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31 Days of Horror 6 |OT| The October Movie Marathon

Oct 14

17. Blood Harvest aka Nightmare 1987

https://www.youtube.com/watch?v=tnVhFj5OaX0

Low low low low budget, pretty boring slasher, camera stays on the blood longer than many so that's appreciated but all the violence is slit throat after slit throat. Killer is obvious , characters are meh... except Tiny Tim.... Tiny Tim is pretty great as a well meaning traumatized man whose escaped to a clown persona to cope with tragedy. He's like the only good thing about this movie, and the song I posted above is great.

Totally skip it unless you're a Tiny Tim fan.
 

Aiii

So not worth it
#1 - P.O.V. - A Cursed Film (2012) - 3.5/5
#2 - Satanic (2016) - 0/5
#3 - The Shining (1980) - 5/5
#4 - The Awakening (2011) - 3/5
#5 - Teketeke (2009) - 2.5/5
#6 - Teketeke 2 (2009) - 3.5/5
#7 - The Conjuring 2 (2016) 5*/5
#8 - Southbound (2016) - 2/5
#9 - The Silenced (2015) - 3/5
#10 - Evil Dead (2013) - 3/5
#11 - One Missed Call 2 (2005) - 1/5
#12 - The Neon Demon (2016) - 4/5
#13 - Sint (2010) - 3/5
#14 - Rosemary's Baby (1968) - 5/5
#15 - The Last Man on Earth (1964) - 3/5

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#16 - Tag (Riaru Onigokko) (2015)
This surreal horror by iconic Japanese director Sion Sono is one of the more absurdic movies I have seen. And I really like it a lot. There's a lot of beautiful shots and imagery throughout the movie, and it opens with an amazing 10-minute opening sequence. The gore is comical at times, but yet the movie maintains an eeriness throughout. The movie transitions between locations in weird ways, that somehow seem to work as we figure out the overlying story. I am deliberately not going to get into plot or specific scenes and if you want to watch this movie go into it blind. I will mention one general theme throughout the movie though, that didn't even become apparent to me half-way through the movie:
There are barely any men in this movie, the first man to really appear midway through is hardly flattering and it stays that way until the end. The movie's beginning has tons of fan-service shots (Upskirt panty shots, bra-shots, etc.) and it's a bit puzzling and off-putting at first, but as the story progresses there's a distinct feminist undertone in this movie and a nice commentary on the depiction of women that you would not expect out of a horror flick.

All in all, a great movie with tons of elements one would not expect. Except it's a Sion Sono movie and if you're familiar with his work, yeah, it's not really that surprising.

4 arcade sticks out of 5.
 
I'm a little behind, but Thursday was a one-off: Black Mountain Side

Summary - A group of archaeologists at a remote outpost in northern Canada discover remnants of a prehistoric tribe which could mark the beginning of a historic discovery. As they investigate, however, their mental states begin to deteriorate and tensions grow within the group.

Plus, as you should know from watching horror movies, nothing good EVER happens in remote, snowy outposts.

Thoughts - This is a tough one. To be honest, I'm still not entirely sure how I feel about it. It does a lot of things right - I love the feel they're going for with the archaeological discoveries. A lot of the movie plays out like a Call of Cthulhu adventure (or maybe the prelude to one, before the player characters come in). The film is very restrained - it honestly doesn't show a whole lot. A number of things are left ambiguous. The pacing also isn't bad, in that it doesn't take terribly long before things start happening.

That said, I'm just not sure how I feel about how it all hangs together. One issue is the ending. I won't go into it for spoiler reasons, but it feels...abrupt, and not in a way that necessarily fits the tone the film had been building towards. On the other hand, I can see a different reading of the ending where it's entirely appropriate. It's a weird one.

The violence in the film is...well, a little silly, to be honest. I'm not a huge gore freak, but a few scenes seemed like they really should've had more blood in them considering what was actually happening.

I'm also generally a proponent of horror films avoiding showing or explaining too much, but I do feel like this film could've used just a little more payoff. Keeping things vague and ambiguous is fine, but I would've liked to see a little more...I dunno, SOMETHING during the lead up to the climax.
 
21) Baron Blood - (Mario Bava, 1972)

"To come face to face with my ancestor of the 16th century, monster or not, is an experience I wouldn't want to pass up."

At first blush I feared this film would be a stodgy, old fashioned, and aesthetically dull for Bava, as the opening few scenes were lacking in Bava's trademark style and seemed steeped in the worst aspects of low budget 70's films. It seemed particularly old fashioned after coming from the trailblazing and boldly energetic Bay of Blood. And Baron Blood is old fashioned...but fantastically so. It combines this 70's giallo with a throwback to the gothic aesthetic and tone of some of Bava's 60's work, as it concerns a supernatural, deformed, and sadistic Baron coming back to life in his decrepit castle and terrorizing the Austrian townsfolk. Once Bava is safely at home in the shadowy, gothic stylings of the castle and throws out plenty of fog and colored lights, this movie becomes a ton of fun. The monster here is great, the kills are good, there are some solid suspense sequences (a favorite of mine is when the cloaked Baron chases the babealicious female lead around the fog enshrouded town), and it stars Joseph Cotton who has a blast with the role and acts circles around the rest of the cast. Sure, it may be a more minor film in Bava's catalogue, but it's just a good time.

22) City of the Living Dead - (Lucio Fulci, 1980)

"The city of the dead. The living dead. A cursed city where the gates of hell have been opened."

A priest dies. A medium screams. The dead rise. So begins the stream of consciousness nightmare from Lucio Fulci, and it perfectly sets the tone for the macabre adventure to follow. Plot isn't of much concern here, but honestly that's for the best, as this absurd string of horrific, suspenseful scenarios, and beautifully nightmarish collage of images and sounds is best left in the dreamy, temporally distant state that it's in. Fulci always had an eye, but this contains the best visuals I've seen from him yet, as almost every frame is dripping with atmosphere (and enough fog to make even Mario Bava blush). I want to give special props to the sound effects too, as he probably uses the best zombie sounds I've ever heard, and combines them with the animalistic sounds of the jungle to transform the foggy town setting into a place you really believe is host to the open gates of hell. I was surprised that this movie isn't just a straight up zombie flick, and I think that really works in the film's favor, because this thing throws everything at you. And again I'm impressed that for all the hubub about Fulci's gore--and there is a lot of it (brains being ripped through heads, a really nasty drill kill, and even someone barfing up all their intensities), the gore tends to act as a punctuation mark to really well done suspense set-pieces where silence, and careful editing rhythms really put you on the edge of your seat. I do have a few issues with the movie; namely a super annoying kid character rendered even more annoying by the fact that his name is John-John, and Fulci repeats a thematic beat from another of his films by having an outsider in the town who is wrongly suspected of something get brutally murdered by a townsperson, only this one isn't nearly as thematically relevant or emotionally powerful as the companion scene in Don't Torture a Duckling. Also, Fulci clearly has a thing against Priests. This is definitely one of the best of my marathon thus far though, I'm kind of surprised at how much I find myself enjoying Fulci's films as I did not expect them to be my bag at all. Oh, and yet again, the movie has a killer soundtrack. Watching the dead rise set to the pulsing drumbeats and synths will never not be cool.
 

11. Rabid

Here we are now at the second of horror film from David Cronenberg, and things haven't changed much from Shivers. It seems that he had unfinished business with some of the theme's of that film, so we get another story about sexual repression. This is symbolized by a woman, who in an experimental medical procedure, has her life changed by the addition of a phallic invader of her body. How does she deal with the uncontrollable tension caused by this new organ? Well, by the act of penetration of course. In my Shivers write-up I mentioned that I saw some parallel's with the works of Sigmund Freud, Rabid does the same thing and confirms it with a not-so-subtle nod to his works. I see you Mr. Cronenberg.

As for the movie itself, it is still enjoyable but I consider it a step down from Shivers. Cronenberg's directing talents have improved, but the film falls a bit flat in the screenplay which is filled with plenty of half-baked ideas and ends in a whimper instead of a bang. There is also some bad acting throughout the film, particularly from the male lead. However, the star of the show is Ms. Marilyn Chambers (Yes, that Marilyn Chambers), and she knocks it out of the park. The role of her character called for a diverse list of emotions and Ms. Chambers really shows some range and nails every single one of them. It's a shame that because of her past as one of the biggest porn stars on the planet that she wasn't able to find more success in regular films.

Side-note: My mother gets a kick out of all of these horror films I watch, and she asked me what I was going to watch that night. I replied, "an old Marilyn Chambers flick" which caused her to raise her eyebrows. Then I told her, "It's OK though, in this one she gets to penetrate the guys." Mom's reaction was priceless.

Verdict: 6.5/10


12. Motel Hell

It's take all kind's of critters to make Farmer Vincent fritters!

I knew I would enjoy this after seeing the tagline above. The story is about a brother and sister whose famous smoked meats contain a very special ingredient. The film doesn't try to play this like a serious affair, which would actually be quite grisly might I add. Instead, it goes the horror-comedy route. It's not quite as funny or scary as it needs to be, but overall I had a good time and there were more than a few moments that were memorable. The highlight of the film was Farmer Vincent and his sister Ida, they are the supposed villains of the movie but I found myself rooting for them over the other characters. The so called "hero" was really nothing more sexual pervert who I was hoping would become the next piece of jerky. There are portions of the movie that were bland and at least 10-15 minutes of the film should have been cut out. The ending was really abrupt, and with the exception of one gag was a real let-down. Overall though, I'd still recommend it.

Verdict: 7/10
 

Ridley327

Member
22) City of the Living Dead - (Lucio Fulci, 1980)

"The city of the dead. The living dead. A cursed city where the gates of hell have been opened."


A priest dies. A medium screams. The dead rise. So begins the stream of consciousness nightmare from Lucio Fulci, and it perfectly sets the tone for the macabre adventure to follow. Plot isn't of much concern here, but honestly that's for the best, as this absurd string of horrific, suspenseful scenarios, and beautifully nightmarish collage of images and sounds is best left in the dreamy, temporally distant state that it's in. Fulci always had an eye, but this contains the best visuals I've seen from him yet, as almost every frame is dripping with atmosphere (and enough fog to make even Mario Bava blush). I want to give special props to the sound effects too, as he probably uses the best zombie sounds I've ever heard, and combines them with the animalistic sounds of the jungle to transform the foggy town setting into a place you really believe is host to the open gates of hell. I was surprised that this movie isn't just a straight up zombie flick, and I think that really works in the film's favor, because this thing throws everything at you. And again I'm impressed that for all the hubub about Fulci's gore--and there is a lot of it (brains being ripped through heads, a really nasty drill kill, and even someone barfing up all their intensities), the gore tends to act as a punctuation mark to really well done suspense set-pieces where silence, and careful editing rhythms really put you on the edge of your seat. I do have a few issues with the movie; namely a super annoying kid character rendered even more annoying by the fact that his name is John-John, and Fulci repeats a thematic beat from another of his films by having an outsider in the town who is wrongly suspected of something get brutally murdered by a townsperson, only this one isn't nearly as thematically relevant or emotionally powerful as the companion scene in Don't Torture a Duckling. Also, Fulci clearly has a thing against Priests. This is definitely one of the best of my marathon thus far though, I'm kind of surprised at how much I find myself enjoying Fulci's films as I did not expect them to be my bag at all. Oh, and yet again, the movie has a killer soundtrack. Watching the dead rise set to the pulsing drumbeats and synths will never not be cool.

You know, despite being nothing more than a slight reworking of the theme from Zombi 2, having the bigger emphasis on the vocal chorus and the thicker bass does a lot to make it feel different and more foreboding. Fabio Frizzi is easily the MVP of Fulci's regulars.

And yeah, the atmosphere in the film is about as good as it gets. This one aged the best for me when I was on a Fulci binge earlier in the year. And that coffin scene! So tense, so nerve-wracking...
 
#19 Hellraiser - My favorite horror film of all time still manages to intrigue and entertain with every viewing. And to think, next year is its 30 year anniversary. I've managed to watch it every Halloween since at least 1990.
 
12. Poltergeist (2015)

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Boring and unecessary.

13. The Last Man On Earth (1964)

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I really liked this movie. It had a really interesting story.
 

Linkhero1

Member
September 29 - Southbound
September 30 - The Conjuring 2
October 1 - The Cottage
October 2 - Night of the Creeps, Friday the 13th Part VIII: Jason Takes Manhattan
October 3 - Clown
October 4 - Splice
October 5 - Trollhunter
October 6 - Krampus
October 7 - Night of the Comet
October 8 - Hush
October 9 -The Funhouse Massacre, Baskin, Black Sabbath
October 10 - The Fog (1980)
October 11 - The ReZort
October 12 - Splinter

October 13 - The Hallow
If you invade their space, they will invade your home. That's what happens when Benjen Stark finds himself in the wrong universe. He and his family must survive and escape these demonic forces trying to kidnap their son. Folk-lore horror films are some of my favorite. I highly recommend checking this one out.
Rating: Must Watch

October 14 - Tales of Halloween
A Halloween themed anthology that doesn't really do anything new. It consists of 10 shorts that don't really connect to one another other than being on Halloween. I feel as if this could have been a lot better if there were less shorts and the best shorts were a bit longer and more well developed. That being said, I'd still recommend checking it out as it's not bad but leaves more to be desired.
Rating: Watch

Not sure what I want to watch today. I haven't been sticking to my original list.
 

Divius

Member
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#14 - Hatchet for the Honeymoon (1970)
Oh boy, it's a weird one! My unseen Mario Bava horrors are becoming slim pickings, and they can't all be good, right? Well, luckily Bava delivers once again with this one...mostly. HftH definitely is not his best work. Nor his most stylish, imaginative, or gruesome, but it's still a blast. It looks amazing: The beautiful actors are well shot, supported by lovely colors and imagery. This movie dives deeper into the twisted mind of the killer, which gives him/her more background and motive, but due to the over exposure and narration that over-explains things felt forced and unnecessary. It doesn't work all the time, but at least it means well. 6.5/10
 
You know, despite being nothing more than a slight reworking of the theme from Zombi 2, having the bigger emphasis on the vocal chorus and the thicker bass does a lot to make it feel different and more foreboding. Fabio Frizzi is easily the MVP of Fulci's regulars.

And yeah, the atmosphere in the film is about as good as it gets. This one aged the best for me when I was on a Fulci binge earlier in the year. And that coffin scene! So tense, so nerve-wracking...

Ah I was wondering if the movie used a version of the Zombie track! And yes the coffin scene was worst nightmare kinda stuff, and the way he ratchets up the tension throughout it was great.
 

Divius

Member
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#15 - Don't Breathe (2016)
Only a few horror movies ago I watched Wait Until Dark which actually is somewhat similar to this one. Well, not really, but you know, kind of. Both movies include people breaking into a blind person's house to steal something. There the comparison ends because otherwise it is the complete opposite. Don't Breathe is a decent low-budget thriller; the concept is fine but execution is lacking and becomes tiresome real quick. Found it quite hard to care for the punk-ass 'protagonists' when they are the ones breaking into this poor blind guy's home. That also means you can't just keep cutting to the big blue-eyed blond girl and expect me to empathize! 5/10
 

Ridley327

Member
October 15, film 1


If your gateway anime film wasn't Akira, like it was for me, then it was probably Vampire Hunter D. While the former film is a technical masterpiece that few films could hope to match before or since, this one does not have the luxury of a big budget or having the most skilled animators poring over every frame. Indeed, it's pretty hard to miss the reused scenes and how much it relies on stills during dialogue scenes. What is pretty remarkable, however, is how little it actually matters when the art style of the film really helps forgive a lot of the low budget, as there are few films that look quite like this one. A mix of an underlying post-apocalyptic setting that mixes in a lot of old world rural trappings with advanced technology, there's really not a whole lot to compare it to. The castle of our villain is just as given to having the expected furnishing as it is to have bridges and walkways that would fit in on the Death Star, and that's not even getting into all of the cyborg horses, reality warping mutants and D's talking hand that sucks in all manner of evil spirits. It's all pretty crazy, but thanks to how easily the characters themselves accept the strange trappings, it's very easy to go with the flow with each new element being introduced. At its core, though, it's your typical mysterious stranger story, so it's pretty easy to follow even when it starts to introduce some lore that the film doesn't allow for much elaboration. The cool cast of characters was nice, with everyone getting at least one memorable quality about them and having some unusually but appreciably spirited heroines that do a good job to overcome some of the more unfortunate attempts at fan service, such as Doris' perpetually exposed undergarments. All in all, it's a fun little horror fantasy film that does a great job with making the most of its style and direction to overcome the small budget and delivers on the gory goods when it needs to, as well as a lot of loving references to popular vampire fiction on top of being a direct inspiration for so many other anime and video game properties in the same mode. And it has a super cheesy J-pop song playing over the credits. What do you need, a road map?
 

Divius

Member
Just watched the 2006 version of Black Christmas, I knew I was warned but damn, this was absolute trash. Blergh. Gonna watch something supposedly good tomorrow to cleanse my palette.
 
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The Brood

I've now got a front runner for my "film of the month", which also happens to be David Cronenberg's first great work. He views this film as his most personal, as it was made while him and his ex-wife were in battle over the custody of their child. His quote on the matter was, "I made my version of Kramer vs. Kramer, except mine's more realistic." To be honest, he might be right. The Brood once again has the shock value that is to be expected from a body horror film, but the shocks hold so much weight because of their importance to the story and what they symbolize. The story, as I kind of mentioned, is some real heavy stuff as the focus is on divorce and separation. I'm not going to discuss the plot too much as I feel the way the mystery of it is unraveled is one of the greater strengths of the story. At first I thought that the main lead (Art Hindle) was a bit one-note, but I realized that is by design. He is supposed to be the boring, non-emotive, "sane" character of the film, who acts as the avatar of the viewer into the weirdness that is brought into his world. I also have to give a special mention to Howard Shore. This is his first collaboration with Cronenberg in addition to one of the first films he wrote music for. His contributions are essential to making the film work, the music isn't as iconic as The Fly, but the emotions of the scenes were really brought out by the music. Highly Recommended.

Verdict: 9.5/10
 

MattyH

Member
Well clown was a interesting film it got real dark and sinister towards the end but i still enjoyed it love the whole mythos behind it. Showing a friend #15 Dellamorte Dellamore tonight or Cemetery Man for you US guys i really love this film one of the first zombie movies i saw after getting into the genre and the representation of death still impresses me to this day
 
16. The Fly (1986)

Jeff Goldblum without glasses and longer hair looks weird in this, especially after seeing him in Jurassic Park and Independence Day so much. The makeup is great as he gradually transforms, from the first hairs and subtle changes to his face to the final form. Now I've seen the original, and I can't compare them too much because they're trying to accomplish two different things. It can get pretty gross in spots, but it's still an effective movie.

Full list
 

hiredhand

Member
I'm way behind on my horror watching. I'll try to catch up next week.

8. Evilspeak (Eric Weston, 1981)
A satanistic Carrie rip-off (with a touch of Revenge of the Nerds) set in a military academy. The film takes ages to get going and the ending while the most memorable thing in the film is definitely no match for the one in Carrie. 4/10

9. Small Soldiers (Joe Dante, 1998)
Joe Dante trying to repeat the Gremlins formula with killer toys instead of monsters. The film doesn't really work as the toys (especially the good monster ones) are not nearly as interesting as the creatures in Gremlins. The effects are quite impressive for 1998. 5/10

10. Alien 2: On Earth (Ciro Ippolito, 1980)
A very entertaining Italian Alien rip-off with a great synth score. I loved how this film really made the most of its obviously very limited budget. Don't have money for a set? Shoot your film mostly in a beautiful cave filled with stalactites. Don't have money for creature effects? Use mostly POV shots. Don't have money for miniature shots? Use old NASA footage. Brilliant stuff. 6/10
 

Ridley327

Member
October 15, film 2


Wearing its many influences on its sleeve, Lily C.A.T. offers up the advantage that animation can bring in offering up the same kind of visual design of something like Alien and the transformation sequences of something like The Thing without having to require a big budget. While derivative, this is one of those films that does manage to pull off the same level of detail, which does help prop it up so that it has some lasting impact. It also manages to dive into a lot of character development, with complicated back stories and revelations that it navigates throughout, leading to a rather packed film when it comes to incident. The problem, though, is that just over an hour long, there is actually so much it tries to do that the parts that get glossed over happen so suddenly that the film starts to feel like a victim of overly ambitious scripting and not having the money to do something that was at least a half-hour longer. While it helps keep the pace of the film quick, the lack of expounding gives very little any time to breathe, and I feel like that it winds up feeling like its pulling some of its punches when it comes to the horror with how quickly the story moves past them and how well-adjusted the rapidly diminished ranks are so quickly after they're exposed to such monstrosities. On the same front, having to cram so much in also hurts the effectiveness of its antagonistic presence, splitting precious time between two different forces when one would have been enough. A pleasantly apocalyptic ending does help to make the film go down easy, but it can't help but feel like it could have been a lot more in the long run. I'd say that even 10 more minutes would have made all the difference.
 

BioHazard

Member
#27 Carnage Park (2016)

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Mickey Keating's latest. Still not sure what to make with Keating's films, they all seem to have great potential but all are pretty underwhelming (although I really enjoyed POD). This one is no different, what starts off as a very Tarantino-esque, grindhouse-influenced film later turns into a somehow boring and less brutal survival horror in the same vein as The Hills Have Eyes. Pat Healy is fun in this.

3/5

#28 The Last House on the Left (1972)

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Rewatch, but first time in 35mm. Despite being one of the trashiest and smuttiest films of the 70s, I still consider it a classic. The wavers between stomach-churning, despicable acts to the physical comedy of the two incompetent cops set to hillbilly music is so jarring, but I kind of love it. David Hess' performance in this is truly terrifying.

5/5


List of films so far
 

GK86

Homeland Security Fail
Unwittingly, I just watched a string of campy, horror movies.

Demons - First time watching this movie and man, was it a lot of fun. The gore and the demons were really well done. I thought the way people become demons was great. It creeped me out a few times. I watched the dubbed version. So maybe my only beef with the movie is due to that fact. The editing, I felt, was a bit jarring.

Toxic Avenger - I have heard of this movie before, but knew next to nothing about it. The premise of the movie is what drew me to it. Cheesy lines/scenes, and ridiculous deaths
put this right up my alley. The thing I found the most hilarious is the Toxic Avenger's voice.

House - Another movie I have heard about, but never seen. I couldn't get over how dumb the monsters look. Still, it was kinda enjoyable.
 

Ridley327

Member
I seriously doubt Demons plays any differently in Italian, as virtually every Italian film from that period was dubbed in post-production.

Anyway!

October 15, film 3


A high quality production on almost every level, Wicked City is a surprising genre-bender that throws in a lot of into its horror-soaked exterior and manages to be quite successful. The first place to start is with the look and feel of the film, as director Yoshiaki Kawajiri and company help create a rather striking visual landscape for the film, often making lighting and framing decisions that would be more what you would expect out of a live-action film, aiding its film noir accents while boasting some creative use of colored lighting. Combined with the strong character designs and solid animation, both human and otherwise, it's an aesthetic delight that seems seldom imitated in my estimation. It even has a pretty engaging story that springboards off the initial premise into something that's just complicated enough to give it all the steam it needs without feeling too stuffed, and the professional sparring between our heroes added a nice dynamic that helps set up the film's big twist at the end. I have so many nice things to say about this film that it's unfortunate that the caveat the film has is not a minor one at all, in that it does have some unfortunate and frankly protracted instances of sexual violence that don't serve the film well at all and stick out as blatant pandering to the hentai crowd. While they don't go "all the way" in terms of depiction, the lengthiness that some of those moments go on for much longer than is necessary, which hurts not only the effectiveness that those moments could have had, but also serve to sideline one of the most interesting characters for a considerable period of time. I think I would have had less of an issue with those scenes had the same "courtesy" been extended to our other lead in a big scene of violence towards the end of the film, but that one pulls away and shows only enough to get the point without delving into it. While I wouldn't call the film misogynist, especially with how it ends, it is some straight-up unfair play that could have been easily avoided. Unfortunate pandering aside, there's a hell of a lot to like about the film, and it was refreshing to see where it does end at considering the path it took to get there, revealing a surprisingly tender heart to go along with the ones it has sliced and removed.

Films for October 16: It's the halfway point, and to celebrate, we turn to our old friends, the vampires, for a pair of mainstream films. First up, Tony Scott makes his debut as a feature film director in The Hunger, which hopes to combine the eerie beauty of the old lesbian vampire film with Hollywood production values and a great core cast in Catherine Deneuve, Susan Sarandon and David Bowie. Then, we find out if vampires just want to have fun in The Lost Boys, one of the genre's biggest hits of the entire decade and a springboard for many of its young actors. And Jason Patric, I guess.
 

lordxar

Member
I thought this was very well made. You barely see any kills in this but you'll hear them and see the after effects which are usually pretty brutal. This isn't your standard home invasion either. These guys are in this for kicks and the games are violent.

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I liked Ginger Snaps. Thought it was a pretty original idea for a werewolf flick. Ginger Snaps 2 brings both girls back and the
dead
one was kind of a surprise that worked well. This movie is just as dirty and gritty as the first except the ending threw a whole new twist into things which I kind of like though it was a bit dark.

Gingersnaps2.jpg
 

Fox Mulder

Member
#14 Horror of Dracula (1958)

First time viewing and only got into Hammer films this year. Great version of the well known Dracula story.

Wish this was in bluray which in the US, the colors and sets are great.
 
17. The Fog (1980)

The story sounds like a slower episode of Scooby-Doo if the villains actually killed people. i mean really, some guy takes advantage of an old story, kills some people, scare the rest out of town, and gets a bunch of property at cheap real estate prices. Heck, both this and Mystery Incorporated prominently feature a radio DJ.

But anyway, this was a good movie where the first half is set during the day where weird stuff happens and the secret origin of the town is discussed. There's an attack on a small ship, the Seagrass, but the fog doesn't do anything else until about the hour mark, so it may seem slow to you, but once it shows up, the movie really gets going. There's killings, but little gore. It's really all about atmosphere, having that thick glowing fog everywhere with death waiting within. Also, as a lighthouse lover, I'm glad the radio station was based out of one.

Overall, good movie, but not the best I've seen this month.

Full list
 
17. The Fog (1980)

The story sounds like a slower episode of Scooby-Doo if the villains actually killed people. i mean really, some guy takes advantage of an old story, kills some people, scare the rest out of town, and gets a bunch of property at cheap real estate prices. Heck, both this and Mystery Incorporated prominently feature a radio DJ.

But anyway, this was a good movie where the first half is set during the day where weird stuff happens and the secret origin of the town is discussed. There's an attack on a small ship, the Seagrass, but the fog doesn't do anything else until about the hour mark, so it may seem slow to you, but once it shows up, the movie really gets going. There's killings, but little gore. It's really all about atmosphere, having that thick glowing fog everywhere with death waiting within.

Overall, good movie, but not the best I've seen this month.

Full list

I like The Fog a lot. Compositionally it's probably my favorite collaboration between Carpenter and his DP Dean Cundey. The whole movie is like a classic old time ghost story through an almost giallo-esque lens.
 
Most recent double feature: Kids These Days (aka. "Hoodie Horror") with Ils (Them) and Eden Lake.

For those who aren't familiar, "hoodie horror" is this weird little subgenre that sprang up in Europe (especially the UK) during the mid-2000s. It typically features working class youths (the "chav" stereotype) as the central threat of the film, playing on middle-class anxieties about poor kids and societal decay. Other examples include Cherry Tree Lane, Heartless, and Citadel.

Ils (Them)

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Summary - Clementine, a French teacher who has recently relocated to Bucharest, drives out to meet her lover, Lucas, at their isolated country home. In the middle of the night, they find themselves under siege by mysterious hooded attackers who torment the couple and eventually invade their home. Typical home invasion hijinks ensue.

Thoughts - This one is a pared-down, reasonably effective little home invasion story. There's no real rhyme or reason to what's going on; the characters are just unlucky enough to be the target on this particular night. The film is actually pretty minimalist when it comes to explicit violence, though that doesn't keep the characters from getting put through the wringer. The pacing works, and the climax of the film is appropriately horrifying.

In terms of the social subtext, it's not as explicitly classist as other hoodie horror films. In fact, class isn't really addressed at all, save for the fact that the two protagonists are your typical comfortably middle class, attractive couple. Instead, it seems to play on a more generic fear of kids in general. Granted, a lot of those fears come from the same place as the more class-based examples in stuff like Eden Lake and Citadel, but it's diluted a little bit here into a form which doesn't feel quite as gross.

It's a nasty, mean little film, and a lot of it is stuff you've probably already seen in other home invasion films, but it does what it's trying to do reasonably well.


Eden Lake

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Summary - Jenny (Kelly Reilly), a nursery school teacher, and her boyfriend Steve (Michael Fassbender) head out to a flooded quarry/lake in the English countryside. As they spend the day at the lakeside, they encounter a gang of surly teenagers and their dog who harass the couple. Over the course of several encounters, tensions between the couple and the gang escalate, eventually leading to violence and pursuit through the isolated woods nearby.

Thoughts - If the class subtext in Them was a bit diluted, here it's pure and unfiltered. This film has been described as a "Daily Mail fever dream", and it's not hard to see why. All working class British people are violent, ignorant, short-tempered monsters alongside whom the prosperous, photogenic middle-class couple simply cannot coexist. The film even contains, early on, a radio story about concerns over delinquent youth who have gone bad due to inadequate parenting. Later, Jenny and Steve mock the paranoia that leads to the creation of gated communities, which functions as an ironic setup to what comes later.

On a purely technical level, the film is fairly solid. The villains of the piece are abhorrent, and the central couple is sympathetic enough. Some of the violence is legitimately upsetting (one particular scene comes to mind here). The performances work, especially among the kids in the gang.

It's just...ugh. I'm not sure I can get past the really ugly, reactionary underpinnings of the film. It does complicate things a little by having most of the gang members be reluctant participants, only goaded into things by their psychopathic leader, but it's still very much about trying to scare middle class suburbanites with ideas about "THOSE kids". Its final message about generational violence and abuse, which could have been somewhat redemptive, instead feels like it's just piling on more ugliness.

I dunno. I guess it's fairly good at what it does? It's just that what it does plays out like a Daily Mail editorial.
 
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15) Hush (2016) (Oct 15)

Quick review because this is mandatory and everyone is watching it, right? Anyway… I watched this a day early because I'm dumb. No regrets! I really enjoyed it. A fun little game of cat and mouse where both the hunter and the hunted are shown to be quite clever.

There was
one cheap fake out
I hated and I wasn't crazy about the casting/look of the killer. He looked more like a dufus than calculating and menacing the way he stood around with his mouth agape all the time. Dude, close your mouth once in a while! Did you just graduate from the Molly Ringwald School of Acting?!

Overall, very well done and thank God they didn't go with found footage to hide the lack of budget. Another fine pick from Divius.

Rating:
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out 5 "What's in the basket?"

End of Week Progress Report:
01) The Last Man on Earth (1964) (Oct 1) - 2.5 / 5
02) Black Sunday (La maschera del demonio) (1960) (Oct 2) - 4 / 5
03) A Blade in the Dark (La casa con la scala nel buio) (1983) (Oct 3) - 4 / 5
04) Kill, Baby… Kill! (Operazione paura) (1966) (Oct 4) - 4 / 5
05) Demons 2 (Dèmoni 2… l'incubo ritorna) (1986) (Oct 5) - 3.5 / 5
06) A Bay of Blood (Reazione a catena) (1971) (Oct 6) - 3.5 / 5
07) Delirium (Le foto di Gioia) (Reazione a catena) (1987) (Oct 7) - 3.5 / 5
08) Lisa and the Devil (Lisa e il diavolo) (1973) (Oct 8) - 5 / 5
Bonus 01) The House of Exorcism (1975) (Oct 8) - 1 / 5
09) The Neon Demon (2016) (Oct 9) - 4.5 / 5
10) Tusk (2014) (Oct 10) - 1.5 / 5
11) The Night Evelyn Came Out of the Grave (La notte che Evelyn uscì dalla tomba) (1971) (Oct 11) - 3 / 5
12) The Red Queen Kills Seven Times (La dama rossa uccide sette volte) (1972) (Oct 12) - 4 / 5
13) Rock 'n' Roll Nightmare (1987) (Oct 13) - 1.5 / 5
14) Black Roses (1988) (Oct 14) - 2.5 / 5
15) Hush (2016) (Oct 15) - 3.5 / 5
 

gabbo

Member
#12 A Girl Walks Home Alone At Night
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I've never seen a
vampire
film quite like this before.
The different cultural aspects, the claustrophobic use of close ups to create tension, the feminist themes. I was thrown off by the first half an hour or so, where it seems like a drama of Iranian (via California) slums, but it was certainly worth sticking it out for.

The cast was excellent, with sympathetic performances between the leads, almost Let The Right One In-esque in how tragic it feels with their messed up relationship, though a much more upbeat ending. That said, I don't really see why she DID leave. She had a decent thing going and to give up for Dracula,.... I didn't exactly buy that happening so quickly.

Probably my favourite so far, though not the scariest film. Seriously, I don't think, unless one of the films actually manages to frighten me or stick in my head after watching, will any of the others on my list top this.
 

Steamlord

Member
#24 - Frankenstein Created Woman [1967]

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Say what you will about Hammer's Frankenstein series, they certainly used the premise in some interesting ways that deviate thoroughly from both the source material and the Universal film. Sometimes it works, sometimes it doesn't. The Curse of Frankenstein was only a slight variation on the James Whale classic, with the appearance of the creature and the lab being the biggest differences. The Revenge of Frankenstein was a significant departure, but one that was mildly interesting at least. The Evil of Frankenstein was straight up garbage that tried to return to Frankenstein's roots while also tossing in a bunch of idiotic subplots and some terrible monster makeup. With Terence Fisher at the helm, Frankenstein Created Woman, while certainly not one of the strongest Hammer films I've seen, is definitely a step back in the right direction. There's no doubt that it's cheesy, and it digs more into mysticism than pseudoscience with a strange possession / revenge premise, but for the most part it works reasonably well. It's far from perfect, however, as pretty much the entire first half of the film is just setup, with the exciting stuff only really starting in the second half. It also seemed for a while that it was going to get a bit homoerotic, but they sort of skirted around that issue, and I have no doubt they knew full well what they were avoiding. Hammer films definitely seem to have taken a dip in quality after their Big Three in '57/'58/'59 (though Taste of Fear was very good and there are still some lesser known ones I haven't watched yet), but this is still one of the more tolerable ones so far.


#25 - Friday the 13th: The Final Chapter [1984]

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Final Chapter my ass. I figure I need to power through all the big name slasher sequels at some point, and I didn't even like the first F13 so this will probably be difficult. I've heard 6 is a step up, though, so I'm cautiously optimistic about that one.

This movie doesn't waste any time. It tries to pull you in right away by slapping you in the face with a montage of the first three movies, then briefly depicts the aftermath of Part III, then moves to a hospital for like five minutes before Jason's back at Crystal Lake. Interesting how he just wandered out of the hospital unnoticed... I suppose I should admire them for not just straight-up ripping off Halloween II (which I also hate), but sending him back to Crystal Lake is just going to be more of the same. Anyway, we're briefly introduced to the Jarvises immediately before our obligatory group of dumb horny kids arrives. We see some random person get killed just to keep the braindead viewers interested, no buildup or relevance or anything. From there it's the usual have sex -> go off somewhere by yourself -> get killed without warning routine. In fact, the group of kids is completely irrelevant to the plot of the movie. They do nothing to move the story forward and only serve as filler kills. I think my biggest issue with the franchise as a whole, at least so far, is that it's literally just sudden murder porn over and over with no actual tension or suspense until the final chase. Most of the characters are unaware that there's any danger until they're dead, so we just see them doing dumb shit until they die. The finales are always the best parts of these movies, but they get pretty repetitive too. But I have to at least give the movie points for giving Jason the ol' double tap, something that almost never happens in slashers. But then, this was supposed to be "The Final Chapter." Lol.

I notice my reviews tend to be longer when I dislike a movie.

Letterboxd list
 

GhaleonEB

Member
#14: Cabin the Woods | via blu-ray

Seen it a half dozen times at this point; it's an annual re-watch. I fucking love this movie. The third act is off the charts, and the ending one of my favorite ever. Got to watch this one with my older daughter, as a bonus. She dug it.
 
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18. Phantom of the Opera (1962)
From Hammer. This is probably my least favorite version of the story. It's not nearly as good or polished as the original or the remake from Universal. Nevertheless, it is still a nice take on the Phantom with an original twist all its own.
2/4

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19. Shin Godzilla (AKA Godzilla Resurgence)
A fun but uneven Godzilla effort. Unintentionally funny one moment, super fricking terrifying the next. Even so, it's probably one of the most serious Godzilla movies yet and totally worth a watch if you're willing to put up with the occasionally saggy plot.
2/4

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20. The Last Man on Earth
By far one of the most decent I Am Legend adaptations. I have to admit I enjoyed it much more than the Will Smith version (not to mention it is also a more faithful adaptation.) Some production goofs made it feel a little sloppy (film crew casting shadows; cars driving in the distance), but still a worthy watch thanks to Vincent Price.
2/4

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21. Dark Water
One of the better known entries in the "Dead Wet Girl" subgenre. I think I liked Dark Water more than Ju-on but less than Ringu. The atmosphere was on point. Dark and eerie, just the way I like 'em. And while the dialog and story weren't anything special, the acting was still enjoyable throughout.
2/4
 

ehead

Member
Oct. 12
Halloween (1978)
First time watching (again as an adult). Great film, great soundtrack. I really like it when films leave some mystery to the antagonist.

Oct. 13
Doghouse (2009)
Didn't have any expectations. Surprised to see it was similar to Shaun of the Dead but not that as great.

Oct. 14
Ringu (1998)
I was in elementary when this released and ooh boy, the rumors about this movie was out of control. Anyway, I think it was great, a good example of building up some truly terrifying climax. I have yet to watch the American version.

Oct. 15
Ju On (2002)
Skipped on this when I was younger because the trailer alone kinda scared the shit out of me. A nice collection of some authentic scary stuff. Scary Movie parodies kinda spoiled me though.
 

Aiii

So not worth it
#1 - P.O.V. - A Cursed Film (2012) - 3.5/5
#2 - Satanic (2016) - 0/5
#3 - The Shining (1980) - 5/5
#4 - The Awakening (2011) - 3/5
#5 - Teketeke (2009) - 2.5/5
#6 - Teketeke 2 (2009) - 3.5/5
#7 - The Conjuring 2 (2016) 5*/5
#8 - Southbound (2016) - 2/5
#9 - The Silenced (2015) - 3/5
#10 - Evil Dead (2013) - 3/5
#11 - One Missed Call 2 (2005) - 1/5
#12 - The Neon Demon (2016) - 4/5
#13 - Sint (2010) - 3/5
#14 - Rosemary's Baby (1968) - 5/5
#15 - The Last Man on Earth (1964) - 3/5
#16 - Tag (2015) - 4/5

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#17 - The Invitation (2015)
The main character, Will, and his girlfriend and friends are invited to a formal dinner by his ex-wife and her new SO, after she disappeared from their lives two years earlier after Will and her lost their young son and got divorced. As you would imagine this dinner would be awkward enough with those settings, but an extra level of eeriness is added when their are two new friends joining them and the couple have appeared to have joined some kind of cult down in Mexico during their two year hiatus. Will becomes increasingly suspect of the couples motives and intentions as he tries to deal with finally returning to the house he was raising his deceased son in, as well.

This movie has an incredible atmosphere to it, you can feel the claustrophobic nature of it, helped by masterful performances of the cast, in particular from Logan Marshall-Green and Michiel Huisman, who really help sell the premise of it. The mystery unfolds slowly as the suspense keeps building and Will reaches the breaking point of his emotional return to the house. It's more thriller than horror though, even though Netflix tagging puts it under horror. 3.5 outrageously expensive bottles of wine out of 5.
 

Divius

Member
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#16 - Black Christmas (2006)
A bunch of hot but annoying sorority girls are killed one by one at the hand of a crazed killer that used to live in the sorority house. Fine enough premise, with potential to be great as shown by the original, but the execution of this remake is beyond terrible. Initially the movie spends too much time setting up the killer and his past in both exposure and flashbacks but it never really gets interesting. During these parts I really zoned out and the movie never managed to grab my attention fully again. The direction is boring, the silly jumpscares rarely work and the acting is poor. The kills themselves might be the best thing about this movie and even they weren't that fun. Not nearly enough good kills or extravagant cleavage shots to keep me interested. 2/10
 

Zombine

Banned
Been busy, going to do a quick update of the films I've watched since my last post:

#11

The Thing

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One of, if not my favorite horror-science fiction films of all time. The all star cast, the practical effects, and the sense of isolation and dread that Carpenter crams into this film is extraordinary. If you have never seen this (which is next to nobody in this thread) do yourself a favor and included this on your list.

5/5

#12

Event Horizon

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The "almost" classic space horror film with another allstar cast held back by 90s conventions and a freaking HORRIBLE edit similar to the Alien 3 debacle. Incredibly uneven but still enjoyable. Wish we could have seen the original vision for hell in this film as it was meant to be.

2.5/5

#13

Tucker & Dale vs. Evil

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I really should have known better than to judge a book by its cover. I've seen this movie praised of the years, but the cheap looking direct to video cover kept me from jumping in and wasting my time.

Boy was I ever wrong! This movie is hilarious and charming and genuinely one of the best horror comedy's I've seen since Shaun of The Dead. There is some laugh out loud moments in the film, and it does an awesome job of paying homage to classic horror "moments" in a different frame. What a spectacular movie. Just dive in and watch this ASAP.

5/5

#14

Curse of Chucky

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Another film that took me by surprise. After Seed, which I thought was a piece of shit, I figured I would write this series off for good. Loved this series growing up, but Bride was what I considered to be the downward spiral for Charles Lee Ray. This is, at its core, a traditional Child's Play movie in the same vein as 1 & 2. It sticks to the formula that works, and does quite a bit to add to the lore of the series. I loved it, and look forward to what will happen next.

4/5
 
15/10/16
Film 18
Spider Baby


By far the most straightforwardly enjoyable movie I’ve watched for a very long time, Spider Baby is now pretty much guaranteed to be my top film of the month. I just can’t imagine anything else I’ve got lined up being more entertaining than this. The film tells the story of the Merrye family, an unfortunate tribe who suffer from a condition that causes them to regress into mad, violent, cannibalistic creatures as they grow older. When some distant relatives, unaffected by the illness, come to the Merrye’s isolated house armed with a lawyer to claim their rightful inheritance, things go all kinds of crazy.

Everything about this film is wonderful. Beautifully shot and brilliantly acted, its comedy and its horror are perfectly balanced. Lon Chaney Jr gives an outstanding, tender-hearted performance as Bruno, the loyal family chauffeur, trying to keep the family safe following the death of his master, while Quinn Redeker is hilariously appealing as the friendliest of the gold-digging relatives.


The stars of the show are the three deranged, inbred children though - the mute and cheerfully cracked Ralf, played by a very young Sid Haig (proving he was already well at home in a family of psychos right at the beginning of his career); Beverley Washburn’s bitchy, spiky Elizabeth, notionally the responsible one of the trio but really just as crazed as her siblings, and Virginia, the spider baby of the title. Virginia is obsessed with arachnids, going so far as to stalk and eat bugs, and has her own netting web that she ensnares the unwary within, prior to ‘stinging’ them with a pair of large kitchen knives. Jill Banner’s impish, alarmingly alluring performance in the role is a real highlight.


I’ve already watched this movie twice, and I can see myself watching it again before the month’s out. It’s got so many great little touches, like
Chaney singing the monster-mash-like theme tune over the 60s kids cartoon style opening credits, or the dinner guests raving about various horror movies that Chaney himself starred in earlier in his career (and his deadpan ‘There’s going to be a full moon tonight’ response), or the ‘goodnight daddy’ nod to Psycho, or the pet tarantulas called Winifred and Barney, or Ralf’s peeping tom antics and his travels in the dumb waiter, or the roast ‘rabbit’ (actually a cat) and the salad of weeds, or the extended family living below stairs, their horrors glimpsed just briefly, or the slimy lawyer with his Hitler moustache, or the fucked up taxidermy,
or any number of other awesome little moments. It all adds up to an amazing experience.


Anyway, this is more than I usually write about the films I watch, and to be honest I could go on. Instead I’ll just say that Spider Baby is my brand new all time favourite movie, and I’m very grateful to Fancy Clown for posting about it earlier in the thread, otherwise I might never have given it a look.

Films I've watched so far
 
Oct 15

Had myself a Lucky McKee marathon, part 1 of 2 Lucky McKee marathons.

18. All Cheerleaders Die 2013
Weird, strange and funny... It's an enjoyable movie, some nice violence, and rare LGBT leads (though if it is exploitative or male gazey is entirely up to you). Movie starts pretty on the level but gets absurd even faster, very much in the same vein as John Dies at the End or Tucker and Dale vs Evil. It's a fun romp if you don't mind intentional stereotypes of cheerleaders and an off kilter tone.

19. The Woods 2006

Fantastic film, absolutely phenomenal, it's creepy, it's well paced, it's got a great slow burn but withut it being a slog. It's fun seeing Bruce Campbell not play a straight up badass or wanna be badass, and it's fitting he's in this since a lot of the horror imgery is straight up evoking the Evil Dead haunted woods sequences. Patricial Clarkson is great and the lead woman is as well. Anyone who watched Continuum look out for the lead character from that as a blonde teenage girl, blew my mind when I found out it is her, she looks completely different. Listen for my girl Angela Bettis as the voice of the Woods

20. The Woman 2010

The most fucked up movie I've watched yet.... It's unnerving, disturbing, and honestly effective because the horror is human behaviour, the horror is misogyny. Angela Bettis knocks it out of the park again and the woman playing her oldest daughter is fantastic too. This movie is straight up fucked up, not surprising given it's based off a Jack Ketchum book, that dude's got issues lol. I recommend it but if like domestic abuse and extreme portrayls of misgoyny make you uncomfortable maybe skip it, otherwise if you can deal the ending is fuuuuuuuuuuuucked, and the end credtis scene makes zero sense. Oh ad the editing is top notch, some great rhythmic editing in this one,


I know take the time to once again recommend that anyone who hasn't seen Lucky McKee's May to please watch it, it's outstanding, probably my favorite horror flick.
 

Linkhero1

Member
September 29 - Southbound
September 30 - The Conjuring 2
October 1 - The Cottage
October 2 - Night of the Creeps, Friday the 13th Part VIII: Jason Takes Manhattan
October 3 - Clown
October 4 - Splice
October 5 - Trollhunter
October 6 - Krampus
October 7 - Night of the Comet
October 8 - Hush
October 9 -The Funhouse Massacre, Baskin, Black Sabbath
October 10 - The Fog (1980)
October 11 - The ReZort
October 12 - Splinter
October 13 - The Hallow
October 14 - Tales of Halloween

October 15 (Double Feature)
The Visit
The mother in the film ran away from her parents to be with her lover. They had two children, but he eventually leaves her for another woman. Fast-forward to years later and after not having spoken to her parents in over a decade, they reach out to her because they wan to see their grandchildren. The mother sends off her children to stay with their grandparents for a week and things get freaky. This is horror film by M. Night Shyamalan, so your mind already begins to think of what the twist could be, and it's fairly obvious from the first half hour of the film. Still, even knowing what the twist was, I thought this film was enjoyable. I do recommend checking it out, but it's not all that great.
Rating: Check it out if you're bored

The Mummy (1932)
I'm trying to catch up on my monster film backlog and this was one was on top of the list. This was a first time viewing for me and I really enjoyed it. Boris Karloff is the fucking man. Are the other Mummy films worth checking out?
Rating: Must Watch
 
16/10/16
Film 19
Hush


My first rewatch of the month, Hush is an entertaining, suspenseful movie, with an extremely appealing protagonist. So many horror films have you rooting for the bad guys from pretty much the word go, because the good guys are so stupid and unlikable. This is definitely not the case with our brave and resourceful hero Maddie, who is excellently portrayed by co-writer Kate Siegel.

I liked
the multiple ending scenarios playing out like the movies in her head she talked about when discussing her novel earlier in the film.
I didn’t like
the fact that the bad guy took his spooky mask off so early in the movie, though conversely I was glad he just looked like a average, regular guy underneath it, despite being not even vaguely average.

Overall, very enjoyable.

Films I've watched so far
 

Quikies83

Member
Got some serious catch-up done this weekend :)
* Signifies first watch

* Frankenhooker - absolutely loved it 5/5

The Faculty - with a solid cast, still a fun watch today. 3/5

* Tucker and Dale vs Evil -- laughed my ass off. The lady friend loved this one. 4/5

The Witch - just as good as when i saw it in theaters. 5/5

Tonight we are gonna stay with the horror comedy theme and watch Grabbers or Housebound, neither of which we've seen.
 

GhaleonEB

Member
Got some serious catch-up done this weekend :)
* Signifies first watch

* Frankenhooker - absolutely loved it 5/5

The Faculty - with a solid cast, still a fun watch today. 3/5

* Tucker and Dale vs Evil -- laughed my ass off. The lady friend loved this one. 4/5

The Witch - just as good as when i saw it in theaters. 5/5

Tonight we are gonna stay with the horror comedy theme and watch Grabbers or Housebound, neither of which we've seen.

Housebound!
 

MattyH

Member
with black mirror series 3 dropping next week i figured its a great time to revisit #16 Dead Set Charlie Brookers big brother of the dead masterpiece and for you peeps in the US its on Netflix albeit in the 5 part version rather than the dvd 2 and a half hour version
 
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22. Waxwork II: Lost in time

I'm actually writing this as I watch the movie (20 minutes left), but I can already tell I'm not missing much by not paying attention. Dear lawd, this movie is painfully bad... and not even bad in a "so bad it's good" sort of way. In addition, it's just too tediously long for what it's trying to accomplish . All the cameos in the world could not save it. What the hell happened? The original wasn't amazing, but it was at least silly fun.

1/4 stars
 

lordxar

Member
The Burning was kind of boring once things got set up. Those sheers on the cover, yea that's about the only tool used in this. It was an ok enough movie I guess.

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The Burning was kind of boring once things got set up. Those sheers on the cover, yea that's about the only tool used in this. It was an ok enough movie I guess.

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But it has George Costanza! With hair!

I enjoyed it when I saw it a few years back. It's interesting to see another summer camp slasher during the early days of Friday the 13th, and those Savini effects....man.
 
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