So...is Nashandra a giant in her throne sitting form? I have to assume she is from the perspective, and given how her throne in Vendrick's throne room is also oversized.
The throne acutally looks like a human-sized throne stuck on top a giant-sized one. Or maybe it's just me, but I keep seeing huge armrests on either side.
This...is really goofy....but at the same time makes a lot of sense.
However this leaves the question of why the Throne of Want would have a human sized throne, if Vendrick and Nashandra were giants too (we see Nashandra, and Vendrick's throne room has oversized thrones too). Only time we see a human sized Vendrick suggested is in Shrine of Amana.
Me thinks that...Nashandra made herself pass for a giant lady.
So what must have happened is this.
Vendrick defeated the 4 old ones, filled the Lordvessel, and accessed the current version of the Kiln. At the last minute, he decides not to rekindle the first flame, and so the curse keeps going on worse and worse. He destroys the Lordvessel, maybe kills the primordial serpents, and conquers Alonne (mainly by giving / taking advantage of Iron King having Gwyn's soul and going megalomaniacal which leads to Alonne sinking into the lava). Lost Sinner tries to rekindle the first flame herself, and is sent to prison.
Then arrives Nashandra. Nashandra is a giant lady and tells Vendrick that her people hold an artifact that can keep the undead curse at bay, the throne of want. Vendrick travels the seas and steals it from the giants. In this process, Vendrick collected some Giant Souls and became Giant sized as well. Vendrick comes back as a giant, builds castle Drangleic and marries (do they say they married?) the giant Nashandra.
At this point, the giants, without the protection of the throne, go hollow; their faces get the holes we see and once they find out what happened, follow Vendrick. Being hollow, they are relentless in their attack. Finally, an unknown warrior kills the Giant Lord and ends the siege on Drangleic.
Vendrick installs the throne of want on top of the kiln, carves a human sized seat for when he gives up the giant souls, or maybe because he knows the throne will burn his souls like the first flame would...and once again decides against it. Probably because he discovers the truth about his wife and how he was manipulated. He asks his brother for a last favor and hides the Giant Kinship in the memories, and then closes down everything, to prevent Nashandra from accessing the throne herself.
I haven't beaten the game yet, but are the scratches on the stone columns in the very first area of Things Betwixt significant at all, or acknowledged anywhere?
They are the same as the one of the inscriptions in the Shrine of Winter engravings. Haven't had the time to do any attempt to count frequencies of the symbols, but I am assuming they are gibberish.
I mean...the ones in the tutorial stones. If you know of other scratches, I'd welcome a screenshot.
It is also implied that Vendrick shattered and hid the fragments of the lord vessel (now apparently under the Majula Mansion basement) and made the King's Ring and King's Doors out of a fragment.
Wait. WHAT. Do you have any clue on this relationship between the Lordvessel and the ring / doors?
It is implied that this was to ensure Nashandra would not have access to the First Flame/Throne of Want/Memory of Jeigh/Giant Lord soul without first defeating the looking glass knight, passing the milfs-of-Nito's songs (which it is implied that she cannot), defeat the demon of song, defeat Velstadt, and defeat Vendrick. Basically everything from the looking glass knight onwards is nothing but a long-ass gauntlet to prevent Nashandra from obtaining the King's Ring.
Yeah we'd been operating on the assumption Vendrick was like president Madagascar, and upon being told the Dark had installed itself in the land he went SHUT. DOWN. EVERYTHING! and put Velstadt on charge of not letting anyone near him.