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The Revenant is an excellent movie

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Goddamn, what a film. WHAT A FILM. This is the first time I could ever say I've been enthralled by Leonardo DiCaprio. This is the year if any for a Best Actor win. Jesus. This was amazing.
 
Excellent movie

Unfortunately for us, we sat behind two fuck stains that decided that they needed to narrate to each other what was happening in the movie.

Had to pop in and chime in on this comment. Saw the movie as well and it was amazing and like your experience, I had these 2 guys in front talking it up like it was their fucking life story. To the point, during the credits I was so annoyed at this one dude that I kicked the back of the chair so hard it made him jump. Right after that, I just got up and left. And dude was like "wtf bro" "uhh" "wtf"

Again movie was amazing.
 
Amazing cinematography

Soundtrack was devasting to me but there were personal reasons attached to that so hard to be unbiased

Tom Hardy might be my favorite actor

Didn't care that much about the plot, but to me it was more of a vessel for mood than anything
 
It had me engrossed until it crossed the threshold into absurdity.

Realism doesn't mean it's the right choice as far as pacing is concerned.

The scene is protracted and overindulgent, much like the entire film.


Agreed.

His performance is leagues above Leonardo DiCaprio's performance. DiCaprio goes to great lengths, but doesn't reach the same depths of Hardy's performance.


ditto. why the hell didn't i care about leo in this role? i was scratching my head over this early on in the film and continue to.
 
ditto. why the hell didn't i care about leo in this role? i was scratching my head over this early on in the film and continue to.

THE REVENANT doesn't give the audience much of a reason to care about Hugh Glass, other than he knows the terrain and intuits how to elude the Arikara tribe, and Captain Henry is fond of him... Until Glass is (spoilers one can find in the trailer)
mauled by a bear and left powerless as Fitzgerald murders his son
. That's the intended "sympathy hook" to get the audience on board.

From there, it's a trite revenge story elevated by gorgeous cinematography but wrought with pacing problems due to the overindulgence of its direction.

The story is a flimsy vector for the experience of Glass's journey.

DiCaprio's performance goes to great lengths, but his character plays more like an emotive crash dummy being batted back and forth between set pieces, rather than a man's harrowing journey across a wilderness to quell his rage.
 
Wonderful news eh? Totally deserved!

toejamearlWALKOUT.gif


I don't know. Blood Meridian is a lot more brutal and misanthropic than this. Maybe one day... Who would you have as the judge?
That's a tough question- either Marlon Brando's ghost circa Apocalypse Now stature or Vincent D'nofrio. I imagine D'nofrio would devour the role.

If they wanted to skip the actual size and girth aspect for an adaptation, I'd vote Paul Giamatti or Viggo Mortenson or dare I say... DDL? Imagine pale pasty DDL with blood red lips tossing a dead child aside! Oh, to dream!

ddl.gif
 
THE REVENANT doesn't give the audience much of a reason to care about Hugh Glass, other than he knows the terrain and intuits how to elude the Arikara tribe, and Captain Henry is fond of him... Until Glass is (spoilers one can find in the trailer)
mauled by a bear and left powerless as Fitzgerald murders his son
. That's the intended "sympathy hook" to get the audience on board.

From there, it's a trite revenge story elevated by gorgeous cinematography but wrought with pacing problems due to the overindulgence of its direction.

The story is a flimsy vector for the experience of Glass's journey.

DiCaprio's performance goes to great lengths, but his character plays more like an emotive crash dummy being batted back and forth between set pieces, rather than a man's harrowing journey across a wilderness to quell his rage.

If you are into music, you would be a great fit for writing for Pitchfork.
 
Leo knocks another one out of the park. Hope he finally gets that Oscar, by God has he earned it, though in my opinion, j. Edgar was his biggest robbery.

Everything I've heard suggests that it's a fantastic movie. I won't be seeing it however because I'm a massive wimp when it comes to gore.

Yeah, that bear sceneis something else so probably not wrong.
 
THE REVENANT doesn't give the audience much of a reason to care about Hugh Glass, other than he knows the terrain and intuits how to elude the Arikara tribe, and Captain Henry is fond of him... Until Glass is (spoilers one can find in the trailer)
mauled by a bear and left powerless as Fitzgerald murders his son
. That's the intended "sympathy hook" to get the audience on board.

From there, it's a trite revenge story elevated by gorgeous cinematography but wrought with pacing problems due to the overindulgence of its direction.

The story is a flimsy vector for the experience of Glass's journey.

DiCaprio's performance goes to great lengths, but his character plays more like an emotive crash dummy being batted back and forth between set pieces, rather than a man's harrowing journey across a wilderness to quell his rage.

100% agree.
 
THE REVENANT doesn't give the audience much of a reason to care about Hugh Glass, other than he knows the terrain and intuits how to elude the Arikara tribe, and Captain Henry is fond of him... Until Glass is (spoilers one can find in the trailer)
mauled by a bear and left powerless as Fitzgerald murders his son
. That's the intended "sympathy hook" to get the audience on board.

From there, it's a trite revenge story elevated by gorgeous cinematography but wrought with pacing problems due to the overindulgence of its direction.

The story is a flimsy vector for the experience of Glass's journey.

DiCaprio's performance goes to great lengths, but his character plays more like an emotive crash dummy being batted back and forth between set pieces, rather than a man's harrowing journey across a wilderness to quell his rage.

I was sort of nodding, understanding this sort of take away on the film, then you just demonstrate a complete disconnect from what was delivered. If that's what you'd rather have, that is what was delivered above all else.
 
So i have stayed away from this thread but after tonight's win i really have to wonder just what the hell Oscar voters want from movies. I used to think that oscar bait films had to be about good dialogue, story, plot instead of just cinematography, acting and stunt work, but apparently not. And that's OK. Sometimes those movies are better than oscar baits, but I just dont see how this movie beats out Mad Max.

Mad Max had better action, stunts and some fantastic visuals. i guess it didnt have an oscar baitish soundtrack and long shots of the wilderness literally begging for an Oscar.

I love Leo but if he wins an oscar for this i will be very disappointed. he says like two words in the whole movie. You think Mad Max was a mute protagonist....

Oh welll. it's not a bad movie and I'd rather it win oscars than some pretentious oscar bait, but you need a good plot and story in movies.... whats here is just as vapid as a summer blockbuster movie. Star Wars had a better story and performances. Give Harrison Ford an Oscar.

EDIT: Just read the globes thread. people are shitting on Inarrito like he molested their family or something. I just want to clarify that I think he's a phenomenal director and this movie had some of the best directing and cinematography i have ever seen. i just dont think the plot and story hold up. it's kinda like Gravity. it's too simple.
 
So i have stayed away from this thread but after tonight's win i really have to wonder just what the hell Oscar voters want from movies. I used to think that oscar bait films had to be about good dialogue, story, plot instead of just cinematography, acting and stunt work, but apparently not. And that's OK. Sometimes those movies are better than oscar baits, but I just dont see how this movie beats out Mad Max.

Mad Max had better action, stunts and some fantastic visuals. i guess it didnt have an oscar baitish soundtrack and long shots of the wilderness literally begging for an Oscar.

I love Leo but if he wins an oscar for this i will be very disappointed. he says like two words in the whole movie. You think Mad Max was a mute protagonist....

Oh welll. it's not a bad movie and I'd rather it win oscars than some pretentious oscar bait, but you need a good plot and story in movies.... whats here is just as vapid as a summer blockbuster movie. Star Wars had a better story and performances. Give Harrison Ford an Oscar.

EDIT: Just read the globes thread. people are shitting on Inarrito like he molested their family or something. I just want to clarify that I think he's a phenomenal director and this movie had some of the best directing and cinematography i have ever seen. i just dont think the plot and story hold up. it's kinda like Gravity. it's too simple.

i dont know man, ill take this over mad max any time.
 
How does this stack up to the directors other films? Birdman blew all my shit out of the water!


But the last 12 months.. The Martian, Sicario, Mad Max.. Does Rvernant really have the chops? Most of my friends are more interested in the hateful eight, but I dont think that looks as strong (from the trailer).
 
How does this stack up to the directors other films? Birdman blew all my shit out of the water!


But the last 12 months.. The Martian, Sicario, Mad Max.. Does Rvernant really have the chops? Most of my friends are more interested in the hateful eight, but I dont think that looks as strong (from the trailer).

i havent seen sicario yet, but out of martian, mad max and revenant i think revenant is the best of the 3.
h8 is the next film im going to see.
 
How does this stack up to the directors other films? Birdman blew all my shit out of the water!


But the last 12 months.. The Martian, Sicario, Mad Max.. Does Rvernant really have the chops? Most of my friends are more interested in the hateful eight, but I dont think that looks as strong (from the trailer).

Trailers don't do H8 justice, it has a way different feel. The Revenant's trailers on the other hand manage to capture much of what the movie ultimately ends up being.
 
Just saw this.

Holy FUCK at the cinematography. Quite easily the best I have ever seen. It took the movie to new heights and had me mesmerized. Excellent film.
 
My most anticipated movie from last year and can't wait to see it finally. Especially looking forward to the performance by Dicaprio and cinematography by Lubezki. Happy to see the film do well at the Globes.
 
Leo is one of the greats of our time. Hardy to me is still very underrated. They both just seriously blew my mind in this movie.

I didn't see many movies this year but this was my favorite.

Go see this. Films like this don't come around often. Show the suits in Hollywood movies like this deserve to be made and go see it.
 
Came into this with open expectations, exceeded them quite a bit. What surprised me the most was how well the action was directed, particularly the fantastic opening sequence. Although I did feel a little bit of a disconnect with Leo's character, it still managed to hook me in for most of the film. The ending reminded me of two of my favourite Korean films so there's that too lol.
 
Came into this with open expectations, exceeded them quite a bit. What surprised me the most was how well the action was directed, particularly the fantastic opening sequence. Although I did feel a little bit of a disconnect with Leo's character, it still managed to hook me in for most of the film. The ending reminded me of two of my favourite Korean films so there's that too lol.

leos indian relationship and spirituell flashbacks were totally uneeded in the film and felt like a drag to go through. Dont know why they invented his son anyway. the movie was great and would be even better without that nonsense.
 
That's a tough question- either Marlon Brando's ghost circa Apocalypse Now stature or Vincent D'nofrio. I imagine D'nofrio would devour the role.

If they wanted to skip the actual size and girth aspect for an adaptation, I'd vote Paul Giamatti or Viggo Mortenson or dare I say... DDL? Imagine pale pasty DDL with blood red lips tossing a dead child aside! Oh, to dream!]

I've noticed a few people mention Brando but that just shows how actual height of the actor is unimportant. He was only 5'9''. I always wanted to see Philip Seymour Hoffman but that's not going to happen for obvious reasons. It needs to be someone who can be both pompous and scary.
 
Hardy apparently doesn't campaign well.

Apparently not!

Most actors dream of an Academy Award, but Hardy doesn’t think he should be allowed into the Oscar theater. “Lock me out of that, for your own good,” he says. “It’s like putting a wig on a dog, or a tutu on a crocodile. It doesn’t look right, it’s not fair to the animal, and inevitably someone will get bitten and hurt.”

http://www.ew.com/article/2015/10/30/tom-hardy-legend-revenant
 
what a silly film. zero story. zero realism. barely any logic. bad dialogue for characters in that era. and why the hell would leo win an award for that role. all he does is crawl around and sleep. that takes talent? LOL

a few of my favourite parts:

leo is out hunting - shoots a deer or something but then hears a shot and knows its trouble back at camp. no one else could possibly be hunting like him

younger kid with tom hardy couldn't find leo's son, was searching and calling for him all over, however, leo crawls for 20 feet and finds him beside a tree


leo's doing well, can fish, but next scene he is dying of hunger and risks going up to a native who miraculously is good to him, of course he eats raw bison liver while a fire blazes beside him.

he is in super cold water all the time but his cut (that would kill anyone) don't bother him

tom and the kid waltz into an attacked native village (suddenly they don't feel any threat) that seems rich with food (livestock walking around etc) and the kid leaves some food for a native - who starts eating straight away

leo - a super tracker couldn't tell where tom went - they are about 50 yards apart in deep snow

leo sleeps inside a horse to ward of cold I guess. the whole time before he was fine with his pelt coat though. hmm. what was the point of this nonsense?
this move should be called man of steel 2 or chuck Norris episode 4.
 
what a silly film. zero story. zero realism. barely any logic. bad dialogue for characters in that era. and why the hell would leo win an award for that role. all he does is crawl around and sleep. that takes talent? LOL

a few of my favourite parts:

leo is out hunting - shoots a deer or something but then hears a shot and knows its trouble back at camp. no one else could possibly be hunting like him

Joke post?

Also it was an Elk, not a deer.

I'd tell you why the rest of your bullets are wrong too but I need to be sure you were serious first.
 
His performance is leagues above Leonardo DiCaprio's performance. DiCaprio goes to great lengths, but doesn't reach the same depths of Hardy's performance.

I hate to agree because I really think Leo is an extremely talented and consistent actor that needs more formal recognition (Oscar)...But...Tom Hardy is incredible to watch he embodies his characters so well. The amount of depth he conveys even when he's not given any lines blows my mind. Like
when he killed hawk you could tell it was a brash decision and he immediately realized the brevity of the situation when he noticed/remembered Leo but there was no going back.

Honestly I was extremely impressed by all of the actors in that movie. Even the younger ones like hawk and that kid from that millers movie.
 
I'm serious. I wanna hear your insights though.

In the end, it's a movie, and as with all movies, there is some level of suspension of disbelief associated with it. But I still feel most your nitpicks are explained from a more discerning viewing of the film:

1.
leo is out hunting - shoots a deer or something but then hears a shot and knows its trouble back at camp. no one else could possibly be hunting like him
2.
younger kid with tom hardy couldn't find leo's son, was searching and calling for him all over, however, leo crawls for 20 feet and finds him beside a tree
3.
leo's doing well, can fish, but next scene he is dying of hunger and risks going up to a native who miraculously is good to him, of course he eats raw bison liver while a fire blazes beside him.
4.
tom and the kid waltz into an attacked native village (suddenly they don't feel any threat) that seems rich with food (livestock walking around etc) and the kid leaves some food for a native - who starts eating straight away
5.
leo - a super tracker couldn't tell where tom went - they are about 50 yards apart in deep snow
6.
leo sleeps inside a horse to ward of cold I guess. the whole time before he was fine with his pelt coat though. hmm. what was the point of this nonsense?

1.
Pretty close to the beginning of the movie members of the fur trading company were complaining about Leo's character out hunting while they were all working on skinning and preparing the fur. There would have been no reason for any of them to fire a shot off while they were skinning and preparing their product to be transported/sold. So obviously the sound of the gun going off was enough to signal there was trouble.

2.
If I recall correctly there were numerous cuts to imply Leo crawled a significant distance to find his son. It wasn't 20 feet away. In any case, I don't recall Bridger ('younger kid) doing more than calling for Hawk before Fitzgerald convinced him he must be out doing something.

3.
There are somewhat significant jumps in time between scenes. It could have been days between scenes. Remember, Leo's character traveled around 200 miles in the span of the film. Also a fish isn't going to sate hunger for long. Especially if one was starved before it. As for the Native American 'miraculously' being good to him. I believe Leo's character recognized the man as being Pawnee, the tribe Leo's character spent time with and is familiar with.

4.
I believe the village was quickly judged to be Pawnee, which, at least compared to the Arikara, are presented as more peaceful and friendly to fur traders. As for the livestock, I believe they were boars. Which if you've ever met in real life, are tough as nails. These are things that will continue charging at you after taking a bullet to the skull. Probably not the easiest animal to just kill and eat for a lone individual whose home and people were just massacred.

5.
I didn't spot it myself but someone I was viewing it with mentioned that they show briefly that Tom purposefully took some steps and movements to make tracking slightly more difficult to delay Leo. I'll need to see it again to confirm.

6.
I think 'fine' is a bit of an exaggeration. The heavy fur he had been wearing was just the best option he had for most the film. The freshly deceased horse carcass was at that moment the warmer and superior option, so it was wise to take the opportunity to rest. Only thing I didn't like is the removal of all the organs. I believe the better option would have been to leave some of the guts to maintain more of the inside body heat.

And finally to address this bit:

what a silly film. zero story. zero realism. barely any logic. bad dialogue for characters in that era. and why the hell would leo win an award for that role. all he does is crawl around and sleep. that takes talent? LOL

You say it had zero story? Did you fall asleep or something? No realism? I mean yeah, some parts are a bit dramatized, but like I mentioned previously, it's a movie. It's more 'real' than most films. Not sure what logic has to do with anything. As for the dialogue not being accurate for that era, I recall reading an article on how except for a couple lines (particularly the 'pansy bitch' one) the movie was fairly representative of how people spoke in the day. And now for your most egregious comment: Implying no talent was necessary for Leo's role. Though I don't necessarily think he deserves an Oscar for this movie (though I wouldn't say he doesn't deserve it either), saying this didn't show his talent is bunk. Words aren't the only part of acting. Leo did an astounding job in his performance of conveying the pain and struggle his character was under without words. The only part I didn't like is near the end
when a comparatively insignificant comment sets him off
. But that is more of an issue with the writing for that part, and less his performance, and is minor in retrospect.
 
I was sort of nodding, understanding this sort of take away on the film, then you just demonstrate a complete disconnect from what was delivered. If that's what you'd rather have, that is what was delivered above all else.
Elaborate. I'm curious to hear your thoughts.

If you are into music, you would be a great fit for writing for Pitchfork.
I don't know how interpret that because I'm not familiar with Pitchfork.

Edit: Oh, it was meant to be an insult. How clever, I guess. Nice work denigrating the style of the post instead of the points it addresses. Looking through your post history shows you thought THE REVENANT was "great." I'm sorry if my opinion about it didn't align with your clearly "superior" take on it. How dare I offer a take on a movie that's not the same as how you feel about it.

I have to decide between this and Creed. Which is better gaf?
Creed
 
Film had nice visuals in the cinematography and CG, but over all I was letdown. Too often it felt like the brutality delivered little payoff. The realism of it clashed too much with the suspension of disbelief required to accept the survival aspect. Enjoyed Hardy's performance, but Leo was too one note for me. Still though, there was enough quality there for me to recommend this to others, but it will come with some warnings.
 
leos indian relationship and spirituell flashbacks were totally uneeded in the film and felt like a drag to go through. Dont know why they invented his son anyway. the movie was great and would be even better without that nonsense.

I think it was moreso, while you're on the brink of death, you tend to think of happier moments in your life and even hallucinate. Like your life flashing before you eyes. But he would stay determined because of what happened to his son. That's what I thought at least.

But it's good to see my Inception brothers back together again. I hope they are both in Dunkirk.
 
Is one of them The Yellow Sea?
Nah, it was Memories of Murder and Sympathy for Mr. Vengeance. I'd highly recommend both, pretty much masterpieces.
leos indian relationship and spirituell flashbacks were totally uneeded in the film and felt like a drag to go through. Dont know why they invented his son anyway. the movie was great and would be even better without that nonsense.
The whole past told in sporadic flashbacks got old for me too and I wish they made some of it more cohesive or made them even shorter/removed them. Also, what are we supposed to make of the ruined Christian chapel? I thought such a construct wouldn't even exist yet in America. I am unfamiliar with early colonial history though so if someone could clear that up I'd be grateful.
 
I feel like the tone of the movie was fine but one more scene of tension would have done wonders for the pace of the movie. In the actual Hugh Glass story he apparently was taken hostage by Natives and only survives after witnessing one of his fellow trackers killed. They could have even had a scene like this at some point with Leo and the tracker boss guy just to further develop their relationship and explain why he respected Hugh Glass so much. They could have put that at the start and moved the awesome battle until farther in the movie.
 
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