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NeoGAF Creative Writing Challenge #150 - "Based on Actual Events"

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Mike M

Nick N
I'm nearly 500 words over the limit.

Secondary objective just got interesting...

EDIT: Down to 2240, but all the low hanging fruit is gone. Fuuuuuuuuuu...
 

Charade

Member
*looks at list*

Man, I need to come up with better titles.

Titles can be tough. I always seem to come up with a couple each time, but end up choosing the simple/safe ones.

I'm nearly 500 words over the limit.

Secondary objective just got interesting...

EDIT: Down to 2240, but all the low hanging fruit is gone. Fuuuuuuuuuu...

Man, the most I've ever had to cut down so far was ~250 and I thought that was a pain. Good luck :p
 

Mike M

Nick N
Titles can be tough. I always seem to come up with a couple each time, but end up choosing the simple/safe ones.

Pht. I can count the number of times I've had problems with titles on one hand and have fingers left over.



Man, the most I've ever had to cut down so far was ~250 and I thought that was a pain. Good luck :p

I've cut it to the marrow and gotten it down to 2,075.

Squeezing blood from a stone at this point...
 

Charade

Member
Pht. I can count the number of times I've had problems with titles on one hand and have fingers left over.

Well not everyone is a master title-maker!

I've cut it to the marrow and gotten it down to 2,075.

Squeezing blood from a stone at this point...

Well you could always use... uh... your OP powers... if you know what I mean. *wink*
No one will ever know.
 

HORRORSHØW

Member
I see my shadow flicker under the streetlight, vibrating with a harsh intensity against the soft glow of the jaundiced hue. What the fuck is going on? Old Charlie behind the newsstand doesn't seem to notice anything. His thick glasses always look like they're smeared with vaseline, making his eyes look huge and distorted. Even so, no amount of prescribed magnification seems to help his sight. I always have to clear my throat to let him know I'm ready to buy something, even after standing in front of him for twenty awkward seconds.

Ahem. “A pack of Marlboro Reds, please.”

“Six fifty, champ,” a voice booms behind a toothless grin.

Our conversations always last exactly four seconds. There are no wasted words in our exchange. I pay Old Charlie for my pack of cigarettes with change I saved up by skipping lunch. It's amazing how much you can save up if you stop eating. Not that I have much of an appetite these days. Being a college student is the ultimate appetite suppressant, and the only job I can find is testing new drugs for all types of shit––anxiety, depression, addiction, male dysfunction––the list goes on. Big Pharma, man, they make a killing off people's misery, and they pay me scraps to do it.

The street's always empty at this time of day, and the newsstand looks like a lonely haven against the backdrop of ever-encroaching night. Only the half-shy moon peeking behind darkened clouds offer us company. I never ask Old Charlie this, but Why's he always open this late when there're no customers except for stragglers like me? The advancing autumn cold makes the night air sting and your breath comes out in spurts of fog, yet he's always there behind the counter smiling his toothless smile under the ineffectual warmth of the streetlight. I take a sidelong glance at the floor, casually trying to see if my shadow is still assailing the concrete with its schizophrenic tick. Nothing out of the ordinary there, just my elongated shadow satirizing my every move like it normally does. I need to get some sleep tonight.

I strike the match and the smell of sulfur dioxide penetrates deep into my nostrils. It's the same compound found in rotten eggs, but I don't mind the smell of the lit matches much. It reminds me of dusty bars and arcades with sticky floors. I take a drag of my cigarette and inhale the toxic cocktail of nicotine, arsenic, and tar, and my body immediately releases dopamine and endorphins into my bloodstream. Fuck yeah, instant gratification. I needed that. It's amazing how the human body responds to threat and external stimuli––overload it with enough poison and it forces itself to release its own pleasure mechanisms to compensate. The eternal cosmic struggle of Yin and Yang playing out in human chemistry and viscera.

I look over the magazine rack, searching for something interesting to read on my subway ride home. Nothing but gossip magazines and Playboys stare back at me. Lindsey Lohan may have overdosed on cocaine again and it looks like Michael Jackson was spotted in the Canary Islands. Literature these days. I grab a copy of the Times and drop fifty cents on the counter.

“Thanks much, Bastion,” gums Old Charlie with a knowing grin.

What the fuck? How does he know my name?

Our conversations always last exactly four seconds––not a second more, not a second less, and they never include personal information. I only call Old Charlie by that name because “Old Charlie” is stitched onto his work shirt. I don't say a word, slowly walking away from the counter unable to look away from those huge, framed eyes that see nothing.


.


Sebastian. What a fucked up name. My parents must've really been hung up on Disney cartoons to name me after a crab. Truth is, I never knew my parents. I grew up in foster care, before running away at the age of thirteen. I started calling myself Bastion, you know, like a fortress, so the other kids would stop teasing me. That wasn't much of a defense though. No matter what name I came up with, I was still me––skinny, awkward, socially inept, and infinitely teased.

“Spare some change, mista,” pleads Hungry Will, jangling the styrofoam cup in my face.

I reach into my pockets and fish out the last of my lunch money and drop the offering into his cup, adding to the mountain of silver and copper coins. Iscariot betrayed Christ for less. I throw in a couple of my Marlboros, too.

“Thank you, mista.”

Here was Hungry Will, a mockery of a hunger artist, an unintentional ascetic gymnast training for spiritual fulfillment asking for change so he could eat. Life's failures take on many forms. Like Kafka's hero, Hungry Will largely gets ignored by the world around him, but he and I are kindred spirits so I try to help him out whenever I can.

We share a light conversation when the trains run late.

“It's starting to get cold.”

“That's what autumn's for, mista. Things begin ta die. The sun comes out less and less, and the shadows take over. We are wedded ta the darkness in autumn time.”

Why's he talking about shadows and darkness and death?

“So, uh, how're the wife and kids,” I ask a homeless man without thinking, trying to shift the conversation.

“They still dead.”

I say I'm sorry to hear that and quickly approach the train that just pulled up, passing the walls scrawled with graffiti. “Lasciate ogne speranze, voi ch'entrate,” reads a banner written in bright red letters. Italian, maybe? The foot traffic in the subway station is pretty light at this time of night. Only Hungry Will and the harmonica player, Windpipe, are regular fixtures in this place. Windpipe is always wearing sunglasses, his eyes forever encased in darkness. He stops breathing life into his Hohner Chromonica blues harp and smiles in my direction. The air around me immediately falls flat and I hear the da-dum da-dum intensity of my heart beat. Windpipe's dark sunglasses and walking cane suggest he's blind, but the way he's smiling at me makes me think he can see me. Only the blind can truly see in the dark. Or sense me at least. Maybe the tap tap tap of my footsteps alert him of my presence. I dash past him and step on to the waiting train, ready to get my bizarre evening over with.

I flash my monthly subway pass to the driver who looks at it from the corner of his eyes. He turns his head to look me up and down and grunts something nondescript. The train's mostly empty, save for the scattered homeless who take the trains from one end of the line to the other to pass the time. They're always passing time, when time eventually passes you by anyway. I make my way to the back of the train where an old lady is sitting alone with the newspaper folded on her lap. I usually take the subway home on Wednesdays from my night classes, so I'm familiar with the faces in the seats, but I've never seen this old lady before. She looks harmless enough so I sit across from her and open the Times, and right on cue elevator music starts trickling from the train's speakers.

That's fucking odd. The train never played music before.

A soft jazz number starts drifting down, life confetti flung from the rooftops of the U.S. Bank Tower on a windy night.

Bzzzt Bzzzt BzzzzzzT. Static interrupts the tune and I feel a voice transmitting inside my head.

Maybe God's trying to speak to me through the speakers on the AM wavelength––550 kilohertz of burning bush. He works in mysterious ways after all.

Not many Angelinos know about the history of L.A.'s subway system. They think it's a relatively new phenomenon, built to help battle L.A.'s chronic traffic problem. Fact is, the Pacific Electric Subway system opened in 1925, running from Fourth and Hill Street to a portal near Beverly and Glendale Boulevards. The irony is that by 1933 the subway system was crippled by the advent of automobiles. Everybody wanted to drive in their fancy new cars and left the subway system to rot. The subterranean catacombs lay dormant for a few decades before being revitalized to combat the traffic that first put it to rest. Now, it's a waypoint for subterrestrial navigation and home to the homeless, blind musicians, junkies, and old ladies. What is it about the underground that attracts the damned?

I can feel the old lady's eyes boring into my forehead. The intensity of her gaze is trepanning into my frontal cortex, the area in the human brain that contains the most dopamine-sensitive neurons. Practitioners of trepanation believe that the level of a person's consciousness is directly related to the amount of blood in a person's brain. To elevate the brain's blood volume, practitioners will drill a hole into the skull. It's the oldest surgical procedure practiced by humans, dating back to the Neolithic era. Prehistoric cavemen would use a crude hunk of sharpened flint as their tool of choice. Savages. People today use electric drills instead. Progress.

“I know your secret, little boy” the old lady's eyes say directly to my brain.

Huh? I'm losing it. There's no way her piercing stare raised my level of consciousness to the point where telepathic communication is possible. That's crazy.

I slowly lower my newspaper and take a peek from behind the Sports section. The old lady is smiling at me from ear to ear with her eyes shut tight. What a creepy fucking smile. Beads of sweat start forming in the hollow of my chest, and trickles down to my navel. She looks like she just stepped out of the '60s, dressed like Jackie O with her pink round hat and white gloves stretched to her elbows. One of her stockings is rolled down to her ankles. The other one looks like it lost a fight with a cat, frayed to oblivion. Her arthritic body makes her posture statuesque. Maybe rigor mortis happens before death if you're that old? I see the creases in her face under the diffused glare of the train's fluorescent light, ancient reservoirs now deprived of moisture. Her lipstick looks smeared by a Parkinson's hand, like a child's sad attempt to color within the lines.

I quickly look away from the strange old lady and catch a glimpse of my shadow sitting on the floor with a nickel-sized hole in the center of its head. My hand involuntarily reaches for my temple, searching for a bloody opening. Whew. I'm still in one piece. I think. I get up and walk towards the front of the train to get away from the old lady, dragging my reluctant shadow along. I take my new seat and turn to look towards her in the back of the train. Her body is still rigid and erect, 90 degrees of geometric perfection. Her neck slowly starts twisting towards me, with her face still locked in that forced smile. Suddenly, her eyelids flap open and wisps of smoke rise from her eye sockets. I'm losing my fucking mind. I jump to my feet and rush to the exit, ready to get the off this fucking train.

i was probably high. apologies if this isn't the correct format.
 

Mike M

Nick N
Setting up another Writing Hangout for this weekend. Sunday only, apologies to those who can't make it. I'm flying home from a wedding Saturday afternoon.

Quote for link:
With Cyan currently in transit (presumably), looks like 2-4PM PST is the earliest all respondents can make it.
 

Cyan

Banned
Looking like 2-4 is most popular. Plus, I may not be able to do all of 4-6 anyway. So I'm gonna say 2-4.
 

Zakalwe

Banned
Oops, I miscalculated the time difference. It'll be 10-11 pm here, not going to be able to make that in my current can barely keeps eyes open state.

Apologies. If it were a Saturday evening it wouldn't be as big a problem.

If we have any Europe writers here maybe we could arrange a gmt based hangout at some point?
 

Nezumi

Member
Not sure if I'm gonna make it. I have to escort an eleven-year-old around gamescom all day, so I don't think I'll manage to stay up that long.
 

Mike M

Nick N
Probably going to be late, took the family out to brunch at a ridiculously busy restaurant that's a considerable distance from the house
 

Cyan

Banned
Sounds like we may have a lot fewer participants this week, but no worries, we can still get some writing done. We'll start in about an hour.
 

Cyan

Banned
If anyone comes in late and we're all muted, we're in a writing period. Feel free to ask how much time is left in the group chat and I'll let you know.
 

FlowersisBritish

fleurs n'est pas britannique
Slightly off topic(and not to bring in a topic from another thread) but has anyone else been feeling too bothered by recent state of affairs of the US to write? I feel like whatever I type is just so insignificant right now. :/
 

Mike M

Nick N
Slightly off topic(and not to bring in a topic from another thread) but has anyone else been feeling too bothered by recent state of affairs of the US to write? I feel like whatever I type is just so insignificant right now. :/
At the risk of sound callous, not really? The closest I've come was discarding my initial idea for the stage play challenge as a comedy set in Nigeria.
 

Cyan

Banned
Slightly off topic(and not to bring in a topic from another thread) but has anyone else been feeling too bothered by recent state of affairs of the US to write? I feel like whatever I type is just so insignificant right now. :/

Well... I think it's totally understandable to be upset by this kind of thing. If it's upsetting you to the point that it's affecting your daily life, I would suggest slowing down your intake. You don't need to read every article or follow the thread or livestreams or twitter feeds. Back off a little and give yourself a chance to take things in.
 

Zakalwe

Banned
I thought I was set, I had three seemingly solid ideas to choose from. Found it hard choosing, but now I've tried all three and every one has run out of steam before finishing.

I have a beginning middle and end for each, but I just lost the interest in getting there and I know that will be reflected in the writing. I'm going to finish the current one just for the practise of finishing what I start (which is something I do need to work on), but I'm not feeling it.

If i don't think if anything else I'll sub it, but I'm not happy wih it at all.

It'a rare I feel inspired, and I think the problem I've always had is that I leave it until it feel inspired to write. I think I should be writing all the time, just for the practise, so when I am inspired I get the most from it.

Does that make sense to anyone else?
 

Cyan

Banned
Got my first draft finally finished up last night. Will go through and do revisions a wee bit later. Should have a few good steps to share for the secondary. Vague idea-> thumbnail -> outline -> draft -> final.
 
Pandora's Battery - 1999 Words

Password:
neogaf

All my drafts are in my notebook and since I don't have a scanner I can't upload them now. I'll head over to the library tomorrow and edit it into this post then.

There's no deadline on the secondary objective, right?


Here's the secondary objective

Quick note: The first 3 pages are for another story I was thinking of writing. It was going to be about a Mafia member telling a kid a true story, but having to alter events occasionally to make it more kid friendly. Thus it's "based on actual events". However, as you can see, the story wasn't very good so I abandoned it, just kept the names to reuse.

If you do look at it, apologies in advance for my horrid handwriting and spelling mishaps.
 

Mike M

Nick N
I'm just catching up with threads. Was it Portage Bay Cafe? YUM.

LOL, no. I'm "Seattle area," not Seattle. Went out to Maltby Cafe.

Where's everyone at? Usually we have at least a few more people than this 90 minutes before the deadline : /

Nobody likes mah themes : (

Whalefall
Usual password , 1,983 words.

Aaaand most of my drafts. This is actually missing the last revision pass I made tonight, but I don't have a scanner at home. It's also a couple drafts short of what I will usually do. And yes, I do this every challenge.

There's no deadline on the secondary objective, right?

Nah. Post it when you get it.
 

Sober

Member
90 minutes? More than enough time to get started.

That being said, for the secondary, maybe I'll scan the notes I took for the previous entry for you guys to see. It's a fucking mess.
 

FlowersisBritish

fleurs n'est pas britannique
A Black Moth- 1,189 words

So I just finished this, and only did a quick run through. Sorry about any bad grammatical errors and awkward lines and other stuffs.

Not really trying for the secondary, but I'll share my usual editing process for the sake of discussion on the topic. What I tend to do is when i am finished with the first draft, I immediately leave it and never look at it for atleast a month. No quick run through, I just don't touch it till I forget about it and need something to edit later. Then i go through and touch it up, look at what themes and elements I have in it that I like and are recurring. Then I look at my word count, and try to get a target word count of less than that. Usually my first - 10%. I try to cut out as much stuff as I can to make things flow better. When i get below that word could, and I feel comfortable enough with the quality of the piece, I try to send it to a magazine or website. Basically, I mimic what Stephen King listed as his own process in On writing and it's been very good to me. Still terrible at catching my own tiny errors though :/ Really good book for those interested. I definitely recommend.

Anywho, hope everyone enjoys and looking forward to reading everyone elses submissions!
 

ZeroRay

Member
I am probably gonna need that grace period. Hopefully a little doughnut run gives me enough ideas to figure out how to finish. :p
 

Sober

Member
I hate scanners.

Obligation
1660 words

Here is my secondary. I'll interpret the secondary however I want Mike! These are the paltry notes I took for the previous challenge, "Faux Pas". (Yes, just hit that rotate button)

It took me longer to get a proper scan than probably anything else. Scanners and scanner software suites are are truly the greatest technological evil we face today.
 

Nezumi

Member
I had a decent idea as well and even wrote an outline, but then my mother decided to visit and no matter how hard I tried I couldn't sit down and find some peace to write with that woman around, slowly driving me insane...
 

Mike M

Nick N
The lengths of my critiques are all over the map this week...

Grimløck: There were a couple bits of imagery and turns of phrase in this one that didn’t work for me, most notably stating that the magnified appearance of Old Charlie’s eyes made his glasses look like they were smeared with Vaseline (Vaseline would make things all blurry, not magnified), and the use of the term “this time of day” followed with the very next clause of the sentence stating that it was in fact night. Technically the night is part of one “day” when it’s being used as a unit of measurement, but this to me reads like it’s referring to daytime rather than “time of the day.” The use of the clinical/technical terms stood out from me as a rather unnatural word choice for what otherwise seemed to be an informal and colloquial address, but honestly if there had been a single sentence about med school/pre-med, it would have instantly been smoothed over. What bugged me the most was the bit about trepanning. If you use a word like that and then need to spend the rest of the paragraph explaining what the word means, you probably ought not to be using that word (again though, if this were a med school student, it might have worked.). Outside of these speed bumps taking me out of the experience, I quite enjoyed it. The “schizophrenic tick” (it’s tic, BTW) was a nice bit of foreshadowing for the dark and disturbing tone everything took after that. Reminds me of Jacob’s Ladder.

kehs: I am not a poetry aficionado. Seemed serviceable to me? Just not my wheelhouse.

QuantumBro: “I felt like an ugly girl on a dating website” was my favorite line in this one. Wonderfully evocative of a very specific feeling. I was following along with this one all through the setup, but once the groundwork for Richard started being laid, it took on some kind of surreal bent where there’s this bizarre elephant in the room that everyone within the narrative doesn’t acknowledge where some organized crime type finds a kid on Craigslist to start a PSP modding crime ring. From there it just went full-throttle into adolescent male fantasy land where he’s buying all the M-rated games he wants, traveling the country without his parents noticing that he’s missing, and having lots of sex with hot chicks who totally dig that he can mod a PSP. I guffawed out loud at the “I see you’re smart” line, because the kid’s actions were the exact opposite of smart.

Mike M: I really needed more words : ( Trying to build a world that is analogous/metaphorical/allegorical for life on the bottom of the ocean is maybe a little too high-concept to tackle in only 2000 words. This was actually a story concept I’d had knocking around in my head for a while now, so while I’ve actually got a whole bunch of world building stuff rattling around in my head about this planet, very little of it made it to the page.

Tangent: This one was peppered with sentences structures and phrasings that mildly irked me because I felt they could have been worded better. The whole piece in general seemed a notch below your usual entries as far as technical polish goes, it was kind of odd to me. The sporadic jumps in time frame and subject had me a bit lost, and while we got an interesting snapshot of some people, there wasn’t really much of a story to be had in there.

FlowersisBritish: An oddly upbeat and optimistic story about a protagonist who originally sets out that evening to kill their self. Only thing I’m left wondering is what was wrong with the moth in the first place? A moth that is having trouble getting and staying airborne isn’t likely to suddenly recover, but I suppose that’s kind of the miracle of the story now, isn’t it? I get hung up on stuff about animals a lot…

Sober: “Errands today. Tagged along to the funeral home to shop for a coffin, as grisly as that sounded. All of my dad’s siblings were there as well. I was the only one who wasn’t.” I reread this like five times, and I still don’t understand what’ it’s supposed to be saying. He was the only one who wasn’t what? There? But just a couple sentences before, we established that he was there. That was the only fly in the ointment for an otherwise well done and melancholy piece.

Cyan: I’ve always heard that sort of thing termed as “institutional memory.” I would say that it seems weird that an industrial setting would be unaware of the existence of institutional memory, let alone that they had lost it, but I’ve been around at my job long enough to know that’s exactly how it goes and is probably only worse at larger scale companies than mine : / And company policy not letting them hire anyone over 50 is illegal, I’m pretty sure : P Cute little story, but I would be surprised that they wouldn’t have oodles of copies of the schematics lying around. That seems awfully fundamental to the operation of a power plant…

ZeroRay: Suffocating ventilation, or suffocating insulation? Because I’m having difficulty imagining how ventilation can be suffocating and make things warm : ) I liked this one a lot, it went a long way towards capturing the depth and complexity of a relationship between two people that’s not just how much they’re over the moon for one another and how much they can’t stand each other any more and how it all self destructs anyway.

DumbNameD: Probably would have benefited from another round of proofreading. “...settle back upon her blouse in a mess of strings
and balled-up strings,” was moderately irksome, but “that seemed, without fail, to fail” should not have slipped by. Even if these were deliberate attempts to play with the language, they fell flat for me. I’d like to know what’s in the box, but the second the man started talking like this was taking place in some sort of dream sequence or zen koan, I was quick to tumble to the fact that we were never going to find out. This feels like there’s some sort of greater philosophical or existential question being asked that I’m too dim to answer.

Charade: I think you took too many shortcuts in the narrative here and left a bevy of unanswered questions that hang around the story’s neck like a millstone. Alright, a league of assassins operating out of the Catholic Church. Solid premise, but it wasn’t fleshed out enough here. We need to know more about this organization and how it operates without discovery, if it operates under the clandestine blessing of the Church, who it kills, why they kill, who they recruit as initiates, etc. It’s a ripe topic, but you barely touched upon any of it except to deliver a kind of ho-hum twist at the end.



Votes:
1. ZeroRay
2. Cyan
3. Sober
 

Cyan

Banned
Votes:
1. Charade - "Confession"
2. Mike M - "Whalefall"
3. ZeroRay - "Light My Fire, an Ongoing Memoir"
 
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