Superman is such a homely hero
I mean, he was the perfect hero 50 years ago.
I get a bad feeling whatever Snyder does, it'll be upsetting.
I hope they go either two routes with this movie to make him relevant.
Either A)
Create a 1940s 1950s era stylized sky scraper covered Metropolis, with the look and feel of the city from Sky Captain and the World of Tomorrow, but without the sterile colors. Have a nice mix between this and New York from Peter Jacksons King Kong, it would be amazing. It would be a period piece, but the kicker would be wed be seeing well known characters as they originally appeared, with over the top action thrown in. Hell, Id love to see Supes flying along side some A-36 Apaches, seeing them knocked out the sky by death rays in classic WWII style shaky footage, and then seeing Supes confront a large robot, and colliding with it through a high rise.
Or B)
Dont change Superman, but change Clark Kent and make him a credible journalist that travels the world who has been subjected to world tragedies and violence. I think theyre going this route after reading about the script. The other big change needs to happen to Lex Luthor. Make him almost a Keyser Soze character, behind the scenes, barely seen but when you see him, he has purpose and he seems like a non threat. Have a main villain, and at the end, reveal it was Lex who pulled the strings but make it so Superman cannot legally do anything to him, or just have him not realize it at all... have Lex sitting at his desk at the end saying some gibberish about everything going accordingly. This way, Supes triumphs but Lex ultimately wins (giving an ominous feel to the ending). The best villains are those who succeed even when you think youve won, and those who you are powerless to defeat even with brawn and the speed of a locomotive.
I absolutely hated the Lex on a beach shouting curses Superman ending of Returns. It was cringe inducing.
:lol you were reading my mind while I typed this up...
I get a bad feeling whatever Snyder does, it'll be upsetting.
I hope they go either two routes with this movie to make him relevant.
Either A)
Create a 1940s 1950s era stylized sky scraper covered Metropolis, with the look and feel of the city from Sky Captain and the World of Tomorrow, but without the sterile colors. Have a nice mix between this and New York from Peter Jacksons King Kong, it would be amazing. It would be a period piece, but the kicker would be wed be seeing well known characters as they originally appeared, with over the top action thrown in. Hell, Id love to see Supes flying along side some A-36 Apaches, seeing them knocked out the sky by death rays in classic WWII style shaky footage, and then seeing Supes confront a large robot, and colliding with it through a high rise.
Or B)
Dont change Superman, but change Clark Kent and make him a credible journalist that travels the world who has been subjected to world tragedies and violence. I think theyre going this route after reading about the script. The other big change needs to happen to Lex Luthor. Make him almost a Keyser Soze character, behind the scenes, barely seen but when you see him, he has purpose and he seems like a non threat. Have a main villain, and at the end, reveal it was Lex who pulled the strings but make it so Superman cannot legally do anything to him, or just have him not realize it at all... have Lex sitting at his desk at the end saying some gibberish about everything going accordingly. This way, Supes triumphs but Lex ultimately wins (giving an ominous feel to the ending). The best villains are those who succeed even when you think youve won, and those who you are powerless to defeat even with brawn and the speed of a locomotive.
I absolutely hated the Lex on a beach shouting curses Superman ending of Returns. It was cringe inducing.
Brera said:There is no room for a modern day Superman.
Set it in the 1940s and make it ultra comic book.
Superman would just look lame...just like in Superman Returns!
:lol you were reading my mind while I typed this up...