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10 Films To See In October (what are you watching?)

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With awards season continuing, October sees more high-quality prospects and a few likely low-quality scary flicks in time for Halloween. One clear must-see stands above the rest. Check out the list below.

See:

10. Red (Robert Schwentke; Oct. 15th)



Synopsis: When his idyllic life is threatened by a high-tech assassin, former black-ops agent Frank Moses (Willis) reassembles his old team in a last ditch effort to survive.

Trailer

Why You Should See It: We've seen The Losers, The A-Team, and The Expendables this year. Now the all-star older generation action flick is here. Willis, Malkovich, Freeman and Mirren headline what should be a fun, mindless romp.

9. The Company Men (John Wells; Oct. 22nd)



Synopsis: A drama centered a year in the lives of three businessmen (Affleck, Cooper, Jones) who look to what's next in their lives after being laid off by their company.

Trailer

Why You Should See It: Veteran indie producer John Wells makes his feature directorial debut with this tale of economic collapse. A stellar cast and solid Sundance Film Festival response make this a top pick.

8. It's Kind of a Funny Story (Anna Boden & Ryan Fleck; Oct. 8th)



Synopsis: A clinically depressed teenager (Gilchrist) gets a new start after he checks himself into an adult psychiatric ward, where he bonds with one patient (Galifianakis) and sparks with another (Roberts).

Trailer

Why You Should See It: Coming off two of my favorite films in the previous decade, Half Nelson and Sugar, I was looking forward to Boden and Fleck's comedy/drama. It doesn't quite hit the high notes of their previous work, but there is a lot to admire. You can check out our TIFF10 review here.

7. Carlos (Olivier Assayas; Oct. 15th)



Synopsis: The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.

Trailer

Why You Should See It: This 5.5 hour epic is getting downgraded to a mere 2 hours and 20 minutes for a theatrical release. We aren't sure how that will translate, but the original cut is worth the time put it in. Check out our NYFF10 review here. Sundance Channel will be premiering the whole thing later this year as well.

6. Freakonomics (Oct. 1st)



Synopsis: A handful of documentary filmmakers explore the subject of incentive-based thinking.

Trailer

Why You Should See It: Steven D. Levitt‘s bestselling book was turned into a documentary and features sections by Morgan Spurlock (Super Size Me), Alex Gibney (Enron: The Smartest Guys in the Room), Rachel Grady and Heidi Ewing (Jesus Camp), Eugene Jarecki (Why We Fight) and Seth Gordon (The King of Kong). If that all-star line-up doesn't get you excited, check out our Tribeca review.

5. Jackass 3-D (Jeff Tremaine; Oct. 15th)



Synopsis: Johnny Knoxville and company return for the third installment of their TV show spin-off, where dangerous stunts and explicit public displays rule.

Trailer

Why You Should See It: The footage screened at Comic-Con and Fantastic Fest have proved the boys are back with vengeance. It's going to messy, ridiculous fun...all in 3D.

4. Let Me In (Matt Reeves; Oct. 1st)



Synopsis: Owen (Smit-McPhee) is an alienated and bullied 12-year-old who builds a tentative friendship with his mysterious new neighbor, Abby (Moretz). Only socializing at night and seemingly immune to the winter climate, Abby reveals her true nature to Owen after her father (Jenkins) disappears and a series of murders grips their town.

Trailer

Why You Should See It: While I didn't love this adaptation, it certainly is something special for one that hasn't seen the original. In fact, it may be one of your favorite films of the year.

3. Monsters (Gareth Edwards; Oct. 29th)



Synopsis: With half of Mexico serving as an alien quarantine zone, an American journalist (McNairy) heads across the border into dangerous territory to find his boss's daughter (Able) and bring her back home.

Trailer

Why You Should See It: Currently available on demand, this relationship drama with hints of sci-fi is being heralded for its tiny $15,000 budget. I'm interested to see what newcomer Gareth Edwards has in store and after Cloverfield, I'm all for alien films from this personal perspective.

2. Inside Job (Charles Ferguson; Oct. 8th)



Synopsis: A comprehensive analysis of the global financial crisis of 2008.

Trailer

Why You Should See It: Narrated by Matt Damon, this doc has been getting fantastic reviews across the board for its in-depth breakdown of our recent economic downfall. Forget Saw 3D or Paranormal Activity 2, this is the scariest film of the month.

1. The Social Network (David Fincher; Oct. 1st)



Synopsis: Harvard undergraduate Mark Zuckerberg (Eisenberg) recruits some of his classmates to develop the social networking website, Facebook. The endeavor, however, leads to a messy fallout with friend and co-founder, Eduardo Saverin (Garfield).

Trailer

Why You Should See It: From my review: "Just as Fight Club captured the zeitgeist of the time, The Social Network personifies the fast-paced, free-flowing information network of this generation. Fincher’s technical prowess is unmatched as he brings to life the real hero of the film, Sorkin’s meticulously engineered script. Those that think this is just a by-the-numbers story of Facebook will be gravely mistaken as Fincher’s friend request is one worth accepting." Even after a second viewing, this is one of the absolute best of the year. I'll be in theaters for a third time this weekend.

----------------------------------------------

Matinee:

Tamara Drewe (Stephen Frears; Oct. 8th)



Synopsis: A young newspaper writer (Arterton) -- once an ugly duckling -- returns to her hometown in the English countryside, and causes a stir among the locals.

Trailer

Why You Should See a Matinee: Arterton is one of the most gorgeous leading ladies of recent and has shown talent in her thriller The Disappearance of Alice Creed. Now, she seems to be having a bit of fun in Frears' light comedy.

Secretariat (Randall Wallace; Oct. 8th)



Synopsis: The life story of Penny Chenery (Lane), whose racehorse, Secretariat, won the Triple Crown in 1973.

Trailer

Why You Should See a Matinee: The tale of horse racing looks like painful by-the-numbers Oscar bait, but I'm holding out hope the film takes a different mold than the trailers.

Conviction (Tony Goldwyn; Oct. 15th)



Synopsis: A single mother (Swank) spends nearly two decades putting herself through law school in order to overturn her brother's (Rockwell) unjust murder conviction.

Trailer

Why You Should See a Matinee: As expected, Sam Rockwell shines in this conventional biopic. Like Swank's last Searchlight effort, Amelia, this will likely get forgotten come Oscar time.

Hereafter (Clint Eastwood; Oct. 15th)



Synopsis: A supernatural thriller centered on three people -- a blue-collar American, a French journalist and a London school boy -- who are touched by death in different ways.

Trailer

Why You Should See a Matinee: Eastwood's latest features an excellent initial two-third's that falls flat on its face as the resolution is a frustrating mess. It certainly is a step above Invictus, but you can check out my full TIFF10 review if you are hesitant.

Paranormal Activity 2 (Tod Williams; Oct. 22nd)



Synopsis: Plot unknown -- a sequel to Oren Peli's no-budget blockbuster, in which a couple became increasingly disturbed by a nightly demonic presence in their new home.

Trailer

Why You Should See a Matinee: Can they repeat the success? With the same marketing plan, Paramount certainly hopes so. The trailer definitely scared the piss out of me, so its a step in the right direction.

Nowhere Boy (Sam Taylor-Wood; Oct. 8th)



Synopsis: A chronicle of the early life of John Lennon (Johnson) in 1950s Liverpool, from his relationship with his aunt Mimi (Scott Thomas) and estranged mother (Duff), to the foundation of The Quarrymen.

Trailer

Why You Should See a Matinee: Starring Kick-Ass before he donned the suit, this story of John Lennon makes no mention of The Beatles. Instead we get the often overlooked story of his early days.

Stone (John Curran; Oct. 8th)



Synopsis: A convicted arsonist (Norton) uses his wife (Jovovich) as a device to secure his release by getting her to seduce the aged parole officer (De Niro) in charge of his case.

Trailer

Why You Should See a Matinee: Ho-hum reviews from its TIFF premiere make me a little less excited for this drama, but with De Niro and Norton together I'd recommend eventually checking it out.

----------------------------------------------------------

Expanding from last month:


Buried
Enter The Void
Catfish
Waiting For Superman
Never Let Me Go

Also opening:


Oct 1st:

Case 39
As Good As Dead
Chain Letter
Douchebag
Hatchet II
Leaving
Nine Nation Animation

Oct. 8th:

Life as We Know It
My Soul to Take
I Spit on Your Grave
It’s a Wonderful Afterlife


Oct. 15th:

Carmo, Hit the Road
I Want Your Money
The Trouble with Terkel
Vision

Oct. 22nd:

Inhale
The Taqwacores

Oct. 29th:

Saw 3D
The Girl Who Kicked the Hornet’s Nest
Inspector Bellamy
Monsters
Strange Powers: Stephin Merritt and the Magnetic Fields
Welcome to the Riley’s
Wild Target

What are you watching this month?
 

bjork

Member
Let Me In, and that's probably it for new releases. Gonna try and catch Orphan and Bloodsport at the New Beverly, though.
 

Kabouter

Member
I had no idea they were making a Freakonomics movie, I enjoyed both books, so I'll probably see it eventually.

And the Social Network has the least interesting subject matter of any movie I've heard of in a long time.
 

KHarvey16

Member
Kabouter said:
And the Social Network has the least interesting subject matter of any movie I've heard of in a long time.

It's also regarded by a vast majority as the best film on this list. I'd give it a shot.
 
Monster seems like it could be interesting... but it also seems like that budget wasn't nearly good enough to get convincing CG. I hope that the movie doesn't rely on CG very often or I might have a hard time enjoying it.
 

Bananakin

Member
I always enjoy these lists. Will see Social Network for sure, maybe Red eventually and probably PA2 around Halloween. No avoids this month?
 
Bananakin said:
I always enjoy these lists. Will see Social Network for sure, maybe Red eventually and probably PA2 around Halloween. No avoids this month?

Figured I didn't need to tell people not to see Life as We Know It and Saw 3D. :lol
 

Cosmic Bus

pristine morning snow
Nappuccino said:
Monster seems like it could be interesting... but it also seems like that budget wasn't nearly good enough to get convincing CG. I hope that the movie doesn't rely on CG very often or I might have a hard time enjoying it.

There's barely any (that's readily apparent). It's a 90-minute character drama with a vague sci-fi backdrop; solid, but nothing particularly unique or exceptional in any way.
 

Boogie9IGN

Member
I want to see The Social Network and especially Carlos for sure, though I'll want to watch the full 5+ hour cut later. Red maybe too
 

Empty

Member
only the social network. doesn't come out for a few more weeks over here though, which makes me sad.
 

Wes

venison crêpe
Only The Social Network interests me out of all the films that are out in the UK in October.

November seems to be a good month. A good warm up to a Tron Christmas.
 

gdt

Member
Just The Social Network.

Isn't Buried also out this month? Seeing that as well.

Edit: Oh and Jackass 3D, of course.
 

Tucah

you speak so well
The Social Network
It's Kind of a Funny Story
Let Me In
Jackass 3D

Never Let Me Go too, probably
 
The bold in the OP threw my eyes off. Just bold the name of the movie or something. It's annoying with everything bolded like that.

Jackass 3D and Paranormal Activity 2 for me.
 

otake

Doesn't know that "You" is used in both the singular and plural
All of these are rentals for me. I'm more interested in the documentaries.
 

ToxicAdam

Member
Freakonomics doc looks great, but I have a feeling the subject matter will depress me.


I'm glad I'm not the only one who thought that Secretariat trailer was cringe-worthy. But, that's Disney for ya.
 
Helen_Mirren_Red_Movie_Image_John_Malkovich-600x399-522x347.jpg

:lol

will watch paranormal 2 if i can and expendables again.
 

Bisnic

Really Really Exciting Member!
Only 15000$ budget for Monsters? I haven't seen the aliens yet, but i bet it's nothing too impressive with that kind of budget.
 

Barrett2

Member
Red looks terrible

Company Men looks ok

Jackass looks fun

Let Me In looks good, hopefully as good as the original
 

JayDub

Member
Napoleonthechimp said:
Tamara Drewe is incredibly boring and a prime example of the nonsense the UK Film Council funds.

Its a light hearted comedy set in the english country side.

Please elaborate.
 

Dabanton

Member
I saw Buried yesterday

It was incredibly intense :lol All the more for it being a shared experience with a packed cinema.
 
Kraftwerk said:
Hmm...I'm going to the theater in an hour.its between wall street 2 and the social network.What say you graft?

The Social Network by far. I've seen both and you will get much more out of the latter.
 
Very conflicted about Let Me In. It was very well made with good performances and great music by Michael Giacchino, but on the other hand, it didn't offer much that the first adaptation didn't already. It was a very skewed viewing experience for me because I was really liking what was up on the screen and some aspects were arguably handled a bit better
like Reeve's decision to make Abby look incredibly menacing when she's in "vampire mode"
but some key sequences were better in the original
the swimming pool slaughter is way overdone in this version, Abby's arrival is announced and there's a lot more blood and cinematography antics whereas in the first adapt. it's fantastic because you just see Oskar underwater and the heads falling slowly past him and the camerawork is less OH MY GOD LOOK HOW FUCKING CRAZY THIS SHIT IS
.

But all in all, a very good film and by far the best "remake" type I've ever seen-- it just doesn't offer much if you've already seen the first shot at it and that one does a few things a bit better. The first one had a very amazing, emotional theme track but while Giacchino's theme isn't as good as that one, I felt that Let Me In had a better overall score with fantastic horror-driven cues. That's one area the remake excels in.
 

Dr. Strangelove

I'M COOCOO FOR COCO CRISP!
Kraftwerk said:
Hmm...I'm going to the theater in an hour.its between wall street 2 and the social network.What say you gaf?
Armond White says you should see Wall Street 2 instead. I'd go with that.
 
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