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Transistor SPOILERS Thread

...what?

That doesn't really make story-telling sense. Why would they show you possibilities of their future together inside the Transistor, and then proceed to have her enter it? Then those scenes would be pointless. Usually when you do the "what could have been" shit is to show what a character could've experienced if they had gone another way.

Not to mention you need to rewatch the images then. I'm like 99% sure two of them are direct hints that they took place in the past. One was Red writing one of her songs, probably the one she was going to sing at the concert before the main events of the game, and her lover behind her with two cups of coffee to stay awake. The other one is them kissing off the side of the stage and you can see the microphone you walk up to where the concert/attack takes place off to the side. Obviously showing this took place right before shit went down and that initial cutscene played out.

From what I see of their relationship is that it was largely kept a secret from the public and friends. This probably means he was a friend or part of her crew/Red's bodyguard. The Camerata didn't expect him there because their informant didn't know much about him and was wary, but didn't expect him to be Red's boyfriend/lover. So he came out of nowhere from the side of the stage when they threw the transistor at her and took the hit for her.

Don't get me wrong. You're welcome to your own interpretation but from the people that have beaten the game in GAF I have yet to see someone else with this point of view.

Well, that's simply how I saw it after finishing the game once, never claimed it to be the only truth. If this what the epilogue images show we can clearly disregard my interpretation.
 
For me the biggest question is the interpretation of what the country is and the meaning of the humans in the pods during the final fight against Royce.

If Cloudbank is some sort of virtual environment do peoples physical bodies reside in the pods seen in the country?

The Transistor provides a gateway between the country and Cloudbank, what is the difference when Red first uses it to go to the country versus the end of the game when she kills herself with it and returns to the country.

How does killing Royce allow Red to head back to Cloudbank?

The game calls Red's sword the Transistor, and it seems to be singular but Royce also has a similar sword. Is there a difference?

Why do we seem so many Transistors type swords in the country?
 
God this game's story was so interesting to me. I think I'm going to playthrough it again today after reading some of you guy's interpretations.
 
This. I really didn't get this part. Anyone have any theories?

Well it kinda sounds like the first transistor was found not created. They are the brush that paints the world so it would make sense for whoever made this computer world to have made more than one brush.

Its like having the sword gives you admin powers or something. Anyways i'm not really sure. This game leaves a lot of stuff unexplained. The ending was so well done though. Really should have seen that coming from the start haha.
 
Just finished my first recursion. Kind of sad nothing really changed. I know not a lot did in Bastion either, but there were more call backs I feel. Still love the game, wish there was more.

I will add this, on my first recursion, I found out that during the times a spine is near and the transistor gets foggy, he'll sing the song that's playing. Was pretty cool.
 
Quoting Sirot's analysis post from the OT because it does a good job with some of the foggier aspects of the story. Other details are in the unlockable character texts within the Functions (transcriptions can be found here and here):

My take on the whole thing (MASSIVE SPOILERS):

Cloudbank is a twist on the old trope of the "city in the clouds". Cloudbank is a virtual world, a city in the cloud.

When a person joins (or is born into, this part is not clear) Cloudbank, they are prompted to make two selections. These selections are not unlike the character creation seen in RPG. You choose two attributes for yourself that you want to specialize in and improve. These selections, alongside the user's consciousness creates their trace. Their link to the world of Cloudbank.

These selections give access to functions to the individual. Treat it as the API calls to the world of Cloudbank. It is no coincidence that Red's function is crush(), which makes its targets more vulnerable. It is the same function which made her singing so effective. The transistor is the unconditional access to those API calls and allowed access to those functions in their pure form.

So what is the transistor? Where did it come from? Royce in the later parts of the game described that it required a lot of math to uncover the transistor. The likely answer is that it is a piece of reverse engineered code that allows greater access to the underpinnings of Cloudbank. As the name implies, a transistor controls the flow of information. This is gets to us to the goals of the Camerata.

The city of Cloudbank is autonomous. There is no longer a single driving force behind the city and instead, it maintains its relevance through a voting system amongst the populace. The game's trailer opens up with saying everyone has a voice in the Cloudbank. This voice is the voting mechanism that allows changing every facet of the city. Unfortunately, these continuous petitions created mediocrity through majority and prevented any real, interesting change in the city. As Red's lover once remarked, the weather is always mild and nonoffensive. As the longest-running administrator of the city, Grant realized the hopeless of his position. This staleness is what the Camerata hopes to overcome. When everything changes, nothing changes.

Their first step is to take away control away from the citizens of Cloudbank. To take away their voice. This theft is embodied in Red's literal loss of her own voice. Her voice and those of many others is now trapped in the transistor. The true agent of change left in Cloudbank. And coincidentally, the only voice we really hear during our play through.

The Camerata's plan falls apart once Grant loses control over the transistor and the custodian's of Process are left without direction. Up till now, the populace gave purpose for the Process and so they interpret that void as the desire for nothing. The Process begins to transform Cloudbank into a blank slate in the hopes that it will be given direction once more. As Red plows through their ranks, the Process become more and more obsessed with Red (evident in the later parts of the game). She is all they have left to give them any real meaning.

As Cloudbank becomes a shapeless mass its users evacuate. They log off and go to "the country". There is no returning to Cloudbank. It is directly said that logging off even in ideal circumstances is a one-way trip, but now there is no point of returning. The millions of people who made the simulation feel real are now gone and to never return. So when Red gains complete control of Cloudbank and gains root status, there is nothing left for her. Cloudbank is dead and Red's lover is trapped inside the transistor. He cannot log off and will likely last as long as his mortal body will allow.

Red does not want to face the shock of entering the real world alone, nor does she want her lover to be abandoned. So she leaves the Cloudbank through "suicide" and joins her lover inside the transistor. As this point, there is a ambiguity to what happens. It appears that Red's root status transferred inside the transistor. After all, the cloudscape of the transistor now has form. There is ground and most importantly, Red and her lover have form. If Red has such capability, it is not outlandish to presume that she also had the power to log her lover and herself out of the transistor. Perhaps that last image is them out in country and reveals a happy ending.

edit:

George Weidman/Super Bunnyhop posted a great (as usual) story analysis video. Here's his review of the game too.
 
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