Now we're talking.Jon Hamm
Now we're talking.Jon Hamm
Tony in his coma (Purgatory) is the closest character to real-life Gandolfini that we see. No accent, just a soft, almost nerdy, voice.
Cranston had to juggle two characters, for what it's worth. The bumbling and human Walt, and the slowly emerging cold and ruthless Heisenberg, weren't the same guy, and neither of them had a permanent hold either, shifting in and out of dominance.
You ever see Enough Said? I kinda hoped he was a lot like his character in that movie in real life.
Anyway I think Gandolfini's the right choice here. Cranston did a great job as well however.
Ex-Army corporal Jonathan Bartlett, 21, is now getting around on two artificial limbs. He's typical of those who fought in Iraq and almost didn't live to tell about it. He doesn't want anyone's pity.
"I don't view it as a sacrifice," he tells Gandolfini. "I was a soldier. I got hurt. It happens."
This is no latter day act on the part of Gandolfini, who long has spoken out on behalf of America's soldiers in Iraq. On Alive Day Memories he mostly stays out of the picture. But one of the documentary's more affecting moments comes when Jay Wilkerson, previously an Army staff sergeant, talks about trying to regain his memory after taking shrapnel in his cheek that then lodged in his brain.
"You feel empty," he says. "You feel like you're lost."
"Give it time," Gandolfini responds. "Give it time."
"Thank you," Wilkerson says.
"No man, thank you," Gandolfini replies before shaking Wilkerson's hand and hugging him.
Yes, Walt's ego is and was his downfall but he strived to be professional about it. He wasn't in the business for the pleasure of violence he did it because he enjoyed the challenge and outwitting his opponents who would have to recognize him as their better. Tony on the other hand was a straight thug, he loved the violence, the gambling and the whole gangster lifestyle. Walt hated senseless violence and his rags to riches story is easier to relate to than that of Tony, a gangster already at the top yet depressed despite having it all.
If you want to look at it that way then that makes Gandolfini's performance even more impressive. Cranston played two static "characters types" whereas Gandolfini made Tony more of a complete human being. James had covered the gamut of human emotion in the same way we all do , albeit Tony was on an (hopefully) exaggerated and twisted scale. There was a lot more room for subtlety in the Sopranos but with the fits of rage, panic attacks, mental breakdowns, depression , etc; he also had the opportunity to display the big swings which is a lot of what Breaking Bad is,
I love both but Tony Soprano the character is the best there is.
Last week i saw the first season of The Sopranos and a few episodes from the second.
things i don't understand:
Everyone knows who Tony Soprano is, and the guy walks in the streets, without any protection or bodyguards?
why the guy lives in a regular house with no security?
his children go to a public school? wut?
the guy is a Waste management consultant but he has no office and he has a second job at the stripclub as the owner too?
the "goodfellas" kid who got shot in the foot, is trying to make a movie script? and he taking acting lessons? wut?
Yeah, and I mean he's part of a reasonably powerful family right off the bat from what I remember. Unless someone has an incredibly important reason to take him out, they aren't going to for fear of retaliation.This is the 21st century, organized crime has changed a lot when it comes to how things operate and such. Important people don't get murdered in public willy nilly, its been that way for awhile. He has a waste management office he never goes to because the title and job is one of the only legit things he could report to the IRS.
The show isn't unrealistic, its modern in every sense.
Aaron Paul > All
Last week i saw the first season of The Sopranos and a few episodes from the second.
things i don't understand:
Everyone knows who Tony Soprano is, and the guy walks in the streets, without any protection or bodyguards?
why the guy lives in a regular house with no security?
his children go to a public school? wut?
the guy is a Waste management consultant but he has no office and he has a second job at the stripclub as the owner too?
the "goodfellas" kid who got shot in the foot, is trying to make a movie script? and he taking acting lessons? wut?
Probably never.![]()
Yeah, and I mean he's part of a reasonably powerful family right off the bat from what I remember. Unless someone has an incredibly important reason to take him out, they aren't going to for fear of retaliation.
And it's not exactly a smooth day to day life for Tony through the entire show. Without getting specific, shit pops off later in the series.
Walt had like 12 people murdered in jail. He became ruthless and took out all the enemies he could. Walt hated senseless violence in the first few episodes. After that, he had no issue with it.
That wasn't senseless violence it was necessary. Senseless violence is by definition violence without any real point besides maybe the pleasure of derived from inflicting harm on others. If Walt had a choice he would choose not to harm anyone but if it was necessary to keep his life or business afloat he would do it. Tony on the other hand reveled in violence, he enjoyed having or beating up weaker people and enjoyed the thrill of the gangster lifestyle. His primary concern was not about business and professionalism it was about having a good time with that life.
When Tony and Chris stole that liquor from those other gangsters I thought it perfectly encapsulated the nature of Tony Soprano's personality and perfectly contrasts that with Walter's personality.
If there was a third, who would it be? Jack from Lost? Someone else from Lost? Or, do we go down precipitously from there?
That's who I'd go with. McShane in that role is one of the few actors who is able to rival Gandolfini and Cranston in terms of moral ambiguity and complexity. He's undeniably a bad person because of his actions, but he's so damn charismatic that you can't help but root for him (especially when Hearst comes into the picture).James Gandolfini by a country mile. And it isn't even close.
Al Swearengen maybe?
Are you sure you even watched Breaking Bad?
If we're going to being supporting characters into this then Edie Falco is going to win out every time.
That's going to be a little tricky to arrange![]()
I thought this was going to be a cooler topic idea, namely which of the characters gave a better performance throughout all their lying/acting
Walter was a terrible liar.
If you want to look at it that way then that makes Gandolfini's performance even more impressive. Cranston played two static "characters types" whereas Gandolfini made Tony more of a complete human being. James had covered the gamut of human emotion in the same way we all do , albeit Tony was on an (hopefully) exaggerated and twisted scale. There was a lot more room for subtlety in the Sopranos but at the same time, with the fits of rage, panic attacks, mental breakdowns, depression , etc; he also had the opportunity to display the big swings, which is a lot of what Breaking Bad is all about.
I love both but Tony Soprano the character is the best there is.