always saw "get over it" said to someone who is repeataly upset or complaining about something, when I was just curious and poiting it out. But whatever, I think I'm just getting too old for the internet.
Thats my understanding of "get over it." Its like saying "deal with it."always saw "get over it" said to someone who is repeataly upset or complaining about something, when I was just curious and poiting it out. But whatever, I think I'm just getting too old for the internet.
For some reason most streaming services (Netflix, Hulu, Amazon) have all decided to refer to first run exclusive shows as originals. It's what they're called now, get over it.
I fucking love Sunny. First few season are amazing. Then, they kind of lost their way a bit, but found their way back to being good. Until the last two seasons. I think the last two season have been absolute shit outside of an episode or two (Mac and Dennis Move to the Suburbs was fucking great). I'm pretty okay with the show ending after the last season in particular.
That doesn't seem easy to do in a swimming pool.
There is a new potential suitor for canceled ABC comedy series Last Man Standing. CMT, which carries reruns of the Tim Allen-starring sitcom, has engaged in conversations with the studio behind Last Man Standing, 20th Century Fox TV, about possibly ordering original episodes. The talks are preliminary, exploring the financial feasibility of producing the series for CMT. A deal is considered a long shot though not impossible.
While the studio has reached out to the writers on the show, who had all left to pursue other jobs, the cast has not been approached about extending their options, which expire in two weeks. Depending whether talks with CMT progress, the studio would likely move to pick up the actors if there is a reasonable chance for a deal.
We also hear theres potential for adult Hope to snag her own spinoff, though neither The CW nor Warner Bros. TV would comment on that either.
Are you talking about their shows they acquired through acquisition?For some reason most streaming services (Netflix, Hulu, Amazon) have all decided to refer to first run exclusive shows as originals. It's what they're called now, get over it.
It varies, some of the shows they go in and co-produce early on, some they acquire for distribution, and the weirdest one is when they become co-producers after the fact (mind you, it's not just Netflix who do this) by heaping money on the producers until they get a credit. But generally yes.Are you talking about their shows they acquired through acquisition?
Are you talking about their shows they acquired through acquisition?
Showtime only put Twin Peaks episodes 3 and 4 up early on their streaming service right?
I see episodes 3 and 4 each got around 195K viewers while episode 5 had around 250k and 6 had around 270k viewers. A little bit of an uptick but still not amazing. It would be interesting to see if the streaming numbers held up.
If you watch stuff like Better Call Saul or Fargo through netflix in countries other than US, it does not mention FX AT ALL and only says "A Netflix Original Series" in huge letters at the beginning. So any foreign viewer will simply assume BCS and other shows are simply made by Netflix.
Its amazing branding and crazy how Netflix is getting away with it, I guess FX doesn't really care that overseas viewers don't know who they are but it definitely is adding to Netflix' prestige, internationally.
I'd say Agents of Shield or iZombie hold that title.It's the best comic book thing on TV right now. That's how low the bar is these days.
I have a total bias against VR/holodeck/time travel stories because they typically become the science fiction equivalent of "it was all a dreeeeeeeeeeeam" stories, so I probably was never going to like the VR arc.Going to have to disagree. Came back to the show after i heard it got better (dropped it early S3) and both the Ghost Rider arc and the Framework arc were great. S4 ended strong enough for me to be there day 1 for S5.
I tried to get into iZombie but I couldn't after it was clear the Spike-clone was evil and she was too dumb to notice it. Dramatic irony works sometimes, but when it makes the main character look completely incapable, it just takes me out of the experience.I'd say Agents of Shield or iZombie hold that title.
Will fans have to send tomatoes to Showtime to get them to save the show?IDUH is still an absolute catastrophe--it got the same sub-Roadies 0.03 demo rating for its second episode. At this point I'm sure Showtime just wants this summer to be over.
I'd say Agents of Shield or iZombie hold that title.
The Ghost Rider arc anyway is probably the best thing they've done. But mostly because they stopped trying to pretend it was #allconnected and just did their own thing with their own superhero.I just finished season 3 of Agents of SHIELD and really enjoyed that. How does season 4 hold up? Was it as good as season 3?
I just finished season 3 of Agents of SHIELD and really enjoyed that. How does season 4 hold up? Was it as good as season 3?
I tried to get into iZombie but I couldn't after it was clear the Spike-clone was evil and she was too dumb to notice it. Dramatic irony works sometimes, but when it makes the main character look completely incapable, it just takes me out of the experience.
Yeah, got like five episodes in and the "evil Zombie" shows up around then (I call him Spike clone since he apparently asked the guy who played Spike about bleaching/dying his hair for the role, according to wiki anyway) and she still doesn't notice that he's clearly evil so I just gave up.Spike clone? Was that in S1? The show has improved by leaps and bounds since then.
This is probably it, since you basically have to be an Asian TV nerd to know where all the Japanese and Korean shows they brand as "Netflix originals" originally aired. Although I guess with the newer Japanese stuff they're co-pros.If you watch stuff like Better Call Saul or Fargo through netflix in countries other than US, it does not mention FX AT ALL and only says "A Netflix Original Series" in huge letters at the beginning. So any foreign viewer will simply assume BCS and other shows are simply made by Netflix.
Its amazing branding and crazy how Netflix is getting away with it, I guess FX doesn't really care that overseas viewers don't know who they are but it definitely is adding to Netflix' prestige, internationally.
So you are either talking about Blaine who is found out by episode 3 or about Lowell who is actually a good guy...Yeah, got like five episodes in and the "evil Zombie" shows up around then (I call him Spike clone since he apparently asked the guy who played Spike about bleaching/dying his hair for the role, according to wiki anyway) and she still doesn't notice that he's clearly evil so I just gave up.
Netflix Original basically means "timed or permanent streaming exclusivity in this particular region". Which is to say, it has almost no meaning at this point. It certainly can't be used to determine whether Netflix had anything at all to do with production.That's kinda weird that Netflix/Amazon are doing that, though in retrospect Netflix has been doing that for a while
That's kinda weird that Netflix/Amazon are doing that, though in retrospect Netflix has been doing that for a while
Netflix has been doing it literally always.Netflix Original basically means "timed or permanent streaming exclusivity in this particular region". Which is to say, it has almost no meaning at this point. It certainly can't be used to determine whether Netflix had anything at all to do with production.
Netflix has been doing it literally always.
I double checked, the very first Netflix Original branded series was Lilyhammer. And not only was it not commissioned by Netflix, they were not co-producing the first season of it either.
Whaaaaaaa? I'm surprised, but at least there's something for everyone out there these days.I know we were all laughing at it a while back, but Blood Drive on Syfy (the grindhouse thing where cars run on blood) is actually getting pretty decent reviews...
http://www.metacritic.com/tv/blood-drive/critic-reviews
You won't tempt me, Mr. Hunk!I know we were all laughing at it a while back, but Blood Drive on Syfy (the grindhouse thing where cars run on blood) is actually getting pretty decent reviews...
http://www.metacritic.com/tv/blood-drive/critic-reviews
I know we were all laughing at it a while back, but Blood Drive on Syfy (the grindhouse thing where cars run on blood) is actually getting pretty decent reviews...
http://www.metacritic.com/tv/blood-drive/critic-reviews
I find it odd that they use Netflix Orginal for stuff like that, especially if the shows are not necessarily good. Almost depreciates their value in my eyes and makes it hard to find their actual original shows. I would prefer a different branding, basically a "Netflix Exclusive" for basically everything they don't produce themselves.It varies, some of the shows they go in and co-produce early on, some they acquire for distribution, and the weirdest one is when they become co-producers after the fact (mind you, it's not just Netflix who do this) by heaping money on the producers until they get a credit. But generally yes.
The very first show that Netflix called "A Netflix Original Series" (see this trailer for instance) was Lilyhammer. Which wasn't commissioned by Netflix, but they got the exclusive US distribution rights for.
It's extremely odd. But I imagine your reason is probably the correct one.If you watch stuff like Better Call Saul or Fargo through netflix in countries other than US, it does not mention FX AT ALL and only says "A Netflix Original Series" in huge letters at the beginning. So any foreign viewer will simply assume BCS and other shows are simply made by Netflix.
Its amazing branding and crazy how Netflix is getting away with it, I guess FX doesn't really care that overseas viewers don't know who they are but it definitely is adding to Netflix' prestige, internationally.
Netflix Original pretty much has the same meaning as EXCLUSIVE during the MS E3 press conference.
I find it odd that they use Netflix Orginal for stuff like that, especially if the shows are not necessarily good. Almost depreciates their value in my eyes and makes it hard to find their actual original shows. I would prefer a different branding, basically a "Netflix Exclusive" for basically everything they don't produce themselves.
Oh.Apple is announcing its arrival in the original programming space in a big way with the hire of outgoing Sony Pictures Television presidents Jamie Erlicht and Zack Van Amburg to oversee all aspects of worldwide video programming for the tech giant. The duo will report to Eddy Cue, Apples SVP of Internet Software and Services.
The Originals getting a spinoff is pretty unexpected since that show is on life support for quite some time now. But I guess it's more likely to succeed if it's treated as a brand new show rather than a new season of The Originals with a lot of the cast missing.
Netflix rebooted One day at a Time, damn.....
The Originals getting a spinoff is pretty unexpected since that show is on life support for quite some time now. But I guess it's more likely to succeed if it's treated as a brand new show rather than a new season of The Originals with a lot of the cast missing.
CW getting desperate maybe? Better try a spin-off than another No Tomorrow?
Please note the difference between producers hoping and The CW ordering.
Their sub numbers are in the low 6 figures? Hmm. I'm going to stand firm with my theory that Sesso is almost completely supported by the comedians that have shows on there and their friends watching the shows they're creating. It's like YouTube, but just the L.A. comic scene lol.
Justified is pretty good.
Justified is pretty good.