-
Hey, guest user. Hope you're enjoying NeoGAF! Have you considered registering for an account? Come join us and add your take to the daily discourse.
Spring Anime 2013 |OT -7| My Giant CG Pony Can't Possibly Read This Much Baudelaire
- Thread starter Brazil
- Start date
- Status
Something that left you in disgust? like "something that this bad can happen"
If I see bomb victims with severe wound, I know I would scared and disgusted, even if I'm crying its because the said feeling not because "Its sad"
And that's actually one of scene in GotF. The protagonist portrayed with didn't cry either at that scene
Maybe he wants to take it home with him without the baggage that is the rest of her.
ZachDeKoromaru
Banned
Maybe he's a hair racist and only likes short hair. I couldn't blame him.
Chet Rippo
Member
What is hair without a girl to flick it around?
Superglue+Realdoll=Profit
Well, yeah. I doubt even the people who describe it as an emotional experience would 'cry' at that scene, either.
I'm not trying to single you out for anything, it's just that I've seen the 'You shouldn't crying at that movie, even the director said the same' stuff a few times around here but no one ever links me to anything. The closest thing I can remember is the author talking about how he'd felt relieved when his sister died.
its a little sad.
Jex
Member
Hey now that's a lot of hard work!
PoeticProse22
Member
From the New World 14
Though quite expository in nature, this was a great episode and one of the most melancholic so far, and certainly, aside from the fourth, the most revelatory. As such, this episode effectively served as a thoroughly intriguing transition away from the methodical examination of a diseased society, as it appears likely that the following episodes and the final arc, in particular, will gradually deviate from the enigmatic nature of the narratives development into a focus that explores the
, whether by the seemingly
. Not to mention, this episode was suffused with a menacing atmosphere that illuminated an unsettling inevitability for a particularly
, as their
; a rather necessary consequence to the disturbingly
.
One of the most effective moments was Sakis
. This scene perfectly captured the
that were deeply felt by both, elevated even further by the wistful musical selection that was used throughout.
Sakis
was quite satisfying, since, for the first time, her individualistic inclination towards
, though, of course, this
. As such, it was a rather significant and quite inevitable development for her characterization, as she appears to have willfully
. One particular moment that appeared to be subtly integral, with regards to foreshadowing, was
, which was expertly framed, as it drew a parallel to
, likely inferring that the final vestiges of
, as their
have transitioned into dichotomous entities.
Maria and Mamorus seemingly intertwined
, as a certain
. This element within their mutual development was illuminated even further by the scene in which
, culminating with the shot of
. The momentary focus on
. These sentiments were strongly echoed in the final shot, as the camera fleetingly dwelled on
, yet, following the preceding revelations and in combination with an
, the exceedingly
was distinctly accentuated, which was a fantastically chilling note to conclude the episode on.
Though quite tenuous and only implemented in a rather vague manner, Im enjoying the slow and nearly imperceptible maturation of
, most evidently illustrated by
. This complexity certainly hasnt truly evolved into a
, but the intermittent touches of depth seem to quietly foreshadow an eventual furtherance of
. As such, it appears rather likely that their interesting dynamic will be explored quite heavily in the future, due largely to
.
Tomiko and Sakis conversation was immensely intriguing, as it touched upon a plethora of deftly foreshadowed revelations. The most compelling of which was the unexpected insight into
, which logically reconciles several seeming inconsistencies in
. One of the most effective directorial flourishes was the cut to a still of
directly following
. It established a potential implication that suggests they will, in some fashion,
. The momentary mention of
was highly interesting, as was
.
One of the most impressive and consistent aspects of the show is its writing, displayed most strongly by the meticulous construction of a narrative that rarely, if ever, falters in its ability to strongly convey the deeply disturbing intricacies of their society and the numerous terrors within their unfortunate existence as
. It continuously manages to properly foreshadow and consequently allude to a litany of essential elements that allow for a deliberate unraveling of the numerous mysteries within the story. As such, there was an abundance of compelling revelations within this episode; several of which had only been previously foreshadowed in a seemingly inconsequential manner. Rather than this partially necessary minutiae remaining forgotten though, this episode, in particular, illuminated the subtlety with which they were ingrained into the narrative.
The direction was consistently solid, particularly in its rather deft handling of the material in this episode, which was permeated with a plethora of expositional conversations. Yamauchis storyboarding was quite strong throughout the episode as well, particularly during the conversation between
. Though his direction improved immensely for the tenth episode, especially following his thoroughly poor attempt in the fifth, the stylistic consistency of the show would have benefited considerably without the inclusion of his surrealistic expressionism. Visually, this episode was a bit stale and uninspired, particularly due to the singular location that comprised much of the episode, but, thankfully, it wasnt heavily detrimental. The exterior environments do, however, possess a desolate beauty thats quite effective in mirroring the dreary nature of their struggles.
The animation was rather unspectacular, but, due to the prevalence of
throughout much of the episode, it didnt become any sort of constraint. However, it impressed in its ability to properly illustrate a myriad of emotionally nuanced expressions, which was rather beneficial to nearly every conversational moment throughout the episode, particularly
. Musically, this episode, similar to most others, was superb, as nearly every individual selection illuminated a highly effective and appropriate atmosphere within the scenes they were accompanying. The opening sequence, in particular, benefited greatly from the choral arrangement that was woven into this
. I especially loved the slightly altered version of a previous selection that was used during
.
All in all, From the New World, despite its inconsistencies, excels with its portrayal of a
, which is largely due to the terrific writing. Though the last episode was occasionally dull and poorly paced, it thankfully doesnt appear to be indicative of the sort of quality that will persist throughout the conclusion to this arc. This, of course, is wonderfully illustrative of a considerably more satisfying cohesion and consistency, since, aside from the mediocrity of the previous episode, all others within this arc have been quite compelling and surprisingly suffused with numerous intriguing and largely integral developments. This presents a welcome dichotomy to the first arc, which was unnecessarily tarnished by a seeming necessity for a repetitive focus on several fairly inconsequential tangents, along with a decidedly disappointing narrative execution. The next episode looks quite interesting, particularly due to
.
Though quite expository in nature, this was a great episode and one of the most melancholic so far, and certainly, aside from the fourth, the most revelatory. As such, this episode effectively served as a thoroughly intriguing transition away from the methodical examination of a diseased society, as it appears likely that the following episodes and the final arc, in particular, will gradually deviate from the enigmatic nature of the narratives development into a focus that explores the
actual destruction of said society
imminent war with the queerats or the humans themselves
nihilistic progression within the narrative
decayed society is approaching a deeply sinister turmoil
ritualistic cruelties theyve commonly accepted as mere sacrificial trifles that are essential for their civilization to properly survive
One of the most effective moments was Sakis
fleeting reverie that was beautifully woven into her questioning, in which Mamoru spoke to Maria of his necessary isolation from their civilization, only to then be quieted by a tearful assurance from Maria that shell permanently accompany him wherever he goes
fatalistic emotions
Sakis
defiance at the hearing
rebellion was outwardly displayed for the committee to witness
hesitancy was also derived from a desire to protect Mamoru
shed the dreadful constraints that had been carefully manipulated into her existence
Sakis illusory remembrance of intimacy between her and Maria
Maria and Mamorus presently felt embrace
Saki and Marias romantic relationship were slowly disappearing
fates
Maria and Mamorus seemingly intertwined
fates increasingly appear to be lingering on the precipice of tragedy
futility within their existence is edging ever closer, threateningly directing their lives towards an uncertain, but ultimately deteriorated future
Saki and Satoru separate from them
their withering figures tightly grasping onto one another as Saki departs
Marias forlorn expression and the movement of her mouth as words of farewell silently escaped from her lips possessed a distinctly sorrowful and partially veiled finality
Marias face once more
auditory isolation of the last word she spoke
bleak nature of her future
Though quite tenuous and only implemented in a rather vague manner, Im enjoying the slow and nearly imperceptible maturation of
Saki and Satorus relationship
Sakis abandonment of caution in her desire to follow Satoru on his potentially dangerous excursion
romantic sort
their relationship
Maria and Mamorus potentially lasting isolation apart from them
Tomiko and Sakis conversation was immensely intriguing, as it touched upon a plethora of deftly foreshadowed revelations. The most compelling of which was the unexpected insight into
Tomikos age of 267
her earlier conversation with Saki
Maria and Mamoru huddled together
Tomikos foreboding utterance of humans having become the most dangerous threat to their society
initiate the destruction of their society
Telomeres and the manner in which their corrosion eventually induces death within their society
Tomikos ability to continuously regenerate them
One of the most impressive and consistent aspects of the show is its writing, displayed most strongly by the meticulous construction of a narrative that rarely, if ever, falters in its ability to strongly convey the deeply disturbing intricacies of their society and the numerous terrors within their unfortunate existence as
unintentional creators of societal devastation
The direction was consistently solid, particularly in its rather deft handling of the material in this episode, which was permeated with a plethora of expositional conversations. Yamauchis storyboarding was quite strong throughout the episode as well, particularly during the conversation between
Saki and Tomiko
The animation was rather unspectacular, but, due to the prevalence of
mere conversations
Marias farewell to Saki
melancholic parting
Tomikos exasperated explanation of a fiends abilities and the consequences of their presence in the world
All in all, From the New World, despite its inconsistencies, excels with its portrayal of a
corrupted and desolate society thats edging ever closer to an irreparable ruination
the return of Squealer
I really hope you watched the OVA and not the movie version.
At least he isn't smelling it.
I enjoyed it even though it clearly had problems, the entire arc after Balbadd closed the show on a much higher note I think. I had a lot less negativity for it since I haven't touched the manga yet. Now I can go read the manga and feel upgraded instead of coming from manga to anime.
I don't know. Anime is a vast field with a small name pool, judging by Gundam 00.
So we are talking about that Nia? Then I stand by my statement.
Mobile Fighter God Gundam FINAL
See, after seeing this episode, I cannot in good faith agree that ditching this arc costs G Gundam nothing in SRW games. This wasn't in J at all, and frankly, I feel robbed of 2-4 good levels.
Now, some of you will look at this and ask, "What does this have that other, similar arcs do not? How is this supposed to be better than Akito and Yurika, or Simon and Nia, or
Sagara and Chidori
To you I say: It doesn't matter. Sometimes you can do the exact same thing that other shows have done, without offering anything new, and be just fine, because what you did was legitimately good, and this was, in fact, legitimately good.
Domon's romance with Rain, I am told, is fairly typical, and comparing it with other mecha shows, I can see why people might say that. But it was still genuine. Domon's speech to Rain/Dark Gundam at the end of the show was the culmination of a very solid amount of work done in the last ten to twenty episodes, which in turn built on the rest of the show. Rain's, shall we call it a Cosmic Suicidal Temper Tantrum? was the end result of Domon's mistreatment, which in turn had culminated in his snapping at her over the whole Allenby ordeal. The revelation that her father had used her to do all of this, and that her father's petty jealousy had ruined her relationship with Domon and done so much damage to people she knew and loved made her breakdown understandable.
In these episodes, Domon's romance, while perhaps not being anything fantastic in the greater realm of fiction, managed to mock any petty "love" AGE ever entertained, spit on the ridiculously preposterous non-romance of Setsuna and PMI, and left the likes of Relena and Heero and Kira and Lacus eating the dust. And, lest I be reprimanded, it ground Kou and Nina to dust and, unlike Shiro and Aina, was enjoyable.
Mostly this says that romance in Gundam tends to be terrible (Shinn x Stella, anyone?), so that this should take center stage for the show's finale, be enjoyable, and prove to be a natural extension of the characters and their development over the course of fifty episodes was well worthwhile.
Where other Gundam shows need a second season or movie to cram in this extra plot, G Gundam did it in something like 4 episodes (approx the length of a movie.) The stinger at the end "See you in Gundam Fight 14!" hurt like no other.
Now, the most awesome part, though, was the ridiculously amazingly over the top final blow. Dark Gundam finally goes full on nightmare mode with like a million new teeth, and Rain is free, and Domon, ever the gentleman, TURNS HIS CAPE INTO A TANGO DRESS. Which is reminiscent of a major spoiler from FF Type-0, which, as I do not know how to hide images, I will only say looks a lot like Domon and Rain's floating in a massive red cape sequence.
THEN THEY FIRE A HEART SHAPED FIREBALL AT IT AND A MASSIVE KING OF HEARTS SHOWS UP.
So that wraps up the finale. The show was simply the best Gundam I've ever watched. The cast was tight-knit and limited, unlike some of the more bloated recent series, and the main characters and villains developed or were revealed in a reasonable and understandable manner. Even though I hate Allenby's guts, I even understood her purpose in the end.
And of course, it was all worth it to see Domon finally spit it out that he loved Rain.
Chet Rippo
Member
That's the only way it would be interesting.
firehawk12
Subete no aware
Yeah, that's what left me with such a great feeling about the series at the end. It didn't feel like it came out of nowhere. Instead it felt like the culmination of the entire run (as it should) as Domon & Rain's relationship is finally resolved and Domon is forced to admit to himself he can't go any further on his own.
cosmicblizzard
Banned
Ah shit, Crime Edge aired? Guess I have to watch that now 
Oh absolutely. I imagine I'd also have a higher opinion of it were I not familiar with the manga.
Oh absolutely. I imagine I'd also have a higher opinion of it were I not familiar with the manga.
Awww shit.
Hair Fetish 1
I guess it's better than the spit fetish anime?
what show is this?
Their boobs are noticeably larger than their head. Perhaps I should watch this.
Or not. Not so much a time issue as a ADD issue.
cosmicblizzard
Banned
Dansi Bunri no Crime Edge. It's based on a manga I remember liking, yet I can't remember a single thing about it.
Chet Rippo
Member
Out of the main group, she's probably my favorite.
PdotMichael
Banned
cosmicblizzard
Banned
Saint Seiya Omega 51
Cool looking stuff happened. Should just end it here, but nope, Toei found a new cow.
Cool looking stuff happened. Should just end it here, but nope, Toei found a new cow.
Doesn't work with multiquotes.
Yep that's exactly how I felt about the show, fell from entertainment with a capital E to getting dropped like it was hot.
firehawk12
Subete no aware
My Little Pony 1
Let Twilight be sexy Sawashiro.
Let Twilight be sexy Sawashiro.
Rhetorical question?
It's probably the iconic scene of the franchise.
Hair Fetish 1
I guess it's better than the spit fetish anime?
NisioIssin got his own anime?
Chet Rippo
Member
Little Witch Academia
Animation was obviously pretty good, but the story flowed great as well. It really liked to use foreshadowing a lot. Though one thing I didn't get is why did
?
Well in any case, it was enjoyable.
Why did no one tell me Yoko Hikasa was in this? I would have watched it sooner.
So, it's those kind of witches.
Animation was obviously pretty good, but the story flowed great as well. It really liked to use foreshadowing a lot. Though one thing I didn't get is why did
that staff work on the dragon when it absorbed all other kinds of magic
Well in any case, it was enjoyable.
I suppose they can get away with it since they are witches.
I'm glad you enjoyed it. G was -and remains- one of the most entertaining anime I've ever watched, but at some point the series really does become its own thing and not very much of a Gundam show in the traditional sense. There's absolutely nothing wrong with that, since it is quite a breath of fresh air after all, but the distinction is clear.
Curiously enough, the director himself originally expected to work with a more straightforward Gundam premise too, so it's definitely fortunate and a sign of his talent that he managed to pull off something so great within the constraints Bandai/Sunrise put on him, considering going for such a different approach was never really his first choice. In fact, I'd argue the property itself could really use another project along those lines in this day and age, in light of the failure of the most recent alternate universe series, despite the incredible success (and sheer quality) of Gundam Unicorn's nostalgic Universal Century-based approach. I'm sure The Origin will be great too, but there should still be some room left for well-executed unorthodox ideas.
Man, writing all of this sure makes me want to go watch G again.
Chet Rippo
Member
The fact that I rank them in that order is purely coincidence...
It worked for me.
But if that were the case,
why didn't they just let the dragon eat the magic stone and let it kill itself from that?
Sorcerer's Stone is a slow absorb (like a Tum's pill) while the Shiny Arc is a compressed magic explosion (like downing a whole bottle of Bisocodyl laxative), I guess.
I interpreted it as
Chariot's staff being a different, flashier form of magic than tradition
Or maybe the dragon's just vulnerable to fireworks
Or maybe the bow's entire purpose is just to turn dragons into fireworks
Magic, man. You dunno how it rolls
Or maybe the dragon's just vulnerable to fireworks
Or maybe the bow's entire purpose is just to turn dragons into fireworks
Magic, man. You dunno how it rolls
Chet Rippo
Member
They do keep going on and on about her magic being fake or cheap tricks, so I was thinking it had something to do with that, but then you see it absorbing magic power from the Sorcerer's Stone, so I really don't know.
The North star gems on the staff acted as huge batteries to get as much magic as possible from the Sorcerer's Stone. These serve as compressed magical explosions that burst out to emulate fireworks. So they kinda work on magic absorbing dragons as they release a ton of magic in one go. Much more than it could absorb normally.
I never interpreted that as saying
I guess it's the kind of thing they could expand upon later, but in the context of the story as-is it's narratively satisfying so the actual explanation doesn't really matter
that Chariot's magic wasn't actual magic - I mean, you explicitly had the stage show at the beginning where she rolls in on a star, dances her staff around and then turns it into a broomstick. It's clearly magic, it's just not really their kind of magic, I think.
I guess it's the kind of thing they could expand upon later, but in the context of the story as-is it's narratively satisfying so the actual explanation doesn't really matter
- Status
Similar threads
- Locked