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Dunkirk and its whitewashing of history...

Minorities not appearing in the movie does not mean the movie erased them from the historical event itself. The burden of being informed about the full breadth of any given historical event is on the audience, not the film. It's first priority is to be entertaining, not to be a thorough historical document.

I can probably guarantee that he'd be defensive, since you're implying he's either a racist or unintentionally made a nationalist or racist film.

These particular lines of argument are so far beside the point that it feels like you are intentionally misinterpreting what people actually said to fit a narrative in your head.
 

Famassu

Member
Its about England's spirit during WW2, not Brexit.

This is ridiculous.
The movie is yet another white exceptionalism movie that whitewashes history. It's not a "brexit movie", but with such blatant ignorance of the role & blight of POC, it feeds into that side of society. It makes Dunkirk into this glorious moment of white humanity while once again ignoring a lot of the ugly, racist side of it and the suffering & sacrifices of POC.
 
First off, having just seen the movie, I think the Brexit claim the article makes is kind of stupid. First off, the amount of things people have been getting wrong about the film is kind of ridiculous.

Somebody earlier mentioned how a couple Dutch cruisers went to evacuate the soldiers at Dunkirk, and says they weren't shown, when in fact they were, as the captain of the grounded ship the main character of The Mole and Harry Styles hid in was Dutch (he says so when they yank him into the ship). The film also shows the French army as diverse for the short time they appear, and constantly mentions that the French are currently holding the Germans back. It also presents the British characters as prioritizing themselves over French as not a good thing (like when Harry Styles calls the French soldier a coward and holds him at gunpoint in the sinking ship). Branagh's line at the end
where he says he's staying behind to help the French evacuate
is presented as a selfless action of unity on his part.

The film doesn't have any female main characters, but it does show them to be there and in doing so, doesn't erase their presence at the event, it's just that they aren't the focus. Someone posted the statistics earlier, and the Indian soldiers at Dunkirk made up 0.5% of all the soldiers. The film has a limited focus, only showing a couple stories of survival and only having a couple main characters (the two pilots in the air, the three sailors and Cillian Murphy on the Sea, and the three soldiers and Kenneth Branagh in the Mole). The stretch of beach it takes place on also has maybe a couple thousand soldiers on it, compared to the 300000 at Dunkirk. At no point does Branagh turn to the camera and say "There are only white people on this beach; no Indians whatsoever". The film simply focuses on a part of the beach where the Indians weren't (since as someone mentioned earlier, the characters were in their battalions, its likely the Indian battalions would be somewhere else along the beach). It as much erases the accomplishments of them and the French as Saving Private Ryan erases the actions of the British at Gold Beach or the Canadians at Juno on D-Day. Just because it isn't shown doesn't mean it isn't happening. The film has a limited focus, and that focus, since it was a story of mainly survival, was on the British characters on the beach waiting for the ships, which (as the historical records show) were pretty much all white.

I'm Dutch. Did you know that thirty-nine Dutch coasters that had escaped the German invasion of the Netherlands helped out in the Dunkirk evacuation? The Dutch marine rescued 22,698 men in total.

Those Dutch heroes were also outright ignored. So what? That's not the story Christopher Nolan wanted to tell.

The captain of the grounded ship Tommy and Harry Styles got on was Dutch. He says it when they pull him into the ship.
 

EGM1966

Member
TBH I'm not feeling that the films design was based on any of the over-egged Brexit angle.

It definitely omits huge swathes of Dunkirk but the rationale simply seems to be to boil certain aspects of Dunkirk down to 1 hour and 46 minutes.

It's considered absolutely fine artisticsllt in films to do this because of course it's impossible to fit in everything for such huge events.

I feel the points are fair to raise - although they'd come across better without making it feel the film's sole focus is justifying Brexit - but I don't feel they stick.

The film isn't some four hour epic trying for documentary veracity: TBH the film clearly goes the other way and doesn't bother about historical inaccuracies much.

In fact that's maybe the key thing: it is a simplified, fantasy version of Dunkirk; deliberately do. Looking for historical accuracy is arguably useless anyway given this obvious fact.
 
I think the correlation between the film and Brexit is coicidental at best, I mean it's not like they spent years producing this movie knowing what the political climate of Britain would be like in the next few years to come. Not to mention the whole "England shall previal" thing was veey much a real saying in British WWII propaganda.
The arguments about the historical validity are entirely valid though, make no mistake, but you'd be fooling yourself if you thought that they would actually put the time and effort to be as historically accurate as possible in regards to the lack of representation in a historical fiction film. It's passive erasure, it sucks but there's nothing that can really be done about it except to point out the historical inconsistencies when using the film in the feild of education; otherwise it manages to do it's job and tell the story of Dunkirk in a relatively short and abrdiged fashion.
 

Zabka

Member
Because they're French not because they're minorities though. Someone can correct me if I'm wrong but I don't think there's a single poc who's in the rescue forces or British military (even as a non-combatant) in the film.

I'm trying to track down a better source but I've found multiple people claiming that the Indian Army Service Corps mule units were some of the first evacuated because they were an unarmed service unit. Service units were evacuated first, before the official start of Operation Dynamo, because they were considered "useless mouths." By the time the film started they'd already be gone.
 
Noland must be furious thinking he picked a story where he didn't have to historically cast a non white!

But he never rest and will make sure he has no non white women as leads for future films
 

Thaedolus

Gold Member
I just got back from watching this. I thought the hyper focused nature of the movie was integral to its excellence. Calling that white washing seems absurd.

I'd sooner hear criticism about the lack of gore or profanity, which seems more deliberate than any sort of intentional omission of people of color.
 
I just got back from watching this. I thought the hyper focused nature of the movie was integral to its excellence. Calling that white washing seems absurd.

I'd sooner hear criticism about the lack of gore or profanity, which seems more deliberate than any sort of intentional omission of people of color.

Whitewashing can be unintentional too.
 
What does the film being hyper-focused have to do with not making any (outside of a 2 second shot) of the extras minorities? Would they have taken away from the film's focus by being present in the frame?
 
What does the film being hyper-focused have to do with not making any (outside of a 2 second shot) of the extras minorities? Would they have taken away from the film's focus by being present in the frame?
Yeah, let alone a minority side character, but even minorities as extras wouldn't have hurt the film.
 

Thaedolus

Gold Member
Whitewashing can be unintentional too.

Sure, but this movie was very much focused on an experience with very little plot or dialogue/exposition. If it spent a lot of time exploring a dozen characters and their varying experiences, in the context of their home situations, I guess I could see it. But it's hyper focused on a few characters, their struggles to survive, and virtually nothing beyond that. I don't think the lack of people of color here is white washing in any reasonable sense of the phrase.

What does the film being hyper-focused have to do with not making any (outside of a 2 second shot) of the extras minorities? Would they have taken away from the film's focus by being present in the frame?

I mean...I'm just not sure how much it matters either way. The extras were given barely a thought regardless. I don't think my thoughts would be swayed too much based on the proportion of light skin to dark skin in those scenes to be honest.
 
I mean...I'm just not sure how much it matters either way. The extras were given barely a thought regardless. I don't think my thoughts would be swayed too much based on the proportion of light skin to dark skin in those scenes to be honest.

I think this is probably true. People don't give barely a thought to extras. But that leads to the potential issue that casting people will then default to what they know, white, rather than thinking of the implications of things. That's part of the issue when people say "white is the default".
 

The Kree

Banned
I've read the whole thread and I didn't notice anyone claiming that Nolan was racist or sexist or that he intentionally makes it a point to exclude people of color and women from his work out of malice. What I see people are mostly saying is that it's an area he could work on.

I don't think that's a criticism to get defensive over. It's true of most of Hollywood.
 

Thaedolus

Gold Member
I think this is probably true. People don't give barely a thought to extras. But that leads to the potential issue that casting people will then default to what they know, white, rather than thinking of the implications of things. That's part of the issue when people say "white is the default".

I can get that, I just wonder where the line is drawn? At what point do we have enough representation of X Y or Z in the lines queuing up to get on a ship? And how do we check on how accurate that distribution in the line is? Who gets to decide if the final cut meets the definition of accurate vs. white washed?

Like, I get that historical accuracy is important and tends to favor a certain narrative depending on who is making the film (often being whitey = good) but where do you draw the line between "this is a Brit's perspective of this event" and "this event has been whitewashed!!"? I simply feel, from my impression of the film, it was so narrowly focused that I don't know how it could have been more diversified in such a way that isn't totally on the nose and taking away from what it was going for.
 
I can get that, I just wonder where the line is drawn? At what point do we have enough representation of X Y or Z in the lines queuing up to get on a ship? And how do we check on how accurate that distribution in the line is? Who gets to decide if the final cut meets the definition of accurate vs. white washed?

Like, I get that historical accuracy is important and tends to favor a certain narrative depending on who is making the film (often being whitey = good) but where do you draw the line between "this is a Brit's perspective of this event" and "this event has been whitewashed!!"? I simply feel, from my impression of the film, it was so narrowly focused that I don't know how it could have been more diversified in such a way that isn't totally on the nose and taking away from what it was going for.

To be honest, usually the minorities not being considered get to decide what is or isn't the line. And, I think most aren't going to go overboard and say something ludicrous like 50/50, but something approaching actual levels is beneficial to everyone. I mean, you will get and see plastered online all the crazies (reddit is really good at this to drum up hatred), but most just want to see.... something. That's all.
 

Shawsie64

Banned
When will we get a director brave enough to embrace PoC and genderqueer soldiers throughout history.. Not only is Nolan whitewashing British history, he is also trying to tell me there was not one trans soldier at Dunkirk?

This movie is obviously propaganda for Trump's trans military ban, wouldn’t surprise me if Nolan and Trump emailed each other due to the suspect timing.
 
When will we get a director brave enough to embrace PoC and genderqueer soldiers throughout history.. Not only is Nolan whitewashing British history, he is also trying to tell me there was not one trans soldier at Dunkirk?

This movie is obviously propaganda for Trump's trans military ban, wouldn’t surprise me if Nolan and Trump emailed each other due to the suspect timing.

With this post you both managed to insult and belittle trans oppression and dismiss and mock valid concerns of people of colour.

Congratulations.
 
Always good time to post Dunkirk as depicted by Joe Wright.

https://youtu.be/y0de2hZ3dsA

When will we get a director brave enough to embrace PoC and genderqueer soldiers throughout history.. Not only is Nolan whitewashing British history, he is also trying to tell me there was not one trans soldier at Dunkirk?

This movie is obviously propaganda for Trump's trans military ban, wouldn’t surprise me if Nolan and Trump emailed each other due to the suspect timing.
This is some dumb shit.
did you guys miss the marie claire article which is way worse
I saw it. That was also some dumb shit.
 
I've just spent half an hour looking for something like that and came back to find your edit.

Yes, I agree with you on all points. It is likely that SS Clan Macallister was sailed by Indian seamen. I was looking for a list of the dead but this is good enough. I suppose it may have been restaffed by Navy men but I can find no reference to that.

Therefore, it is a shame that those people were not recognised. You must admit though, having probably googled it the same amount that I did, that it does not appear to be a fact widely remarked upon or referenced in any way. It does seem to me to be hugely egregious omission in that case. Nevertheless, it is an omission all the same and a lost opportunity.

My view is like I said earlier, you owe to the people who were there to represent an accurate order of battle. Which is probably part of the reason why I don't like that many war movies.

As far as obscurity of information goes, I don't think that's a good excuse for a $100 million epic. Considering we got it out of google in under an hour.

What this all tells to me was that the movie production was a rote job for Nolan and the writers. They weren't interested enough to ask the question, who were these people of whom we're making a movie. And assumed they were basically all white.
 

diehard

Fleer
When will we get a director brave enough to embrace PoC and genderqueer soldiers throughout history.. Not only is Nolan whitewashing British history, he is also trying to tell me there was not one trans soldier at Dunkirk?

This movie is obviously propaganda for Trump's trans military ban, wouldn't surprise me if Nolan and Trump emailed each other due to the suspect timing.

Serious question, is this neogaf satire?

I'll just assume it is if no reply.
 
When will we get a director brave enough to embrace PoC and genderqueer soldiers throughout history.. Not only is Nolan whitewashing British history, he is also trying to tell me there was not one trans soldier at Dunkirk?

This movie is obviously propaganda for Trump's trans military ban, wouldn’t surprise me if Nolan and Trump emailed each other due to the suspect timing.

Please tell what made you think this was somehow witty
 

ExInferus

Member
When a romantic movie does a better job of depicting the war than your $100m dollar movie where the focus is just the war...

I've seen this comment before. How exactly is that the case?
I've watched stock footage and photos and mostly see the barren beach with plenty of men in lines, just like in the movie. Surely also
depended on which part of the beach.
 

manfestival

Member
the movie focuses on 3 perspectives mostly. None of which striked me as the grapsing straws type of nature that is being presented
bawl.gif
 
This article is so stupid. I can't- ugh.

This is an argument made so often with any film that you can almost see the erection of the author slapping you in the face with great dong of righteousness.

The overwhelming majority of troops evacuated from Dunkirk and took part in the battles around it were white and British. You can't accuse a film of whitewashing history when this is exactly what happened.

Maybe you can argue an ethnic character could have been included. I wouldn't have complained.

I mean take Enemy at the Gates. Great movie. No one talks about the ethnic troops that fought and died in the battle of Stalingrad. It's good to recognise whitewashing and go against it, but historical events portrayed in film, should attempt to be as accurate as possible.

That just my thoughts on the matter.
 

Angel_DvA

Member
The movie did make the French look like a bunch of assholes. But nonetheless I know nothing of Dunkirk outside of the movie.

What ? the Brits were the assholes of the movie, especially with the French that were saving their asses.

On subject: I don't know what to say, you're following only 3 people in their survival and the movie isn't really accurate either, the numbers of soldiers on the beach is ridiculous, I see this movie as art more than a representation of reality.
 

Keasar

Member
Personally I was just surprised to even see the French in there.

None of the trailers had showed them and I was afraid that their efforts would have been overlooked despite being a major reason why the evacuation could happen at all.
 

Irminsul

Member
What does the film being hyper-focused have to do with not making any (outside of a 2 second shot) of the extras minorities? Would they have taken away from the film's focus by being present in the frame?
I mean, the answer to this is obviously no.

And the argument can very well be made that minority representation doesn't have to be an exact representation of the historically accurate share. That's why we have movies with creative freedoms. So Nolan definitely could have done better.

But the predominant argument being made in this thread is one about historical accuracy and whitewashing history, that minorities were there at the "real" Dunkirk. That's a completely different arugment. Because, with so few people shown in the film, it is pretty much historically accurate (well, to the extent other aspects in the film are). The Indian forces at Dunkirk are a miniscule part of it all, and the logic that one in four rescuers would have been a minority is sketchy at best. No, just because one in four seamen was a minority doesn't mean the representation at Dunkirk was also one in four.

As I said before, it's completely understandable to want more minorities represented in the film. It's something Nolan should be criticised for, because it's not like every other part of Dunkirk is that accurate. So Nolan was very free to overrepresent minorities, and there really isn't a good argument against it. But it's not about historical accuracy and not about whitewashing, because the film doesn't do this.

And well, the argument about what a film on Dunkirk should comprise... Eh, that's not so easy. I mean, you could make a film about how everyone at Dunkirk got incredibly lucky that there was a domestic power struggle in Germany and Hitler forced the approaching tanks to stop. I'm not sure whether that would have been the better story to tell.
 

Lime

Member
I really wish Nolan would improve his casting and his characters, especially with women. Absolutely terrible track record that doesn't really seem to improve, imo
 
sunny-singh-london-metropolitan-university.jpg

That's the author btw, and how I know you didn't read the article.

I don't think men or women have a dong of righteousness in real life. I mean you might by the way your retort make no sense.

Actually upon reflection of the article, it doesn't bring up the authors own race once. So what you just posted makes no sense.

99d9d1_9331063f210a451e8fb55f2ed9421838.jpg


That Ice, that's how I know you no chill. See what I mean. Makes no sense.
 

RinsFury

Member
When will we get a director brave enough to embrace PoC and genderqueer soldiers throughout history.. Not only is Nolan whitewashing British history, he is also trying to tell me there was not one trans soldier at Dunkirk?

This movie is obviously propaganda for Trump's trans military ban, wouldn’t surprise me if Nolan and Trump emailed each other due to the suspect timing.

How clever. I hope it was worth it.
 
I did find it weird that they managed to show black french soldiers but then not show any other races under the British military. It's going way too far though saying it's pro brexit though, it was emulating how people felt at the time with Britain standing alone against the Nazis and their allies. It wasn't factually true but that's how people felt at the time, it took so many years for none white soldiers to get the recognition they deserved for the war. So the Britain alone mentality was fine but it really should have physically represented everyone who was there.

I was also disappointed that they barely even mentioned the people holding the Germans at bay while the evacuation was going on, they knew they weren't making it out and still held their ground for the operation to be a success.
 
The one good insight here is, maybe the UK should be more thankful to ex colonial minorities.

Or you know, the fucking french!


- about the film, the french were barely represented in it, but that was the point. This was not a jingoistic film, it made it clear that they were futher up, holding the Germans back.
The British soldiers were not displayed as paragons of virtue, but real people trying to survive.

The viewpoint this was somehow brexity, is nonsensical to me. And I'm a cynical cunt who thinks that brexit has a hard, direct line which can be traced back through 70 years of WWII propaganda that has been fed to people.
 

D4Danger

Unconfirmed Member
Always good time to post Dunkirk as depicted by Joe Wright.

https://youtu.be/y0de2hZ3dsA

When a romantic movie does a better job of depicting the war than your $100m dollar movie where the focus is just the war...

ironically Juliet Gardiner the historical advisor of that film disagreed with some of the choices that film made.

http://h-net.msu.edu/cgi-bin/logbro...1&week=d&msg=c1RX+DOdzLbfm1RAMn5WsA&user=&pw=

I don't think it is fair to say that the makers of Atonement were 'playing
fast and loose with the facts' by including a black soldier in the Dunkirk
scene. It is simply very hard to know: statistically one would expect there
to have been a handful of black soldiers scooped up by the Military Services
Act, and one or two of those may have been sent to France with the BEF, but
equally they might have been sidelined into the RASC or similar.

Although the IWM expert has never seen a black soldier in any of the
Dunkirk photographs nor seen mention in any memoir or letters, he would be
the first to say it does not mean that there were none there, and there is
indeed supposed to be an extant photograph showing a black soldier, but he
has never seen it nor found a reference to it.

Of course there was racial prejudice in Britain at the time - the US Army
would not have been able to operate its 'Jim Crow' policy in Britain without
the compliance of the British government - but segregation was never as
systematic as in the US army and USAAF. There were always a considerable
numbers of black sailors in the Navy and by the end of the war quite a few
West Indian (as they were then called) airmen flew with Bomber Command, so
it is not inconceivable that there were black soldiers fighting in France.
And, of course, the Mule Company of the Indian Army was with the BEF in
France.

she also presented a show on the BBC radio called "Presenting the Past - How the Media Changes History" that goes into the issues some more.

Atonement writer Christopher Hampton

That was just a piece of casting. He's a wonderful actor. In fact those of us who have worked through the last forty years have come to welcome colourblind casting and I would like more of that to happen although in a strictly historical sense that probably wasn't accurate.
 
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