the film is going out of its way to show the audience the importance of Martha to Bruce, without blatantly saying it. This entire Batman exists for the most part because of the death of his mother. So when the moment happens it is not something out of the blue but actively worked towards by Snyder.
Now I do think the moment could have been more effective if we see more of Clark researching Bruce, finding out about his parents and finding common ground between him and Bruce. So that when the battle begins it's about Batman only caring about the differences between them (which is a problem at the core of most human conflicts) and Superman trying to reason with the ways they are alike, culminating in the Martha-moment.
So made my way through it. I wanted to stop at the 5 minute mark since the guy misses some major points which completely invalidates some of his later criticisms about the Martha-moment. But he makes some interesting points afterwards.
Lets talk about the Martha-moment since that is the most talked about thing in this film. From the first sequence it becomes clear that Snyder is working towards that moment, and it is a bit that is missed by a lot of these essays for some reason. In the opening sequence we get shown some important details:
So that is just the first sequence and it's already getting established that his mother's death was the bigger catalyst for Bruce to become Batman.
- His mother is the pro-active one when Joe Chill is holding them at gunpoint
- Bruce looks towards his dying mother instead of his father
- The last word his father says is 'Martha'
- We see his mother's pearls fall beside young Bruce in the cave.
This is then confirmed to the audience in the second dream sequence where we see a literal Batman being born out of his mother's grave. So the film is going out of its way to show the audience the importance of Martha to Bruce, without blatantly saying it. This entire Batman exists for the most part because of the death of his mother. So when the moment happens it is not something out of the blue but actively worked towards by Snyder.
Now I do think the moment could have been more effective if we see more of Clark researching Bruce, finding out about his parents and finding common ground between him and Bruce. So that when the battle begins it's about Batman only caring about the differences between them (which is a problem at the core of most human conflicts) and Superman trying to reason with the ways they are alike, culminating in the Martha-moment.
I like you.
This is a stupid thread though. Are people really that insecure over people enjoying something that is supposedly bad? I don't know who I pity more; the OP, or the guy who spent hours putting this video together lmao.
The whole point of that sequence is that they share a name, so like I said they should have shown a short sequence where Clark reads up on Bruce's parents killing and that it was established that he knew their mothers share the same name. This scene would not be in a film if she was called Lisa Kent.
The moment would have been more effective if Clark just said "Save my Mother" instead of "Save Matha" then. Actually would have fit thematically with what Snyder was trying to set up instead of just looking like Batman would only stop if their mothers shared the same name ie. Bats would have still killed him if Martha Kent was named Lisa Kent instead.
Martha is the trigger word but that Clark and Bruce's mother share the same name is not why Batman decides to let Superman live. I'm not particularly fond of the scene but that's a gross misreading of it.
Who's talking about defense? That this movie produces an intellectual discussion is a win for me, it fits my tastes very much. I'm over mindless "fun", I'd rather have flawed behemots.People talk about One Direction, does that make them a good band?
Jesus christ, this is the weakest defense for something imaginable.
I don't think anyone is saying that, literally, Martha being spoken is specifically itself the reason why Batman lets Superman live.
But it is the trigger word that catalyzes the changes that occur rapidly that culminate in his change of allegiance. Batman hears Martha and decides that figuring out why he says that name alone is enough to post pone his murder of Superman until he gets answers. Then Lois comes in explaining that it's his mother. Which then further triggers Batman's change of emotional perspective, from viewing Superman as an alien to almost a brother. After this moment, he declares himself Superman's friend to his mother after he saves him (in the most inappropriate comic relief scene I've seen in a while). At best, I would be highly disturbed by an individual who was seconds away from murdering me suddenly turning around and acting like we're buddies and want to get away from them as quickly as possible.
Assuming this is a proper reading of what happened, this is nevertheless weak stuff. Batman only confirms he has the emotional intelligence of a 5 year old and that he is in desperate need of being locked up until he gets the help he needs. He makes up pretenses of Superman being a danger and threat when in actuality he's just angry and afraid, takes sadistic pleasure in breaking him down at his weakest, and is thoroughly dehumanizing him in his mind the entire time...and then because he discovers that commonality between them, he suddenly reverses all his positions entirely, where he now views himself as Superman's friend and sees him as a 'real person' even though he STILL doesn't know anything about him beyond that he wants to save his mother. No mature, healthy person percieves the world like this. And it doesn't work to elevate the narrative either for reasons already stated.