that movie was the best of 03 to be fair IMO.jtardiou said:chicago is garbage, no argument there D:
jtardiou said:wow please stop posting
wow u have no idea what ur talking abotu :X
John Dunbar said:I thought Gladiator and A Beautiful Mind were both great movies. And both were definitely better than Chicago, Million Dollar Baby and Crash.
EviLore said:Crash and A Beautiful Mind both suck. Million Dollar Baby, too. For the 2000s, out of the winners I'd take Gladiator and The Departed as the standouts.
BlueTsunami said:Is this the movie the blackman replaces Scarface with? I'm getting that vibe and shit
Fallout-NL said:It's better than both imho.
The Sphinx said:SPOILERS!
It's a series of tableaux with little connective tissue holding it all together. The movie provides an image of an elderly black woman clapping her hands in excitement as her powerful, self-made son points out the mansion he's giving her; an iconic moment fraught with symbolism. Much later the film doles out the image of that same woman striking that same son with those same hands, a quick slap across the face: another powerful moment. Yet... there's practically nothing connecting the woman's progress between during the 100 minutes between those scenes. She appears for quick bursts of symbolism, as if under a strobe light, and vanishes into background in an instant.
Frank's wife fares even worse. We don't see a single moment of intimacy between her and her charming, sociopathic husband. Is she merely dressing, a fancy and expensive pet? The movie hints this isn't the truth, since Frank's direst mistake involves indulging her by wearing an uncharacteristically flashy hat and coat... and drawing unwanted attention in turn. She also changes position without being caught on film actually moving: from distracted beauty queen to girlfriend meeting her beaux's mother to bride to scared and estranged wife... no scene displaying her transforming from one state to the next is shown to us, except a few wordless, weepy seconds watching a burning fur coat.
Frank's brothers? Hicks from down south one scene, then incredulous witnesses of a mid-day murder in Harlem, then disciplined mobsters with each their own front businesses on New York's angry streets: it's inexplicable and unexplained, and the viewer finds it difficult to believe these are intended to be the same men rather than actors playing multiple roles.
Crowe's character Richie likewise lives life under a strobe. He argues with his wife for custody of his son in one short scene, then later he fights for custody in front of a judge, then again later he drops the custody fight in a moment of self-flagellation and walks out of court. That's it, three short scenes for the wife-and-son angle, and she barely has enough time to spit out her bitter boilerplate lines of woman scorned and suspected adultery. She gives the impression of an angry ex shouting at a passing train. Between the spat and the court battle Richie collects a posse of incorruptible cops to man his drug-sting operation in the style of Untouchables... but imagine the first hour of Untouchables compressed down to two ninety-second scenes and you'll have an understanding of how uninterested Scott is in these stooges. They exist only to have someone Crowe can explain the plot to without appearing to talk to himself.
And so the movie jerks along, from driver to drug kingpin, from officer to district attorney, from crooked cop watching his car blow up to crooked cop blowing his own brains out: Many interesting people in interesting situations, enough to fill a season or two of a good mob drama, but chopped up and sewn together like a beautifully shot and scored slide show.
Timbuktu said:the film is at once too long and too short
What? I agree that gladiator and a beautiful mind are great, but they're not better than Million Dollar baby. Out of all the films you mentioned, Million dollar baby is the best along with Gladiator.John Dunbar said:I thought Gladiator and A Beautiful Mind were both great movies. And both were definitely better than Chicago, Million Dollar Baby and Crash.
Eggo said:I agree with this. A goodflick worth watching, but it's not an instant classic. Does anyone know what song was playing at the end as the credits came up?
Hmm. I wouldn't go that far. But certainly, it lacked fresh ideas and... It was just a pretty usual historic gangster-movie, with all the stuff you already know about (useless wife, etc.).Tobor said:This movie is the definition of average. A gangster you never care about, a cop you never care about, and ultimately, a movie you never care about. Boring, slow, and mediocre.
Every time the characters mentioned The French Connection, I realized I would much rather watch that again instead.
A dream?Tamanon said:Just got back from a sneak preview. This movie kicked all sorts of ass. It was the right mix of drama, character and even a bit of dark humor. Russell Crowe worked perfectly as the good cop and Denzel was perfect as a gangster with a dream.
Never seen Gladiator, but saw The Departed. Man, I hated that. Watch Infernal Affairs instead. A much better movie.EviLore said:Crash and A Beautiful Mind both suck. Million Dollar Baby, too. For the 2000s, out of the winners I'd take Gladiator and The Departed as the standouts.
AlteredBeast said:meh. The movie was too long and too short as other people said. It seemed to drag on forever in some parts (and as a whole) while cutting the importance of other parts almost entirely down.
The story itself was amazing, though. Just poorly directed...
zoku88 said:Never seen Gladiator, but saw The Departed. Man, I hated that. Watch Infernal Affairs instead. A much better movie.
That's prolly it. Me and some Chinese friends saw IA1 and IA2 a couple of months before seeing The Departed. When we saw it, we were like "..." through the whole movie.Realyst said:Yeah. Not that the movie was terrible in any way to me, but if you've seen Infernal Affairs before you seen The Departed, the movie's gotta seem a little lacklustre and a tiny bit plagiarized. Whatever you do, make sure you see The Departed before you see IA. Can't stress that enough.
Great movie (and deserving of the Oscar), but IA wipes the floor with it.
Realyst said:A lot of Ridley Scott's movie seem to end up this way for their theatrical releases. Case in point: Kingdom of Heaven. The theatrical cut was definitely mediocre, but the director's cut was fantastic! Same with Blade Runner. Hopefully, the same treatment will be applied to American Gangster...hopefully.
Still, great film!
Redd said:Saw it last week. Denzel was good but I felt nothing for Russell Crowe....he was just there. Great movie but Imo Departed blew this out of the water. I still think Denzel Washington's best movies were Glory, and Malcom X.
isamu said:Saw it a couple days ago. Movie was absolutely SUPERB! Pacing was perfect and if anything, it wasn't long enough! Departed can't hold this movie's jock even it tried....ditto with Heat.
That said, it would have been a MUCH more entertaining film had QT directed it. Also WTF @ Ice Cube's character? :lol Dude was totally out of place in this movie.
Solo said:Could you be any more random if you tried?
WHERE ARE MY SEDATIVES AHHHHHHHH
White Man said:I have no idea if I should see this or wait for the DC.
Timedog said:Just saw it. Not enough character development.
Crash and Million Dollar Baby are good movies. Fuck your couch.
isamu said:????
I don't get your post.
Solo said:What do Heat, The Departed, and Quentin Tarantino have to do with a Ridley Scott movie?
Ridley is giving a commentary for the extended cut however so he has some sort of acceptance for it.Dead said:Apparently American Ganster is getting an Extended cut on DVD from Ridley Scott
Supposedly it's about 20 minutes longer.
The fact it's called "Extended" and not "Director's Cut" means the Theatrical is still Ridley's preferred cut, so I guess so this is just something extra he put together since he loves alternate cuts so much.
You can get both versions of the movie on the 3DVD Collectors edition, or whatever. Not sure if the regular movie is on the regular DVD as its only labeled "extended"
Well, I meant that he must have made the extended cut himself as a "little" something extra for the DVD release, but still considers the theatrical version the director's cut.Cheebs said:Ridley is giving a commentary for the extended cut however so he has some sort of acceptance for it.
The Sphinx said:SPOILERS!
It's a series of tableaux with little connective tissue holding it all together. The movie provides an image of an elderly black woman clapping her hands in excitement as her powerful, self-made son points out the mansion he's giving her; an iconic moment fraught with symbolism. Much later the film doles out the image of that same woman striking that same son with those same hands, a quick slap across the face: another powerful moment. Yet... there's practically nothing connecting the woman's progress between during the 100 minutes between those scenes. She appears for quick bursts of symbolism, as if under a strobe light, and vanishes into background in an instant.
Frank's wife fares even worse. We don't see a single moment of intimacy between her and her charming, sociopathic husband. Is she merely dressing, a fancy and expensive pet? The movie hints this isn't the truth, since Frank's direst mistake involves indulging her by wearing an uncharacteristically flashy hat and coat... and drawing unwanted attention in turn. She also changes position without being caught on film actually moving: from distracted beauty queen to girlfriend meeting her beaux's mother to bride to scared and estranged wife... no scene displaying her transforming from one state to the next is shown to us, except a few wordless, weepy seconds watching a burning fur coat.
Frank's brothers? Hicks from down south one scene, then incredulous witnesses of a mid-day murder in Harlem, then disciplined mobsters with each their own front businesses on New York's angry streets: it's inexplicable and unexplained, and the viewer finds it difficult to believe these are intended to be the same men rather than actors playing multiple roles.
Crowe's character Richie likewise lives life under a strobe. He argues with his wife for custody of his son in one short scene, then later he fights for custody in front of a judge, then again later he drops the custody fight in a moment of self-flagellation and walks out of court. That's it, three short scenes for the wife-and-son angle, and she barely has enough time to spit out her bitter boilerplate lines of woman scorned and suspected adultery. She gives the impression of an angry ex shouting at a passing train. Between the spat and the court battle Richie collects a posse of incorruptible cops to man his drug-sting operation in the style of Untouchables... but imagine the first hour of Untouchables compressed down to two ninety-second scenes and you'll have an understanding of how uninterested Scott is in these stooges. They exist only to have someone Crowe can explain the plot to without appearing to talk to himself.
And so the movie jerks along, from driver to drug kingpin, from officer to district attorney, from crooked cop watching his car blow up to crooked cop blowing his own brains out: Many interesting people in interesting situations, enough to fill a season or two of a good mob drama, but chopped up and sewn together like a beautifully shot and scored slide show.
lawblob said:My opinion about both Russell Crowe & Denzel Washington is they are both 1 dimensional actors. So long as they can play essentially the same role in every movie they do a good job. Luckily this movie allows them to play their respective roles, and I thought the movie was solid.