Fuquas Magnificent Seven seems to be happiest when its mindless action spectacle, and if youre looking for an action movie that happens to take place in the Wild West, then this is a movie that exists. But its disappointing that Fuqua doesnt ask for anything more. He doesnt care about bringing us better characters or giving them interesting relationship so that well care if they live or die. He doesnt build upon or subvert the Seven Samurai premise. The only question he raises thats worth considering is why watch this vastly inferior remake when the 1960 version and Akira Kurosawas film are easily available?
http://collider.com/the-magnificent-seven-review/
It would be too easy to say The Magnificent Seven isnt magnificent. Its definitely not, but the film has an even more egregious quality: its uninspired. Theres no risk, no real attempts to subvert expectations, and no desire to truly give the audience something, if not entirely new, then at least surprising. The Magnificent Seven hires plenty of top level talent, but it turns out theyre all firing blanks.
http://theplaylist.net/magnificent-...-remake-classic-western-tiff-review-20160908/
The sheer talent of the cast here sometimes provides enough depth to get audience members to the climactic shoot-out, and there are a few definite MVPs in terms of ensemble, but its hard to envision this film having anywhere near the cinematic legacy of those that inspired it.
http://www.rogerebert.com/reviews/the-magnificent-seven-2016
There is another addition: An ending in which Bennetts character talks about the heroes who fought for her town in voiceover, while the camera pans across one of the most laughable CGI landscapes Ive ever seen. They were, she says, before a big dramatic pause, magnificent. Yeah, no
http://screencrush.com/magnificent-seven-2016-review/
If remaking westerns is what it takes to get westerns made, then this The Magnificent Seven which thankfully doesnt forget to tip its 10-gallon to Elmer Bernsteins famous score will do for now until somebody else gets in the saddle. Theres certainly enough verve, and love for the genre, to help one get past its trouble spots, but you cant help feeling the mercenary thinking behind rehashing this mercenary yarn.
http://www.thewrap.com/magnificent-seven-denzel-washington-chris-pratt-review-2016/
If Seven Samurai and the first take on The Magnificent Seven were about the end of a way of life, this version points to a new beginning, one in which we can build positively on the shared past that we all carry together. As one of the Seven promises in a line typical of the films surprisingly pointed vision of the future: What we lost in the fire well find in the ashes.
http://www.indiewire.com/2016/09/th...view-denzel-hawke-trump-tiff-2016-1201723815/
An eyebrow-raising and ear-perking moment occurs at the end, when the opening strains of Elmer Bernstein's eternal score for the 1960 version blast from the soundtrack. For some, this will provide an all-too-vivid reminder of a film that's better than the one they've just seen.
http://www.hollywoodreporter.com/review/the-magnificent-seven-924855
Lock if old