Because someone at some point wanted to make a World War Z film. Then Brad Pitt got personally involved -- instead of sitting back and letting his production company handle this -- and vouched for Marc Forster, who wanted a huge action film. If that Vanity Fair article is correct, Forster is probably the one to blame for almost every bad decision on this film.
What's funny about this is that I was at F&F 6 yesterday with my wife and the trailer came on (we've seen it several times). She was like "who are they even fighting?". She had no idea it was zombies. Not good marketing - it just looks like generic "war" at this point.
I really wish they could have gone with the documentary direction. It would make more sense with the book and probably be significantly cheaper.
It'll be just fine and I don't think it's going to bomb.
This so much.
I don't think the kids understand just how, uh, dead the genre was before RESIDENT EVIL.
Have zombie flicks ever made so much money? Most successful I think Resident Evil movies are the best anyone has ever done, and that peaked at 300 mil WW.
They need this movie to do over 400mil to not be a bomb.
Out of curiosity, why do people have beef with Straczynski? I've liked a lot of what he's done over the years. Or maybe it's my Babylon 5 bias.
This so much.
I don't think the kids understand just how, uh, dead the genre was before RESIDENT EVIL.
I'm curious too. But I'm also a B5 fan.
Personally I hope this bombs hard and takes the zombie genre with it.
This movie is going to be awesome. It has to be after all this.
It does seem like a problem. Zombie movies have done well when they're made cheaply and therefore can turn a profit on semi-decent returns. Like the Dawn of the Dead remake made $102 million on a $28 million budget, or 28 Days Later doing $82m on $8m. This sort of budget seems suicidal.Have zombie flicks ever made so much money? Most successful I think Resident Evil movies are the best anyone has ever done, and that peaked at 300 mil WW.
They need this movie to do over 400mil to not be a bomb.
Wow, an even bigger disaster than Mr. & Mrs. Smith. Brad has a knack for picking these things.
bradthrowingphone.gif
always got the impression jolie was the more savvy of the two
This should have been an HBO series.
They weren't necessarily wrong with the idea of taking WWZ and trying to make a more traditional story focused around a single character that still followed the basic scenario that played out in WWZ.I think the adaptation was doomed the second they (apparently) started viewing it as a launching pad for a Brad Pitt Zombie Franchise. There is possibly no work of zombie fiction more ill-suited for launching a single-hero-oriented franchise than WWZ. In order to pull that off, you have to accept diverging from the book enough to make one guy the driving force behind it and leave things open enough for sequels.
They just made War of the Worlds but with zombies instead of aliens. Man saves family from strange worldwide disaster. Why they paid millions to get the book rights and then do nothing with it (except keep the title) is beyond me.
Instead of bringing in the idiot from Lost, perhaps they should have brought in Romero.
Here is how I would have made the movie.
I would have kept the interviewer frame work. Movie features the UN Analyst flying around the world meeting various people and interviewing them. The interviews themselves would be flashbacks, a la Interview with A Vampire. Of course not every story could be worked into a movie. Some would have to be combined.
Between interviews, the interviewer himself would have flashbacks, in order to build an emotional bond with him.
"We can shoot this ending for $50,000. Get me a barn, some gasoline, a bunch of ketchup packets and some cardboard guns. I'll save this movie".
They weren't necessarily wrong with the idea of taking WWZ and trying to make a more traditional story focused around a single character that still followed the basic scenario that played out in WWZ.
Like, I don't know. Make a movie based around Todd Wainio's parts of the book (which, on its own, could easily pad out a story of a soldier dad getting his family to safety, fighting the losing battle at Yonkers, and then joining in on the effort to retake the country) and then sprinkle in elements from other chapters (like have him come across the downed pilot or the little girl who was on the run from the crazy cult). Then if you want sequels, you have all the stuff implied by the book but never covered. You could have a whole movie alone based around Pitt's character being a part of the crew sent in to investigate what happened in North Korea.
The problem here is that Forster completely jettisoned everything from the book, and the stuff they came up with sounds downright awful.
They weren't necessarily wrong with the idea of taking WWZ and trying to make a more traditional story focused around a single character that still followed the basic scenario that played out in WWZ.
Like, I don't know. Make a movie based around Todd Wainio's parts of the book (which, on its own, could easily pad out a story of a soldier dad getting his family to safety, fighting the losing battle at Yonkers, and then joining in on the effort to retake the country) and then sprinkle in elements from other chapters (like have him come across the downed pilot or the little girl who was on the run from the crazy cult). Then if you want sequels, you have all the stuff implied by the book but never covered. You could have a whole movie alone based around Pitt's character being a part of the crew sent in to investigate what happened in North Korea.
The problem here is that Forster completely jettisoned everything from the book, and the stuff they came up with sounds downright awful.
Fuck that, Quantum of Solace was awesome.
I don't understand. Are you asking because you're listening now and aren't impressed or because you're about to purchase it and want to know before hand?so is the complete audiobook for world war z meant to be good??
If I had to choose between Lindelof's recent output and Romero's recent output, I'd choose Lindelof easily. Romero has been god awful for a really long time.Instead of bringing in the idiot from Lost, perhaps they should have brought in Romero.
thanks for taking the time out of your day to respond. I appreciate that you are busy and fairly sought after because of your expertise. I hope the rest of the day is pleasant for you.
Behave.
I can definitely see WWZ making its budget back and I understand why Pitt went the route he did with the film but even still it could have been handled so much better. Adapting the ip to the screen directly would be impossible but that doesn't mean he should butcher it and use it in name only, he still could of kept the spirit of the book.
Romero has been pretty consistent at being awful really.If I had to choose between Lindelof's recent output and Romero's recent output, I'd choose Lindelof easily. Romero has been god awful for a really long time.
Wow, an even bigger disaster than Mr. & Mrs. Smith. Brad has a knack for picking these things.
That's an HBO miniseries, not a summer tentpole film.
Even if I believe that someone like Blomkampf would have been able to make such an angle work, that's the thing with World War Z. This property is horrible for becoming a summer tentpole film, full stop. Paramount just thought "derrrrp, zombi sucessful book, will make zombi sucessful movie, herp" and went with it. This is a great example of everything that is wrong and creatively bankrupt in Hollywood.
Paramount Pictures reports that World War Z had passed the $500 million worldwide gross mark, surpassing Troy’s $497.3 million to become Brad Pitt’s highest grossing film ever.
According to Paramount (which co-financed with Skydance), WWZ has set several records for Pitt, whose Plan B produced. It set a personal best with a $66 million opening on June 21, and a total $197.4 million in the U.S., both of which exceeded Mr. & Mrs. Smith‘s total domestic gross of $186.3 million and $50.3 million opening weekend. The film has earned $305.2 million at the international box office, to date.
Brad Pitt is turning into David Spade.