The collateral damage complaints have, for better or worse, become the primary narrative regarding reactions/discussion of the movie. I even saw Judd Apatow running with it on twitter earlier tonight.
Maybe you should take a deep breath and calm down before you defend a movie so vehemently that you had no part in making. If you don't like the question then don't answer it or how about don't quote it and complain? Do you realize how pointless that is?
Worst lines in the movie were "ON A FAAAARM?!" and the whole "mommy taught me how to focus!" part where Zod's senses are being bombarded. I thought "dicksplash" was dumb, but it was supposed to be dumb.
Oh c'mon, I got a good laugh from the farm line :lolWorst lines in the movie were "ON A FAAAARM?!" and the whole "mommy taught me how to focus!" part where Zod's senses are being bombarded. I thought "dicksplash" was dumb, but it was supposed to be dumb.
I'm a complete bitch but Perry holding Olsen's hand when he couldn't pry her out was something I found effective, and I shed a tear or two when it happened too.
I found it odd that Jenny didn't tell Perry to leave her there and try to save himself but I guess that scene needed the silence. Also don't get why that other guy was there at all. Did he love Perry too?
It feels like they tried to ruin Clark as an identity. Hell, even Lois runs up to him (while he's in full supes attire) and yells out "Clark!"
I'm like wtf!
I'm happy with this. I hated that in the Superman mythos that "Clark Kent" was more of an identity then who he really was. In this movie, he's Clark Kent with the "Superman" alter ego and that's something I prefer like Batman or Spider-Man.
The worst lines were mostly Zods. "EITHER YOU DIE OR I DO" when he then proceeded to butterfly swim up the building was cringe-worthy. Less would have been more.
She was scared, and Perry asked the guy to help him get her out. Would have been majorly prick-ish of them to abandon her, when the odds of out-running the machine were zilch anyway.
Because if the only questions being asked are like "herp derp how does superman shave lololol" then there's absolutely zero value to be had in discourse. There are legitimate discussions to be had with this film about its themes and its issues as a movie. Those are much more worthwhile to engage than "lol superman ignores people lol".
It's frustrating to see a conversation that should be engaging get relegated to such asinine bullshit.
maybe you should stop asking dumb questions and actually discuss what happened in the movie? because what you're doing is trying to derail the thread to satisfy some pseudo-intellectual itch that you need scratched. it's a dumb question, stop asking it. you're not clever.
G'mornin!
1) Wasn't angry or excited
2) That post you're quoting is a string of criticisms, not defenses.
3) The string of criticisms aren't exactly vehement, either.
That's an excellent point. The idea that Clark Kent is Superman's cover was popularized by the Kill Bill speech, I think. It was a sound idea but it never resonated with me because while Clark acknowledges his alien birth parents, he's always identified as a farm boy from Kansas. Clark Kent is who he is at his core.
I'm not just talking about the post I'm quoting, it's not hard to look through your post history and see how you talk to people who you disagree with.
Ignatz Mouse said:In his 86 reboot, John Byrne specifically reversed the notion and made Clark the identity and Superman the add-on, citing the fact the Clark grew up on Earth and would be more identied with the Clark side of himself. That's been the dominant depiction ever since.
The end didn't bother me. You gotta do what you gotta do. The series of events that lead to Zods snapping didn't really leave Supes with any other choice.
That idea really dates to the SIlver Age interpretation of the character. It was an old idea when Kill Bill was released, and very true for the 1960's version of Superman. It's the well from which superdickery sprung.
In his 86 reboot, John Byrne specifically reversed the notion and made Clark the identity and Superman the add-on, citing the fact the Clark grew up on Earth and would be more identied with the Clark side of himself. That's been the dominant depiction ever since.
Ah, I wasn't aware of that bit on Superdickery. I have to admit I only started reading comics in the early 90s (I was a wee lad then), so much of comic continuity pre-1990 is lost to me.
Worst lines in the movie were "ON A FAAAARM?!" and the whole "mommy taught me how to focus!" part where Zod's senses are being bombarded. I thought "dicksplash" was dumb, but it was supposed to be dumb.
That was just bad...awful. Also this.
"You're a monster, Zod, and I'm going to stop you!"![]()
God forbid a comic book movie kinda sound like a comic book.
Plenty of lines like itWhat do you mean? Is that line from some comic? It is not just the line itself. It is also how and when was it delivered.
He had to say all that superfast. You know, between the punches.
I love the moment when Zod & Co get to the farm and you're terrified they might kill Clark's mom and then he comes in is basically all like 'I'll fuck you up if you even try to to hurt my mom'. Really powerful moment, I thought.
Favourite moments?
+Zod killing Jor-El. A moment of savagery powerfully contrasted with the relief on Jor-Els face his son his safe.
+Kent dies. The drowning out of Clarks scream was a nice touch and reminded me of a similar moment with Two-Face in Tdk.
+Any time Clark walked around with them red eyes.
+Any time we got to see Faoras face up close.
+The last five minutes, especially young Clark with the cape. Were perfect.
Does anyone else think we might see Project Cadmus in the sequel? A couple of friends who I went to see this were talking about it pretty much non stop after we left.
The genesis ship and all the other tech left behind seems to point towards potentially setting up Cadmus in the sequel, perhaps with Lex at the forefront of developing new tech to protect the US and its allies against Superman...
So did anyone else think 'What the fuck is Clark wearing?' at the end when he heads to the Daily Planet? That combination wasn't working at all.
I wouldn't be surprised if they were the reason that no one from the government visited the Kents.Does anyone else think we might see Project Cadmus in the sequel? A couple of friends who I went to see this were talking about it pretty much non stop after we left.
The genesis ship and all the other tech left behind seems to point towards potentially setting up Cadmus in the sequel, perhaps with Lex at the forefront of developing new tech to protect the US and its allies against Superman...
So did anyone else think 'What the fuck is Clark wearing?' at the end when he heads to the Daily Planet? That combination wasn't working at all.
In one standout scene, Clark Kent rushes to save people from a collapsing Merrevale oil rig. The set piece wasnt just there to showcase Henry Cavills giant, shirtless man body. The oil company is actually kind of important. Merrevale Oils CEO, Jordan Wylie, had several run-ins with Aquaman due to the environmental destruction his company causes. But thats not it. After Superman saves the rig workers, he falls into the ocean where we see two humpback whales swimming past him. Theres speculation that Aquaman sent the whales to check on Clark.
Finally got to watch it today. I really enjoyed it, barring a few pacing issues.
I've read quite a few complaints related to the themes, flashbacks, chronology of events and comparisons to the trailer. I think all of those complaints have a common fault and a simple fix which is evident in the trailer.
In the trailer, we start off with Krypton, we see a young Clark struggling with his identity, then we see an older Clark question his place in society, and the crescendo hits when we see Clark accept his identity as Superman.
The film is similar, except that Clark accepts the Superman mantle quite early, and continues to question his place in society, resulting in oddly timed flashbacks. The viewer isn't treated to any moment nearly as strong as when Superman wears the suit in the trailer. There is no point of crystal clear realization of who he is in the movie, and there is an odd lack of struggle of him trying to reconcile between what his two fathers wanted for him. He just kind of decides things on the fly.
The trailer places a large emphasis on the scene where he emerges from the chamber as Superman. At that point, you're led to believe he's fully accepted his responsibilities. I think that scene should have held similar weight in the movie but it didn't. It was iconic imagery laid to waste.
The bulk of the flashbacks and character build up should have led to the point of him becoming Superman. That's what the trailer got right.
On a sidenote, when Zod is struggling with his newly acquired abilities for the first time, Superman has a line about how he had time and help to get used to his powers. Was that taken from the last issue of All Star Superman when Lex is going through the same effects as Zod was in that scene?
It was a homage to christopher reeve clark kent
So then the question this post was supposed to be an answer to still stands: How does Superman shave?